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cee Franz Wohlfahrt ® 60 Studies Opus 45 A Violin studies @& de haske* in the first three positions PREFACE The study of the violin presents certain difficulties for beginners which are frequently the cause of a sudden abatement in the pupil's zeal and ambition, even before he has mastered the first rudiments. The blame for this is commonly laid on the teacher, who is called incapable or negligent ; losing sight of the fact that the pupil began his studies without the slightest notion, not merely of the difficulties to be encountered, but also of the regular and assiduous industry indispensable for surmounting them. It is important, therefore, to smooth these first asperities by showing their utility and making them agreeable; to this end my Violin Method was published and the present Exercises have been written, which latter may be considered as forming a supplement to the former. Tf practised carefully and intelligently, they will serve as a solid foundation for the technique of any player ambitious to become an artist, Etuden. | Studies. 1M Herunterstrich. mM Down - bow, V Hinuufstrich. | V Up-bow. Die Finger maglichst lange liegen lassen. Hold the fingers down as long as possible, Das linke Hundgelenk sehr ruhig. The left wrist very quiet. Franz Wohlfahrt.0p.45, Book I. N21. Allegro moderato. vt ———— vedsiiv = aus Copyright, 1905, by G.Schirmer, Inc. ‘Printed inthe U8. 4, 4 2 ‘Auch bei der zweiten, driften und siebenten Etudebe- In the second, third and seventh Etudes the same bow nutze man die vor Etude I stehenden Stricharten. ings that were given for the first Etude are to be used. N° 2. Allegro moderato. No 3. Moderato. s7509 NO 4, Allegretto. N? 5. Moderato. 17539 N°6. Moderato. f smo Faercuss! Bila a 8 Genau aufpassen bei Gis auf der D-Saite und bei D auf 1 Pay attention to Gj on the D-string and to D on the der A-Saite. AL string. Aufpassen bei D auf der A-Saite und bei As auf der E- Look out for D on the A-string and for Abon the E- Suite. O10, Moderato. string. NO 12. Allegro. s7uao N? 13. Moderato, u s7840 N? 16. Moderato. ey fo assai. gree N° 17, Moderati s7a9 = eo a2 Seeo 2 fem i a N¢ 18. Allegro. 4 a. Bei den letzten $ Takten behalte man immer die~ selbo Strichart bei. N? 19. Moderato. In the last three measures, employ the same bowing without change. PF = === a — Free SS ea a fe 0 No 20. Allegro. 4 — SS ft ~ riten. - - © tengo “NS _ 4 . 4 ss 7 Se ee 4 1 —_ — pe ee = = fe, ~S fer ssi ieee ts arses 16 NP 21. Allegro. y cs es SFlere Ss 47549 N° 22. Allegro. ——= —=_, a es ee ee et — eee a ne. co a =- =~ =~ =o =. NE ST ee Tete s. Pet ———s + aa — SEE a eS = + oP = sy : FF a Se ee tea wer a —. Lio. ss ® sett ogee ee e 4a aa Fe ss, EE ee = 18 No.8, Moderato. Peet mas Pl per eh ote Se mg ar Se = Pees ° ° ~ PP eee tes + = = =F aS a ? fa849 2.24. Moderato assai. = No 25. Allegro. amas 20 N? 26. Allegro. 4 of 17509 22 N? 29. Moderato. snap 28 N9SO. Allegro. 4 ae Wohl fahrt Sixty Studies, Op.45 Book 2 (31-60) N31. Moderato. eet tags? N° 82.Allegro, < N¢ 33. Allegro moderato, 4 7% fe 1o zo 3020 2030 4920 N234. Alle i“ fet tf Ne 85. Allegro. a a 4 . a : Saee Fees eT a es ~.te a, Ne? 36. Moderato. f N°38. Moderato. fergie i osfo, ste 5 e N° 39. Moderato. Springender Bogen. Springing bow (ricochet) N?40. Allegro scherzando. 7 N41. Allegro moderato. 4 i N¢@ 42. Andante. a N¢ 43. Moderato. nm aa ae = = se tot ._ - _ N¢ 44. Tempo di marcia. ae -_ ; = = Wd Tee Ted Teae > Tgaves g leaseee tae fC wo te Te a tga Te rae af; ests Ne46. Allegro. ee Aas ; eee eer Tere e 4 ge eaters! a ps 25t Foes 6 No 47. andante cantabile. No 48. Allegretto. a uf 7 near ee 7 = N@ 50, Allegro. 4—__— N51. Moderato. —————— sara, = Metateteletatie .faratetatesscat sFehetet erat p tas aia cee N¢ 62. Andante. NO 54, Allegro. @ 1 ~ sige? e ge? Aa ee Esininieiet sbeiglele Pininlvie? telaiele 5 2 , : A Ti. fis *. I ip te Serle te Ny « « ¥, te 7% ; i S| ) RS 4 = "tae oPeo, 4 pas =a No55. Allegro. No 56. Andante. N@57. Moderato assai.

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