Première

Arabesque
Claude Debussy
L. 66, No. 1


 Andantino con moto 


         
  

 

        
 
  


  

     


     
           
   

Rit.


4 a Tempo

    
        
 
   


 
  
   

  
             
           
8

              
             
cresc.

  
poco a poco

 

         
 Rit. 
       
       
12 Stringendo

       
                
(cresc.)

            
 
          
   
        
17

     
  


      
   
       


   
                    

21 Rit. a Tempo Rit.



                                       
      

               
 
  
 
a Tempo

  
        
25


       
   

  

 
       
  
 
   
        


29 Poco mosso

   
    
     
cresc.

 


   
   
 
    
        
              
             
34

    
     
 


     



2
                   
        
    

Tempo rubato

  
38

        
      
    


   


    
                     
    
   
43 Mosso


  
     
 

    
cresc.

   
    



      
  
     
Mosso 
        
             


Rit.


48

    
     
 

  
(cresc.) cresc.

     
   

                         

        
a Tempo


52

 
       
    
  

      
(cresc.)

 
   
  
         
        
          
            

    
57


          
       


         


    


3
   
     
      
              
Rit.

   
63 Risoluto

  
                  



                   



  

                           
    
Tempo I
69

 
dim.  

       

     


    
           

    
  
73
Rit. a Tempo

    

 
          
  


   
  

        
           
  
77

         

          
cresc.

     

poco a poco

  

          
 Rit. 
        
       
82 Stringendo

   

  
                  
(cresc.)

    
  

  

4
             
   
           
a Tempo

 
87

 
      


    
    
 
  
   

            
   

 
               
 
91

                    

         
          


        
  
          
95

  
   
    
dim.

 

      
         
  
      
99

           

     
 

     
   

  
        
                 
     
103

       

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