Hammond X-77 and X-77 GT Service Manual

MODELS we 77 AND X°77QTTABLE OF CONTENTS THIS COMBINED SERVICE MANUAL CONTAINS SERVICE INFORMATION ON THE MODELS X-77 (WHITE PAGES» FRONT SECTION ON MANUAL)» X-77GT (IVORY PAGES; MID SECTION)» AND A COMBINED PARTS LIST (ON WHITE PAGES» REAR SECTION) OF MANUAL. X-77 - THIS MODEL IS PRESENTED IN THE FRONT SECTION OF MANUAL ON WHITE PAPER. Page K-77 Table of Contents (White) ... List of Illustrations (White) Service Information and Illustra’ i ii oN THRU 68 ns (White) . X-776T - THIS MODEL IS PRESENTED IN THE MID SECTION OF MANUAL ON IVORY PAPER. X-77GT Table of Contents (Ivory) X-77GT List of Illustrations foes X-77GT Introduction (Ivory) . X-77GT Service Information and Illustrations ii iii PARTS LIST - X-77 AND X-77GT - PRESENTED BACK PAGES OF MANUAL ON WHITE PAPER. Index Parts (idetuneSection VI (White) ...........++, eqimmiaiiameweck ye soePAGE 13 4 4 14 14 16 16 16 7 7 7 17 7 17 18 18 18 18 9 X-77 CONTENTS Special Notes Installation and Maintenance Starting the Organ How the Organ Works Harmonic Drawbars for the Pedal Expression Pedal Percussion Tabs Rhythm Tabs Pedal Tabs, String Bass Leslie and Animation Tabs Reverberation Tabs Echo Tabs Volume Soft Tab Preamplifier System Construction and Operation of Components Manual Chassis Manual Busbar Shifters Pedal Switch Pedal Busbar Shifters Pedal Keyboard Pedal Gate Amplifier Pedal Latching System Amplifying System Vibrato System Reverberation Amplifier Percussion and Bass Preamplifier Percussion and Bass Amplifier Percussion Section Harp Cymbal and Brush Generator Assembly Brush/Upper and Lower Percussion and Reiteration Drive Percussion Gate Amplifier Alternate Percussion Gate Amplifier Time Delay Switch 26 Power Supply Special Power Sources Practical Service Suggestions Organ Does Not Play One Key Does Not Play One Note is Weak Hum Procedure for Removal of Parts Broken Tab Pilot Light Stop Switch Assembly Upper Manual Key Lower Manual Key Manuals Arpeggiator Pedal Switch Pedal Switch Cover Pedal Sustain Solenoid Expression Pedal Vibrato Cancel Switch Pedal Light Bulbs Operation of Preset Keys Preset Cradle Adjustments Performance Check Volume Level Settings for X-77L Field Service Notes Percussion Keying by Pedal Solenoids Improved Pedal Response Improved Percussion Decay Adding Reverberation to Percussion Pedal “Pop” Hum Pickup in Reverb Unit Pedal Switch Assembly Problems Reduction of Hum and Noise False Triggering of Delay GateFIGURE 1 3 4 i 6 7 8 9 23 24 25 250 26 27 28 298, 29A(R) 298 29B(R) 29¢ 29C(R) 30A 30A(R) 308 30B(R) 31 BIA 32 33 334 ILLUSTRATIONS X77 Typical X-77 Console Back View of Console Block Diagram Preset Keys Harmonie Drawbars Swell Control Partial View of Tabs Rhythm and Pedal Tabs Partial View of Tabs Tone Generator Harp Sustain Chassis Main Generator Cover Generator Magnet Location Arrangement of Manual Contacts Manual Frequency Chart Arrangement of Pedal Contacts Pedal Circuits Frequencies used in Pedal Switch Percussion Gate P.W.B. — 124-000003 Percussion Gate P.W.B, — 124-000003 REVISED Alternate Percussion Gate P.W.B. — 124-0004 Alternate Percussion Gate P.W.B. ~ 124-000004 REVISED Reverberation P.W.B. ~ 124-000007 Pedal Gate P.W.B, ~ 124-0008 Pedal Gate P.W.B. — 124-000008 REVISED Vibrato and Non-Vibrato Amp. P.W.B, — 124-000001 Bass and Percussion Amp. P.W.B. ~ 124-000002 Bass and Percussion Preamp. P.W.B. — 124-000005, Bass and Percussion Preamp. P.W.B. ~ 124-000005 REVISED Vibrato and Non-Vibrato Preamp. P.W.B, ~ 124-0006 Time Delay P.W.B. ~ 124-000012 Cymbal and Brush Generator P.W.B. — 124-0020 Schematic Diagram X-77 ‘Schematic Diagram Revised Schematic Diagram X-77 ‘Schematic Diagram X-77 REVISED Schematic Diagram X-77 Schematic Diagram X-77 REVISED Wiring Diagram X-77 Wiring Diagram, X-77 REVISED Wiring Diagram X-77 Wiring Diagram, X-77 REVISED Schematic Diagram, Percussion Gate Amplifier ‘Schematic Diagram, Percussion Gate Amplifier REVISED Schematic Diagram, Reverberation Amplifier Schematic Diagram, Pedal Gate Amplifier Schematic Diagram, Pedal Gate Amplifier REVISED Schematic Diagram, Vibrato and Non-Vibrato Amplifier Schematic Diagram, Bass and Percussion Amplifier Schematic Diagram, Bass and Percussion Preamplifier Schematic Diagram, Bass and Percussion Preamplifier REVISED Schematic Diagram, Vibrato & Non-Vibrato Preamplifier ‘Schematic Diagram, Vibrato & Non-Vibrato Preamplifier REVISED Schematic Diagram, Harp Sustain Keyer Schematic Diagram, Supply Delay Switch ‘Schematic Diagram, Brush and Cymbal Schematic Diagram, Power Supply Schematic Diagram, Music Light Inverter Schematic Diagram, Percussion and Reiteration Drive Schematic Diagram, Alternate Percussion Amplifier Schematic Diagram, Alternate Percussion Amplifier REVISED Percussion & Reiteration Drive Assembly PAGE iiSPECIAL NOTE | The Hammond Organ described in this technical book is somewhat of 4 departure as to overall configuration when related to other models of Hammond organs. It is not self-contained and operates only when attached to an X-77L Lestic Tone Cabinet. manufsetured by Electro-Music. P.O. Bin 30, Arroyo Annex Pasadena, California 91109, Service literature, and parts for the X-77 Tone Cabinet, are available only from the Electro-Music organization, SPECIAL NOTE 2 information (schematics, wiring diagrams) is being pre~ sented in somewhat different form than in previous technical books. It is suggested that they’ be closely reviewed, as an understanding of makeup will reduce time in finding the particular schematic wanted, and in most cuses will make unnecessary, the handling of large foldouts. Figures 29.4. 29B and 29C are schematies of the manuals, reverberation, Percussion, vibrato, nomvibrato, and power supply; these embody ¥y contained on printed wiring boards, items over and above the eire The blocks shown on theye sehematics refer to specific wiring boards, figures 19 through 28, The entire makeup of the instrument is shown on figure 30A and 30B. SPECIAL NOTE 3 Information contained in Technical Bulletins issued during 1968 and the first fen months of 1969, has been incorporated in this issue. Parti cular attention should be given to pages containing revised information, Reter to Tuble of Contents. These pages illustrate the configurations of POW. boards manufactured after July 1, 1969, and applicable sche- mattis. SPECIAL NOTE 4 ORGANS MANUFACTURED AFTER JULY 1, 1969 CAN BE IDENTIFIED MOST EASILY BY EXAMINING THE BASS AND PERCUSSION PREAMPLIFIER BOARD (124-000005), SEE FIGURE 254. IF PIN 31 and R846 ARE ON THE BOARD, THE ORGAN IS OF LATE MANUFACTURE.GENERAL DESCRIPTION. SPECIFICATIONS FIGURE 1. TYPICAL X-77 CONSOLE SPECIFICATIONS Size 51” Wide 28-1/2" Deep 50" High with Music Rack Weight with Bench and Pedals—428GENERAL DESCRIPTION, X-77 1 X-77 organ is a con nly, requiring an Tone Cabinet: standard models’ of Hammond. | annot be added to it. It has two manuals or | kev’boards of 61 keys each, a 25 note pedal keyboard, and an expression (or swell) pedal for controlling the volume. All tones are produced by electro-magnetic tone generators and ‘ally amplified, as in other models of the Hammond Organ. Select is made by adjusting 46 draw bars, 8 prevoiced tabs, and 18 preset keys. Other character- istics of the music are adjusted by means of 20 other tabs. A switch on the expression pedal, when pressed to the left, turns off any vibrato effect set up on the tabs. An arpeggiator | will be found beneath the right side of the lower manual This unit can be played by using the right-hand thumb. It | _ will play HARP notes of any chord held on the lower manual of tone color witch located to the left of the « I is used to turn on the organ. A pilot at all times. A above the manu shows wh he organ is turned on. Figure 1 shows the front of the consol view, with the back cover removed. and Figure 2 is a rear INSTALLATION AND MAINTENANCE A card, packed with the playing instructions, gives ful formation on installing the organ, oiling, and packing for moving or shipment. After reading this card, the owner may wish to attach it to the underside of the organ bench future reference. If one tone cabinet is used it should be cc nected to the “main” receptical leaving both MAIN ONLY and ECHO ONLY tabs up. IBRATO PEDAL ALTERNATE NOW-VIBRATO GATE PERCUSSION PANE RE-AMP. ANP. ANP. VIBRATO ~ NON-VIBRATO een SENERATO} WARP BOARD POWER Music LIGHT INVERTER FIGURE 2. BACK VIEW OF CONSOLEX-77HOW THE ORGAN WORKS Most tor th monies available PF STARTING THE ORGAN n off th n, push thi roduce any desired wheel is a steel disc similar e its edgr net, Whiestfenstal red, A “Cy he “Cymbal P on both uf At the left of when which may with the keys ex which has beer jother is depressed. The exception to th he extreme left, which serves only a iocked down. Only one prese If, by mistake, two are depressed and lov xception of the two “Adjust” ke he g makes available a differen up on the preset These tone colors are si Ora Sete nn co rereTy Pareinstructions on a card located near the p is not present in t When either “Adjust” key is depr gan speaks eight different pos: with whatever tone color is set up on t mnie drawbars silent position. E associated with that key. The percussion voices can be used represents a diffe only when the upper manual “B” preset key is depressed. controls. When (See “Percussion T FIGURES. HARMONIC DRAWBARS, HARMONIC DRAWBARS FOR THE PEDALS In the pedals the harmonic resources have been combined wbars which may be used separately or in com bination. The two left drawbars have a basic 16' pitch and the right two have an 8’ pitch. For each pitch, the brown drawbar nphasizes the lower harmonics to give a mellow tone, while e black drawbar emphasizes the higher harmonics to give a pright tone. The pedal drawbars are located between the two sets of manual drawbar EXPRESSION PEDAL red to as “Swell Pedal’ ated by the player's righ (Figure 61 is 0 foot to control the volume of the in four previously mentioned preamplifiers simultaneously rument. The pedal controls the inputs to the The volume is controlled by a variable shutter on the pedal purce and four photocells. The reaching the photocells is determined by the | position of the shutter. Maximum light produces minimum resistance in the photocell; therefore, minimum volum panel. If a drawbar is set all the way in, the harmoni X-77 mixture: each drawbar ions by the organist in ai h position, rganist's requirements. They may be the right, is associated with a separate harmoni if desired, by removing the back of the console and __bar {rom the right combines the 7th and 9th harmonics, whil the preset panel connections in accordance with the first bar on the right controls the 10th SB 1 t repre ay be s marked on the drawbars. degree of intensity of the harmonic ut to position 1, the har also). sents will be present with minimum intensity 2, with greater intensity; an has four sets of harmonic drawbars, two for mie Figure 5 up of harmonic draw- Position abled to mix the funda- A tone color is logged by g the numeric {ferent harmonics in various the various drawbars. For instance, the tone se nanual does not have the 10th 5 is known at Tone 33 54 2 hird bar from the left controls the may be made available again by setting thi ther bars except the two on bars to that number FIGURE 6. SWELL CONTROL c it rep so on up t ap in Figure ed i 2th harmonics. mn to thePERCUSSION TABS ee eee FIGURE 7. POWER SWITCH, CYMBAL- RUSH, REITERATION RATE CONTROL & PERCUSSION TABS | There are 11 of thes igure 7) plus a reiteration rate depressed. The next six tabs are prevoiced perc i control. The first tab on the left, “Second Voice", when de eating the effect associated with th ment in pressed, conver percussion voices cated on the individual tab. The next tab, when depresse so that they will contin und as | urns on the reiterator circuit, and it’s rate is cont down. The second tab. “Touch Control”, when depressed, reiteration rate control. The next tab produces a sustained introduces the “Touch Response” percussion mode, in which harp voice which differs from the other percussion voices, in he keys must be played in a detached manner to make the _ thatit begins to decay after a key has been released. Operation percussion voice operate. With this tab up, each note will of the electrical circuits associated with these features sound as it is pressed, and repeat whatever other keys are described in subsequent paragraphs. RHYTHM TABS here are three tabs in this group (Figure 8). The “Cymbal pedal” tab, when depressed, introduces a cymbal effect to t | oot pedals in addition to the tones selected by the pedal | drawbars. The “Brush Upper’ tab, when depressed, introduces prush effect to the upper manual in addition to any other ones selected by drawbars or preset keys. The “Brush Lower | performs the same function on the lower manual. Opera: ion of the electrical circuits associated with these features | s described in subsequent paragraph NOTE: Ay for brush ond cym ate ft end ne FIGURE 8. RHYTHM & PEDAL TABS PEDAL TABS ("STRING BASS") | hese two tabs (Figure 8) when depressed, provide pedal decay and a combination of the two provides an even longer cay in three degrees for a string bass effect. “String Bass I” decay period. Operation of the electrical circuits associated provides a short decay, “String Bass II” provides a longer with this feature is described in subsequent paragraphs. LESLIE OR ANIMATION TABS The X-77 console is equipped with tabs that will provide and lower manual. lective vibrato. Depressing the “C ab provides a eee Bs When using percussion voices, tremolo can be added to thes: rus effect on either manual for which the vibrato tab has Shes yy GePer ston vects pon gar Cake tte : er is not cancelled by the foot switch A Celeste effect by depré&sing the tablet etkodl, on any ght ested ‘On Reverb” tab provides reverberation in three degrees to matically on pedal tones in non vibrato mode. Depressing ‘On Pedal” tablet adds vibrato to the pedal signal using the A fo same animation devices which provide vibrato for the upper the player moving his foot to the left, will ca s. Celeste is auto: all tones except percussion and rhythm witch on the swell pedal, Figure 6, when activated el the vREVERBERATION TABS Le FIGURE9. LESLIE, REVERB., ECHO & VOLUME SOFT TABS REVERBERATION TABS The two reverberation tabs, when depressed, make nree degrees of reverberation. “Reverb I” produces dn rb IL amount. and with both tabs ressed an even larger amount, entitled “Reverb. IIT ECHO TABS The X-77 organ has a built-in Echo Switch consisting of two tabs; ECHO ONLY and MAIN ONLY. If a single tone cabinet is used, it should be connected to the MAIN receptacle and the ECHO ONLY tab should remain up, If a second or Echo et is also used, the cabinets may be employed singly or ther. Depressing the MAIN ONLY tab silences the cabinet. Conversely, depressing the ECHO ONLY tab silences the Main cabinet. The tabs are interlocked to prevent silencing both cabinets simultaneously VOLUME SOFT TAB The “Volume Soft” tab, when depressed, reduces the overall volume level available, in order to permit playing at reduced jume while still maintaining the full dynamic range of the expression pedal PRE-AMPLIFIER SYSTEM Signals from all sections: manuals, pedals, percussion, and Sate speeds from a main shaft extending along th pair of tone wheels is mounted on a shaft and betwee is a bakelite gear held by a coil spring, am vibration filter. As the gear is not shaft, any pair of wheels which may be stopped ai will not interfere with the operation of the ot T wrator assembly is driven a a y synchronous motor, operat RPN loc left side as you look in a a he con sole (Figure 2). (In 50 cycle organs, the peed i 500 RPM.) Adjacent to each tone wheel is a magnetized rod w ick up coil wound on it. These magnets extend through the {rc and back of the generator, and are held by set screws which can be loosened in case adjustment is ever necessary. Figure 3 shows where to find the magnet for any frequ: nber In this drawing the dotted lines indicate fr s whose tone wheels are on the same shaft On top of the tone generator assembly are formers and capacitors, forming tuned filters for th cies. They are not likely to need replacing. 1 becomes inoperative, both the transformer ai must be replaced with a matched set from the 12 shows the location of these filters. A few fri yar Male (FOR Ee i ee FIGURE 10. TONE GENERATOR and brush appear all; or in part, in the input and output of the 4-channel preamplifier. Final amplification and mechanical animation are provided within the X-77L Leslie Tone Cabinet CONSTRUCTION AND OPERATION OF COMPONENTS. In stu circuit of the betwe .e components schematic rough 43). Connections wiring diagram, (Figure ying this section, refer t ntire organ, (Figure 30A and 30B All tones of the organ except cymbal and brush effect origi nate as electrical signals in the tone generator assembly (Figure 10). It contains 96 tone wheels having various num: pers of teeth, with suitable gears for driving them at various ntuned filters consisting of coils alone, and sistors and capacitor, Wires from the various filter assemblies lead to the terminal strip on the long edge of the generator. The output frequencies of the tone generators are numbered for convenience, in order of incn asing frequency. The lowest number 1, is about 32 cycles per second, and the highest number 96, is about 8000 cycles per second. Frequency num: pers 1 to 68 are used by the manuals and peda quencies 69 thru 96 are used by the manuals on showing filter locations also shows the termination point of ach frequency, while (Figure 29A) shows typical tuned and untuned tone generators.FREQ. 69 “FREQ. 58X-77 KSAT SHSOSSSGSSHGX-77 RUN MOTOR END A Bach OF CONSOLE FIGURE 13. MAGNET LOCATIONS ON TONE GENERATOR UPPER ACTUATOR FOR ONE KEY LOWER ] MANUAL ee or ee waxvat | PERCUSSION & BRUSH EFFECT CONTROL i! 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MANUAL FREQUENCY CHART13 X-77 MANUAL CHASSIS The Manual Chassis Assembly includes the upper and lower manuals, arpeggiator, and preset panel. It has a terminal strip under each manual to accommodate the necessary fre- uency wires from the tone generator assembly. UPPER MANUAL ‘This manual has 61 playing keys, 9 preset keys, and 2 adjust keys, each of which operates 16 small contact springs with precious metal points (see Figure 14). When a key is pressed these points make contact with 16 busbars extending the en tire length of the manual. The busbars also have precious metal contact surfaces. When a playing key is depressed, 16 contacts (14 signal and 2 control) make contact with 16 busbars in the manual. The 14 signal contacts are impressed on the 14 signal busbars, each contact carrying a single harmonic. The 7th and 9th harmonics are combined and fed to a single drawbar by connecting two busbars together inside the manual. The 10th and 12th harmonics are similarly combined. ‘As there are no wires connected to these busbars, a preset or adjust key must be depressed before any circuit can be completed. Each adjust and preset key has 11 contacts ("B” adjust has 14) exactly like those of the playing keys. When fan adjust or preset key is depressed, all the harmonics are made available at either the recorder panel or the drawbars. When the “B” adjust key is depressed, in addition to the Harmonics made available at the drawbars, the “Harp” and percussion control contacts are connected to the proper cir- ‘The 1-1/4th Harmonic is used only in producing the ‘Chime effect and is available only when the "B” adjust key is depressed. These reverse color keys have a locking and trip mechanism which locks down one key at a time. The key at the extreme left end of the manual is a cancel key, with no contacts, which releases any preset or adjust key that happens to be depressed, The percussion control contacts also control the “Brush Upper” circuit. A wire attached to the control busbar connects it to ground through a zener diode D601. LOWER MANUAL: This manual is identical to the upper manual with the fol lowing exceptions. There are 12 contacts: (11 signal and 1 brush keying contact) under each playing key. Each of the signal contacts carries a single harmonic. The 7th and 9h harmonics are carried to one drawbar by connecting two busbars together inside the manual. The remaining contact (brush keying) provides a path to ground each time a key is depressed: and also operates the arpeggiator. ich adjust and preset key has 10 contacts exactly like those of the playing keys. When an adjust or preset key is depressed all the harmonies are made available at either the recorder panel or the drawbars ‘The arpeggiator located. beneath the right-side of the lower manual, will control the tones in the Harp, determined by the keys held down on the lower manual. MANUAL BUSBAR SHIFTERS ‘The precious metal contact surfaces of the key contacts and busbars are not subject to corrosion, and the manuals are sealed to exclude dust as far as possible. In spite of these precautions an occasional particle of dust may lodge on a con tact and cause the note to be seratehy, noisy, oF silent, and for this reason a busbar shifting mechanism is provided on each manual to slide the busbars endwise and thus provide a fresh contact surface. The busbar shifter for each manual is a slotted stud near the left end of the manual as viewed from the back ofthe console (see rear view of console in for location). FIGURE 16. ARRANGEMENT OF PEDAL CONTACTS If any note becomes scratchy or silent, it should first be struck 15 or 20 times in rapid staccato manner, to loosen any dirt particles, usually cleaning the note, In case this procedure is not effective, the busbar shifter for that manual may be adjusted by turning the stud about two turns in either direction. It may sometimes be necessary to actuate the offending key while turning the busbar shifter, in order to wipe the busbar clean.4 X-77 PEDAL SWITCH ‘The pedal switch, which is actuated by the pedal keyboard, consists of 25 groups of 9 contacts each. When a pedal is depressed, 9 contacts (7 signal, 1 control or keying, and 1 latching) make to 6 busbars (Figure 16). The 4 signal bus: bars are routed through filter and mixing networks to the pedal drawbars. ‘The signals from the drawbars are routed through the pedal gate amplifier. The control contact, when a pedal is depressed. applies +6V to transistor base Q-157 ‘The latching contact comes into play when one or both “String Bass” tabs are depressed. Every time a pedal is depressed this latching contact closes and provides a ground path for its latching solenoid. When the solenoid is energized it holds 8 contacts closed until the next pedal is played, at which time it releases and the next pedal latches. In all instances. the control or keving contact is made only as long. as a pedal is depressed: that is, this contact does not latch. FIGURE 17. PEDAL CIRCUITS PEDAL SWITCH BUSBAR SHIFTERS The pedal switch is equipped with busbar shifters similar to those on the manuals. The pedal busbar shifter is a slotted stud on the near surface of the pedal switch, near the left end as you look in at the back. It should be adjusted as described under “Manual Busbar Shifters” on a previous page. PEDAL KEYBOARD Pedal keys are set at the factory for average tension, but can be adjusted to fit the requirements of the individual organist. Adjustment is accomplished by removal of the top cover at the back of the pedal keyboard and setting the tension as desired PEDAL GATE AMPLIFIER (117-000004) ‘The purpose of this amplifier is to provide the pedal sustain effect in conjunction with the solenoid controlled pedal switch It also provides amplification with or without the sustain effect. NOTE: Because the "string bass” tabs introduce a "sustain or “automatic pedal legato” mode in which o pedal note fades ‘way after the pedal is released, it is necessory to have the signal contacts of the last played pedal remain closed. This is accomplished by o solenoid under each pedal which is electrically held down through « locking contact.15 X-77 The operation of this amplifier can be described in two parts: the Pedal Gate Driver and the Pedal Gate (the latter formed by transistors Q-151 through Q-155, With no pedal depressed, transistor Q-157 is not conducting because of no bias at the base. Zener diode D-151 is draining current through R-176 and maintains +15V at terminal 14. Condensor C-165 has also charged to-+15V from terminal 14 via R-178 only, oF R21, R-22, or the sustain switch in series, depending on the position -of ‘The charge in condenser C-165 cannot rise above the +15V level of the zener diode as this would forward bias diode D-152 and connect zener D-151 in parallel to the conderser. Because the base of Q-158 is forward biased, both transistors Q-158 and Q-159 are conducting with a resultant voltage on pin 1 Depressing a pedal applies +6V. through R-174 to the base of transistor Q-157 driving it into saturation. As a result, con: denser C-165 discharges through diode D-152, transistor With the pedal released, Q-157 stops conducting, zener diode D-151 “fires”, and reverse biases diode D-152, and C-165 now starts charging: the rate depending upon the setting of the sustain tabs which determine the resistors in series with the charging path. The voltage level at terminal 1 now rises following the level of C-165, The audio signal is controlled by the pedal gate and more precisely, by the DC voltage developed across R-181 and available at terminal 1. This voltage is applied through R-181 to FET. gate Q-153. This voltage is adjusted to the cut off voltage of the F.E.T. used. Under this condition the drain to source resistance of Q-153 does not affect the operation of transistor Q-152. An audio signal appearing in the secondary of T-151 is fed to the base of transistor Q-152 through R-151, C-152, and tran sistor Q-151. Q-152 splits the signal into two out-of phase QUS7, and R177, The voltage at terminal 1 drops to zero. signals. 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Both signals are mixed and levels adjusted by means of R-159, R-160, R-161, and R-162, so that signal can cellation takes place at point 8. This is the condition when the gate is closed When the DC at the gate of Q-158 is removed, the drain to source resistance of Q-15d becomes Very small (a few hundred ohms). This connects C-155 in parallel to R-157 and removes the signal degeneration in R-157. The result is a signal level rise at the collector of Q-152. The signal cancelling described in the prior paragraph is offset and a maximum signal now appears at point 8. The gate is now open for maximum signal ‘output conditions. As the DC voltage at the gate of Q-153 varies (from pinch- off to zero), the signal output from the gate varies correspondingly. ‘Transistor Q-154 and Q-155 are conventional amplifiers to rraise the output of the gate to proper level. R-164 serves as a pedal level adjustment. PEDAL LATCHING SYSTEM (PART OF 127-000001) The latching and release system used in the X-77 console is of the constant current type, and is entirely electronic in nature. Its operation and adjustment is as follows. ‘he Pedal Latching current is secured from a full wave type rectifier consisting of diodes D-701, D-702, D-703, and D-704, 1g the secondary winding of T-701. This rectifier also supplies voltage, regulated, to other specified loads within the console. ‘Transistor Q-T11 is a constant current source, supplying 130 M.A.DC. for one pedal solenoid. The current is set by adjusting control R-724, which varies the impedance of tran sistor Q-711. When another solenoid is connected in parallel (another pedal depressed) with the first one, the current divides equally between the two solenoids and because of tolerances, half of the current (85 MA.) may be sufficient to keep both solenoids latched. Proper operation of the pedal latching requires the first to release when the second one is depressed. To achieve this, the voltage drop on the collector of transistor Q711 is sensed by transistor Q-706. When one solenoid is con: nected, transistor Q-706 is conducting and Q-707 is cut off When the second solenoid is connected, the voltage drop at the collector of transistor Q-711 reverses the condition of transistor Q-706 and transistor Q-707; Q-706 is cut off and Q-707 is conducting. The produced voltage step at the col lector of Q-707 is amplified by Q-708 and Q-709. ‘This increases impedance of Q-710, and accordingly the voltage drop across Resistor R-722 increases. ‘This increase limits the current that transistor Q-711 can pass to 100 MA. As 50 MA is not sufficient for latching both solenoids, only the one not held down by external pressure (foot on pedal] will release. R-713 adjusts the sensitivity of Q-706, which in turn changes the point where Q-706 and Q-707 change their conducting and cut off condition. 16 X-77 ‘AMPLIFYING SYSTEM ‘The amplifier system of this organ is made up of eight in dividual boards. Behind the control panel from left to right, en viewed from the rear, will be seen the Vibrato and Non Vibrato Preamplifier, Alternate Percussion Amplifier, Per cussion Gate Amplifier, and directly below, mounted on the rear of the upper manual, the Pedal Gate Amplifier. On the fold-out shelf from left to right, the bass and percussion preamplifier will be found. The vibrato, non-vibrato bass, and percussion amplifiers are immediately adjacent, the vibrato being the center and the bass, closest to the hinge. The Reverberation Amplifier will be found in the base to the extreme left. Actual Location of these items, as well as associate boards, are shown in the two console wiring diagrams, Figures 304 and 30B. Removal of any of these parts for service is simple and ex: amination will reveal the method of removal. The outputs of the upper and lower matching transformers are connected to either the vibrato or non-vibrato preamps by the “On Upper” and “On Lower” tabs. The pedal signal is routed either to the vibrato preamp or the bass preamp by the “On Pedal” tab. The latter channel directs the non-vibrato pedal to the cleste device in the tone cabinet. ‘The signal from the manual matching transformer is mixed with the pedal signal. With “On Pedal” tab depressed and routed to the vibrato preamp. the signal from the upper manual is routed to the “On Upper” vibrato tablet. Depending upon the position of the vibrato tablets, the signal from the manuals may be youted through the vibrato or non-vibrato channels of the amplifying system. The pedal signal sent to non-vibrato, automatically goes through celeste With the “On Pedal” tablet up. the pedal signal is routed to the bass preamplifier and appears in the bass amplifier. ‘The pedal signal is also routed to the reverb system input. ‘The output of the percussion and alternate percussion am: plifier is mixed with the output of the Harp preamplifier and these three signals are combined in the percussion preampli: fier and further amplified by the percussion amplifier. VIBRATO SYSTEM VIBRATO AND NON-VIBRATO AMPLIFIERS, (124-000001) VIBRATO AND NON-VIBRATO PREAMPLIFIERS (124000006) NOTE: The vibrato and non-vibrato preamplifiers are identicol ‘as are the vibrato and non-vibrato amplifiers. It must be remem- bered that animation occurs in the tone cabinet and these two channels actuate respective channels within the tone cabinet. ‘The vibrato channel of the preamplifier is a three-stage, direct coupled amplifier Q-401, Q-402, and Q-403, capacity coupled through C-404 to R-411, R-412, and R-413, which are part of the expression control. also to volume soft circuit R-14, €-405, and through R-422 to output pin 17. R-416 is coupled to transistor Q-404, which is the signal source of reverberation.7 X-77 The non-vibrato channel of the preamplifier, as mentioned above, is identical. however, a two-stage Chorus channel {Q-406 and Q-407) transfers part of the signal via Chorus switch from the vibrato channel to the non-vibrato channel. Each channel of the vibrato and non-vibrato amplifier con sists of three stage. direct coupled amplifier with gain control and tone control (treble). The tone control is dependent on amount of feedback at high frequency REVERBERATION AMPLIFIER (117-000003) ‘The signal is fed to the base of transistor Q-251 and amplified. It is then directly coupled to an emitter follower Q-252 and capacity coupled through C-252 to drive transformer T-251, ‘The secondary winding of T-251 is to push-pull transistors Q-254 and Q-255, and capacity coupled through C-254 to the reverberation drive coil. One side of the reverberation drive coil is connected to R-254 and R-264. The signal is fed back (current feedback) to Q-251. After the signal has been delayed through the spring unit. it is fed to the base of transistor Q-257 where it is amplified and directly coupled to emitter follower and then capacity coupled through C-259 to reverberation level control R-273 As the reverberation unit is always in operation, it will re quire that one or both of "REV I”—“REV II” tabs be de pressed for the effect to be added. PERCUSSION AND BASS PREAMPLIFIER (124-000005) ‘The percussion channel signals from pins 8, 9, and 10 are capacity coupled to the base of Q-805. The output of Q-805 is then capacity coupled to R-S42 and R-843, which ate part of the expression circuit. The “Volume Soft” connects to the output pin 3. Signals entering the bass channel, pins 23 and 24, are capacity coupled to the base of Q-801. The circuit of Q-801 is a low pass filter. The output of Q-801 is then capacity coupled to base of Q-802. The output of Q-802 is fed through R-819 and R-820. which are part of the expression control circuit and volume soft circuit R-821 and C-810, to the output pin 15. A portion of this is capacity coupled to the base of Q-803, whieh is a signal source for reverberation PERCUSSION AND BASS AMPLIFIER (124-000002) Both channels consist of a three-stage direct-coupled amplifier with gain control. The Percussion channel has a tone control (treble cut). This control is dependent on amount of feedback at high frequency. PERCUSSION SECTION When using the upper manual “B” adjust key, all of the bus: bars in the upper manual, with the exception of the sub- fundamental, sub-third, 7th and 9th harmonics, are routed through the percussion switch assembly and the primary windings of the percussion matching transformer T-101. The 1-1/4 harmonic is routed likewise, but is not available on the drawbars. It is used only in the harmonic structure of the “chime” effect. With the percussion switches in the “Off” position. the signals from the manual busbars are routed directly to the upper manual drawbars. Depending on which percussion effect is in use, the harmonics necessary to. produce this effect will be routed, first Through the primary wind: ings of the percussion matching transformer. and then on to the drawbars. The signals induced in the primary windings of T-101 appear om its secondary. and applied to the input of the percussion gate amplifier (117-000001), operation of this being described in a following paragraph. The fundamental and second harmonic can also appear on the primary of T-301 when “Twin Mallet Marimba” or “Twin Mallet Xylophone” tabs are depressed. HARP SECTION: (124-00001 1) ‘The signal input to the harp keyers (Figure 11) comes directly from the tone generator (frequencies 37 through 85). These signals are applied to the emitter of the transistors Q-501 (there are 49 identical circuits, one for each frequency). A small bias voltage (.4V) is applied to the base of all harp key ers through 10K resistors, With the “Harp Sustain” tablet and the "B” preset on the upper manual depressed, a keying Voltage is applied to the harp control busbar. When a key in the range between the second "C” and the top “C” of the upper manual is depressed. the harp control voltage is applied through R-504 and R-502 to the base of Q-50I. At the same time, this control voltage is applied to condenser C-502. The application of this voltage causes the transistor to conduct This conduction will continue as long as the keys are de pressed, and will continue after the keys have been released for a time, pre-determined by the discharge time of C-502 The signals from the collectors of Q-501 are then rout through Q-521 and Q-522, In addition to the above functions, the following also takes place: when the “Harp Sustain” tablet is depressed, the second harmonic busbar signal is routed through a primary winding on T-3. The result is that anytime a key is depressed a signal is induced in the secondary of T-3. This second harmonic signal (same pitch as Harp signal) is introduced to the emitter of Q-521. The purpose of this signal is to enhance the harp effect by providing an instantaneous signal in the harp channel. ‘The output of Q-522 is routed through the harp level control, (R-530) and is then mixed with the percussion and alternate percussion signal in the percussion preamplifier. CYMBAL AND BRUSH GENERATOR ASSEMBLY: (124-000020) ‘This assembly is basically a “White Noise” generator feed: ing two gating transistors, the outputs of which are shaped and fed to a common transistor amplifier. With the “Cymbal/Pedal” tablet depressed, and a pedal depressed, a keying voltage is applied through R-911 to one plate of C908. A like charge now appears on the opposite plate through Diode D-904. This voltage now passes throvzh 1-905 charging C10 and applying the keying voltae to the base of Q-906. This voltage causes Q-906 to conduct. amplifying the “White Noise” from D-903. This noise is coupled to the base of Q-906 through C-904. The setting of R913 determines the amount of keying voltage, thereby controlling the “Cymbal” output level. The collector circuit of Q-906 is a broadly tuned resonant circuit of approximately 8 ke. The output of this circuit is fed to the cymbal-brush amplifying transistor Q-903 and on to the percussion preamplifier. ‘The decay time of the eymbal effect is governed by C-910 and R-916. while the shaping and keying are controlled by R914 and C-909. The cymbal effect will occur each time a pedal is depressedBRUSH/UPPER & LOWER With the “Brush/Lower.” “Brush/Upper.” or both tablets depressed, and a lower or upper manual key depressed. a small variation in D. C. voltage occurs at the base of Q-901. This, small variation is amplified by Q-901 and appears as a larger varying potential on one plate of C-901. A like variation now appears on the opposite plate through Diode D-901. This voltage now passes through Diode D-902, charging C-902 and applying the voltage to the base of Q-902. This voltage causes Q-902 to conduct, amplifying the white noise from 1-903. This noise is coupled to the base of Q-902. The col lector circuit of Q-902 is a broadly tuned resonant circuit of approximately 11 k. c. The output of this circuit is fed to the Cymbal-Brush amplifying transistor Q-903. R-906, a variable resistor controls the “Brush” output level. ‘The decay time of the brush effect is governed by C-902 and R903. PERCUSSION AND REITERATION DRIVER (128-000001) This unit operates in two-modes Percussive and Reiterative. Percussive can be “Touch Control” or LEGATO. Reiteration is controlled by "REITERATION” tab. In the percussive mode in standby condition, transistors Q-201, Q204, and Q-205 are not conducting. hence their collectors are at +25 volts for the three transistors. The +25V. potential is a reverse bias for D-204, which is therefore not conducting, Conderser C-203 is charged to +10.5V via any ne of the charge time determinant resistors “R’ When a key is depressed, the keyer contact applies +6V to terminal 3. The current which charges C-201, passes through R-203 and produces a positive pulse at the base of transistor Q-201. Transistor Q-201 saturates and its collector voltage drops momentarily’ below one volt. The resulting negative pulse at the collector of Q-201 discharges condenser C-202, The discharge current of C-202 passes through resistor R-207 and effects a positive pulse at the base of transistor Q-204 Diode D-202 eliminates a negative pulse at the base of Q-204, which would have resulted from releasing the key. ‘The positive pulse saturates Q-204 and this in turn saturates Q-205. The collector voltage of Q-205 drops below one volt and D-204 is at forward bias potential. Condenser C-203 discharges momentarily via diode D-204, transistor resistor R-209. ‘This condition is the starting point of percussion drive ramp signal After completion of the discharge pulse, C-203 charges again via one of the charge time determinant resistors. ‘The dual emitter follower stage, consisting of transistor Q-206 and Q-207, isolates output terminal 9 from the timing condenser C-203. In the reiterative mode. in standby condition, condenser C-203, is charged to approximately +10.5V via resistors R-211 and R212. When a key is depressed. the keyer contact applies +6 volts to terminal 5. A forward bias is thereby placed on transistors Q-202 and Q-203. Q-203 saturates and connects diode D-205 to ground. Diode D-205 “fires” and condenser C-203 di charges through transistor Q-203. C-203 charges again 18 X-77 through R-211 and R-212. The charge speed is adjusted by Reiteration Rate Control R-211 When C-203 is charged to the “firing” voltage of D-205, at other discharge follows. This cycling continues as long as a keyer contact is closed. The reiterative pulse is connected through isolation transistors Q-206 and Q-207 to terminal #9. PERCUSSION GATE AMPLIFIER (1117-00001) A positive DC voltage from R-112 is applied through R-111 to the gate terminal of F.E.T. Q-102. This voltage is adjusted by means of R-112 to the pinch-off voltage of the Q-102 F.E.T. used. Under this condition the drain to source resistance of Q-102 is very high (tens of megohms) and Q-102 does not influence the operation of Q-101. ‘An audio signal from transformer T-101 is fed via C-101 to the base of transistor Q-101. Because of unequal emitter and collector loads (R-104 and R-105), the signal across R-105 is much greater than across R-104. The signal across R-105 is in phase with the signal at the base of Q-101 and the signal across R-104 is 180% shifted in phase. The signals from the collector and emitter of Q-101 are mixed via R-107 plus R-109, and via R-108 plus R-110 in such a way that they both appear at point 7 in equal level and out of phase. The result is that both signals cancel each other and there is no output from the gate. This is the condition when the gate is closed When the DC voltage from the F.B.T. gate Q-102 is removed, the drain to source resistance becomes very small (2 few hun: dred ohms) and this virtually places C-104 in parallel with R-105, The result is that the signal at the collector of Q-101 increases, because C-104 decouples the signal current degeneration in R-105. This, in turn unbalances the signal null point at point 7 and the gate has maximum output. or is reper" A variable DC voltage impressed upon the gate Q-102 will cause a Variable signal output from the gate. ‘Transistors Q-103 and Q-104 perform as a conventional amplifier to raise the output from the gate to the proper level R-118 adjusts the gain of the amplifier as required. ALTERNATE PERCUSSION GATE AMPLIFIER (117-000002) This amplifier consists of two parts. The operation of the circuit consisting of transistors Q-301, Q-302. Q-303, and Q-304 is identical to 117-000001. The other portion, alternate repeat driver. consisting of transistors Q-306, Q-307. Q308, 309 and Q-310, performs as follows. With no input, transistor Q-306 is at cut-off and the voltage at the collector is near the supply voltage. This positive voltage is coupled to the base of transistor Q-307 through resistor R-325. Current flow from transistor Q-307 through common emitter resistor R-327 maintains the emitter of transistor Q-306 at positive potential. The reverse bias now developed between emitter and base of transistor Q-306 maintains the cut-off condition. ‘The high positive voltage at the base of transistor Q-307 causes it to operate in the saturated region. A positive voltage applied to the base of Q-306 will overcome the reverse bias and cause Q-306 to conduct. The potential at the collector decreases and is coupled to the base of Q-30719 X-77 ‘The emitter current of Q-307 decreases, lowering the potential across R-327. The emitter Q306 becomes less positive, re ducing the reverse bias and increasing the collector current. This continues until Q-306 is operating in the saturated region and transistor Q-307 is cut-off. Varying the input voltage from positive value to zero will cause transistors Q-306 and Q-307 to alternately turn on and off and produce a square wave output at the collector of Q-307. Transistors Q-308 and Q-309 are not conducting until a positive voltage appears at the base of @Q-308. The square wave is differentiated across capacitor C-310 and appears as a positive pulse at the base of Q-308. D-301 eliminates the negative part. Capacitor C-311 of the differentiated wave shape is charged to the zener voltage D-303 (normally +11V). When transistor Q-308 and Q-309 are conducting, capacitor C-311 will discharge. Capacitor C-311 will charge again via the reiteration control at a rate determined by the setting of that control.* ‘The discharging and charging of capacitor C-311 causes tran sistor Q-310 to conduct, or not to conduct. producing a pulse which is delayed compared to the input pulse appearing at Q-306. The time of delay is controlled by the DC level set by control R-323. *D-302 provides isolation between the charging circuit, (located in the Percussion and Reiteration drive Assembly} and alternate charging circuit, composed of R-330 and R-382 TIME DELAY SWITCH (124-000012) A time delay switch is incorporated in the X-77 console which delays the B+ voltage to the output amplifiers for 5 to 7 seconds, permitting the generator to attain running speed before any sound is heard. D-771 and D-772 are silicon controlled switches (SCS's). R-775 is a timing resistor and C-77I is a timing capacitor. At the instant that +25V is applied to terminal two, both SCS’s are not conducting and there is no output voltage across the “Load” resistor. 1 and R. The voltage divider R. to D-771 gate terminal 2 provides +12.5 Volts The conderser C-771 starts charging through resistor R-775 and when this charge reaches +12.5V (5 to 6 seconds) SCS D-771 “fires” (the cathode to anode junction breaks abruptly into conduction). Condenser C-771 discharges through this break. At the same time. a neyative pulse appears at the Gate terminal of D-771, because the gate draws current, and drops the voltage as the junction of R-771 and R-772. This negative pulse discharges condenser C-772 and this in turn lowers the gate voltage of D-772 for the duration of the pulse. This “fires” D-772 and “out” voltage appears. The purpose of R-773 and R-777 is to mig the firing current pulses toa safe line and thus protect the SCS's. C-773 provides a low impedance for audio signals ‘To turn this Supply Delay Switch off, the +25 “IN” line has to be interrupted, or the +2.5 volts has to be removed, and the circuit is ready for another cycle of turn-on delay. POWER SUPPLY (127-000001) ‘This assembly contains two circuits. One circuit supplies con: stant voltage AC +25V and +6V. The other supplies constant current. Voltages +35 and 6.3 non-regulated are also supplied. ‘The current circuit was previously discussed relating to pedal latching operation. This voltage regulator provides a constant voltage to specified loads from a variable voltage input source, (+32 to +50). This, is a typical series regulator using a transistor type pre regulator Q-701 and Q-705, control elements Q-703 and Q-702, common emitter comparison and DC amplifier Q-704 with sampling and reference elements, Regulation is performed by comparing a sample of the output voltage with a reference: any error present is amplified and used to control the series control elements @-702 and Q-703, The sampling element is a simple voltage divider R-706, R and R-708, across the regulator output. The zener diode D-707 is used as a voltage reference. ‘The comparison element Q-704 takes a sample of the output voltage, compares it with the reference voltage, and produces a signal that is proportional to the difference. The potentiometer R-707 is used to adjust the output sample to match the reference voltage at a specified voltage level. +25 volts in this case. ‘Transistor Q-704 is used also as a DC amplifier which raises the difference voltage (from comparison element) to a level sufficient to drive the control element. The control element Q-702 and Q-703 interprets the signal from the DC amplifier and adjusts itself by changing the internal impedance accordingly to maintain a constant out put voltage. ‘The pre-regulated Q-701 provides a constant current to the collectors of the DC amplifier and the base of the control elements, thus making their gain independent of input Voltage variations. ‘SPECIAL POWER SOURCES This instrument is made to operate on the voltage and frequency specified on the name plate. [t is available for 11 60 cyele—117V/50 cycle—234V/50 cycle, and 234V/60 cycle If the unit is moved to an area having voltages or frequencies different than those specified on the name plate, consult your local dealer as to changes required for conversation PRACTICAL SERVICE SUGGESTIONS ‘ORGAN DOES NOT PLAY 1. If the generator motor does not operate when the switch is "ON". check the power wiring, power switch, line cord, line cord plug. and wall outlet 2. If the generator turns but no sound can be obtained with all controls in playing position, a likely source of trouble is the connecting cable to the tone cabinet. ‘ONE KEY DOES NOT PLAY OR A HARMONIC IS MISSING (Tests to be made with "Adjust Key” depressed) ‘This may meana dirty key contact, a broken connection, or a dead note in the generator. The steps below will serve to isolate the trouble. 1. Ordinarily only one of the several frequencies used on the key will be missing. This can be determined byholding the key and operating each drawbar for that manual, observing on which drawbar the key fails to play. Reference to the manual wiring chart, Figure 15 will tell which frequency number is missing. ‘See whether the same frequency is missing where it is used on other keys of the same manual. The wiring chart will tell with what other key and what other drawbar you should get the same frequency. If it is missing on one key but not on others. a key contact is probably dirty. In some cases it may be cleared by striking the key 15 or 20 times in a rapid staccato man ner to loosen the dirt. If this procedure is not effective, adjustment of the busbar shifter for that manual will clear it. (See “Manuals” section on prior page for location and manner of adjustment.) This will slide the busbars end-wise so that they present a clean contact surface. In extreme cases, it may be necessary to hold down the faulty key while making the adjustment. If the frequency is missing on all keys of one manual but not on the other manual. look for a break in the cable connecting one manual to the other. If the frequency is missing on both manuals, check the manual-to-generator cable or the generator itself ‘The output of any single frequency on the tone generator may be checked by connecting a clip lead from the preset panel top bar to the generator terminal in question. If the generator is alright, the note will play loudly. CAUTION: Never test the tone generator with an outside source of current such as a continuity meter, as serious damage may result to the sensitive filter transformers and permanent magnets. By the above method, all necessary tests of the tone generator may be made with the current supplied by the generator itself. If it fails to play, try touching the clip to the input side of the filter coil (not the grounded tap) and the input side of the filter condenser (Figure 12) in order to cheek these parts. Disconnect the condenser to eliminate the possibility of a grounded transformer. If the signal is still missing at the magnet coil terminal. it ‘means that the tone wheel is not turning, the coil is defective, or the magnet is not properly adjusted. If the tone wheel is not turning. the frequency of the other wheel on the same shaft will also be missing (with the exception of a few wheels which are alone). On the generator magnet location (Figure 13}, the two frequencies whose numbers are connected by a dotted line are on the same shaft. Another way to check the wheel is to raise the generator slightly and feel the ‘wheel with your finger to see if it is turning. Each wheel is located directly behind its magnet, shown in Figure 13. If the magnet coil is defective, the generator must be returned to the factory, as replacement of a coil neces: sitates dismantling the entire generator. Itis possible, although unlikely, that the magnet may have become loose and moved so far from the wheel X-77 as to make the note inaudible. It may be adjusted as described in the following paragraph. ONE NOTE IS WEAK: 1 HUM: ‘Trace the note, as described in the preceding section, to see whether weakness is due to dirty contact, poor connection, defective filter, or reduced output of magnet coil. Check at each point by comparing intensities with higher and lower frequency numbers. Itis possible that one or more notes may be acoustically weak, due to the room and the furnishings, although the actual signal level is equal to that of adjacent notes. This can be checked by reading voltages of the various notes on an output meter connected to pin 4 or pin 22 and ground, of the tone cabinet output plug. Each magnet is set at the factory, with the set screw partially loosened, while observing an output meter. Experience has shown that the magnets seldom need adjustment and that setting them without proper equipment involves danger of damaging both magnet and wheel. Therefore, it is not recommended that the service man attempt this adjustment ‘A loud 60 cycle or 120 cycle hum in the speaker may come from some nearby electrical appliance. It may be picked up by the matching transformer, or the console wiring. It may be eliminated by moving either the console or the appliance. Any other hum must originate within the console or tone cabinet, and can generally be cured by replacing ‘one or more of the electrolytic condensers. PROCEDURE FOR REMOVING PARTS IN NEED OF REPAIR OR REPLACEMENT ‘The following procedures may require opening the back (upper and lower), and the removal of top. Top removal is accomplished by taking out the two screws which secure it to the back stretcher. The front of the top has a snap fitting, released by pulling up. Nott remo The music rack light cable must be disconnected before 19 fop. TO REPLACE A BROKEN TAB OR REMOVE A TAB ‘SWITCH ASSEMBLY: 1 Remove shield from top of control panel secured by eight (8) screws, Remove the Phillips screws from front of control panel that hold bank of switches associated with tab-or switch-to be replaced. Also remove screws from rear brace. ‘To replace a tab, remove lock washer from either end of switch assembly and pull rod out so it just clears broken tab. It may be necessary to tilt assembly so that free end of rod will clear adjacent switch assembly Remove remains of broken tab and insert new piece.2 X-77 TO REPLACE PILOT LIGHT OR POWER SWITCH (First pull outline plug): 1. These items accessible with top removed. 2. Replace bulb with No. 12 GE 63V 2pin 15A miniature 8. To replace power switch cut two Black leads 12 inches from switch. 4. Compress springs on sides of switch and push through front of control panel. Install new switch, splice and ‘tape wiring. TO REMOVE STOP SWITCH ASSEMBLIES: 1, Remove eight (8) 1/4” hex head screws from control panel and remove cover. Remove reiteration rate knob, cymbal-brush volume knob, and retaining nut and washer behind knobs. 3, Remove twelve (12) Phillips head screws holding tab switches and four (4) Phillips head screws holding fac plate. 4. Pull all drawbars out, tilt control panel forward and lift out (make certain chat wires leading from pilot light and On-Off switch have enough slack to clear end plate). Do not place control panel directly on keys. 5. Tilt control switch assemblies up and out of way. Note It may be necessary to tie switches back 6. Unsolder copper conductor strips from drawbar ends (handle conductor strips with care). Remove eight 1/8” hex head screws holding stop switch assembly to base plate. 8. Transfer bus bar leads from removed stop switch as: sembly to new assembly. To reassemble. reverse above procedure. ‘TO REPLACE UPPER MANUAL KEY: 1. Remove eight 1/4” hex head screws from control panel cover and remove cover. 2. Remove two 1/4” hex head screws and one Phillips head screw at each end of stop switch base plate. 3. Tilt control panel assembly backwards to gain enough clearance to loosen the 1/4” hex head screws securing the key and channel assemblies. (Be sure and protect sides of cabinet), 4. Lift key channel up and toward rear. Note: Associated Black keys must be removed before White keys can be removed. To reassemble, reverse above procedure. TO REPLACE LOWER MANUAL KEY NOTE: To perform the fllowing operations you wil require the use of a ratcheting offset (Yankee) screw driver with an eftension handle. This handle may be o piece of flat steel stock taped to the tool so that its overall length is about 9 inches. Another helpful item is a 6 x 6:inch piece of 1/8 masonite 1. Remove the upper manual front strip. 2. Remove the eight (8) hex head screws securing the lower manual cover, By looking in the space between the bottom of the eys and the top of console front rail, identify the key comb assembly associated with the key to be replaced 4, Remove the two screws that secure the key comb to the manual bed. It may be necessary to tap key comb lightly to release it ‘After keys are released remove key comb from channels. 6. Slide 6 x G-inch piece of masonite under keys in area previously occupied by the key comb. 7. Setting ratchet so as to loosen. line up blade of offset screw driver with slot in screw of key to be removed. 8. After screw driver is positioned, depress key against screw driver which is, in turn backed up by the piece of masonite. Operate ratchet until screw is removed 9. Repeat this operation for other serew and reverse pro cedure to replace key CAUTION: Do not overtighten screws when installing new key HINT: When reinserting key comb leave all keys in their UP position, being careful not to turn back the upstop felts located in key channels. TO REMOVE MANUALS: 1, Remove top cover of control panel assembly. 2. Remove four (4) plastic plugs located at the right-hand end of control panel assembly. 3. Remove six (6) screws, three (3) at each end of control panel, securing control panel to manual chassis assembly 4. Remove two (2) screws securing preset panel (lower brackets) to upper manual. Remove preset wires from preset panel 6. Unsolder manual signal harness from tone generator. Unsolder Red and Yellow wires from terminal strip located on extreme left end of upper manual, detach terminal strip and retain for reinstallation. 8. Remove harp control cable. This cable is Black and Red, and removal is at harp board,9. Remove brush and cymbal board from support blocks, 10. Remove lower manual cover on front of organ, retained by eight (8) hex head screws, 11. Loosen the six (6) 5/16” screws securing the froat of the lower manual to the console front rail. 12. Remove clip holding cable terminating at arpeggiator and unsolder 1 Black, 1 White, 1 Blue, 1 Violet, and 12 ‘Orange wires from terminal panel under lower manual. 13. Remove six (6) bolts securing the manual chassis to console case. 14, Tilt control panel assembly back carefully, and slide manual chassis out through the front of the console ARPEGGIATOR REMOVAL: 1. Remove lower manual cover on front of organ, retained by eight hex head screws. 2. Remove clip holding cable, terminating at arpeggiator and unsolder 12 Orange wires from terminal panel under lower manual. Unsolder Yellow wires from keyboard. Remove six bolts securing manual chassis to console case. 5. Remove three hex head screws securing arpeggiator to front ri 6. Loosen the six 5/16” screws securing the front of the lower manual to console front rail Raise front of manual approximately 1-inch and remove arpeggiator from rear. TO REMOVE PEDAL SWITCH: 1. Open base panel. 2 Release tie holding pedal cable to console base and feed excess cable through hole in base. This will pr- vide the slack needed to pull pedal switch out. 3. Remove two (2) 5/16” hex head bolts, one at each end of mounting bracket. 4. Slide pedal switch twoard you and out of tracks. 5. If replacement of switch is necessary, pedal harness will have to be unsoldered at tone generator. Disconnect 6-pole plug near end of pedal switch cable harness. Also remove Green and Black’ twisted pair (pins 1 and 2) terminating at 12-pole plug on power supply. Remove wiring cover on leg nearest outlet box, to provide free withdraw of pedal cable. NOTE: Cover is secured by screw at top and bottom. To install new pedal switch, reverse above procedure. X-77 TO REMOTE PEDAL SWITCH COVER: 1, Remove nine (9) self-tapping screws holding bottom of pedal cover to pedal mounting bracket 2. Remove thirteen (13) 1/4” hex head screws holding back of pedal cover to top pedal cover. 3. Remove four (4) round head screws, two at each end holding pedal switch and brackets. 4. Remove cover by carefully sliding it over pedal cable harness, To reinstall cover, reverse above procedure. NOTE: Be sure to feed ground wire through cover and attach to.cover with a 1/4” hex head cover screw. TO REPLACE PEDAL SUSTAIN SOLENOID: 1. Remove pedal switch and switch cover. 2. Remove four round head screws holding pedal assembly end caps. 3. Unsolder the two solenoid leads from their respective terminals. 4. Draw out the two round solenoid bracket retaining rods until the correct solenoid has been freed. NOTE: Because the solenoids are riveted to the brackets, it will be necessary to replace both solenoids where there are two on one bracket. To reassemble, reverse above procedure. REMOVE EXPRESSION PEDAL: 1. Using a 5/16” hex socket, remove the four (4) screws securing the swell pedal to the console. Open base panel and unplug the connecting cables. 3, Remove swell pedal from the organ. To install, reverse above procedures. VIBRATO CANCEL SWITCH: ‘The Vibrato Cancel Switch is an integral part of the Expres: sion Control Pedal. Therefore, if replacement becomes neces: sary, the Pedal and Switch will have to be replaced as a unit ‘TO REPLACE PEDAL LIGHT BULB: Pry light assembly from its housing containing switch. Socket for bulb can now be pryed from reflector unit. Bulb used is GE 6W 120V Type 6S6/DC. CAUTION: Remove cord from wall plug as this is a 120V circuit. When reinstalling, bulb socket projection is positioned to leftX-77 OPERATION OF MECHANISM ON PRESET KEYS In their basic construction the preset keys are identical to the playing keys. Each has a plastic key mounted on a metal channel, pivoted in the rear and with a guide toward the front to minimize side motion On the front edge of each channel of the 9 preset keys and 2 adjust keys, two flat springs are attached. one 3/8” long of rather stiff material. and another approximately long of soft plastic. The softer long spring is sandwiched on top of the stiff spring, nearest to the key. The cancel key has only one heavy spring approximately 1° long. When a preset key is depressed, the longer soft spring is forced downward and snaps under a tubular rod which is part of the cradle. The cradle is constructed of two tubes approxi mately 6” long and assembled 3/4” apart. One tube is used as a fulcrum, the entire assembly being mounted perpendicular to the preset keys. A spring and bumper hold the cradle at a 60% angle toward the front of the console. Once a key has been depressed. the soft spring remains under the tube. It is backed by the short stiff spring to give it suf ficient tension to hold the key down. When the next preset key is depressed. the cradle is forced down and outward. permitting the previously actuated key to come up, but again locking the one last depressed If two preset keys are depressed at once, both will lock down The cancel key with its long stiff spring is then used and forces the cradle down, causing all preset keys depressed Co return to their normal position. As there is no locking spring. fon the cancel key, it will immediately return to its normal position PRESET CRADLE ADJUSTMENT: If it is determined that adjustment is necessary for proper ‘operation of preset keys, the left hand end block of the manual needing adjustment should be removed. The upper or lower ‘manual assembly will have to be raised to gain access to the screws holding this block. After removal of this block, the end of the cradle will be visible. Also visible will be the stop felt and bracket assembly. This is a small angular bracket faced with a small piece of felt. This bracket is slotted and after loosening the retaining screws, can be moved either forward or backward to effect an adjustment. It should be moved forward to decrease holding tension and backward to increase tension. Additional movement in either direction can be obtained by loosening the two screws from underneath holding the cradle assembly and moving it forward or backward. PERFORMANCE CHECK, X.77 CONSOLE During the adjustments the following conditions must be maintained, except for specific instructions in each paragraph. A. Expression pedal at Maximum. All tablets in “up” position. All drawbars pushed in. Fluorescent lamp “off.” B. Keys, pedals, and drawbars are called out by number, counted from the low note end of the manuals. C. After cach adjustment is completed all drawbars, tablets and presets, must be returned to their original Positions. D. For DC adjustments, a VOM is adequate. Other adjustments require the use of an AC VTVM. D.C. VOLTAGE ADJUSTMENTS +25V ADJUST A. Connect meter to pin #7, P703 (12 pin connector on power supply chassis) B. Adjust R707 for +25V, PEDAL TRIGGER ADJUST A. Connect meter to pin #12, P-703 (pin #12 is vacant). B. NO pedal depressed, all tablets up. Adjust R713 for a reading of +8.6V. 3. PEDAL SOLENOID VOLTAGE A. Connect meter to pin #10, P-703. B. Depress either STRING BASS tablet, press and release any pedal. Adjust R724 for a reading of +14V. A.C. VOLTAGE ADJUSTMENTS 1. NON-VIBRATO LEVEL AND TONE CONTROL A. Connect meter to pin #4 of Vibrato and Non-Vibrato Tone Cabinet Driver board (124-000001). B. Depress upper manual “B” preset and pull out drawbar #4. Turn the Tone control, located on the Vibrato and Non-Vibrato Tone Cabinet Driver board approx: mately midway. Press key #24. Adjust the Non-Vibrato Level control, located on Vibrato and Non-Vibrato Tone Cabinet Driver board, until the output of the Non-Vibrato channel reads 160 MV. C. Depress upper manual “B” preset, pull out drawbar and press key # 48. Adjust the Tone Control until the output of the Non-Vibrato Channel reads 90 MV. 2. VIBRATO LEVEL AND TONE CONTROL A. Connect meter to pin #5 of Vibrato and Non-Vibrato Tone Cabinet Driver board (124-0001). B. Depress the upper manual “B” preset and the ON UP- PER tablet. Pull out drawbar #4 and press key #25, Ad- just the Vibrato Level control located on the Vibrato and Non-Vibrato Tone Cabinet Driver board, until the output of vibrato channel reads 160 MV. C. Depress the upper manual “B” preset, pull drawbar #9, and press key #48. Adjust the Tone Control until the ‘output of vibrato channel reads 30 MV.3. BASS CHANNEL LEVEL A. Connect meter to pin #5 of Bass and Percussion Tone Cabinet Driver board (124-000002). B. Depress upper manual “B” preset and pull out drawbar #1. Press key #25. Adjust the Bass Level Control, located on the Bass and Percussion Tone Cabinet Driver board, until the output of the bass channel reads 35 MV. 4, REVERBERATION LEVEL A. Connect meter to pin #5 of Vibrato and Non-Vibrato Tone Cabinet Driver board (124-000001). B. Depress the upper manual “B” preset and the ON REVERB tablet. Arrange the drawbars for registration, 00060708000: Press five keys, numbers 13, 14, 15, 16 and 17. Depress the REVERB I and REVERB IL tablets. Adjust the Reverberation Level Control, located on the reverb amplifier chassis, (117-000003) until the output of the vibrato channel is 200 MV. 5. PERCUSSION CUT-OFF AND LEVEL A. Connect meter to pin #9 of Bass and Percussion Pre- Amp board (124-0005). B. Depress the upper manual “B” preset and the SUPER QUINT and SECOND VOICE tablets, Press key #30. Turn the percussion level control, located on the percussion amplifier chassis (117-000001) until the output reads 190 MV on early organs; 220 MV on organs manufactured after July 1, 1969. C. Next connect meter to pin #4 of Bass and Percussion ‘Tone Cabinet Driver board (124-000002). D. With the “B" preset, SECOND VOICE and SUPER QUINT depressed, press key #30, Turn Percussion Level control located on the Percussion and Bass Tone Cabinet Driver board until the output is 400 MV. E. With the “B” preset and SUPER QUINT only depressed, press key #30 and hold. Turn Percussion Cut-Off control, located on percussion amplifier chassis, until the output signal is barely audible, F. Depress the upper manual “B” preset, SUPER QUINT and SECOND VOICE tablets. Press key #61. Turn Percussion Tone Control located on the Percussion and Bass Tone Cabinet Driver board until the output is 100 MV. 6, ALTERNATE PERCUSSION CUT-OFF AND LEVEL A. Connect meter to pin #8 of Bass and Percussion Pre- Amp board (124-000005). B. Depress the upper manual “B” preset, SECOND VOICE, XYLOPHONE and REITERATION tablets. Press key. #48, tum the Alternate Percussion Level control located on the Alternate Percussion chassis (117- 000002), until the output signal is 280 MV on early organs; 400 MV on organs manufactured after July 1, 1969. C. With the “B” preset XYLOPHONE and REITERATION only depressed, disconnect plug from Percussion and Reiteration Driver (128-000001), press key #48 and turn the Alternate Percussion Amplifier Cut-Off con- 24 X-77 trol, locafed on Alternate Percussion Amplifier Chas- sis, until output signal is barely audible, 7. HARP LEVEL A. B. Connect meter to the output pin of the Harp Pre- amplifier board, (Green lead next to level control). Depress the upper manual “B” preset and the HARP SUSTAIN tablet. Press keys #13, #15, and #17 and turn the Harp Level Control, located on the Harp Pre- amplifier board, until output reads 100 MV. 8. CYMBAL AND BRUSH LEVEL A Connect meter to pin #29 of Bass and Percussion Pre- amplifier board (124-000005). Depress the CYMBAL-PEDAL tablet. Press any pedal repeatedly at the rate of approximately 5 strokes per second. Observe the fluctuating reading and adjust the Cymbal Level Control located on the Cymbal and Brush board for reading between 1.4 and 2.8V on early organs; 1.0V ¢2db on organs manufactured after July 1, 1969. Depress the CYMBAL-PEDAL tablet. Press any pedal and hold. Notice that the cymbal tone decays rapidly to a sustained hiss tone. Adjust the Cymbal-Sustain control, located on the Cymbal and Brush board, until the sustained cymbal output is just barely audible. Depress the BRUSH tablets. Play any three keys repeatedly and at uniform rate. Adjust the Brush Con- trol, located on the Cymbal and Brush board, until the output reads between 5 and 8V on early organs; 2V +£2db on organs manufactured after July 1, 1969. 9. PEDAL LEVEL AND CUT-OFF A. Connect meter to pin #5 of Bass and Percussion Tone Cabinet Driver board (124-000002),. Pull out pedal drawbar #1 and depress STRING BASS I tablet. Press pedal #13 and turn the Pedal Level Con- trol, located-on the pedal amplifier chassis, until the output of the Bass Channel reads 700 MV. Pull out pedal drawbar #1 and depress STRING BASS I tablet. Press and release pedal #13. Turn the Pedal Cut-Off control, located on the pedal amplifier chassis, until output signal is completely cut off. 1QHUM LEVEL A. Connect meter to pin #4 of the Bass and Percussion ‘Tone Cabinet Driver (124-000002). With the fluorescent light off and no keys or pedals depressed, the reading at all four pins should be no more than 10 MV. Turning the fluorescent light on should add no audible Repeat check with meter connected to pin # 5 of (124 000002), Repeat check with meter connected to pin #4 of Non- Vibrato Tone Cabinet Driver Board (124-000001) Repeat check with meter connected to pin #5 of 124- ‘00000125 X-77 VOLUME LEVEL SETTINGS FOR THE X-7L Volume levels for all channels of the X-77L ate set and balanced during manufacture of the tone cabinet. The volume levels may be re-set by the following procedure: 1, Remove the lower back panel of the tone cabinet and attach voltmeter leads to the speaker output terminals ‘on the amplifier circuit board for which settings are to be made. LEAVE THE SPEAKER LEADS CON- NECTED TO THE AMPLIFIER. Press down the “B” pre-set key on the upper manual, advance the expression pedal to full volume and make drawbar and tab settings as indicated on the figure below. 3. Hold down “middle C” (note #25) when adjusting the Pedal, Vibrato, and Non-Vibrato channels. Hold down “EF” (note #30) when adjusting the Percussion channel, Check the input voltage at the amplifier, then adjust the volume control so that the output voltage reads as indicated on the figure, NOTE: The input voltages shown are approximate. If the or- ‘gan signal falls more than 20% below the voltage indicated, check the cable connections and console before adjusting the amplifier volume controls. Voltages marked * are applicable to organs manufactured after July 1, 1969. ALL TABS ano ORaWERS OFF GRESS oTrerwSe NOTED. as i s | { Fr ; Fi Oe ee Lo bees on rue a S fe ¥8 ape elo ver F E @)voune | eres A [eoneur ovens @youwe 2.2 se oureur 2ovesy CZ == [F twror 0.15 ¥-eas ya tact oe Lea ee 2 ° PERCUSSION Gh a ALL DRAWBARS OFF26 X-77 FIELD SERVICE NOTES The following paragraphs are revised reprints of Service Bul- letins affecting Model X-77, issued during 1968 and 1969. PERCUSSION KEYING BY PEDAL SOLENOIDS. Refer to Figure 29B. Percussion keying by pedal solenoids may be encountered in some of the earliest X-77 organs. To eliminate the condition, connect a short jumper from the ground side of Zener diode DI to nearest ground lug on rear of upper manual. The diode is located on a terminal strip at left rear (rear view) of the upper manual. IMPROVED PEDAL RESPONSE To improve pedal response with ON PEDAL tab depressed in organs manufactured before July 1, 1969, change R26 from 1.5 megohm to 820K. See Figure 29A(R). IMPROVED PERCUSSION DECAY ‘To improve percussion decay on organs manufactured before July 1, 1969, make the following changes in the Percussion and Reiteration Drive Assembly 128-000001. See Figures 43 and 45. 1, Add a 10K, 1/2W resistor (R201) in series between DC Keying Voltage input, pin 3, and R202 Change R216 from £10% resistor to +5% resistor. No change in value or wattage, 3. Change R213 from 2200 ohms +10% to 2700 ohms, Iw £5%, ADDING REVERBERATION TO PERCUSSION Reverberation can be added to Percussion on organs manufactured before July 1, 1969 in the following manner: 1. Disconnect wires attached to pin 12 of Bass and Per- cussion Preamplifier board 124-0005, and pin 4 of Bass and Percussion Amplifier board 124-000002. Solder one end of a 100K, 1/2W resistor to pin 12 of Bass and Percussion Preamplifier board 124-000005. 3. To the other end of the resistor solder sufficient length of 22 ga, wire to be routed neatly to pin 4 of Bass and Percussion Amplifier board 124-000002. 4, Solder free end of wire to pin 4 of 124-0002, Reattach wires removed in step 1 6, Change R26 to 820K. See Figure 29A(R). NOTE: X-77 organs manufactured after July 1, 1969 incorporate this feature. However, they contain a newly de signed 124-000005 board into which the resistor is incorporated. See Figures 25A and 36A. PEDAL “POP” See Figure 30B. Analysis has revealed that “pop” heard when pedals are played is caused by induced currents in the cable harness to plug P609, in organs manufactured before July 1, 1969. In order to eliminate the effect, disconnect the orange lead from P609-3, and separate it from the cable harness. Reroute the orange lead so that it reaches P609-3 from the right (rear view) leg of the organ, and reconnect. This change is incorporated in current production. HUM PICKUP IN REVERB. UNIT See Figure 2. To eliminate hum pickup in the reverb unit in older organs, it is necessary to reposition the unit. Proceed according to the following? 1, Swing out top rear panel in organ base for access to parts. Disconnect phono pin plugs from INPUT and OUT- PUT jacks of reverb unit 3. Remove and set aside four mounting screws from reverb amplifier and swing amplifier aside 4. Remove and set aside two mounting screws from brackets on reverb unit. Lift out unit 5. In line with the two holes, left by removal of the re verb unit, measure 3-7/32 inch from the hinged edge of the panel, and pierce two new pilot holes. Use an awl or other suitable tool. 6. Reattach reverb unit at pilot holes pierced in preceding step, with open side toward reverb amplifier. Use RRS ee 7. Reattach reverb amplifier. Reverb unit mounting screws will now be under reverb amplifier. NOTE: Be sure to reattach black ground jumper between reverb amplifier and power supply. 8. Reconnect phono pin plugs to reverb unit. Be sure that plug connected to right side of reverb amplifier is connected to right-hand (INPUT) jack on reverb unit, and plug connected to left side of reverb amplifier is con- neeted to left-hand (OUTPUT) jack on reverb unit. NOTE: The interconnections are reversed from their original routing, since reverb unit has been rotated 1800. PEDAL SWITCH ASSEMBLY PROBLEMS It has been noted on early Model X-77 organs that there can be a condition of harmonic drop-out when String Bass is being used, Most servicemen will begin trouble-shooting this problem with the analysis that the latching solenoid simply has not latched. This will lead them to believe the problem is a voltage adjustment or solenoid malfunction. However, the problem stems from the fact that there is a con- siderable tension difference in the contact to bus bar con-a X-77 nection when a person manually plays a pedal versus that of latching solenoid in String Bass operation. We have found incidents of the pedal not sustaining in String Bass operation This malfunction could be due to: An AC VTVM is required for the measurements specified below; e. g. Commander, or H. P. 400 D, or suitable equivalent. A. Percussion Level and Cutoff adjustments, 1. Connect VIVM to pin 9 and ground of Bass and Per- cussion Preamplifier, Figures 36 and 25 t and SUPER QUINT 1. Mis-adjustment of the solenoid voltage 2. Bad 3. Dirty contacts, ching solenoid Depress upper manual B pre and SECOND VOICE tabs. Where voltage or solenoid is not the problem, shift the pedal 3. Hold down upper manual key #30 and adjust R113, bus bar and notice whether there is improvement in the oper- Figure 31, for a meter indication of 0.22V. ation. If improvement is evident, lubrication of pedal signal 48 Cea fect: VME to pin'a of Buar afd Podedstion' Ab busses should provide permanent correction, ifr, Pigure 35; Output should Gel0ay wher idee manual key #30 is depressed. If necessary, adjust R882 Percussion level control located on Bass and Percus sion Amplifier board, Figure 35, to obtain correct, reading. 5. Return SECOND VOICE tab to up position. Hold down key #61 and if necessary, adjust R886, Figure . for an indication of 0.1. This process is a 1/2 hour to 45 minute job, since the pedal switch assembly is easily accessible. In the switch assembly it will be noted that there are 6 bus bars, only the center four of which are signal bus bars. It is these four which should be lubed; the other two are for latching and eymbal keying. REDUCTION OF HUM AND NOISE The following applies only to organs manufactured before July 1, 1969. Later organs incorporate the changes described, A, 36, 36A, 374. 1, Modification of Bass and Percussion Preamplifier Board B. P/N 124-0005, NOTE: Remove and replace only if warranted by excessive noise. 6. Return SECOND VOICE tab to down position. Hold down key 661 and if necessary, adjust R886, Figure 35, for an indication of 0.1V. See Figures Alternate Percussion Cutoff and Level adjustments. 1, Connect VTVM to pin 8 and ground on Bass and Per- cussion Preamplifier, Figures 36 and 25. Depress upper manual B preset, and SECOND VOICE, XYLOPHONE and REITERATION tabs. 3. Hold down key #48 on upper manual and adjust Remove transistors Q802, Q803, and Q80S. Replace with transistors, Hammond P/N 001-021070. Modification of Vibrato and Non-Vibrato Preamplifier Board P/N 124-0006. a. Remove two 1/2W 120K © fixed resistors R405 and R442. Replace with 1/2W 220K Q fixed resistors, Hammond P/N 600-021051 b. Remove two 1/2W 1K Q resistors R420 and R456. Replace with 1/2W 470 fixed resistors, Hammond P/N 600-020411 Alternate Percussion level control, R313, Figure 44, for a meter indication of 0.40V. 4, Return SECOND VOICE tab to up position. Disconnect plug P201, Figure 30B, from Percussion and Reiteration Driver. Hold down upper manual key #48, and adjust Alternate Percussion Cutoff control, R312, Figure 44 until output signal is barely audible. C._Non-Leslie (Non-Vibrato) Level adjustment. ‘The reference designations of the parts changed in accordance with the preceding instructions are not affected, NOTE: In this step, and Step D, following, the upper manual drawbars are to be maintained at the registration 000 8000 0000. 3. Adjustments of outputs after modifications 1 and 2 have been completed. The following functions must be adjusted to return the output level of the organ to the proper values, since the modification described in steps 1 and 2 result in increased output. The purpose is to maintain the original output level, but with greatly improved signal-to-noise ratio and reduced hum, A. Percussion Level and Cutoff B. Alternate Percussion Level and Cutoff C. Non-Vibrato Output D. Vibrato Output. Proceed according to the following: NOTE: All following adjustments are to be made with Swell Pedal set for full output. 1. Connect VTVM to pin 4 Vibrato & Non-Vibrato Amplifier, Figure 34, Depress upper manual B preset. 3. Set Tone Controls R475 and R487, Figures 23 and 34, at their midpoints, 4. Hold down upper manual key #25 and adjust R483, Figures 23 and 34, to obtain a meter indication of O.16V, D. Leslie (Vibrato) Level adjustment, 1, Connect VTVM to pin 5 Vibrato & Non-Vibrato Amplifier, Figure 34, 2. Depress upper manual B preset and ON UPPER tab.28 X-77 3. Hold down upper manual key #25 and adjust R471, If all foregoing steps have been correctly performed, the out: Figure 34, for a meter indication of 0.16V. puts of the organ will be in accordance with the following table. Volts rms) actoss respective Power Output Pin Voits (rms) at pin Amplifier Qutput of Tone Cabinet 4 Vibrato & Non-Vibrato Amplifier (Non-Vibrato) 0.16 mee 5 Vibrato & Non-Vibrato Amplifier (Vibrato) 06 22 5 Bass & Percussion Amplifier (Bass Pedal) 0.035, 27 4 Bass & Percussion Amplifier (Percussion) 08 27 FALSE TRIGGERING OF DELAY GATE 100 mfd, $0 ¥; one resistor 100 ohms, | 2 ie | Modify the board assembly according to the following False triggering of the Delay Gate, or lack of audio dela evident if, when turning on the organ with keys depressed, 1. Disconnect the red wire from pin 2 of the board | sound is produced before the tone generator reaches operating speed. An unsteady rising pitch is indicative of this condition. 2. Solder one end of the resistor and the positive (+) end. of the capacitor to pin 2 of the board Where there is no audio delay after turning on the organ, or premature triggering of the delay gate, a slight modification of the Delay Board Assembly 124-000012 will eliminate the problem, 4. Connect the red wire, disconnected in Step I, to the The following parts are required: one electrolytic capacitor pent erd GIA ReAueee ae | 3. Solder the other end of the capacitor to pin 4 of the boardX-77 124000003 124-000004 FIGURE 19. PERCUSSION GATE P.W.B, FIGURE 20, ALTERNATE PERCUSSION GATE P.W.B. (P/O 117-000001) (P/O 117-000002)124-0000" FIGURE 21. REVERBERATION P.W.B. (P/O 117-000003) 124-0 FIGURE 22. PED. (P/O 117. 00008 AL GATE P.W.B. -000004)32 X-77 124-000004 FIGURE 204. ALTERNATE PERCUSSION GATE Z 124-000003 FIGURE 194. PERCUSSION GATE REVISED JULY 1, 196933 X-77 Ss pe ogg sens * 8 Bea SOStEao | 2 ° OG a of0 oe : 124-000008, FIGURE 224. PEDAL GATE AMPLIFIER REVISED JULY 1, 1969aNOL 124-000001 VIBRATO AND NON-VIBRATO AMPLIFIER FIGURE 24. B. PERCUS :24-000002 ION AMPLI 34 X-7735 X-77 BASS AND PERCUSSION PREAMPLIFIER ¢ x oot ola a ge oh 08 24-000006 FIGURE 26. VIBRATO AND NON-VIBRATO PREAMPLIFIER36 X-77 023-031668 ° ° ne Boe ee os 3 es > BASS AND PERCUSSION PREAMPLIFIER REVISED JULY 1, 19697 X-77 FIGURE 27, TIME DELAY | 124-000020 FIGURE 28. CYMBAL AND BRUSH GENERATORSCHEMATIC DIAGRAM FIGURE 294oseanes0a SCHEMATIC DIAGRAM PERCUSSION & REVERBERATION FIGURE 294(R) REVISED JULY 1, 1969SCHEMATIC DIAGRAM X77 FIGURE 29BBOER EOOIgG) REVISED JULY 1, 1969 oneoneasoze z g of =P ae e Ge 2 ga z8 S Banh oaks Bs*e 32 3 $ zZ ze Bale ag & 5E SCHEMATIC DIAGRAM FIGURE 290REVISED JULY 1, 1969WIRING DIAGRAM45 094-034865-18 ertonnece REVISED JULY 1, 1969 WIRING DIAGRAM X77 FIGURE 30A®)WIRING DIAGRAM XAT FIGURE 30BREVISED JULY 1, 1969 47, WIRING DIAGRAM x77 FIGURE 30B(R)PERCUSSION GATE AMPLIFIER X77 FIGURE 3149 SSA uaa 6961 ‘LAINE GISIAIN©es ce REVERBERATION AMPLIFIER X77 FIGURE 3251 PEDAL GATE AMPLIFIER X-17 FIGURE 3352 vee auno1 x ¥00000-211 Wut ©OOO OOO ©O00 6961 ‘L AINE GaSIAIY se] el ensue mL ta53 oY 21139 VIBRATO-NON-VIBRATO AMPLIFIER X-77 sions anror a @> vienato. ampuirien ®wovssna3s aan © snant venois Norssnouaa ra TRG? & 1d! WHOIS waraiiawy seve AMPLIFIER X77 FIGURE 35 BASS AND PERC—+« PERCUSSION INPUT noies 1. @ SrmB01 OEWOTES TERMINAL OM PRINTED WIRING BounD 2 2. UNLESS OTHERUISE SPECIFIED. ALT. PERCUSSION tM ALL CAPACITORS ARE IN MICROFARGDS. rus a0 crmaaL eu BASS AND PERCUSSION PRE-AMPLIFIER 27 X-7 FIGURE 3657. arti na owrar O22 i ass REVERE, we 855 Pearce a s 094034457 SCHEMATIC DIAGRAM BASS AND PERCUSSION PRE-AMPLIFIER 124-000005 X77 FIGURE 36A REVISED JULY 1, 1969 250 sm SroMA ut59 ope3eesae SCHEMATIC DIAGRAM VIBRATO & NON-VIBRATO PREAMPLIFIER 124-0006 X-77 FIGURE 378 REVISED JULY 1, 1969ales) [oes HARP SUSTAIN KEYER 17 FIGURE 38 2 ‘HPTENS oT) vA sere (46 nem 2 as ina) usa)SQUUYJONIIW NI Suv SYOLIIVdYI 170 SLLWM 2/1 ‘'%OL ¥ ‘SWHO NI 3YY SHOLSISSY T1v :031419adS JSIMYSHLO SSIINN “2 “GuvOd ONIYIM G3INIYd NO TWNIWYAL S3LONI0 TOBWAS Qt 'S3L0N 93WL t AMd1NO AlddnS a3Av730 zley Nee 0S0920-100 t2za 0s09Z0-100 2220 ANdNt Add NS —@) Nsz+ zi HOLIMS AW130 Adds 61 SUPPLY DELAY SWITCH X-77 FIGURE 3962 19 W015 @—$— X-17 BRUSH AND CYMBAL FIGURE 40OOO® COO OO CO POWER SUPPLY X77 FIGURE 4165 PERCUSSION AND. REITERATION DRIVE X-77 FIGURE 43GOO ©OOO ©Oo0O ALTERNATE PERCUSSION AMPLIFIER (117-090002)67 dasiAauTABLE OF CONTENTS Paragraph X-77GT INTRODUCTION 1. General 2. Performance Check and Volume Level Settings, X-77GT Tables ee Bi ENT 3. Volumé Level Settings for X-77P 4. Bass and Percussion Preamplifier. 5. Vibrato and Non-Vibrato Preamplifier. .....002..0.005 6. Brush and Cymbal Board 7. Expression Control LIST OF ILLUSTRATIONS Figure 1. Volume Level Settings, X-77P ..-. 2+. .0s+epsseanendes 2. Layout and Schematic Diagram, Bass and Percussion Preamplifier. . .. 3. Layout and Schematic Diagram, Vibrato and Non-Vibrato Preamplifier 4. Layout and Schematic Diagram, Brush and Cymbal Board 5. Layout, Wiring, and Schematic Diagrams, Expression Circuit . . 6. Wiring Diagram, X-77GT, Sheet | of 2 6. Wiring Diagram, X-77GT, Sheet 2 of 2 7. Wiring Diagram, Control, X-77GT, Sheet | of 5 7. Wiring Diagram, Control, X-77GT, Sheet 20f5 ....... 7. Wiring Diagram, Control, X-77GT, Sheet 3 of 5 7. Wiring Diagram, Control, X-77GT, Sheet 4 of 5. 7. Wiring Diagram, Control, X-77GT, SI eet SofS . 8. Wiring Diagram, Pedal Switch to Generator 9. Wiring Diagram and Parts Identification, Switch Section 125-000001 . 10. Wiring Diagram and Parts Identification, Switch Section 125-000002 11. Wiring Diagram and Parts Identification, Switch Section 125-000024 . 12. Wiring Diagram and Parts Identification, Switch Section 125-000004 13. Wiring Diagram and Parts Identification, Switch Section 125-000005 . 14. Wiring Diagram and Parts Identification, Switch Section 125-000006 Page 15 16 17INTRODUCTION This Section contains service information concerning the new Model X-77GT console. Model X-77GI is in most respects identical to the Model X-77. The principal circuitry changes are such that the output volume is increased, and a better signal-to-noise ratio is achieved. Additionally, the circuitry of the Expression pedal has been altered to afford quicker response. The de- sign of the Vibrato Cancel foot switch has also been improved. A new feature is a key-operated power switch lock, which has been added to the upper left end block. The lock is in series with the main power switch, and its key is removable in both "on" and "off" positions. The Model X-77GT console has been designed to operate with a new tone cabinet, designated as Model X-77P. However, compatibility with older models has been maintained. In other words, the X-77GT console may be used with the X-77L tone cabinet; conversely, the X-77P tone cabinet may be used with the X-77 console. Service information concerning the Model X-77P tone cabinet is available in a separate manual, similar to that furnished for the Model X-77L. Only those circuits in the Model X-77GT which differ from the corresponding circuits in the Model X-77 are described or illustrated in this Section. iiGENERAL. ~ Two new printed wiring board assemblies are used in the X-77GT console. These are Bass and Percussion Preamplifier Board, a: 124-0001 50 Vibrato and Non-Vibrato Preamplifier Board, 124-000151 While the new boards are functionally identical to their counterparts in the X-77 Console, they are not electrically interchangeable The latest version of the Brush and Cymbal Generator Board, 124-000020, is used in the X-77GT console. This board is electrically interchangeable with older versions found in the X-77 models. A new four-channel Expression control is used, which is not interchangeable with the Expression control on X-77. The circuits mentioned above are discussed and illustrated in subsequent pages of this supplement. PERFORMANCE CHECK AND VOLUME LEVEL SETTINGS. —Table I describes correct procedure for setting output levels on the X-77GT Console. Before making the checks of Table I, make the DC adjustments listed below. After adjustments have been made, set the controls according to the list of preliminary settings. Preliminary DC adjustments, using VOM. a. Connect meter to pin 7, P703. Adjust R707 for a reading of +25V. b. Connect meter to pin 12, P703. Adjust R713 for a reading of +8.6V with no pedal depressed, all tabs “off.” c. Connect meter to pin 10, P703. Depress STRING BASS tab; press and release any pedal. Adjust R724 for a reading of +14V. Preliminary settings for Table [ a. Set Swell Pedal for maximum output b. Set TONE control on Vibrato board to midpoint of travel. c. Set TONE control on Non-Vibrato board to midpoint of travel. d. All tabs and presets “off” and all drawbars fully “in”, unless otherwise instructed in table, VOLUME LEVEL SETTINGS FOR THE X-77P. — Although volume levels for all channels of the X-77P are set during manufacture, they may be checked and re-set, if necessary, as follows: Remove the X-77P heat sink, but LEAVE THE SPEAKER LEADS CONNECTED TO. THE AMPLIFIER. DUE TO HIGH IMPED- ANCES AT THE AMPLIFIER INPUTS, USE AN AC VACUUM TUBE VOLTMETER FOR ALL VOLTAGE MEASUREMENTS MADE. PEDAL AMPLIFIER: a. Press down the “B” pre-set key on the upper manual. Advance expression pedal to full volume. Set 16’ drawbar at full volume. b. Hold down “C” (note #25). Check Pedal amplifier input voltage. (It should read .044 volts RMS). Then adjust the volume control of the Pedal amplifier to obtain 40 volts RMS output voltage. VIBRATO AMPLIFIER: a. Press down the “B” pre-set key on the upper manual. Advance expression pedal to full volume. Set 4” drawbar at full volume. b. Hold down “C” (note #25). Check Vibrato amplifier input voltage. (It should read .20 volts RMS). Then adjust the volume control of the Vibrato amplifier to obtain 2.75 volts RMS output voltage. NON-VIBRATO/PERCUSSION AMPLIFIERS “A” & “BY: Set volume levels of Non-Vibrato/Percussion amplifier “A” according to the following procedure. Then repeat the same procedure to set the volume level of Non-Vibrato/Percus- sion amplifier “B” a. Press down the “B” pre-set key on the upper manual. Advance expression pedal to full volume. Set 4° drawbar at full volume,(ogge) lonuog aNOL ADIOA GNODAS sw Ost NOISSN Wad 19 anoge sv NINO IANS 1 dais se aures anoge sy | P ajqipne (21RD s40-LN9 4 Aang yrutts inding, anoge sy anogr sy NINO waans 1 dais se owes anoge sy | 9 200000-¢21 arog 194nq (case) TAAT1 uorssnoied ¥ Sst ‘Au 909 jrssnazag | aaoge sy anogr sy anoge sy 1 daig se auies jor uid ® punoig | q ostooo-rc1 sayridurrang, (gra) TaAaT AQIOA GNODAS ss gq R UoIssnoseq wowsnaid | fF Su0N ININO Waans I daig se owes, yoomg y punoiy | ry uoneraqianay ui aang 100000-p21 uo jonuoy TAAaT | ‘91 “St Lawaaa pavog J0an1q Aw 007. 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NOTE If the input voltage on any X-77P amplifier varies more than 20% from voltage given, troubleshoot the circuit of the suspected channel, starting with its output at the X-77GT console. Use schematics provided as a guide. BASS & PERCUSSION PREAMPLIFIER, 124-000150 (See Figure 2). — The percussion channel signals entering at pins 8, 9, 10, 28 and 29 are coupled through C819 to the base of Q805. The output at the collector of Q805 is coupled through C820 to the swell pedal, which is in series between pins 33 and 5. When the VOLUME SOFT tab is depressed, one side of C821 is grounded, thereby reducing the amplitude of the output at Pin 3 Signal at pin 3 becomes input for the percussion amplifier. Signals entering the bass channel from the vibrato and non-vibrato preamplifiers at pins 23 and 24 are coupled through C801 to the base of Q801 which, with its circuitry com- prises a low-pass filter. The output of Q801 is then coupled through C808 to the base of Q802. From the output of Q802, the signal is coupled through R820 to pin 15, which is connected to the bass amplifier. A portion of the bass signal is taken from the junction of R820, R821, R823, and coupled through C811 to the base of Q803, the signal source for reverberated bass at pin 12, When the VOLUME SOFT tab is depressed, one side of C810 is grounded, thereby reducing the amplitude of signal at the junction of R820, R821, R823. se note BON veRATO PERCUSSON SMPLIER A Orr mee | vem we | AMPLFER 3 ey Figure 1. Volume Level Settings, 77Pedal channel input at pin 19 is present only when the ON PEDAL tab is in the “up” position At pin 31 percussion signal from the percussion amplifier is returned to be added to the Teverberation. VIBRATO & NON-VIBRATO PREAMPLIFIERS 124-000151 (See Figure 3). — The vibrato channel of the preamplifier is a three-stage, direct coupled amplifier Q401, Q402, 403, capacity coupled through C404 to the swell 6 pedal circuit. The swell pedal circuit is in series between pin 22A and pin 21. From the swell pedal, the signal is coupled through R412 to the CHORUS switch and the vibrato cancel switch. From the vibrato cancel switch, the signal is coupled (in Vibrato mode) to pin 27. From pin 27 the signal path is through R413, R442 to pin 17. From pin 17 the signal is connected to the vibrato amplifier. Part of the signal is taken from the junction of i R413 and R422 for use by the vibrato reverberation amplifier, Q404. When the VOLUME SOFT tab is depressed, direct ground is applied to one side of C405, with the result that signal at the junction common to R413, R414, R416 and R422 is reduced in amplitude. The non-vibrato preamplifier is essentially similar to the vibrato channel. Output at pin 8 is connected to the non-vibrato amplifier. A two-stage chorus channel (Q406, Q407) transfers part of the vibrato signal (through the CHORUS switch) to the non-vibrato channel. When the vibrato cancel switch is activated the signal is routed from pin 20 direct to pin 13, so that the entire signal passes through the chorus amplifier to the non-vibrato channel. The net result is to provide two parallel preamplifiers to the non- vibrato channel. Pins 18 and 7 are inputs from the reverberation recovery amplifier, through the ON RE- VERB switch. When the ON REVERB tab is depressed, the reverberation is added to the vibrato signal at pin 18. When the tab is “up” reverberation is added to non-vibrato signal at pin 7. BRUSH AND CYMBAL GENERATOR BOARD, 124-000120 (See Figure 4). — The salient difference between the present configuration of the Brush and Cymbal Generator and older versions is the use of a transistor, Q904, instead of a diode as a noise source. Further additions are Q905, an amplifier for the noise source and R922 to regulate the noise level. EXPRESSION CONTROL (See Figure 5). — A completely new expression control is used in Model X-77GT. The control is series-connected to the preamplifier boards instead of shunt- connected. Much of the new control circuitry is mounted on a new printed wiring board, 124-000126. NOTE At the time of printing this supplement revised drawings for Figures 29A, 29B, and 29C of the X-77 Service Manual HO-703, December, 1969 were not available. In the X-71GT the expression circuit is NOT connected to ground as indicated in these illustrations, but is returned to the printed wiring boards. See Figures 2 and 3.es er Seoaieor of - se von eee en mf, re 9 124- 000150. K ooh 094-0544576 oe 5 oso: ae 3 6 19-®9 1. @ sme SOS TEANAK. OF PEE RM HE, 13.34 © 3 ® 9 023043429 FIGURE 2. LAYOUT & SCHEMATIC DIAGRAM, BASS & PERCUSSION PREAMPLIFIER pmoowsore RL ESse i a he ee or eebevo-£70 FIGURE 3. LAYOUT & SCHEMATIC DIAGRAM, VIBI a VIBRATO PREAMPLIFIERthem cure os 094-034464C FIGURE 4. LAYOUT & SCHEMATIC DIAGRAM, BRUSH & CYMBAL BOARDNOC04O)O-HEZHO OOO ci02 Gry 088 +e = mass: 023-032934 124-000020™ a m t # a 3 = 5 178-000126 V/BRATO ic eee pon escee, oe NON—VIBRATO Cs PERCUSSION BASS were a o CHARNEL S m re FIGURE S. LAYOUT, WIRING, & SCHEMATIC DIAGRAMS, EXPRESSION CIRCUIT@000 OOO cae |OO9}] J @OO®@ FIGURE 6 WIRING DIAGRAM, X-77GT (SHEET | of 2)®@oo0o Oo 00 Of OOOO mh I | ns ATTA nr TTA ele tetees (eth rh r PC ete Co metrest 094-034465-2F M4 FIGURE 6, WIRING DIAGRAM, X-77GT (SHEET 2 of 2)LL UU u ULL Wi idl | ’ 7 mH TPR MEI f ds eee tal0 OE on on Hf Wen BT ETE ET i } | , ae oo | SPISEMEME ede 4 Se 4e4PE a 3 a HS =e ee ei Jt oe a irecouacozEe 4 | Eedlveveo-v60 | ar eusanne Sowaasaaa HE tit eel FIGURE 8. WIRING DIAGRAM, PEDAL SWITCH TO GENERATOR 18008-030039 — oe-03008¢ | are BARE _— RED 008-027668 i << _- 008-030020 125-000001C 031-034612 NOTES: 1. "003" PART NUMBERS IDENTIFY SHITCH ASSEMBLIES. 2. O31" PART NUMBERS IDENTIFY TABS 031-034615 RS 470K 2.24 | 031-034629 031-034630 FIGURE 9. WIRING DIAGRAM AND PARTS IDENTIFICATION, SWITCH SECTION 125-000001| =— LILLIA os oreew eae anne Ron veLLow | ray 008-030047, 7 i ea viovet aROWN tray veLLo4 —sue 008-027679. ws 008-o30087, wire 3004 008-027668 TE 008-027668 008-027678 REN -ELLOW (D cb ina mamas come PEER] ee PPR] nae lane] nae 125-000002¢ re rt | CEE shine op1-o3anra 931-038620 | 031-054624 031-034631 051-054632 o31-034639 ae FIGURE 10. WIRING DIAGRAM AND 1. "008" Paar NUMBERS IDENTIFY PARTS IDENTIFICATION, SHITOH RSSEMBLIES. 2, "031" PART NUMBERS IDENTIFY TABS See oeSUSTAIN ine % B 03-30% 125-0000240 noves SHITOH ASSEMBLIES. Sa oor -t2.010 v0 be oor-t010 vir — cre-03058 _—— oxne 1. "0088 PART NUMBERS IDENTIFY 2. "OBI" PART MUMBERS IDENTIFY TAAS a | Lan ae waite | osi-o3aese FIGURE 11 WIRING DIAGRAM AND PARTS IDENTIFICATION, SWITCH SECTION 125-000024008-027672 08-027672 ~ ooa-o3asaa cos-o345¢8 auace aac, aLack 1. "008" PART NUMBERS IDENTIFY SHITCH ASSEMBLIES. 2. "O31" PART NUMBERS IDENTIFY TABS. varonoeo | wy 031-034626 031-03 FIGURE 12. WIRING DIAGRAM AND PARTS IDENTIFICATION, SWITCH SECTION 125-000004008-0345¢8 BARE 125-000005¢ Notes: SHITCH ASSEMBLIES. o08-03asas 1031-03463 1. "008" PART NUMBERS IDENTIFY 2. "031" PART NUMBERS IDENTIFY TABS. 031-054628 031-034636 FIGURE 13. WIRING DIAGRAM AND PARTS IDENTIFICATION, SWITCH SECTION 125-000005 23— owe _— sneen ae be — BARE no nance veLuow 30 10K \} | ~ ene reo yeu 100%: 008-027671 008-030038 nae 008-030080 008-031 Lae 125-0000068 o31-03a438 031-034622 ostoneesr “lL "FIGURE 14. WIRING DIAGRAM AND. PARTS IDENTIFICATION, SWITCH SECTION 125-000006 notes: 1. 008" PART NUMBERS OENTIFY SWITCH ASSEMBLIES. 2. 9031" PART NUMBERS IDENTIFY TABS.SECTION VI PARTS LIST INDEX x71 CONTROL PANEL ASSEMBLY Stop Switch Base Control Panel & Catch Assembly Pedal Filter Choke Assembly A. C. Line Switch Assembly Lamp Holder Assembly Lamp Nylon Bind Head Machine Serew Truss Head Machine Screw STOP SWITCH ASSEMBLIES os Drawbar Assembly os Drawbar Knob 6-5 STOP SWITCH ASSEMBLIES PEDALS 66 Mounting Block Assemblies EB ze - ea 6-6 Drawbar Terminal Strip Assembly 6-6 PERCUSSION SWITCH GROUP #1 Mounting Bracket Switch Panel & Bracket Assembly Overcenter Spring PERCUSSION SWITCH GROUP #2 Mounting Bracket Switch Panel & Bracket Assembly « Spring SWITCH PANEL & BRACKET ASSEMBLY (BANJO, REITERATE) 6-6 Control Tabs 6-6 Shaft 6-7 RHYTHM & PEDAL GROUP SWITCH a6 Mounting Bracket Assembly . - 67 Switch Panel & Bracket Assemblies 6-7 Control Tab 7 ANIMATION CONTROL GROUP SWITCH ASSEMBLY ..... ete esc 6-7 Mounting Bracket - 6-7 Switch Panel nese ANIMATION MODE GROUP SWITCH ce eee . snes G7 Mounting Bracket : oqo sane « Aedtotonh, Sauer A, pelatontsor G7Switch Panel & Bracket Assembly Control Tab Shaft ORGAN SWITCH GROUP Mounting Bracket Switch Panel & Mounting Bracket Control Tab Lever Plate Assembly Overcenter Spring PERCUSSION & REITERATE DRIVE ASSEMBLY Chassis Pan Filter Choke Assembly Wire & Plug Assembly MANUAL CHASSIS ASSEMBLY .............. Upper Manual Assembly Lower Manual Assembly GENERATOR & MOTOR ASSEMBLIES Seas « - sdee POWER SUPPLIES ......... Chassis Pan Power Transformer Wire & Plug Assembly Terminal Strip MUSIC LIGHT INVERTERS Chassis Pan Assemblies Coil & Pin Assemblies Transformer VIBRATO & NON-VIBRATO AMPLIFIER BOARD ASSEMBLY BASS & PERCUSSION AMPLIFIER BOARD ASSEMBLY ........ BASS & PERCUSSION PREAMPLIFIER BOARD ASSEMBLY VIBRATO & NON-VIBRATO PREAMPLIFIER BOARD ASSEMBLY . TIME DELAY BOARD ASSEMBLY HARP SUSTAIN KEYER BOARD. KEYER PRINTED WIRING BOARD ASSEMBLY KEYER & PREAMPLIFIER BOARD ASSEMBLY. ARPEGIATOR ASSEMBLY zi cp ee cele ere REVERBERATION UNIT Reverberation Amplifier Assembly Reverberation Amplifier Board Assembly 6-2BRUSH & CYMBAL BOARD ASSEMBLY . 6-15 OUTLET BOX ASSEMBLY 6-16 Fuse Holder Assembly ; ia 6-16 Wire & Plug Assembly 6-16 SWELL PEDAL ASSEMBLY aes aA 6-16 Pedal Switch Assembly i 6-16 Cover Asse.nbly : 6-16 Actuator Assembly 616 Buss Wire Assembly 3 ae e ees oe 6-16 PEDAL SWITCH ASSEMBLY 6-16 Cover Assembly 6-16 Solenoid Assemblies 6-16 CABINET ASSEMBLY a : ee ‘So aesit TOP/ MUSICIPANEL ASSEMBLY”. 7 .caefeet eee owe s-n0 5. osoces 5 ieee X-17 GT BASS AND PERCUSSION PREAMPLIFIER BOARD : 67 VIBRATO & NON-VIBRATO PREAMPLIFIER BOARD ........ 3 6-18 SWELL PEDAL ASSEMBLY Bee wees 619 Pedal Bracket Assembly 3 E ae 6-19 Switch Cover 3 6-19 Power Board Assembly 6-19 UPPER LEFT-HAND END BLOCK ASSEMBLY .. . . 6-19 End Block ital nena ails = ait Sion gD) Lock Switch Assembly. . me e sae sous aro OB)CONTROL PANEL ASSEMBLY 120-000001 Stop Switch Base Mounting Bracket Assembly LH. Mounting Bracket Assembly R.H. Control Panel & Catch Assembly Knob (Small-Reit.) Knob (Large-Reit.) Pedal Filter Choke Assembly Manual Matching Transformer Assembly A.C. Line Switch Assembly “S” Clip Resistor Panel Assembly Lamp Holder Assembly (Pilot Light) Pilot Light Lens Felt Washer Push On Clip Lamp Plastic Cap (Lamp) Link Strap (9 Places) Link Strap (22 Places) Yoke Strap Strain Relief Tie Strap Felt Adhesive Backed Plastic Clamp Shim Nylon Bind Head Machine Serew (For Mounting Drawbar Terminal Strip Assemblies) Shake Proof Lockwasher (Reit. Driver Mounting) Hex Nut (Used with Shakeproof Lockwasher) Truss Head Machine Screw (Control Pane! Mounting) Washer (Truss Head Screw) STOP SWITCH ASSEMBLIES (DRAWBAR ASSEMBLIES) Stop Switch Assembly (Upper) Mounting Block Assembly Cable Assembly Grounding Lead Assembly Bus Bar Lubricant Clamp Spring (Drawbar Tension) Drawbar Stop Contact Spring Assembly (22 Used) #2 Binder Head Screw (Mtg. Drawbar Stop) Drawbar Assembly Brown 16° Drawbar Assembly hvory 8° Drawbar Assembly Brown 5-1/3” Drawbar Assembly ory Drawbar Assembly Black 2-2/3" Drawbar Assembly Wwory 2 Drawbar Assembly Black 1-3/5" Drawbar Assembly Black 1-1/3" Drawbar Assembly Ivory 2 Drawbar Assembly Black Drawbar Assembly Brown Il Numbered Drawbar Strip (8) Drawbar Knob Brown 16° Drawbar Knob Wvory 8° Drawbar Knob Brown $-1/3° 041-030069 060-030177 (035-039079 061-031633 031-025911 031.025912 003-025334 003-027486 008-034436 013-030316 063-031531 016-034445 016-031454 (042.020820 013-031468. 016-022885 025-024968 041-031562 041-031563 041-031561 013-032642 041-027176 042-033312 013-031733 033-043006 846-070560 999-000848 999-001208 845-070318 999-000061 120-000021 062.037633 011-038641 011-037604 015.033388 012-027613 025.040198 030-030581 846-010414 (060-034317 (060-034319 060-034322 060-034323 060-034324 060-034325 060-034326 060-034327 (060-034328 (060-034329 060-034330 025-027829 031-034331 031-034333 031-034337 6-5Drawbar Knob Wwory # Drawbar Knob Black 2-2/3" Drawbar Knob Wwory 2 Drawbar Knob Black 1-3/5" Drawbar Knob Black 1-1/3" Drawbar Knob Ivory Drawbar Knob Black I Drawbar Knob Brown II Drawbar Terminal Strip Assembly Stop Switch Assembly (Lower) Mounting Block Assembly Cable Assembly Grounding Lead Assembly Drawbar Terminal Strip Assembly NOTE: For other Parts Refer to Upper Drawbar Components STOP SWITCH ASSEMBLY (Pedals) 120-000003 Mounting Block Assembly Ground Lead Assembly ‘Twisted Pair Assembly (Blue/Gray) Manual Drawbar Assembly (Black-16") Drawbar Knob (Black-16") Drawbar Terminal Strip Assembly NOTE: For Other Parts Refer to Upper Drawbar Components PERCUSSION SWITCH GROUP #1 125-000001 Mounting Bracket Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly Control Tabs (Second Voice) Control Tabs (Touch Control) Control Tabs (Chimes) Control Tabs (Glock) Resistor 5600 Resistor 8200 Resistor 470 Resistor 2.2 Meg Resistor 15 Meg Over Center Spring Shaft Tubular Clip Flathead Machine Serew (Second Voice) (Touch Control) (Chimes) (Glock) R2 R4 RS R6 > R3 (Toggle Spring) PERCUSSION SWITCH GROUP #2 125-000002 Mounting Bracket Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly (Guitar, Twin Mallet- Marimba, Twin Mallet-Xylophone) (Super Quint, Harp Sustain) SWITCH PANEL & BRACKET ASSEMBLY (BANJO, REITERATE) 008-030047 Control Tabs Control Tabs Control Tabs Control Tabs Control Tabs 6-6 (Guitar-Yellow) (Marimba-Gray) (Super Quint-Ivory) (Xylophone-Gray) (Banjo-Yellow) 031.034338, 031.034339 031.034340 031-034341 031.034342 031-034343 031.034344 031-034345 060-038788 120-000022 062-037633 011-038640 011-037603 060-038789 062.027964 011-037605 277-680044.99 060-034318. 031-034338 006-030596 035-024351 008-030044 008-030039 008.027668 008.030040 031-034612 031-034613 031-034029 031-034030 600-020671 600-020711 600-021131 600-021291 600-021251 012.038938 020037239 013-020002 839-040214 035.027931 008.027668 008.027679 031-034619 031-034631 031.034614 031-034632 031-034620Control Tabs Control Tabs Over Center Spring Shaft Tubular Clip Flathead Machine Screw (Reiterate-Black) (Harp Sustain-Maroon) (Toggle Spring) RHYTHM & PEDAL GROUP SWITCH 125-000024 Mounting Bracket Switch Panel & Bracket Assembly ‘Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly ‘Switch Panel & Bracket Assembly Control Tab Control Tab Control Tab Control Tab Control Tab (Cymbal-Pedal) (Brush-Lower) (String Bass I, String Bass 11) (Brush Upper) (Cymbal-Pedal) (Brush Upper) (Brush Lower) (String Bass 1) (String Bass II) Coupling Transformer Assembly T3 Coil & Bobbin Assembly Spacer Cup Core Ferrite Washer Spring Hex Nut Flathead Machine Serew Flathead Machine Screw ‘Over Center Spring Shaft Tubular Clip Resistor 10K Resistor 18K Resistor S6K Resistor 82K Resistor 470K Capacitor .O1mfd (Coupling Transformer Mounting) (Switch Panel & Bracket Mounting) (Toggle Spring) RI, 35 RIL R22 R23 R36 C1 ANIMATION CONTROL GROUP SWITCH ASSEMBLY 125-000004 Mounting Bracket Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly Control Tab Control Tab Control Tab Control Tab ‘Over Center Spring Shaft Tubular Clip Flathead Machine Screw (Chorus, Celeste) (On Upper, On Lower) (Chorus-Yellow) (Celeste-Maroon) (On Upper-Green) (On Lower-Green) (Toggle Spring) ANIMATION MODE GROUP SWITCH 125-000005 Mounting Bracket Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly Control Tab Control Tab (On Pedal, On Reverb) (Tremolo on Perc.) (On Pedal-Gray) (Tremolo on Pere.-Green) 031-034639 031-034624 012.038938 020-027928 013-028002 839-040214 035.027931 008-035547 008-035671 008.030036 008.030041 031-034615 031-034616 031-034617 031.034533 031-034534 003-030305 003-030075 044-030099 024-022427 024.022451 012-041491 999-001104 039-0403 14 039-040214 012-038938, 020-027928 013-028002 600-020731 600-020791 600-020911 600-020951 600-021131 413-010072 035-027931 008-027672 008.034548 031-034621 031-034625 031-034626 031-034627 012-038938 020-037239 013-028002 839-040214 035-024205 008-034548, 008-030038 031.034635 031-034628 6-7Control Tab Over Center Spring Shaft Tubular Clip Resistor 47k Flathead Machine Screw (On Reverb-Gray) (Toggle Spring) ORGAN SWITCH GROUP 125-000006 Mounting Bracket Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly Switch Panel & Bracket Assembly Switeh Panel & Bracket Assembly Control Tab Control Tab Control Tab Control Tab Control Tab Lever Mounting Bracket Lever Plate Assembly Sems Hex. Slotted Head Machine Over Center Spring Shaft Tubular Clip Flathead Machine Screw Resistor 1K Resistor 10K Resistor 100K Capacitor 20000pf (Reverb. 11) (Reverb. 1) (Volume Soft) (Echo Only, Main Only) (Reverb I-Gray) (Reverb II-Gray) (Echo Only-Yellow) (Main Only-Yellow) (Volume Soft-Ivory) (Lever Plate Mounting) (Toggle Spring) R29 R30 R31 ci PERCUSSION & REITERATE DRIVE ASSEMBLY 128-000001 Chassis Pan Terminal Strip Assembly Terminal Strip Assembly Filter Choke Assembly Potentiometer, Duel Construction Transistor Zener Diode Diode Silicon Control Switch Resistor 3300 s% Resistor 2 Resistor 470 Resistor 2700 5% Resistor 3300 Resistor 10K Resistor 15K Resistor 33K Resistor 47K Resistor 100K Resistor 220K Resistor 100K 5% Capacitor 10mfd Capacitor 1.0mfd Wire & Plug Assembly (5 Lug) (12 Lag) L201 500K/500K R211, 217 Q201, 202, 203, 204, 205, 206, 207 D201 D202, 204 20s R216 R209 R214 R213 R210 R201, 204, 215 R208 R206 219, 220 207 €201, 202 €203 MANUAL CHASSIS ASSEMBLY 118-000001 6-8 031-034636 012-038938 020-037238 013-028002 600-020891 839-040214 035-027931 008-027671 008.030038 008-030040 008-031546 031-034637 031-034638 031-034622 031-034623 031-034618 035-024335 060-031559 831-040314 012-028938 020-037928 013-028002 839-040214 600-020491 600-020731 600-020971 425-010763 041-031549 006-031552 006-031553 003-037670 675-000267 001-021135 001-023033 001-026010 001-026050 600-0206 12 600-020091 600-020411 600-020592 600-020611 600-020731 600-020771 600-020851 600-020891 600020971 600-021051 600-020972 413-010142 414-040092 011-031555UPPER MANUAL ASSEMBLY 119-000028 Manual Frame Assembly Key Comb Assembly (12 Key) Key Comb Assembly (13 Key) Key Comb Assembly (Preset) Bracket & Channel Assembly (Cancel Preset Key) Bracket & Channel Assembly _ (Preset Keys) Bracket & Channel Assembly (Playing Keys) Natural Key (Cancel) Natural Key (Tibias 8° & 2°) Natural Key (Novel Solo 8°) Natural Key (Theater Solo 16’) Black Natural Key (Full Tibias 16°) aa Natural Key (Full Theater Brass 16°) Natasal ite, ((B) Upper Draw bane & Fercassion) Sharp Key (French Horn 8°) Sharp Key (Clarinet 8°) Sharp Key (Oboe Hom 8") }} Ivory Sharp Key (Trumpet 8°) Sharp Key Drawbars) Natural Key C Natural Key D Natural Key E Natural Key F Ivory Natural Key G Natural Key A. Natural Key B Natural Key CX Sharp Keys Black ‘Sems Bind Head Machine Screw (Used on All Playing Keys) End Block Right Hand End Block Left Hand Screw (End Block) Strain Relief Top Cover Assembly Front Strip Screw (Front Strip) Upper Manual Mounting Bracket Assembly (Right Hand) Upper Manual Mounting Bracket Assembly (Left Hand) Plug 12C (White) Plug 12C_ (Red) LOWER MANUAL ASSEMBLY 119-000001 Manual Frame Assembly Arpeggiator Board Assembly Arpeggiator Board Assembly Top Cover Assembly Key Comb Assembly (12 Key) Key Comb Assembly (13 Key) Key Comb Assembly (Preset) Bracket & Channel Assembly _ (Cancel Preset Key) Bracket & Channel Assembly _(Preset Keys) Bracket & Channel Assembly _(Playing Keys) Natural Key (Cancel) Natural Key (Dulciana 8’) Natural Key (Vox 8° & Tibia 4”) Natural Key (String Accomp. 8’) {| Black (060-030088 057-043081 087-043082 087-043080 057-038529 057.038496 060-033392 025-042781 025-042782 025-042783 02: 025-032672 850-000002 025-027748 025.027749 831-100914 013-034996 060-037591 (061.027746 1938-05038 (060-038792 060-038793 005-039830 005-039832 119-000002 124-000009 124-000010 060-037590 057-037989 057.037990 057-037988 057-038529 057.038496 060-033392 025-042781 025-042788, 025-042789 025-042790 6-9Natural Key (Full Accomp. 8°) Natural Key (Bombarde 16") Natural Key _([B] Lower-Drawbars) Sharp Key (Cello 8°) Sharp Key (Vibahary 8) | Sharp Key (Open Diapason 8°) Ivory Sharp Key (Tibias 8°) Sharp Key ( [AB] Drawbars) Lower Manual Mounting Bracket Assembly (Right Hand) ual Mounting Bracket Assembly (Left Hand) Plug 12C (Brown) Plug 12C (Green) Switch Cover Assembly NOTE: For Other Manual Parts Refer to Upper Manual Components. Manual Cable Assembly Harp Keyer Cable Assembly Back Cover Assembly Preset Panel Assembly Buss Insulator Marker Plate (Upper Manual) Marker Plate (Lower Manual) Buss Bar ) Buss Bar (Zero Intensity Bar) Lockwire (Intensity Bar) Output Panel (Cable Guide) Lockwire (Output Panel) Binder Head Machine Serew Preset Piano Mounting Bracket GENERATOR & MOTOR ASSEMBLIES Generator & Motor Assembly 120V 60Hz Generator & Motor Assembly 120 SOHZ Generator & Motor Assembly 220V 60Hz Generator & Motor Assembly 220V SOH2 Generator Assembly OH Generator Assembly S0Hz Motor Assembly 120V 60H Motor Assembly 120V SOHz Mocor Assembly 24V oOHz Motor Assembly 24V SOHz Motor Capacitor 12ov Motor Capacitor 234V Oval End Cap (Mounting Capacitor) Motor Mounting Bracket Generator Cover Assembly Motor Clamp Capacitor Clamp Motor Coupler Motor Coupling Spring Wire & Plug Assembly POWER SUPPLIES Power Supply 120V 60Hz Power Supply 120V 50H Power Supply 220V 50/60Hz Chassis Pan Power Transformer 120V 60HZ 6-10 025.042791 025-042792 025.042793 025.038606 025.038607 025-038608 025.038609 025-038610 060-038790 060-038791 005-039831 005.039835 060-03 011-027994 011-028679 062.031607 060-040173 045.016472 038-036049 038-036050 029.036052 029.036051 013-023243 006-021361 013-021374 847-000001 112-000001 112-000002 112000003 112000004 113-00000s 113-000006 021-033855 021-033856 (021-033857 021-033858 499.033807 499.033805 041.024838 (035-027354 115-000002 013-024427 013-024313 017-024242 012029132 011-031649 127000001 127-000002 127-000003 041-031505 (003-033584Power Transformer Power Transistor Socket Assembly Wire & Plug Assembly Wire & Plug Assembly Wire & Plug Assembly Wire & Plug Assembly Wire & Plug Assembly 220V Capacitor Mounting Clamp Terminal Strip Assembly Terminal Lug Assembly Terminal Strip Assembly 120/240V Resistor Resistor Resistor 3.3K Resistor 47K Resistor 5.6K Resistor 10K Resistor IsK Resistor 2K Resistor 33K Resistor 82K Resistor 270K Resistor 820K Resistor 18, 1 Watt Resistor 2 1 Watt Resistor 680 2 Watt Resistor 820 2 Watt Resistor 1K 2 Watt Resistor 10 5 Watt Potentiometer 1K Potentiometer 500 Potentiometer 50 2 Watt Capacitor 1.0 mfd Capacitor Electrolytic 100 mfa SOV Capacitor 10,000 pf Capacitor 2,200 pf Power Transistor (Germanium-85V) Insulator Silicon Compound (Insulator Mounting) Transistor Transistor Zener Diode ov Zener Diode tov Silicon Rectifier 200V Transistor Transistor Power Transistor Zener Diode av Transistor Capacitor Electrolytic 3800 mfd SOV (Power Transistor Mounting) MUSIC LIGHTINVERTER 120V_ 60Hz Chassis Pan Assembly Power Transistor Socket Assembly Power Transformer Assembly Coil & Pin Assembly Transformer “U” Core Transformer “I” Core 20V 60Hz $0/60Hz P701 702 P704. P703 50/60Hz 701 R702, 708 R701, 720 R706 R705 R710 RTI4 R715, 718 R709 704, 721 R719 R716 R7I7 R723 R722 R725 R712 R726 R703 R713 R707 R724 C706 C704 703 C701 Q704, 706, 707 Q709, 710 D707, 710 D709 D701, 702, 703, 704, 711 Q702 Q7o1 9703 D70s q7os C702 127-000004 T7s1 1752 003.033585 004-030256 011-031537 011-031538 011-031539 011-031540 011-040132 013-032970 006-028913 006-036235 006-024982 600-020491 600-020591 600-020611 600-020651 600-020671 600-020731 600-020771 600-020811 600-020851 600-020951 600-021071 600-021191 600-030071 600-030091 600-040451 600-040471 600-040491 603-060042 676-000107 676-000109 676-000255 420-010113 407-080069 425-010752 425-030583 001-012051 036-030552 097.029624 001-021100 001-012020 001-023033 001-023035 001-024052 001-021190 001-022010 001-021180 001-023036 001-021172 450-060040 041-033415 004-030256 003-040063 003-031513 024034097 024.034098 6-11Insulator, Transformer “I” Core Terminal Strip Assembly Terminal Strip Assembly Insulator (Power Transistor) Transistor, Power Silicon Rectifier Capacitor Electrolytic 1000 mfd Capacitor I mfd Capacitor O1 mfd Capacitor 0056 mfd Resistor 2200 Resistor 1 5% Resistor 10% Music Light Inverter Power Transformer 220/240V NOTE: For Other Components Rete! Music Light Inverter 220V NOTE: Power Transformer Wiring Cha Music Light Inverter 127-0004 VIBRATO & NON-VIBRATO AMPLIFIER BOARD ASSEMBLY 124-000001 rinted Wiring Board Assembly Capacitor Electrolytic 100 mfd Capacitor Electrolytic 500 mfd Capacitor Electrolytic 8 mfd Capacitor 0047 méd Capacitor 3300 pf Resistor 180 Resistor 820 Resistor Ik Resistor 4.7K Resistor 22k Resistor 47k 1 Meg Resistor 390K Trimmer Potentiometer 50K Trimmer Potentiometer 100K Transistor Transistor BASS & PERCUSSION AMPLIFIER Printed Wiring Board Assembly Capacitor Electrolytic 10 mfd Capacitor Electrolytic 500 mfd Capacitor Electrolytic 8 mtd Capacitor 22 mid Capacitor 3300 pf Resistor 180 Resistor 820 Resistor Ik Resistor 4.7K Resistor 2K Resistor 47K Resistor 1 Meg Resistor 390K Trimmer Potenti Trimmer Potentiometer 100K 6-12 (8 Lug) (6 Lug) 100V 25V 2 Watt 2 Watt 50/60Hz 50/60Hz 1751 1 to Music Light Inverter 127-000004 30/6042 Only. All Components Same As 50V C475, 480 3V C474, 479 25V C473, 478 1oov C471, 476 s00Vv 0472, 477 R478, 490 R477, 488 R479, 491 R474, 480, 486, 492 R477, 489 R481, 493 R473, 485 R472, 484 R475, 487 RATI, 483 Q471, 475 Q472, 473, 476, 477 BOARD ASSEMBLY 124-000002 sov C873, 879 3V C872, 878 25V C874, 877 100V C871, 875 S00v C876 R877, 889 S75, 87 R878, 890 R879, 885 R876, 888 R874, 880, 892 R873, 884 R872, 883 R886 R871, 882 036-034099 006-024982 006-028913 036-0305 001-021200 001-024051 407-060149 420010113 413-010072 413-010: 600-020571 601-040092 600-040471 127-000005 003-031593 127-000006 023-031515 407-080079 407-010279 407-060419 413-010042 425-010622 600-020311 600-020471 600-020491 600-020651 600-020811 600-020891 600-021211 600-021111 676-000019 676-000023 001-021260 001-021133 023-031515 407-080079 407010279 407-060419 413-110162 425-010622 600-020311 600-020471 600-020491 600-020651 600-020811 600-020891 600-021211 600-021111 676-000019 676-000023Transistor Transistor Q871, 875 Q872, 873, 876, 877 BASS & PERCUSSION PREAMPLIFIER BOARD ASSEMBLY 124-000005 Printed Wi Capacitor Capacitor Capacitor Capacitor Capacitor Capi Capacitor Capacitor Capacitor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Transistor Transistor VIBRATO & Printed W Capacitor Capacitor Capacitor Capacitor Capacitor Capacitor Capacitor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor Resistor iring Board Assembly 500 mid 3V 10mfd_15V I mfd 100V O15 mfd 100V 22 mfd 100V -18 mfd 100V 150 pf S00V 01 mfd Soov 02 mfd SOOV 390 IK 4.7K 10K. 12K 33K 7K, 56K 100K 120K 220K 1 Meg 180K C813 C801, $08, 809, 811, $19, 320 cso css C805, 812 €802, 803, 804 307 €806, 814 821 R809 R818, 827, 841 R808, 837 R817, 821, 826, 828, 829, 840 R806, 807 R844 R823 R804, 813 RS8I6, 825, 839 R805, 811, $12, 814, 816, $34, 835, 836 R810, 819, 842 R803, 815, 820, 824, 838, 843 R822, 845 R801, 802 Qso1 Q802, 803, 805 NON-VIBRATO PREAMPLIFIER BOARD ASSEMBLY 124-000006 12 Board Assembly 500mfd 3 Smid 25V. 033 mid 100V 22mfd 100V 02mfd SO0V LOmfd — 25V 22mfd — 10V 470 82 20 820 IK 4.7K 10K 33K 47K SOK 68K 100K. 120K 1S0K 220K 330K C403, 411, 415, C404, 416 C401, 413 C407, 409, 410, 419 C405, 417 C406, 418 C402, 414 R420, 456 R432 R406, 443 R430 R401, 408, 433, 438, 445, R409, 446 R402, 414, 426, 439, 450, 407, 419, 431, 444, 455 R416, 452 R429 R418, 454 R404, 441 R410, 422, 428, 447, 413, 425, 435 R412, 435, 448, 411, 423 R403, 440 R417, 49, 453, 405, 442 R427 001.021260 001.021133 023.031669 407-010279 407-040427 413-110142 413-110082 413-110162 413-110282 425-010292 425-0107: 425-010763 600-020391 600-020491 600-020651 600-020731 600-020751 600-020811 600-020851 600-020891 600-020911 600-020971 600-020991 600-021051 600-021211 600-021031 001-021133 001-021070 023.031530 407-010279 407-060419 413-110102 413-110162 425-010763 414-040092 414-020112 600-020411 600-020231 600-020331 600-020471 600-020491 600020651 600-020731 600-020851 600-020891 500-020911 600-020931 600-020971 600-020991 600-021011 600-021051 600-021991 6-13

Hammond X-77 and X-77 GT Service Manual

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