Professional Documents
Culture Documents
Jeffrey Flynn
[ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ]
Do-gooders
Jeffrey Flynn
Anybody who tries to do good could be called a do-gooder. But we typically use the
term pejoratively, to refer to efforts that are somehow misguided—naı̈ve, meddling,
ineffective, or perhaps just plain annoying. We probably also reserve the label for those
who display an unwavering devotion to doing good. People with this single-
mindedness are the focus of Larissa MacFarquhar’s wonderful book Strangers
Drowning. She refers to her subjects as do-gooders, but not to disparage them; she
goes to great lengths to portray them sympathetically. But she does aim to capture the
deep ambivalence other people often feel about those whose commitment to doing
good is so zealous: “I don’t mean a part-time, normal do-gooder—someone who has
a worthy job, or volunteers at a charity, and returns to an ordinary family life in the
evenings. I mean a person who sets out to live as ethical a life as possible. I mean a
person who’s drawn to moral goodness for its own sake. I mean someone who pushes
himself to moral extremity, who commits himself wholly, beyond what seems
reasonable. I mean the kind of do-gooder who makes people uneasy” (3). MacFar-
quhar provides a fascinating glimpse into the lives of a variety of such “extreme
altruists.” These are people who not only go to greater lengths than most people do
to help others—some donate kidneys to strangers—but also have a hard time avoiding
the thought that they could be doing even more. The do-gooders she profiles “lack
that happy blindness that allows most people, most of the time, to shut their minds
to what is unbearable. Do-gooders have forced themselves to know, and keep on
knowing, that everything they do affects other people, and that sometimes (though
299
No other instance best captures the moralization strategy of Live Aid than the
BBC news imagery of famine and death in Korem, projected on the Wembley and
JFK screens: “a close up baby—a tiny body but a large head, and its mouth open
in a silent cry . . . It is held close to its mother’s face. She shields it with the cloth
that drapes them both, drawing it to her, and looks down. The infant’s silent
anguish, eyes closed, mouth wide, screaming, continues.” The immediate impact
of this image was reflected in the significant increase in the donations rate
following the screening, yet its deeper impact lies in introducing the witnessing of
human suffering as the most important affective force of the concert.37
In fact, the concert ultimately raised between $100 and $500 million dollars for famine
relief.38 Unfortunately, it also led much of the public to view the famine more like a
natural disaster than the result of the Ethiopian government’s policy of forcible reset-
tlement and a tactic used against secessionist rebels.39 As in the case of the media-
driven event “Biafra,” in this case “Ethiopia” was constructed as a purely moral space,
mirroring Singer’s pond analogy, in which Western donors can effectively make a
humanitarian gesture.40
The idea of a moral space in which the humanitarian imperative can be fulfilled is
not just a construct of the imagination; it is a concrete part of humanitarian practice.
The term “humanitarian space” is used by humanitarian actors to refer to the need to
establish a space in which they can safely and effectively treat victims and save lives in
the midst of surrounding chaos and conflict. There is no single definition of this term,
but it has been suggested that it is intended to capture “the existence of a practical,
even physical, space within which humanitarian action—saving lives by providing
relief to victims of armed conflicts—can be undertaken.”41 As Michael Barnett
describes it, humanitarian space is a “space where ethics can operate in a world of
politics.”42 The basic idea was reflected in Dunant’s founding ideal: partisan soldiers
fighting for their nations, once wounded, are transformed into injured human beings
with no nationality.43 They exit the antagonistic arena of war and enter a moral space
in which human beings must respond humanely to other human being’s suffering.
The idea of humanitarian space, then, is a moralized space in which the humanitarian
can act directly on the moral imperative to respond to another human being in dire
need.
Of course, it has long been abundantly clear that, when it comes to emergency
relief, the idea that humanitarian space is as morally pristine as Singer’s pond is
illusory. Humanitarian organizations know all too well how humanitarian space is
NOTES
1. Tony Vaux, The Selfish Altruist: Relief Work in Famine and War (London: Earthscan Publica-
tions, 2001).
2. Michael Maren The Road to Hell: The Ravaging Effects of Foreign Aid and International
Charity (New York: The Free Press, 1997), and Alex De Waal, Famine Crimes: Politics & the
Disaster Relief Industry in Africa (Bloomington: Indiana University Press, 1997).
3. David Rieff, A Bed for the Night: Humanitarianism in Crisis (New York: Simon & Schuster,
2002).
4. One exception has been the work of Hugo Slim, Humanitarian Ethics: A Guide to the
Morality of Aid in War and Disaster (Oxford: Oxford University Press, 2015), which I discuss briefly
below. See also Chiara Lepora and Robert Goodin, On Complicity and Compromise (New York:
Oxford University Press, 2013); Lisa Fuller, “Priority Setting in International Non-Governmental
Organizations: It Is Not as Easy as ABCD,” Journal of Global Ethics 8, no. 1 (2012): 5–17.
5. Rubenstein did nine months of fieldwork with the ICRC, MSF-France, MSF-Belgium,
MSF-Amsterdam, Oxfam-UK, and the International Rescue Committee in 2001–2002, along
with shadowing an IRC aid worker for two weeks in Northern Uganda. Between Samaritans and
States, 23.
6. Hugo Slim, cited in Rubenstein, Between Samaritans and States, 22.