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  • Escala Cromática

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    cpll
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    This document presents six exercises exploring different articulations of a chromatic scale. Each exercise specifies a rhythmic pattern using ligadas (tied notes) and picadas (detached notes) and provides musical notation as an example. The exercises progress from one ligada-picada pattern to variations combining the two rhythmic articulations.

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    tecnica

    Original Title

    Escala cromática

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    This document presents six exercises exploring different articulations of a chromatic scale. Each exercise specifies a rhythmic pattern using ligadas (tied notes) and picadas (detached notes) and provides musical notation as an example. The exercises progress from one ligada-picada pattern to variations combining the two rhythmic articulations.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    18 views2 pages

    Escala Cromática

    Uploaded by

    cpll
    This document presents six exercises exploring different articulations of a chromatic scale. Each exercise specifies a rhythmic pattern using ligadas (tied notes) and picadas (detached notes) and provides musical notation as an example. The exercises progress from one ligada-picada pattern to variations combining the two rhythmic articulations.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    ESCALA CROMÁTICA

    EN DIFERENTES ARTICULACIONES I

           
       
    1. Ligada y picada

                  

          
           
    5                  

          
    8

              
           

    11
              
          
    2. Dos ligadas - dos picadas.

      
           
      
              
       
                                   

    15

           
    18

              
                
     

    21 3. Dos picadas - dos ligadas.


                

             
         
     
                
                  
                    

    25

           
    28

            
               
      
    MªCarmen Rocamora Pérez
    2

    31 4. Dos ligadas - dos ligadas.


                
                 
           

    35                
             

            
    38

            
           

            


    41
     
    5. Tres ligadas - una picada.

                
       
              

      
                    
                

    45

           
    48

             
                

    51 6. Una picada - tres ligadas.


               

                 

                 
    
      
                                  

    55

           
    58

             
              
     
    MªCarmen Rocamora Pérez

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