Solo

Violin Let It Go
from Disney Frozen

 4                               
arr. John Yorke

 4             
 = 136

     


                  
7

               
           
11 The snow glows white on the moun tain to night, not a

                
     
 
foot print to be seen. A king dom of i so la tion, and it

  
15

        
                
looks like I'm the queen. The wind is howl ing like this

  
19

                
       
 
     
24 swirl ing storm in side. Could n't keep it in, heav en knows I've tried.

                  
           
 
28 Don't let them in, don't let them see. Be the good girl you

           
           
32 al ways have to be Con ceal, don't feel, don't let them know.

           let
 it go,   
        
37 Well, now they know. Let it go, can't

         Let it go,        turn a way



      
41 hold in back
a ny more. let it go

and slam the door. I don't care what they going to say.
            
            
  
46

        
          
  
 
Let the
storm rage on. The cold nev er both ered me a ny way.

  
51

           
   


      
 
It's fun ny how some dis tance makes


55

        fears that once con trolled  me

            
     
ev 'ry thing seem small. And the can't
59

       
              
    
64 get to me
at all It's time
to see what I can do to test the lim

                 

   
  
69 its and break through. No right, no wrong, no rules for me I'm free

with the wind and sky.  

  
              Let it go,
       
74 Let it go, let it go,
I am one

     you'llnev er
  
                
   
79 let it go, see me cry. Here I stand

               
         
and here I stay. Let the storm rage on.

 
85


                                
    

87

                        
             
 
My pories wer
though the flur
air


90

in to the ground. My soul is spi ral ing in fro zen frac tals all
2
    
           
    
   
95

              
a round. And one thought crys tal liz es like an i cy blast.


          
100

     
I'm nev er go ing back, the past is in the past. Let it go,

         
          
105

               
 
let it go, and I'll rise like the break of dawn. Let it go, let it go,

 
      
110

         
that per fect girl is gone. Here I stand in the

        
    
115

light of day. Let the storm rage on. The

          
 

121

cold nev er both ered me a ny way.