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    25 views459 pages

    The Real Book 6th Edition BB 2 PDF

    Uploaded by

    Weber Marely

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    of 459
    PREFACE ‘The Bb Real Book is the answer to the fake book. It is an alternative to the plethora of poorly designed, illegible, inaccurate, badly edited volumes which abound on the market today. The Bb Real Book is extremely accurate, neat, and is designed, above all, for practical use. This edition offers the horn player the luxury of on-the-spot sight reading without having to transpose. Every effort has been made to make it enjoyable to play. Here are some of the primary features: 1. FORMAT . a. The book is professionally copied and meticulously checked for accuracy in melody, harmony, and rhythms. b. Form within each tune, including both phrases and larger sections, is clearly delineated and placed in obvious visual arrangement. ©. All two-page tunes open to face one another. d. Most standard-type tunes remain true to their original harmonies with little or no reharmonization. The exceptions include a handful of jazz interpreta- tions of popular songs and Broadway showtunes, as well as some modifications using modern notation and variation among turnarounds. 2. SELECTION OF TUNES AND EDITING a. Major jazz composers of the last 60 years are highlighted, with special attention given to the 1960s and 1970s. ». While some commonly played tunes are absent from the book, many of the classics are here, including bop standards and a fine selection of Duke Ellington masterpieces. c. Many of the included arrangements represent the work of the jazz giants of the last 40 years — Miles, Coltrane, Shorter, Hancock, Evans, Mingus and Monk, as well as a variety of newer artists. d. A variety of recordings and alternate editions were consulted to create the most accurate and user-friendly representations of the tunes, whether used in a combo setting or as a solo artist. 3. SOURCE REFERENCE a. The composer(s) of every tune is listed. b. Every song presented in the Real Book is now fully licensed for use. Sixth Edition As we ventured into the 21st century, the saine Real Book that has served us so graciously for the last 30 years was in need of a facelift. This new edition con- tains tunes that are re-arranged, re-transcribed and most importantly, licensed, so that you may study and play these works more accurately and legally. Enjoy! AFRICAN FLOWER ae ree) AFRO BLUE oes ccccccccnstnssoeen Al AFTERNOON IN PARIS......... el AIREGIN ALFIE ALICE IN WONDERLAND . ALL BLUES ALL BY MYSELF... ALL OF ME - Geass ALL OF YOU ......... : secon Bd ALL THE THINGS YOU ARE... ae) ALRIGHT, OKAY, YOU WIN... 24 ALWAYS . ANA MARIA ANGEL EYES ANTHROPOLOGY APPLE HONEY APRIL IN PARIS APRIL JOY ARISE, HER EYES ARMAGEDDON AU PRIVAVE ....... AUTUMN IN NEW YORK AUTUMN LEAVES ... AGUA DE BEBER (WATER TO DRINK) ......14 —— 13, B BEAUTIFUL LOVE «..--.ccccccsscces 40 BEAUTY AND THE BEAST... 41 BESSIE’S BLUES 42 BEWITCHED ....... - 43 BIG NICK s cd BLACK COFFEE... oe 4B BLACK DIAMOND... 246 BLACK NARCISSUS .. cA? BLACK NILB........ foes eB BLACK ORPHEUS ... 49 B Cont, BLUE BOSSA ..oc.ccccccssccecessesseeeneeereseees3O BLUE IN GREEN 81 BLUE MONK........ a ed ‘THE BLUE ROOM et seen BLUE TRAIN f sees BLUES FOR ALICE.. 55 BLUESETTE ........ ee 56 BODY AND SOUL. ae BOPLICITY 7 58 BRIGHT SIZE LIFE oc oc eB. BROAD WAY BLUES etteeeeent- 80) BROADWAY........ ceteeeenneesBD BUT BEAUTIFUL, on 62 BUTTERFLY .. 7 cesses 8S BYRD LIKE. 64 Gj C'EST SI BON (IT’S 80 GOOD) ..... CALL ME .. pe CALL ME IRRESPONSIBLE....... CAN'T HELP LOVIN’ DAT MAN CAPTAIN MARVEL .... CENTRAL PARK WEST (Geonneee CHEGA DE SAUDADE GVO MORE BLUES)... cccssecee PA CHELSEA BELLS eis CHELSEA BRIDGE.......... 06 CHEROKER (INDIAN LOVE SONG) ...........77. CHERRY PINK AND APPLE BLOSSOM WHITE oo... ccoceecc'ZB A CHILD IS BORN... ee CHIPPIE co. CHITLINS CON CARNE... seen B81 COME SUNDAY cece BR COMO EN VIETNAM 83 CON ALMA ..... - 84 CONCEPTION, . 86 © Cont. CONFIRMATION... CONTEMPLATION . CORAL ...... COTTON TAIL COULD IT BE YOU COUNTDOWN... CRESCENT CRYSTAL SILENCE D NATURAL BLUES. DAAHOUD... DANCING ON THE CEILING .. DARN THAT DREAM... DAY WAVES DAYS AND NIGHTS WAITING. DEAR OLD STOCKHOLM DEARLY BELOVED DEDICATED TO YOU .... DELUGE DESAFINADO DESERT AIR ... DETOUR AHEAD DEXTERITY ....... DIZZY ATMOSPHERE. DJANGO ..... DOIN’ THE PIG .... DOLORES . DOLPHIN DANCE. DOMINO BISCUIT. DON'T BLAME ME. DON*T GET AROUND MUCH ANYMORE DONNA LEE DREAM A LITTLE DREAM OF MB DREAMSVILLE ..... EASTER PARADD ..... EASY LIVING BASY TO LOVE 294 95 98 99 100 101 102 103 104 2106 108 110 108 112 116 120 “121 122 ABB 124 125 126 cel BB E Cont, ECCLUSTASTICS. RIGHTY ONE...... EL GAUCHO EPISTROPHY, BQUINOX .. BQUIPOISE ........ ESP. FALL... FALLING GRACE . FALLING IN LOVE WITH LOVE. FEE-FI-FO-FUM .. A FINE ROMANCE 500 MILES HIGH 802 BLUES .... FOLLOW YOUR HEART FOOTPRINTS FOR ALL WE KNOW ... FOR HEAVEN'S SAKE (I LOVE YOU) FOR SENTIMENTAL REASONS FOREST FLOWER. FOUR ... FOUR ON SIX FREDDIE FREELOADER FREEDOM JAZZ DANCE FULL HOUSE. G GEE BABY, AIN'T I GOOD To YoU GEMINI .... GIANT STEPS ‘THE GIRL FROM IPANEMA GLORIA’S STEP GOD BLESS’ THE CHILD GOLDEN LADY ...... — GOOD EVENING MR. AND. + MRS. AMERICA . 129 130 131 2152 183 134 135 136 137 138 139 140 141 142 143, 144 145 146 147 148 149 1180 151 152 154 153 156 “187 158 189 160 161 162 G Cont, GRAND CENTRAL, eevee 184 THE GREEN MOUNTAINS... - 165 GROOVIN’ HIGH ceetccetiseeeeenntennees 66 GROW YOUR OWN... 167 GUILTY . oo 168 GYPSY IN MY SOUL pescceenneeseeeeee BD H HALF NELSON ..... 170 HAVE YOU MET MISS JONES? seed B, HEAVEN ....... a =P) HEEBIE JEEBIES ce e124 HELLO, YOUNG LOVERS. : 176 HERE'S THAT RAINY DAY seed PB: HOP TODDY ..... HOUSE OF JADE HOW HIGH THE MOON HOW INSENSITIVE 1 CAN'T GET STARTED WITH YOU 184 1 CAN'T GIVE You ANYTHING BUT LOVE... 185 T.COULD WRITE A BOOK.......... 186 1GOT If BAD AND THAT AIN"T GOOD 187 1 LBY A SONG GO OUT OF MY HEART ...188 I LOVE PARIS a 189 130 ceseeeecennd OT I REMEMBER CLIFFORD - secon OB 1 SHOULD CARE I WISH I KNEW HOW Tr WOULD FEEL TO BE FREE, ULL NEVER SMILE AGAIN. TLL REMEMBER APRIL, 1M ALL SMILES ...... I'M BEGINNING TO SEE THE LIGHT. 1M YOUR PAL. ICARUS........ a IF YOU NEVER COME TO ME. I Cont, IMPRESSIONS ....... 205 IN A MELLOW TONE.......... oe 208 IN A SENTIMENTAL MOOD ......... 207 IN THE MOOD - oe 208 IN THE WEE SMALL HOURS OF THE MORNING ... IN YOUR QUIET PLACE ‘THE INCH WORM INDIAN LADY INNER URGE... INTERPLAY......... ‘THE INTREPID FOX. INVITATION IRIS coe IS YOU 18, OR IS YOU AIN'T (MA’ BABY) 220 ISN'T IT ROMANTIC?, 219 ISOTOPE, lee 222, ISRAEL........ 7 - es BRB IT DOW'T MEAN A THING CF IT AIN'T GOT THAT SWING) ............224 IT'S EASY TO REMEMBER. J SELLY ROLL 226 JORDU ..... 227 JOURNEY TO RECIFE 228 JOY SPRING 229 IUTT on 230 JUMP MONK. BBR JUNE I JANUARY - 231 JUST ONE MORE CHANCE 234 K KELO 236 L LADY BIRD... cece BBB LADY SINGS THE BLUES. 238 LAMENT... 239 LAS VEGAS TANGO....... 240 L Cont. LAZY BIRD coe 241 LAZY RIVER 242 LIKE SOMEONE IN LOVE 243 LIMEHOUSE BLUES:........... B44 LINES AND SPACES. = 246 LITHA..... : 248 - LITTLE BOAT ceseineennee RAB, LITTLE WALTZ . 250 LONG AGO (AND FAR AWAY). oe BB1 LONNIE’S LAMENT 282 LOOK TO THE SKY ......... 253 LOVE IS THE SWEETEST THING.............254 LUCKY SOUTHERN «....0c0.000. +255 LULLABY OF BIRDLAND.......... 256 LUSH LIFE | 258 Mu ‘THE MAGICIAN IN YOU...... MAHJONG......... MAIDEN VOYAGE ........ A MAN AND A WOMAN. MAN IN THE GREEN SHIRT. MEDITATION... : MEMORIES OF TOMORROW MICHELLE .. . MIDNIGHT MOOD MIDWESTERN WIGHTS DREAM 270 MILANO ....... a conte BIB, ‘MINORITY. 273 MISS ANN.. ara) MISSOURI UNCOMPROMISED .. aa76 MR. PC. MISTY eee “MIYAKO os ae cov 7B MOMENT'S NOTICE... 280 MOOD INDIGO eon BPD ‘MOONCHILD ....... 7 282 THE MOST BEAUTIFUL GIRL. IN THE WORLD... 283 MY BUDDY o.oo. as 284 MY FAVORITE THINGS .... coon BBB, MY FOOLISH HEART 286 M Cont. MY FUNNY VALENTINE........ 287 MY ONE AND ONLY LOVB......0.00..00....-288 MY ROMANCE ...... : BBO ‘MY SHINING HOUR 290 ‘MY SHIP 291 MY WAY. - 292 MYSTERIOUS TRAVELLER 294 N NAIMA .. - a 293 NARDIS ... Be a 296 NEFERTITI rf - 297 NEVER WILL I MARRY ...... sees 8B NICA’S DREAM 299 NIGHT DREAMER 300 ‘THE NIGHT HAS A THOUSAND EYES......301 A NIGHT IN TUNISIA, cesteseeeee ns BOR, NIGHT TRAIN cesses OF NOBODY KNOWS YOU WHEN ‘YOU'RE DOWN AND OUT... 303 NOSTALGIA IN TIMES BUA 808 NUAGES - a 30? ° (OLD MAN FROM) THE OLD COUNTRY......308 OLEO .. a OLILOQUI VALLEY. ONCE I LOVED ONCE IN LOVE WITH AMY ONE FINGER SNAP ONE NOTE SAMBA . - ONLY TRUST YOUR HEART ORBITS : ORNITHOLOGY OUT OF NOWHERE, PAPER DOLL PASSION DANCE P Cont, PASSION FLOWER see B21 PEGGY'S BLUE SKYLIGHT...... 323, PENT UP HOUSE .. 32a PENTHOUSE SERENADE . B25 PERU'S SCOPE....... — B26 PFRANCING (NO BLUES)... B27 PINOCCHIO «essen on 328 PITHECANTHROPUS ERECTUS ...............829 PORTSMOUTH FIGURATIONS 830 PRELUDE TO A KISS 831 PRINCE OF DARKNESS . 852, PS. I LOVE YOU = yess BOS. PUSSY CAT DUES 884 Q QUIET NIGHTS OF QUIET STARS (CORCOVADO). 335 QUIET NOW... 336 R RECORDA-ME .......... sie BT RED CLAY. coo e888 REFLECTIONS ......... - 540 REINCARNATION OF A LOVEBIRD ..........342 RING DEM BELLS ......... B41 ROAD SONG ......... eee B44 "ROUND MIDNIGHT .. 2845 RUBY, MY DEAR. B46 8 ‘THE SAGA OF HARRISON CRABFEATHERS. SATIN DOLL ........ SCOTCH AND SODA......... - SCRAPPLE FROM 'THE APPLE, 881 SEA JOURNEY ... SEVEN COME ELEVEN. SEVEN STEPS TO HEAVEN SIDEWINDER. 8 Cont. SILVER HOLLOW coe 358 SIRABHORN ......... - BBO SKATING IN CENTRAL PARK... o-560 80 NICE (SUMMER SAMBA) ....... 362 SO WHAT .. - 364 SOLAR : - eee BBB SOLITUDE jee 868 SOME DAY MY PRINCE WILL COME ......367 SOME OTHER SPRING . - +868 SOME SKUNK FUNK ....... Co 370 SOMEBODY LOVES ME 0.0... 369 SOMBTIME AGO... B72 SONG FOR MY FATHER 373 ‘THE SONG 18 YOU : 374 SOPHISTICATED LADY ........ sess B76, ‘THE SORCERER - BIT SPEAK NO EVIL. 378 ‘THE SPHINX..... - 879 STANDING ON THE CORNER 380 THE STAR-CROSSED LOVERS. cesses BBL STELLA BY STARLIGHT ......... +382 STEPS... ' cesses 83 STOLEN MOMENTS: — oo B84 STOMPIN’ AT THE SAVOY ........ 385 STRAIGHT NO CHASER ....... se 386 A STRING OF PEARLS 388 STUFF... a 390 SUGAR ...... cove BBP A SUNDAY KIND OF LOVE 7 392 ‘THE SURREY WITH THE FRINGE ON TOP ........ 89S SWEDISH PASTRY........ coeeneeeeeeee B94 SWEET GEORGIA BRIGHT . ee) SWEET HENRY = -.396 by TAKE FIVE TAKE THE "A" TRAIN TAME THY PEN TELL ME A BEDTIME STORY. ‘THANKS FOR THE MEMORY ‘THAT'S AMORE. "T Cont. ‘THERE IS NO GREATER LOVE... 408 ‘THERE WILL NEVER BE ANOTHER YOU 407 THERE'LL BE SOME CHANGES MADB ....408 ‘THEY DIDN'T BELIEVE ME. 409 ‘THINK ON ME. ay 410 THOU SWELL . 411 THREE FLOWERS ‘TIME REMEMBERED........ ‘TONES FOR JOAN'S BONES....... 412 413 ald orden cone 415 TOUR DE FORCE...... coven 16 TRISTE... coo Al? ‘TUNE UP....... 418 ‘TURN OUT THE STARS. 419 ‘TWISTED BLUES 420 u UNCHAIN MY HEART .......... ABR UNIQUITY ROAD ..... 421 ‘UNITY VILLAGE ... 424 UP JUMPED SPRING 425 UPPER MANHATTAN MEDICAL GROUP 426 v VALSE HOT 22? VERY EARLY ABB ‘VIRGO. . 429 w WAIT TILL YOU SEE HER 430 WALTZ FOR DEBBY. . 52 WAVE .. cenneeee nee 4BL WE'LL BE TOGETHER AGAIN. 434 WELL YOU NEEDN'T cosets ABS WEST COAST BLUES ... 436 WHAT AM I HERE FOR? ......... 437 WHAT WAS 438 WHEN I FALL IN LOVE = 439 WHEN SUNNY GETS BLUE... 440 W Cont, WHEN YOU WISH UPON A STAR WHISPERING... WILD FLOWER wINDOws WITCH HUNT WIVES AND LOVERS WOODCHOPPER’S BALL. ‘WOODYN’ YOU. = ‘THE WORLD IS WAITING FOR THE SUNRISE Y YES AND NO..... ‘YESTERDAY ... YESTERDAYS : YOU ARE THE SUNSHINE, OF MY LIFE... YOU ARE TOO BEAUTIFUL. YOU BROUGHT A NEW KIND OF LOVE TO ME. ‘YOU DON'T KNOW WHAT LOVE IS ‘YOU TOOK ADVANTAGE OF ME YOUNG AT HEART... ‘YOU'RE NOBODY "TIL SOMEBODY LOVES YOU. AAD aan, 444 A435 446 448 4a7 450 481 452 453 4584 456 488, 488 459 460 461 462 (pt —APTERNODN IN PARIS 05 bei? 07 67 emi? ca FT pri? Ea ana be ett ; : Sp ER ete E Sa ee Poet pao ga om . Foe Bo SS ar e Al Dee aa et EEE =r : ce —. » bev gt? 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Fee Dw7 E-7 a oT go) CALL MEARRESPONGIBLE EE eee G eb gH AT Ab Aber ta {3 —— 0 —— Fea Be cd BT Feabs pia esis E7 BE — Ee | Aa p7 Babs emba Fp Sree rr | G7 AI E7 Aq A p7 iy = (va ee ee ll G Ge Gre AA Aeb Avot Ba EA 1 Fgaay He o BB ze Aa Dr EER aie Bs e7 Aa v pre: HEEB Fer i ee Grekeer| Eeerr Feert tt ltre¢ An pa pb oes pga gt 7 ~ \ Ss aan (7 FT phe BT I a | d= 1B <—# Es Flo oy @7 GR a pia G7 @7 ; = = qe SS =— oH 7 Feit pa gt gt Ee —— = fete Foi? 0-17 BymiT ght gt ya a a Left Ah 2 Flu (> COD) - : eS ——— cr AT DZ ghtgt emi? on er phi? gt pn Ae Ee] get chase chapt emi? ehagr pho? SS = i ; (enone) a - pint ae Eber gba Dhmit BAB ES ll EA Few Fabs Fm? Ee Nahe = i ow en) pa 6 BSS Ss Sy —————— | a an Fo be O& Eg | BSS Sia a a Ae — ESS = SSS) : 74 _E& =F Spee J / ene Ges == ot FF ba ° Ds, Ae emir Loe PR a. _——— Le a Ne. G Ar [A] Bhowi7 Bhat (-7 FT x PUN CHE 24 TIME ONLY El Av Gs : Se phn? (oi ne Fa Bh ebm 67 p-7 grea) Se Ed | (-1 er pats ‘gé) a Bat pS: art peicr el pater & Baul? Cl ee Bhai? 02 FI moan Brevi? soo [IE] _ fe san gn gir, (LAsT ME) c €2.€E € € €C €C CC CC CRMC OE Ee ee ee ke eS ESS er % cmt ys i ‘be: | we en BSS Sa wth Mh - Be pc ke ———S= = — Ba eb cfted cmt 9 SS i ba gta ce cee? ry ay lb Ste | , % / Fe Ee 14 SS . is Re ee : bh roe Pats pra ee peas pra _ habs ps Be Spt CA - FT gb7 pa Bh i re ee SS 1. 2. Eve 7 pt ph c eb, , py ; Se =f JS he EF I Ghar cet phar, ast Gea g7 Ay Fe Beil BoE? Ami? re eY’p7 pr ct, ¢ =e BS Soap a p7Gu) eb7(er') el 07 Be es Fa gh ebe (op c7) SSS SSeS —— FINE G2 c7 Fo 8 : —$— AY PPE terse eins SSE cl INTRO ; ; Ne. (Pay 3x) Fit ett S Semi as gals mn 6 F —1 Acts y : ite eS ¢7 1 CHT By géa far pn FB A cei AT BT AT TT pale ot oo So a - paz eT egret TH: HF aaa @ ct eT 8% en) any) — : - > 3 FINE DS. FoR Sotos [A)[A][BI[Al APTER SoLos, D.5. AL FINE (TAKE REPEAT) AV 67 ye — lie > te Sous) — BK : 3 pena pe cet o pats oe a ( + . Emm? on pht AT gbths yet Bm : lo San [Bl p.abs 7 gtbs ooh ~ SS se SS Fem? G7 cvs CH erm M2 oka ott ths emit pa gh lFe= Se a a - Emmi? oa ght gt gels yma ° = = = SE ws c pws Ay a a EF = H . 7 3 uss g-(osit) DT ie. = ot ovo AAI] APTER $0105, 0S, AL >> & F-1bs poresths) Ebel pb7 Beit, pbégt7 ; ie Peper =A Ke era tet ar 7 x pape oe EE cr Eee) ot cht phmitgmit eat Fema 7 Tine TH pa i che Gta era pms? cher Sa erie SapuEee wea er Aa - Cae #7 gaa ; CER ETE Bip ep = Re Fabs ports(o) ebmeit pb.r TN PSO SBE Bey oper, , cbr abt gt gta aaa Baa BT at GT dt ptt pany? F7 Bbr che 34 FSS Sete ipte Pia hE = BASS CONT, RuyTIM sm, B= Etre EE Ed: | Bln? Arts(b) pe7 (tr) arts (4 Eee trl ; 1 (ENDING) REPEAT HEAD nour Da" Coren e010) (ust x) A Te Jes II M2 He cmt Bes gwba oH AB: Seat | Ly — Aa opt pews WAT ahr DiRT j- ct FS tes wv my, ey 6-4 eabs 7b > Este Tee IE AFTER S0L0S,D.c, AL-- fee © eC CC OC CeCe OC OC OC OC OO OF Ok OO OO OBO OO ¢ 90 EELUNGTON — crit An pag E7 Aa $= SS ea D-7 6: G7 Fe Fee . Heo StS £ Ce oka Myr gt Mba G7 Oh Pei ee Ss rd IEEE I 4 = BS | =I. cm? aa D2 g7 7 an SS = Pee | D-7 Gt 7 Fe FHto7 lee Spt ps hep Ye Aa D7 g7ce a oe COULD -EBE YOU tees omit D7 G7 omit AT N67 0 $3 Faw? G7 07 met Ap? SS =BS =] 56 =| eg? pus e7 ._ pers E74 BS a A- At p7 GT Di, p7TG ape ip Pci 7 Fm yom pals g7b4 7 ct eee um Dt p7g7 ce (p67) [SPSS Ppp fe ey ey Ww FT G7 ai? cbt alma? prt) ema7 =f eS ET FT phi HT Bm At tyme ; LS ie Ee =v D7 ebt Amit pgm G7 yait LE ip SS 5 Fea # omit Fre) yt, a =F Gg : - =]. rE SS. Peo GT mit cbr abi G7 mit 7 Ir SSS, Cc C ¢ Cc ¢c¢ € 6 Atmwt (ba) Eros (b4) SS Fe oI (i time) ats * Fes pis E27 eK atts pa : : aa —— ee — ot — FF] CH ea F7 oth peabs ps tow (or) EE = f = Fre + eas Fils pits E27 _& AWS pet ES 4 B= ap —_ Aaa a) &% ot emit ght ema Ed = FE pf —s EE = H [Soins] FINE (DousLE THE Jazz FEEL) G1 c7 Fa peabs pits f-- DLL A | FLL L| ALLL | AAA IPP | &1 py7 wes pa ae eee See ee secre Fy (#1 cman = 8 (oad Forp emitters Ex = = SSS. p- (44) (mi, TH Pen part 4, pS Ser ea pete gmt Arua : FSS SSS eS Be (old) Emi7 Br j Set t (may 7 6-7 , Dons THS A-l ° EE Ee ‘ee rp S Cats Fea B-7 FHT € e : : SSS ll Sse om? ce cmt, B.(h) o re. eS wot ‘ oe D Ee” et B. oils) toni Beonls) Ne Oe z oO Bed =F (Fu === 4 ogy IE ose tec primer (grts) Berk? 67 bmi ana? ile, F-7 phT betes Paes = = cha abr Dyam7 (e7#5) re { AS S Be : : Q7 Chima? ~ ae pct cr Bm? an (tees Pi —— Ee. Bhs : = seep alps Copyright © 1962 (Reneved 1980) by Second Floor Music Nowe? 7 Fa Bh? PSS aay SSS ger plea (7) 2 Ey Lp tint = papa Ber abr G7 GbmiT Ema? Ee = ay = | Me eb Ayme7 abe Fa pb7 4 p-7s on C7 ey 7s) Era = | + PLAY IS ENDING IN/OUT, 2 ENDING FOR SOLDS APTER SOLDS, B.S. AL - (PLAY PicUrs) Fe —= fey BI At — | 3-7 a E74 AT pee ie ee 1 — = a ea f tt f cE Aa € = = 7 ce : ey EB — ia =: 2 F1 T = pe = = B7 | ; : era * D r= = 7 =E “ c . i Cm? 4 (#1 , - : Be? oph. eS 1 Ad pT G o (7 >) EF @ ==" = AWS? CAET BA? cf Ee yy ciel bs ET e. Ja NET |] u oo hee G7 cE7pRIB-7 ET ae Ae 7 G7 CT Fmt pa er (7 A Haya Fe? pa paths €7 A Pehl Weis Q-7 67 BT FF —Fe——te ay —- ct A-? FP=T Game HELL 21P~d 2 yard 2 yend 2 dnd ie ee te 7 —., AT Be : E-7 pete & 2 dnd ty dJd zr dd trd~d op 9 ———— 9+ 7 Fetes eer =A. gts ATH so Cee PS gtabs G47) Dew — a a pp p + a Me Be % E Fees eee Sh pet Bree FRET Ea J. dnd 222A? ). dvd 222? ES or pip = ———— FINE, cee BT Pa] Fe7 BT Ema e FINE ; A 1967 (Renewed) ARRIID HOS E-146 Faas pb 7 At pT GnwiT - ee er E71 tabs prbs (ra) Eee prt Ss E-a#5 E-4#s 2S =a Aa pt ‘ Aa ~nGa)? hy [E= Ete SE: S| peaths p7ba ET ATDT Gam? Spa eae E7 i BM E-7 % Ne, Soro BREAK) — — — if 5 IE AFTER $0105, D.5, ALL Pye haa ve pb Ol PE ite Woo any - Beaea sae = : eS = =I ao a ‘ em? Ch FBT Fe7 BT eon ya vy eS SteSlerietc tes pied be: Co G7 E7b4 Ael D7 >%, = = — p= Lf ee Eel Gis em? -7 ‘ aa ees = js om eo pas gts : SS Se SS cmt? Bt ET AT 7 D7 G7 te (7 6) [a Hl - FINE - 7 go DETDUR ANEAD a pei? gt beri onieeagt 7 £7 EAT = —— Bass] At DT gmi7 7pm Ber [pean gaa en py dd TT) | — bd. } Fe le) Feet Gee eet I Fea : grt) pew 7 ate I pe? Gerba cess Geek pa v1 £-7 AT 4= 5 == Se ===] AT pt maT ¢7 Dwi pet gt BT Hn pS. Srl nn on a) pie ql (bo . =e) —— DELUGE tse Sneme_S — ——— + & & € Ne, e abs pra ors - Ot ple SSS Sj & e F7 pbmtitl F1 atmntHll © Pj Tf Se =M& 5 [ia ae : I I e F7 Fitna TH fa eet! ‘ —p— bee = K 6 f See. He . 6 Fa Fatma Fe1 pel ® gti Av pb? ga pre ara oc ae pb7tu New pb +, eat 2. | 79 @e0e50ee0e [Se105] FAI Fema Fa Pama lle r+ Zz ee] Z| fa pamaiTel fa prt pz FSS Ze S| pyre Na py pa pel i a - 2 P62 eee | TH Brite Aer PT gan Fem E 2A FPF APTER SvLOS ,DS, AL -P- ee 1 yy TPH (tare REPEAT) ——— Ames? (p74) i) Cb (yom? cabs parka pp Rf « é p7b4 babs bbe hhh i geerbs $1 pelo?) Fe / ——— Fo isa Fee Ae Cb ebe7s bed: Ee: 7 e- obetbs emi (#0) aa —I— —_—+— ——4—_ E testers e . ene emcee . &- ne &- Ae? <== Ed (yn? 7 oe we o- Ve cae) geod ON SCHECSCHESHHSHSCHOHOHOHEOCOOSCTOCOOHOSEOLLK 7 | TT . it ty “me i [ 7 BY & i | abe & of o = tl & | | 3} i i 4 gma Bb a p? — pa D7 Aq 7 : gua p-1 FE Al : oo lefitttet ren Se Sa | G7 ==: at = op G? ooo = ep Al bar Ea = p-7 ¢ eit D7 BSS MA G- C7 pia G- oS Spa gla) 03 grb) : phams 7 ehow7 Aes Ne Dee pra SS eS ee gealesi? CH wi, 7 pt (hg gale) o% vt, 707% ob ; = a Cewe) (ep, sam) ee rs 7 * 2 ‘S0LoS 6- E-s ogt 7 g7(i) 0-7 FT gh? a= E& =F z=} 2 Fer at opt Ferry gue aaa yr | 1 US grt) % gr) ty eas we bee 7 ee fe =| 1) cH girl) CH gl) Se] c- Aas yt QI Qo ope Bhrogbt l= ZT? | | Z| an ug FZ | Peee4] | a ev ”) Fz Ez | Fz =ll AFTER SDL05, D.C. AL FANE Ilo pie ——_ DOIN THE PAG tte eS ——— : A Di pcl fh : Pie SLR yTMtey F¢ ae == E = o—F = = ue CC nad Cae Cue ZS T = oe Poe ee + ome a ads fe SS | - Fe BT et att yg By] aa Se HT 7 —7 Dy D pete? y D peter » at €7 A FINE sov BI[J BP) ATER S0L0S, D.C. AL FINE 8 én GATS patty nea nr oh SS oriries | Go 07 Bas ev ebm 7 PSs ES sa6 ls a] Qs PHI EawyT Borg? IE 2 = 67 «07 Bas ET chm? Ez pee a Dio BT Og? Al B77 E7 i a= © pets BT D7 CHD EET Beg Ee paz | Z\4 Be 7 G7 C7 Bets gTFA Ebmy7 : 24426 — ae 7 qetta pests emui7 Be E7 IE sas fo af = Fae ea 67 (7 Bas Eue Ebm7 EF: = Aw copyright © 1966 (Renewed) By Hancock Mune (BT) RHYTHM PLAYS THROUGHOUT 2M TIME, Solo TL FINE Eats a pets Bp hes ats mh eaar Ea S=6Ss 5 =e } Ea MI pe, pop Ge FHT Ee i SSS] B4 7 oa == Peer Sse —e7 3h Aq pei pebs pits pa ee ee eee EWS ato pmiT pet ehetls gy ps Br Eas ES Sas et 9 be a EE 4 2 : —7 E= I = a 5 Se er Al Me ATN. Pap pa =p fig "be AA yt gb gfe Saar pay ee gts pth eS Fe1 Bet E7 fhe, Dea? E27 Pol Dey. om? 2 7? ch acre ca (787 ~ 2 3B & a Ee 123 Pam? pT 7 Ae GtQ7 Fe pa 6-7 a7 ‘ a CSR St es Fett tee Ot gata = : od i e — a2 BS = See a a nn FT g7 = =f IPSS Be — ae FAT chet BB gals gat ‘ 3 a a fa aE eS | Ami? TET Ab (Fr =) Fes B7 a] Ay Fea yy eb) SE | poi Gis gts Fe BT one 4 4 Bee TA gel ot D7 @7 Atebs pial eo — = as gts get Fess pila e7 Ay : p E? fe M+ “yb te =| pet My pw At, » G7 = —— Fae SSF ———— 1] gt gt poet, erat if —J cmt gt omit ga pt v7 67 For g7 Beahe ER ye F quit [alc’ Fe PSS ee ee ha pT G ee E7 G7 eS ee eee Bl oyjn G7 C7 Fag? Dae : =P 2 Fe ee pe Pp — cuit G7 cmt A DT G7 mi (p-7 7) Base Jj — f= EE z fl: & ll r id Pie ae ° Ge? eae , ihe or “ a Va G7 C maT GMT —7 Aa p7 —F a (eh erm? D7) , pe? Fea \pabs ~ o _ BSS SS See 7 €7 Aq pe gmt eta pt 2 ¢ ~ ———- I | =| “t= e7 A? Pea FT E Cf f PS gt —7 Ge peat f . : a B = = FAT pt Ea a ve (G7 Fe Bit) ‘ SS For more than a snapshot version of Mingus, see Charles Mingus: More than a Fakebook (Hal Leonard) Mingus website: www mingusmingusmingus.com Gat} 35 ten ne [A] G7 Aa Be? 07 C#7 FHT 3 a, a a Br EM On ey Fe ame crt iP [fee Fee (fr pee Le af (al (Gosrer) ay lp G7 q7 —7 Fe ptt *s ea UL conyesgne © 1975 (Renewed 2003) aAt2 WORESHOR, HC. Gaemt Cant A Gia E = Diowit Camed apo G (7 sotos: a (Exons) CHANGE 1D SWING FEEL C eal UST CltoRUS OF Sout. ~ E : 13] gmt Feat E7 07 CH puts 7G San $a Awe 64 Amt 7 Ems} FS SEE sree TEEe =| d-1 _ €2 BSE EAE eer v7 E7 pea Fe =F | > (ast Tue) REPEAT HEAD 1N/our eb Cass) F | (Mewpy) SSS HERD] f 7 — : gba — SSS SS pha gba pe = Fe: r= p= fe ‘| pis pl eb (ustx) REPEAT HEAD 1W/oucT TAG LAST 4 BARS FOR. ENDING GEA Ami? G7 Ao? GHT Amit gia BES PEM Epa ipa a Kemit pay gir Dit Emit ee git Da EPS EEG Sa ete Cra ¢.7 pit au (ual of Oya Ee Bm a At Set git See Ven cient ot r f >> ¢ is Ser * ee Ea ? x a} Gt Ame7 Gt

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