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See aT A ACT | oS A PTAA AIT YO ACH G TTAR: FEA @ AACR re Cas PATS Fe FES foraiht scutes (3400) ae are TOTATS ete FAA ae Bae CPOE ‘rary Facare (s6e@9) ae SHR SRT TTC ae Orca | Sammie Pare ARS Erkacal AST (Sh0e) ae ae WAIT ACSA TAA (bon) _| AE FACTT (Pret) WASM TH (9895) ay aioe (Fram) rel ea PTE STACET | ee (fa) ‘Scanned with CamSeanner yTRIS MSA VS wa PHOT TeWeT FAT | la STAs Ay i Darr FEOF eee STC AT I GSAS | Ate WIR-AatCAa ATT fein faa aa a Fe whic Fea ACH fbr aa SB RAL wa Coa etait aa BOT OT Ree SR, ‘CON, ‘wetifine’, aia ite BMT cic’, ‘ew F OO’, ‘ee 6 Btn ont, fH Bs oe GS OIE, ‘mifira sth RIOT BA CCT | FS (To Autun) SOT sede Her CATER MTC BRO BIC GTA | GRIT ACH John Keats ‘Scanned with CamSeannerFeOr GR TARR AARC GTA | OMI CoH FIT SA BIAKOM crTeTE cre, THAR TYP we ara, A HHCeTA SAAICAT | VRaMwTAA A oN TC aa fatace Reorewres epee eae | FTA ere HA wer PCA ra, RR AT TA Fa ATS ATM ATA TY i weenie: He (1795-1821) was an English Romantic poet. Keats at his 26, digg of Tuberculosis. SHS TA A ACHE GA AV (poet of beauty), AAT A LRA (po, ‘of Sensuousness") Tem 1 ‘Occupation: Poet, Professionally known as a man of medicine, Keats f@4 Romantic #2074 C4 7TH Young | Keats «a He BST AAI FA A Sensuousness, Hellenism, Negative capability, aestheticism «4% Escapism P= | 7 vi. Keats Sie fafoe wi sense of beauty <4 SU! vii. Century: 19% Century viii, Famous sonnet: On First Looking into Chapman's Homer (315 + Homer 4 Tasers aay Berar ATH BE TTA) | ix) HAY CoRR, “Keats was a Greek”, Mia ents Se chemo Bor gare: fea | care, He viferora af ear oa, feotew: de oH Fira af enig cate; GENS: SA wOMS TG ATT | “SA ARF area”, “65 Fg APIA aI, “RS TI FS CONT”, “TACHTTT FF ag 6 itera af Ara wre Pica Ca EITC, TR FHF 8 FS ace Fiscena Abe WOT | RS Ba GT ea” FRE HIT aaa AR anata ySorace Sra Fea VA AAT | Oude nein ad wate 1 7Atcen Ba ABS AbeTOhTS FHT ae. feces erent Ae afore ae BH “6” | a 2” (ob 30) SIRE Tet ACA Notable works: een soa “Reba we COMA (Se3e) ETT ae emen bentige en wera Fras Wl wt "we TH EET Sree cr", Ce, at “HR HS TTT ET, 1. “Ode to Psyche” [8 A&P] (s¥20){ “ogy AAR “cs BARE cr, Oe ERY FTE cre oa | Frag] THTS CATA SATE ara ati) a 2, “Ode to a Nightingale” (66 B afore ("ee z sah et eg Fare aT at TH, wre CAA aa aa oe ere Fran rc feats wre waTO SN HET AE ret Ser es Re TR AE A HE ER, PAS : fag SOTERA |} ‘Scanned with CamSeanner“Ode on a Grecian Um” [6 84 4 cafrara a] (24°30) (" 20) (“ag oH AF ae Fira aq etooa WG Cold pastoral fom A ACEH 1) 4. A le on Melancholy” [es 8 Freracaifi] (“65 ot crarria'cs ft f pera HRT HE, FTTH AM ET AA] 5 Herc el btu tcl (se) . Ie ve of St. Agnes” (“ait 85 9 HB emit” efter att 154 oxen area HS he |G; FAG, RICE GRA, ‘waa ara few wate cee caf wemTR cefirars at Fmteta Bowe | CR 18 HA AH, TET) 7. “Hyperion” [cf] (960) 9, “Lamia” [rife] (980) 10. Ode to Autumn [“% 813") 11 Isabella [Saeeen” (93¥),] Keats « poems 301 34 Gi : MEGHNA LIMA MEGHNA LIMA. M >zmam Bt mea ma a aT Keats @ 21 I Poet of beauty! “wie beauty FC Keats 4 2M WERE | 1. Ah thing of beauty isa joy forever CE HER AT TE GARTER 1 ART!) 2. Beauty is truth, truth beauty ( (Ode on a Grecian Urn) 3, Heard melodies are sweet, Grecian Urn) ; ' (his means that sometimes imagination 1s better than the experience o the physical senses.) a = firsa YP fate Quotations rt 85, THR FA) (15 BCS). but those unheard are sweeter. (Ode on 8 ofr” (Lamia) . a ic cw EN TAA ‘enfiran’ (Lamia) : afer | TOT AHL & ftyciou) aifice arate FAA seats. efit 7-H ses TS SF Soe me ‘Scanned with CamSeanner