05 - 1 Bai 5 KTDD DAR0252 23032020 Buoi 5 PDF

buổi 5/10
trào lưu hiện đại, xu thế đương đại

và sự kết hợp với các xu thế khác
học phần: lịch sử xu hướng kiến trúc đương đại

mã học phần DAR0252
nội dung buổi: 5/10
Ở buổi 4 chúng ta đã tìm hiểu về quan điểm biểu đạt (yếu tố nội hiện) và hình ảnh biểu thị
(yếu tố ngoại hiện) của kiến trúc đương đại;
Ở buổi 5 hôm nay chúng ta cùng thảo luận về 02 nội dung nói trên; thông qua các ví dụ, nhằm
nhận diện sự kết hợp xu thế đương đại, đồng thời với các xu thế khác;
- quan điểm biểu đạt (yếu tố nội hiện);

- hình ảnh biểu thị (yếu tố ngoại hiện); của xu thế kiến trúc đương đại;
Vấn đề thảo luận buổi 5: cái nhìn tổng hợp: ngoài việc ảnh hưởng từ một trào
lưu, xu thế kiến trúc đương đại còn kết hợp với các xu thế khác: kiến trúc xanh,
kiến trúc bền vững;
t ư liệu tham khảo:

1. https://www.e-architect.co.uk/sustainable-buildings;
Trào lưu hiện đại, và xu thế đương đại,
kết hợp xu thế kiến trúc bền vững
Initially sustainable architecture seemed to be about quite

comprehendable issues such as using ‘natural’ energy eg solar power,
lots of wood and high U values. But as the books and conferences
have multiplied there are now a whole range of issues that architects
are being asked to analyse.
The brief Scottish Natural Heritage required new headquarters to

accommodate their relocation to Inverness as part of Scottish
Executive decentralisation strategy. The challenge was to design and
build a building that could economically meet their highly
sustainability-oriented brief, and create a benchmark for best
https://www.e-architect.co.uk/wp-content/uploads/2010/02/great-glen-house-scottish-
natural-heritage-inverness.jpg practice in sustainable commercial building; [https://www.e-
architect.co.uk/scotland/scottish-natural-heritage]
Great Glen House : Building information from Keppie Design, 2007:
Photos Michael Wolchover, from Keppie Design Feb 2007 https://www.google.com/maps/place/Gr
Google maps eat+Glen+House,+Leachkin+Rd,+Invernes
location s+IV3+8NW,+V%C6%B0%C6%A1ng+Qu%
E1%BB%91c+Anh/@57.4657096,-
Vấn đề thảo luận (5): : ngoài việc ảnh hưởng từ một trào lưu, xu thế 4.273496,325m/data=!3m1!1e3!4m5!3
m4!1s0x488f73930c52b7e3:0x142c3365
kiến trúc đương đại còn kết hợp với các xu thế khác: kiến trúc xanh, 8b1e8a6!8m2!3d57.4659174!4d-
kiến trúc bền vững; 4.2719349
Source: www.e-architect.co.uk/sustainable-buildings
https://www.e-
architect.co.uk/images/jpgs/scotland/great_glen_ho
use_mw_keppie230207_1.jpg
The team decided that the whole development also had to reflect the ethos of
SNH as guardians of the Natural Heritage of Scotland, and their role as
promoters of responsible resource use and sustainability.
Accommodation required offices for 300 staff, with meeting rooms, boardrooms,
a library, staff room, workshops, labs and other technical spaces, associated
car parking and extensive landscaping;
[https://www.e-architect.co.uk/scotland/scottish-natural-heritage]
Vấn đề thảo luận (5/1): : ngoài việc ảnh hưởng từ một trào lưu, xu thế
kiến trúc đương đại còn kết hợp với các xu thế khác: kiến trúc xanh,
kiến trúc bền vững;
https://www.e-
The project At £12m construction cost and 6,000 sqm in area it contains open plan
flexible office space and has been designed around and powered by the main airy atrium
space at the heart of the building, maximising views around and through the building, and
reinforcing connections with the setting. The sense of sitting in the landscape provides an
excellent environment for effective working. The team devised the atrium element in
order to flow circulation and public functions, to allow a high degree of openness
throughout the building and to drive the air management in the offices;
https://www.e-
architect.co.uk/images/jpgs/scotland/great_glen_ho Trào lưu hiện đại, và xu thế đương đại,
It is highly insulated and airtight, with natural ventilation using the offices’ exposed
concrete thermal mass for cooling. Solar power is used to preheat the water. The
materials used were generally indigenous to Scotland, and natural and local
wherever possible;
Vấn đề thảo luận (5/2): tre – gỗ Việt Nam được sử dụng như thế nào
trong kiến trúc dân gian và kiến trúc hiện đại?; tìm ví dụ công trình ở
VN sủ dụng vật liệu tre, có quy mô lớn, có ý nghĩa gì liên quan đến
yếu tố bền vững?
COMPOSITION: Using one simple form for the office accommodation is a

response to the order and organisation of SNH, while the stair towers read as
punctuation in the landscape. The elliptical library as a public knowledge base
needed a unique character and its position helps to define and shelter the
entrance and create interest on approach. Views through the glazed Atrium occur
at the arrival courtyard, and north and south ends, punctuating the composition
and give a transparency that visually opens the whole complex up in both
directions.
Boardrooms and ancillary accommodation are carefully wrapped around the
service courtyard, two storeys to north increasing shelter, while again, through use
of a glazed cloister, allowing internal views around the busy community of the
organisation;
https://www.e-
SUMMARY: Great Glen House provides a positive contribution to the physical landscape, the
social environment, and the environmental knowledge base, and sets a new and sustainable
standard for commercial development in sensitive rural settings.
[Scottish Natural Heritage HQ Building images / infomration from Keppie Design, 230207]
The apparently seamless skin and vast sculpted whiteness of

the new Heydar Allyev Centre Building in Azerbaijan apparently
signifies modernization and a development that heralds an
alternative to the planning of an earlier Soviet era as well as a
response to the sensibilities of Azeri culture.;
[https://www.e-architect.co.uk/articles/monumental-buildings]
https://www.e-architect.co.uk/images/stories/azerbaijan/heydar-aliyev-center-baku-
z141113-hc1pan.jpg [photograph : Hufton + Crow]
Heydar Aliyev Centre Building in Baku, Azerbaijan
Design: Zaha Hadid Architects
As part of the former Soviet Union, the urbanism and architecture of Baku, the capital of Azerbaijan on the Western coast of the
Caspian Sea, was heavily influenced by the planning of that era.
Since its independence in 1991, Azerbaijan has invested heavily in modernising and developing Baku’s infrastructure and
architecture, departing from its legacy of normative Soviet Modernism.
[Text by Saffet Kaya Bekiroglu, Project Designer and Architect, Zaha Hadid Architects]
Source: https://www.e-architect.co.uk/articles/monumental-buildings
Trào lưu hậu hiện đại, và kiểu thức phi kết cấu,
https://upload.wikimedia.org/wikipedia/commons/
https://alchetron.com/cdn/deconstructivism-638c9250-0c6a-4e85-
99df-f8c1fb79508-resize-750.jpeg
Walt Disney Concert Hall at Los Angeles, California;
by Frank Owen Gehry
Deconstructivism is a Postmodern architectural style characterised by the idea of fragmentation and the manipulation of a
structure’s surface. Buildings adopting the style are often formed of components that have been disassembled and
reassembled in a new and unorthodox way, giving the impression of a chaotic design devoid of precise logic;
It attempts to move away from the conventions of modernism that can be viewed as ‘constricting rules’, such as the notions
that ‘form follows function’, ‘purity of form’, and ‘truth to materials’;
[https://www.designingbuildings.co.uk/wiki/Deconstructivism]
Trào lưu hậu hiện đại, và kiểu thức phi kết cấu,
Google Earth location:

34°03'18.60" N 118°14'58.39" W
34°03'18.60" N 118°14'58.39" W
https://alchetron.com/cdn/deconstructivism-8e9887e7-
Walt Disney Concert Hall at Los Angeles, California; by Frank Owen Gehry 513c-4a9e-9673-9c68cdfbfa7-resize-750.jpeg
Deconstructivism in architecture was influenced by the deconstructivist theories of the French philosopher Jacques Derrida,
who said that ‘architecture is nothing but one of many ways of communication’. It was also influenced by early-20th century
constructivist architecture developed in Soviet Russia.
Deconstructivism developed out of the postmodern style and first gained widespread attention in 1988 with an exhibition
entitled ‘Deconstructivist Architecture’ in New York’s Museum of Modern Art. The exhibition featured the work of architects
such as Frank Gehry, Rem Koolhaas and Zaha Hadid. Where deconstructivism deviates from the postmodernist style in its
rejection of ornament as decoration;
[https://www.designingbuildings.co.uk/wiki/Deconstructivism]
Zaha Hadid Architects was appointed as design architects of the Heydar

Aliyev Center following a competition in 2007. The Center, designed to
become the primary building for the nation’s cultural programs, breaks
from the rigid and often monumental Soviet architecture that is so
prevalent in Baku, aspiring instead to express the sensibilities of Azeri
culture and the optimism of a nation that looks to the future.
In the 1980s Hadid developed her distinctive style, which is associated with the school of so-called deconstructivism, consisting of free-flowing
forms and visual complexity that are above purely functional design. This manner of architectural thinking was one of the reasons why Zaha
Hadid was considered a theoretician rather than a master builder for such a long time. Her many detractors believed that her plans were merely
that and not buildable;
[https://www.e-architect.co.uk/articles/queen-of-the-curve-zaha-hadid]
The design of the Heydar Aliyev Center establishes a continuous, fluid
relationship between its surrounding plaza and the building’s interior. The
plaza, as the ground surface; accessible to all as part of Baku’s urban
fabric, rises to envelop an equally public interior space and define a
sequence of event spaces dedicated to the collective celebration of
contemporary and traditional Azeri culture.
Elaborate formations such as undulations, bifurcations, folds, and

inflections modify this plaza surface into an architectural landscape that
performs a multitude of functions: welcoming, embracing, and directing
visitors through different levels of the interior. With this gesture, the
building blurs the conventional differentiation between architectural object
and urban landscape, building envelope and urban plaza, figure and
ground, interior and exterior.
[Text by Saffet Kaya Bekiroglu, Project

Designer and Architect, Zaha Hadid
Architects]
Vấn đề thảo luận (5/3): xu thế kiến trúc đương đại ở
Việt Nam thể hiện qua các khía cạnh nào; ở đâu, xuất
phát từ nguyên nhân gì; phản ánh điều gì?

Architects]
One of the most critical yet challenging elements of the project was the architectural development of the Google
building’s skin. Our ambition to achieve a surface so continuous that it appears homogenous, required a maps
broad range of different functions, construction logics and technical systems had to be brought together
and integrated into the building’s envelope. Advanced computing allowed for the continuous control and https://www.google.com/maps/pla
ce/Heydar+Aliyev+Centre/@40.395
communication of these complexities among the numerous project participants; 8984,49.8656264,919m/data=!3m2
!1e3!4b1!4m5!3m4!1s0x40307d40
[Text by Saffet Kaya Bekiroglu, Project Designer and Architect, Zaha Hadid Architects] a035a6bd:0xa8c2cbf267a83fbd!8m
2!3d40.3958984!4d49.8678151
The Heydar Aliyev Center principally consists of two collaborating systems: a

concrete structure combined with a space frame system. In order to achieve large-
scale column-free spaces that allow the visitor to experience the fluidity of the
interior, vertical structural elements are absorbed by the envelope and curtain wall
system. The particular surface geometry fosters unconventional structural solutions,
such as the introduction of curved ‘boot columns’ to achieve the inverse peel of the
surface from the ground to the West of the building, and the ‘dovetail’ tapering of
the cantilever beams that support the building envelope to the East of the site;

Architects]
https://www.e-architect.co.uk/images/jpgs/azerbaijan/heydar-aliyev-center-baku-
z141113-hc11.jpg [photograph : Hufton + Crow]
In this architectural composition, if the surface is the music, then the seams between the panels are the rhythm. Numerous
studies were carried out on the surface geometry to rationalize the panels while maintaining continuity throughout the
building and landscape. The seams promote a greater understanding of the project’s scale.
They emphasize the continual transformation and implied motion of its fluid geometry, offering a pragmatic solution to
practical construction issues such as manufacturing, handling, transportation and assembly; and answering technical
concerns such as accommodating movement due to deflection, external loads, temperature change, seismic activity and
wind loading; [Text by Saffet Kaya Bekiroglu, Project Designer and Architect, Zaha Hadid Architects]
https://www.e-architect.co.uk/images/jpgs/azerbaijan/heydar-aliyev-center-baku-
z141113-hc12.jpg [photograph : Hufton + Crow]
[Text by Saffet Kaya Bekiroglu, Project Designer and Architect, Zaha Hadid Architects] Source: https://www.e-architect.co.uk/articles/monumental-buildings
z141113-hc4tb.jpg [photograph : Hufton + Crow]
As with all of our work, the Heydar Aliyev Center’s design evolved from our investigations and research of the site’s
topography and the Center’s role within its broader cultural landscape. By employing these articulate relationships, the
design is embedded within this context; unfolding the future cultural possibilities for the nation;
[photograph : Hufton + Crow]
https://www.e-architect.co.uk/images/jpgs/azerbaijan/heydar-
aliyev-center-baku-z141113-hc13.jpg

[photograph : Hufton + Crow] https://www.e-architect.co.uk/images/jpgs/azerbaijan/heydar-

aliyev-center-baku-z141113-hc14.jpg
Heydar Aliyev Centre Building in Baku, Azerbaijan aliyev-center-baku-z141113-hc17.jpg
Design: Zaha Hadid Architects [photograph : Hufton + Crow]
aliyev-center-baku-z141113-hc15.jpg Source: https://www.e-architect.co.uk/articles/monumental-buildings

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buổi 5/10

trào lưu hiện đại, xu thế đương đại

học phần: lịch sử xu hướng kiến trúc đương đại

- quan điểm biểu đạt (yếu tố nội hiện);

t ư liệu tham khảo:

Initially sustainable architecture seemed to be about quite

The brief Scottish Natural Heritage required new headquarters to

COMPOSITION: Using one simple form for the office accommodation is a

The apparently seamless skin and vast sculpted whiteness of

Google Earth location:

Zaha Hadid Architects was appointed as design architects of the Heydar

Elaborate formations such as undulations, bifurcations, folds, and

[Text by Saffet Kaya Bekiroglu, Project

[Text by Saffet Kaya Bekiroglu, Project

The Heydar Aliyev Center principally consists of two collaborating systems: a

[Text by Saffet Kaya Bekiroglu, Project

Heydar Aliyev Centre Building in Baku, Azerbaijan

[photograph : Hufton + Crow] https://www.e-architect.co.uk/images/jpgs/azerbaijan/heydar-

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