Columban College, Inc. Department of Electronics Engineering ALY. 2015 ~ 2016, 1° Semester Olongapo City AM RADIO BROADCASTING STATION DESIGN. A Project Submitted in Partial Fulfillfnent, Y Subject Requirements in ELE511 (Broadcasting and) Aco itt albaipé, Jackie-lou B. se, Daniel Allen ningo, Armon Vincent Orlanda, Daniel M. Ramos, Rachelle Anne S. Vicente, Vonn Edward - Submitted To: Engr. Ray Paul G. Uman, ECT Rico, Renz Mark x Tolentino, Russell Aaron S. October 2015ACKNOWLEDGEMENT We, the Researchers, would like to take this opportunity to express our sincere gratitude to the he following for extending their help and support to this design proposal: ‘To Engr. Ray Paul Uman, our Broadcasting and Acoustics instructor. Thank you for your advice and help and for all the knowledge and learnings that we, from ‘you. This project would not have been possible without your guidance To the College of Engineering and to the faculty. Thank you Péf all the lessons that you have taught to us and for inspiring us every day to do.our best. To all our friends who were always there to o and help us through the happiest and darkest moments of our lives, you for all you've done. There is nothing more precious than a friend indeed. To the other groups of our, = you for extending your help, for we) To our parents and our » thank you for your support, for your care, and for encouraging us and answering oui understanding. Words enough to express how grateful we are, We are truly blessed to havg’a family who always provide but never expect anything in return. the One and Almighty God for giving us enough courage and strengtl ‘our trials and help accomplish this study. His guidance never ceases and through Him everything is possible. ‘The Researchers iiTABLE OF CONTENTS TITLE PAGE i ACKNOWLEDGMENT ii TABLE OF CONTENTS LIST OF TABLE LIST OF FIGURES IMPORTANCE OF THE STUDY I. INTRODUCTION Mission 2) Vision \ 2 Station Specifications 3 Station Logo 4 Weekday Program 5 Saturday Progea X 6 Sunday Pro, nee 7 Weekdaf Program Description 8 SeGiowSab¥d Program Description 10 Worshif’Sunday Program Description ul Il. DESCRIPTION OF THE RADIO STATION Frequency Selection 13 Frequency Map 14 Frequency Spectrum 15 iitII, STUDIO PLAN AND DESIGN Location Plan of Studio Factors Considered in Choosing Site for Studio Location Map Vicinity Map IV. TRANSMITTER PLAN AND DESIGN Factors Considered in Choosing Site for Transmitter Location Map Vicinity Map V. ANTENNA PLAN AND TRANSMISS! Antenna Characteristics ‘Valcom Model V-33075AI Anienna ‘Transmission Line Electrical Proy v Mechanical en Average Power Ratings VINANTENNA SPECIFICATIONS Features Electrical Characteristics Mechanical Characteristics Physical Measurements 17 17 18 18 20 2 23 m4 25 26 27 29 30 30 31VII.STUDIO EQUIPMENT AND SPECIFICATIONS ‘Midas PRO2C/TP 33 Crown DCid 600 Power Amplifier B Stock 34 ‘Neumann U87 Ai Shockmount Set Z Microphone 36 Razer Kraken 7.1 Chroma Headphones 38 ADAM S4X-V Speaker 40 Dell Inspiron 2350 All-in-One 4 Meyer Sound RMServer: Remote Monitoring Server a2 Sound Blaster Roar 2 [ 45 JBL LSR305 5" Active Studio Monitor 47 VIII. COST ANALYSIS sO 50 IX. FLOOR PLAN Station Floor Plan 3 Station Floor Plan si 54 Studio Floor Pil 55 RecordingRoom 56 E t's Room 37 Tectiye of Station 58 xX. ‘CONCLUSION AND RECOMMENDATION 60 REFERENCES RESEARCHER'S PROFILETable 10 ul 15 16 19 21 22 LIST OF TABLES Page Station Specifications 3 Weekday Program 5 Saturday Program 6 Sunday Program 7 Weekday Program Description 8 Session Sabado Program Description 10 Worship Sunday Program Description u Frequency Selection 1B Transmission Line Electrical we) 25 Transmission Line a 26 Transmission Line Att and¥Average Power Ratings 26 ‘Transmission Ling Stan nnditions 27 AM Antenj 2 ae 30 AM Antenn&eehinical Characteristics 30 ywn DGi4 600 Power Amplifier B-Stock Specifications 35 U7 Ai Shockmount Set Z Microphone Specifications 37 et Kraken 7.1 Chroma Headphones Specifications, 39 ADAM S4X-V Speaker Specifications 40 Dell Inspiron 2350 All-in-One Specifications 4 RMServer Specifications 45 JBL LSR305 5" Active Studio Monitor Technical Specifications 48 Cost Analysis 50 viLIST OF FIGURES Figure Page 1 Station Logo 4 2 Frequency Map 4 3 Frequeney Spectrum 15 4 Studio Location Map 18 5 Studio Vieinity Map 18 6 Transmitter Location Map 20 7 Transmitter Vicinity Map 21 8 Valcom Mode! V-33075 AM/CL2 AM Antenna 4 9 ‘Transmission Line O 25 10 ‘AM Antenna Physical nna 31 1 Midas PRO2C/TP Mi 3B i 1 Chroma Z Headphones 38 12 Crown DCi4 600 Rewer Ainpiffier B-Stock 34 13, ‘Neumann Q kmount Set Z Microphone 36 15 V Speaker 40 16 SSpiron 2350 All-in-One 4 Server: Remote Monitoring Server (Front Panel) 42 18 RMServer: Remote Monitoring Server (Back Panel) 43 19 Sound Blaster Roar 2 45 20 IBL LSR305 5” Active Studio Monitor 47 2 Station Floor Plan 33 22 Station Floor Plan (Colored) 34 vii2B Studio Floor Plan 4 Recording Studio 25 Equipments Room 26 Perspective of the Station Vili 55 56 37 58.IMPORTANCE OF THE DESIGN STUDY This design study aims to provide and establish the basic knowledge of what an actual broadcasting station is what it comprises of and what considerations are needed in designing one. This will also help the students to have the much needed background in designing to acquire a more viable career path. ‘The following are the main objectives of the design study: 1. To provide and establish a feasible AM broadcasting systet nigapo City. 2. To provide AM broadcast system in delivering the lal 's and traffic to the public. at 1225 kHz with the call sign 3. To design an AM broadcast syster DZRG, ~\ 4. To distinguish and ead rules, regulations and requirements in the construction of an AM' -a8f Station. 5. Toset up an and\cost effective broadcasting system. ‘This stddy would be an outlet for the student's acquired knowledge from several the field of Electronics Engineering. By following the technical ‘own research, It can also be the pedestal in the development of related projects which will provide them knowledge in AM broadcasting design.8 CHAPTER 4 Introduction O1. INTRODUCTION ‘MISSION NEC Radyo ‘Gapo's mission is to provide truth and honesty in delivering information in News, Entertainment and also Christian Learnings about Olongapo City. NEC Radyo‘Gapoaims to deliver current news, latest on music, trending tf the word of the Lordto all of its listeners. It also aims to be the first to ince the latest happenings and important news in Olongapo City. It wants to if its listener’s daily lives; by providing the best and most reliable service. TH@)stition wants to enrich the lives of Olongapefios with honest broadcasting. It waftet® showcase the brilliance and culture of Olongapefios and the whole, OI ity.NEC Radyo ‘Gapointends to be the most trusted and leading radio st Olongapo ISION NEC Radyo 's vision is to continuously provide reliable, honest and trustworthy brogdeasting. The station envisions to aspire and touch its listener’s heart by the best n ertaigiment and God’s Word, and making them feel more at home in our s there are listeners; NEC Radyo ‘Gapowould continue to showease the gredtgess of Olongapo City.STATION SPECIFICATI NEC ‘GapoRadyo N @ lcasting 1225 KHz, ‘News/ Entertainment/ Christian Radio DZRG Olongapo City 6:00 AM ~ 12:00 MN Table 1. Studio SpecificationNEC RADYO ‘GAPOWEEKDAY PROGRAM Monday-Friday 6:00 AM — 12:00 MN ‘National Anthem Morning Prayer Radio Introduction Morning News “UnangHiritsaUmag WY Health Segment “Be Healthy EveryDae” Lifestyle Segmen “Welcome Hote with Ate Rhey” News Flash; Morning News Recap “GAPO: News Flash” yn Time Show Fahamu ‘Afternoon Drama “Anna Anastasia” NB o'clock Prayer Afternoon Gag Show “Kulitan with Kuya Bon and Ate Jah” bi Music Segment “Today’s Music” Evening Show “TatakGapo” Evening News “HulingHirit” Evening Show “Bakasyunista” Evening Show “CityLife” Legal Concerns Segment “Don't Panic Ask Atty. Nick” Special Announcements Radio Outro: National Anthem **Commercials, Flash News and Special Announcements may occur in between programs Table 2. Weekday Program 5SATURDAY PROGRAM. Session Sabado 6:00 AM — 12:00 MN ‘National Anthem Morning Prayer iN Radio Introduction Morning News “UnangHiritsaU maga’ Health Segment “Radio Zumba with cones Landa” Top Musy -vnhasted 90's Music “Tunog‘90°s” (2. Talk Show 4 ir with DJ Vince” OPM Music “TatakPinoy” Features Self-contained digital + 5o'mieitine inputs with MIDAS mie prea Simultaneous input processing channel 2 AES3 inputs, 3 AES3 outputs 6 multi-channel FX engines CATIONS Mixing Console & Midas PRO2C/TP The MIDAS PRO2C digital mixer gives you fabulous live sound, wit and streamlined — workflow, 2C's intuitive interface igeall about keeping it simple, Rathefthan the confusing paging and layerin&\ conegpts employed by many tered around colors and groups. ich. It has eight mic/line inputs -box, which sports another 48. You can mnsole; may be used without external hardware mps Is 32 analog outputs (including 2 stereo local monitor outputs) 27 sample-synchronous, phase-coherent mix buses+ 4-band parametric EQ on each input channel © Upto 28 instances of the KLARK TEKNIK DN370 31-band Graphic EQ * Full-color 15” daylight-viewable display screen * 8 VCA (Variable Control Association) groups * 6 POPulation groups 192 MCA (Mix Control Association) groups * 96kHz 40-bit floating-point processing throughout * 100m bi-directional Cat-Se AESSO digital snake included (48 inhx16 Gut) Stage /O: DL251 48 in / 16 out fixed configuration © Expandable with optional external hardwai mits (max capacity: 156 inputs x 166 outputs) # Includes flightease Amplifier © Crown DCid 600 Power Amplifier B The new DriveCore™ Install series amplifiers is EL a complete line of high performance installation amplifiers based on the proprietary DriveCore jock technology. DCi Series amplifiers are designed, Figure 12.Crown DCid 600 Power engineered and manufactured to the industry's Amplifier B-Stock highest quality standards, and provide system integrators with the advanced features and flexibility required for challenging 2ist century installed sound applications. Versatile, compact and highly energy-efficient, DCi 34Series amplifiers continue the unbroken Crown tradition of leadership in professional and. commercial power amplifier technology. > Features “+1- 0.25 dB > 108 dB ( \ 035% 4B BS) >1000 lofonné KOhms +20 dBu 16 dBu 2 - 16 Ohms; 70Vrms and 100Vrms_ 4 - 16 Ohms; 200Vrms 140Vims and Continuously variable speed forced air, front to back airflow 45 100V-240V ~ 50/60 Hz 19" x 3.5" x 14.25" (48.3cm x 8.9em x 35.63em) 20.11bs (9.12kg) 15A, Table 15.Crown DCi4 600 Power Amplifier B -Stock Specifications 35Microphone & Neumann U87 Ai Shockmount Set Z Microphone ‘The Neumann U87 studio Microphone is famous for its warm sound and well-balanced characteristics. Equipped with dual- t diaphragm capsule wit ble Figure 13.Neumann U87 Ai directional patterns: omniditegfional, cardioid, Shockmount Set Z Microphone sna sipure.8, it offers \provement in signal-to-noise over its predecessor. A 10dB attenuation witclfeilables the U87 to handle sound levels up to 127dB without distortio reduced to compensate for proximity effect ( ) ed studio vocal mic for decades, the Neumann U87 also makes a great ak for band or home studio recordings, as Ge) requency range: 20Hz to 20kHz; impedance rated at 200 ohms man Qh © Three PolayPatterns low Trequency response can be well as a spot mic for single ins YU atures three switchable polar patterns. Omni-directional, cardioid, and figite eighy’patterns provide the flexibility needed in any recording scenario. «Togs Pad Switch 104B attenuation switch enables the microphone to handle sound pressure levels up to 1274B. * Low Cut Roll-Off Switch A low cut roll off switch eliminates hum, rumble and low frequency noise. 36Advanced Output Circuitry Although the microphone features the original capsule, the U 87 AI features improved output electronics that provide higher sensitivity and improved signal-to-noise ratio. Pressure gradient transducer Omnidirectional, cardjofd fi Sure-8/Plus 20 Hz... 20 kHz 20/28/22 mV/Pal Sma 200 ohms: Ikohms( #) 26/23/25 dB1) 68/71/69 dB1) 79/82/80 dB1) 117 dB (cardioid) 127dB 300 mV a8 VE4V 08 mA XLR3F 500g 56mm 200 mm Table 16.Neumann U87 Ai Shockmount Set Z Microphone Specifications 37Headphones & Razer Kraken 7.1 Chroma ‘True-to-life positional audio The Razer Kraken 7.1 Chroma comes equipped with an advanced 7.1 virtual surround sound engine that immerses you deeper ume. The engine is capable of \yltfa-low latency Figure 14. Razer Kraken 7.1 Chroma Headphones audio processing and tes the audio source to simulate a 360° surround sound experience tht is yall) achievable only by incorporating more than one positional driver in each ear clips Razer’s powerful Synapse unified \ fe software is capable of a high degree of customization, allowing you ak the engine to specifically position each surround sound channel, boost astounding aural precision, The ee Iso allows you to control surround and positional audio settings for eachidividualYprogram, ensuring that you get the best possible experience and even balance incoming voice audio for whether yot ae playigly a game, watching a movie or listening to music. as, .eqitirements . 7 Mac with USB port; PlayStation 4 (when plugged into PS 4 only spectrum cycling lighting effects is available) © Windows10 / Windows8 / Windows7 / Windows, ‘sta Mac OS X (10.7-10.9) © Intemet connection (for driver installation) ‘© Atleast 100MB of free hard disk space4 Features Raver Kraken 7.1 Chroma surround sound gaming headset Advanced 7.1 virtual surround sound engine + Enhanced digital microphone + Designed for extended gaming comfort ‘© Chroma lighting with 16.8 million customizable color options «Razer Synapse enabled + Powerful drivers for highest-quality gaming audio © Closed ear cup design for optimal sound isolation * Foldable ear cups for maximum portability ‘Frequency response: 100H2—12kHz Sensitivity @ IkHz: -40dB + 4dB Signal-to-noise ratio: 634B Pick-up pattern: Unidirectional ‘Microphone Table 17. Razer Kraken 7.1 Chroma Headphones Specifications 390Monitor Speaker 4 ADAM S4x-v The S4X-V has been designed for vertical installation, This reference monitor features the same X-ART and 6” HexaCone midrange as the S4X-H allowing for almost mal Figure 15. ADAM SAX-V Speaker characteristics of both This allows combinations of the different versions in bigger multi- a4 without tonal imbalance. Furthermore, the S4X-V features a flew! 12” HexaCone woofer. This driver, with electronic correction, has igned for optimal results in a bass-reflex cabinet. An cin) voice coil coupled with a very strong and highly effective ma stem provides for powerful, yet never overemphasized bass reprodi ‘Woofer 315mm (12") HexaCone® ‘Midrange 157mm (6") HexaCone® ‘Tweeter X-ART (£3 dB) 28Hz - SOkHz Built-in amplifiers Woofer: 250W* / 350W** ‘Midrange: 250W* / 350W** Tweeter: S0W* / 100W** Balanced XLR AES/EBU + SPDIF Table 18. ADAM S4X-V Speaker Specifications 40Computer 4 Dell Inspiron 2350 All-In-One The Inspiron 2350 is an appealing choice if you're looking for a stylish z desktop computer with _number- I esti over : Figure 16. Dell Inspiron 2350 All-in-One office. This sleek 23 one is the perfect solution for any office upgraded with 4th Gen Intel Core’ Ssor and more memory to boost performance. 4 Features Intel Core i7-4700MQ 2400.0 MHz All-in-One Yes 1920 x 1080 pixels Discrete AMD Radeon HD 8690A 1000.0 GB Hard Disk Drive 32.0 GB Solid-State Drive HDMI Line In 1/8. Line Out 1/8 USB 2.0 USB 3.0 410/100/1000 Mbps 802.116 802.11g 802.11n. Bluetooth 12.0 MB. DDR3 1600.0 MHz. 12.0 MB DDR3 NZ 1600.0 MHz Microsoft Windows 8 Home Built-In Microphone Built-In Webcam Wireless Keyboard Wireless Mouse All-in-One Table 19, DelhgispiFon 2350 All-in-One Specifications Remote Monitoring Server & Meyer Sound RMServer: Remote Monitoring Server RMServer is a compact hardware unit Ture 17. RMServer: Remote fonitoring Server (Front Panel) that runs RMS over Ethernet. Situated between the computer running Compass and the loudspeaker cabinets, RMServer’s two FT-10 ports can be connected to up to 50 RMS loudspeakers or 12 MPS-488HP power supplies. Since each MPS-488HP powers eight loudspeakers, one RMServer can monitor 96 48 V loudspeakers connected to MPS-488HPs that are equipped with the RMS option. 42RMServer stores system configurations internally, eliminating most manual data entry. A system can be monitored from Figure 18, RMServer: Remote laptop at front-of-house or backstage, or Monitoring Server (Back Panel) via a tablet computer as the engineer or system tech moves around the venue, RMServer offers email alerts of any issues with your system, so you can rest assured im is being monitored, even when Compass is not running. The integration of RMS into Compass control softwar. your system management tools right at your fingertips—from ¢ént falileo or Callisto processors and CAL loudspeakers to remote monitoring WitheCompass RMS. With each loudspeaker storing its own ID internally andl 1 storing system configurations, setting up an RMS system in Compass i and easy & Features # Extensive real-timg logispedker feedback for amplifiers, drivers, limiting, cooling, and fault alg © Etherpét-based cogitrol and communications built on open standard + Ba s;eSmpatible with existing RMS-equipped Meyer Sound loudspeakers # RMServer controlled and configured within Compass software Mute and solo individual loudspeakers or groups of loudspeakers via Compass software. # Wink and ID controls from Compass software easily locate any loudspeaker in the entire system* Loudspeaker RMS modules connect easily to networks with twisted-pair cabling ‘Email notifications even when Compass is not connected Phoenix 6-pin male connector, two optically isolated inputs for receiving contact closures for external muting Phoenix 6-pin male cor Teports felay closures (and openings) for ult Ror extemal muting and/or faul Equipped with two-conductor twisted-pair network, reporting all operating parameters of amplifiers to system operator’s host computer running Compass Software (50 Node Maximum). Data Speed is 78Kbps serial bus -45ygort fr network connection and control on-board web server from a Mac or yws-based computer. Full bidirectional munication with Meyer Sound’s Compass trol software within a client-server ‘architecture. Supports IPv4 and IPv6 simultaneously. IEEE 302.1, 802.3 HD ‘Compliant. One MAC address Removable Feet Included ‘Optional Rack Mount Kit Available ‘© Optional Wall Mount Kit Available Wi Illuminated LED Indicators for fault, client Front Panel connection, RMS FT-10 receive, Ethernet, and power RI-45 port for network connection and control of on-board web server from Mac or ‘Windows-based computer. Full bidirectional ‘communication with Meyer Sound's Compass control software within a client-server architecture.Software Connector Operating Voltage Range Current Draw -Y 3.78 tbs (1.71 ke) IEEE Sid 802.3 ( 100BASE-TX ) RFC 791 (IPv4) RFC 6434 (IPv6 Node Requirements) RFC 3927 (Dynamic Configuration of IPv4 Link-Local Addresses) + REC 6763 (DNS-Based Service Discovery) © RFC 2616 (HTTP/I.1) © IBEE Std 1722.1-2013 (Al AEM) Fall bidirectional communication with Meyer Sound's Compass control software within a client-server architecture powerCON 20 y= 100-240 V AC, 50/60 Hz, 30W Max 02a, 15 VAC); 0.13 A rms (230 V AC){0.3 A ris (100 V AC) © Lspace rack 1/2 width © 850" wx 1.73" h (L.85" h with feet) x 723"4 © (215.9 mm x 44 mm [46.9mm with feet] x 183.6 mm) 20. RMServer Specifications Figure 19. Sound Blaster Roar 2 Sound Blaster & Sound Blaster Roar 2 The Sound Blaster Roar 2 is 20% more compact, for a real powerhouse that packs the former's DNA into a smaller frame — the same five high-performance speaker drivers, with the same cutting-edge electrical design and the 45same battery capacity. This incredible feat is achieved without compromising the same mind-shattering room-filling audio delivered by the classic Sound Blaster Roar. & Technical Specifications © Operating Frequency: 2402 - 2480 MHz Lithium Ion Battery: 6000mAh + USB Input: SV 500 - 1000mA ‘© DC Output: SV 1000mA. © Power consumption during standby/off: < ~) + Power consumption during network USB): <2.0W Xe Power consumption during net tandby when all network ports are activated: each network port (Bluetooth, <20W wy *® Model Nughber: GPE024W-150160-Z. \C 50/60Hz 0.75, © Operating Temperature range: 0°C to 45°C * Supported Bluetooth profiles*: © A2DP (Wireless Stereo Bluetooth), AVRCP (Bluetooth Remote Control), © HFP (Handsfree profile) ‘Supported Codee: SBC, aptX, AAC+ Operating Range: Up to 10 meters, measured in open space. ‘Walls and structures may affect range of device. Supports microSD cards of Class 4 and above, up to 32GB in FAT16/32 format © Supported audio formats: MP3, WMA and WAV (16 bit 48Khz PCM) ‘Support Mp3 and WMA up to 320kbps. Does not s MA Pro / Lossless. Records audio, voice or mobile calls at\6R°ADPCM WAV format Studio Moni + BI 3055 Active Studio Monitor 05 active studio monitors are a great solution fy serious audio engineer or music producer. They're great for mixing music in your DAW software, editing video, or any other task that requires precise, accurate, detailed sound. JBL designed the LSR305 Vv with advanced features acquired from their flagship ure 20. JBL LSR305 5" tive Studio Monitor M2 Master Reference Monitor, earning the acclaim of renowned engineer Frank Filipetti, An innovative Image Control Waveguide creates a -d well-defined and incredibly dimensional stereo ima e. Ask anyone at Sweetwater: from surprisingly rich lows to smooth highs, you'll find it easy to make great-sounding productions with JBL LSR305 active studio monitors, 47+ Features * Bi-amped active studio monitors with 5" LF driver and 1" HF driver # Exceptionally wide frequency range for more accurate mixes * Image Control Waveguide creates a detailed and dimensional stereo image * HF and LF trim controls let you fine-tune the speakers to your room's « XLR and TRS balanced inputs give you low-noise performance wit hoax * Sold individually 41w 41W 82W 43Hz~ 24 KHz 1725 Hz, 108 dB Ported 1x XLR, 1x TRS 11.75" 7.28" 9.88" 10.12 Ibs Table 21. JBL LSR305 5” Active Studio Monitor Technical Specifications 48CHAPTE Cost Analysi; O IICOST ANALYSIS AM Antenna 75-Ft Coil Loaded Self- Valcom Model V- Supporting Whip 33075AM/CL2 Antenna V-33075 Series Compact 56-channel Digital Mixer with 64 Simultaneous Input Processing Channels, 15" Color Display Screen, USB, Ethernet 1/0 Mixing Console Midas PRO2C/TP aoe Four-channel, 600W @ 49 Crown DCi4 600 Power Amplifier ‘Analog Power Amplifier, B-Stock 7OVv/100V_ Large-diaphrragmSttidio Microphone rophone with Neumann U87 Ai Oh ion, Cardioid Shockmount Set Zand Polar Patterns, Microphone mount, and WD Siniscreen Headphones Razer Kraken 7.1 Sound USB Gaming Headset Chroma Mohitor Speaker ADAM S4X-V Midfield (DAM S4; Monitor Computer Inspiron 23 7000 Series All- Dell Inspiron in-One Touch Screen (2350 All-In-One Desktop Sound Blaster —_eature-packed, Powerful Portable Bluetooth Speaker, 5 Drivers with Built-in Subwoofer Sound Blaster Roar 2 50 P1.000.000 P1000 000 PK Q PI 868 095 Expandability, and Flightcase A P139 381.15 155 342.60 P3 000.00 P219 261.51 P65 900.00 P7 480.00 P278 762.30 P46 027.80 P24 000.00 POST 784.53 ‘395 400.00 P22 440.00Remote Meyer Sound RMScrver : Remote RMServer: “Monitoring Server eo Remote Monitoring Server Table 22. Cost Analysis S ev StFloor PlanFLOOR PLAN Ix. A. Station NV1d YOOT1s Wwoou AINSWdINDA oo0 im) ooo \ wood” in hvaua old} olan.s oO ib ty Figure 21. Station Floor Plan 53Figure 22. Station Floor Plan (Colored) s4B. Studio A. V GD q STUDIO Figure 23. Studio Floor Plan 55= & a aorta $0083 ee 56Figure 25. Recording Room 37C. Perspective of Station Figure 26. Perspective of the Station 58& CHAPTERS . =O © Q & NEC RADYO “GAPOCONCLUSION AND RECOMMENDATION The proposed AM broadcasting station, NEC ‘GapoRadyo in Olongapo City, featuring current news, entertainment and Christian living is designed to operate at 1225 kHz frequency and at SkW transmitter output power to provide services in the vicinity of Olongapo City. ‘Throughout the research design, there are many significant paramete (i tors that the researchers considered, namely: The frequency allocatiouythe appropriate plan of the building, its location considering the population ved and other communication installations and airports. The condgetiviiy9f the soil and the path between the site and target area must also_be taki consideration. Proper integration of materials and other jquipment to be used for the implementation and optimization o' tion's functionality. Considering also the proper acoustical treatment it provide the desired sound in the station and treated it accordingly to tHe required standards for the station. Lastly, the transmitter plan Qs antenna speci used. proposed AM broadcasting station design engages to be a feasible, effective, jon and the transmission lines to be reffabidnd selevant tool in the future of AM radio broadcasting. This will also serve ‘arelerence for future AM Broadcast design researchersREFERENCES ://bloggapo.blogs| }2/am-radio-stations-in-ol uml http:/self.gutenberg.org/articleyDWGO hutp:/self. gutenberg.org/articleyDZOR hup:/self gutenberg.org/articley/DWHL @) hup://www.razerzone.com/sg-en/gaming-audio/razer-kraken-71-chroma http://www peworld.cor luct/1253836/inspiron-2350-all-in-one.html/hswwww.thomann.de/gb/midas compact _serie_touring.htm