MOCKOBCKAS TOCY/IAPCTBEHHAS KOHCEPBATOPHS MEH Il. 4ARKOBCKOTO Kabeapa teopit aystxt M.B.KAPACEBA COBPEMEHHOE COJIBDEJDKUO YYEBHUK LIA CPEAHMX M BbICUIMX YUEBHBIX MY3bIKAIBHBIX 3ABEEHHA (0 rpex sacra) Macts I Dr. MARINA KARASSEVA COURSE OF MODERN SOLFEGGIO FOR STUDENTS OF COLLEGES AND CONSERVATORIES (im three parts) Part ll Hayso-reopseexiil wer “ Mockaa 1956[BBK 85,905.11 M. B. Cospenenoe compemxno 8 1pex sacra, acre Il M,, 1996. 72. nue nate npeacmanser coed nepaih x onexereenHOd » 3py- Scot npatonte KOMILIEKCHEM YUEBHIK 0 cxposoy ostoeo fcopeweson sues. B new oroGpa x gncrewamranpona apart “pmhocta cceoenns sgpieasnoro wnuxa XX wexa (ro mone, eso” {ue erprepe,amxoqna,prohea). Chesamnce nua Yatseno pO reset renee nner conpewenoro HoTHOr Testa. ABTS paspaora neaansne rownoeecu roomie, procter 4 Horempapieent J pout, cpa coorsereTapouve ipowepu WS nau weaosopon OC ‘Marepaan yond mower Gus, wenonona eo nex ope pate no compen: etn exon aha, auto ere Mars nouogpaniux wanna npasepoe ipeakaniateta ORKE Ane enonssociis aterypuentn Ap HeMoroaR Kr crENTeNAAoMy SESE) NO founpencno 8. Aa yrange nye: mon, yen 08. “This book isthe fiat cole courte of slleio in the wold, which is based on new approach to 3X century muse The mn ih ofthis bok 10 tee the sides how to sig, pf and understand easly the modern muse ‘Among the variety of museal means the autor has seeced base components of ‘oder miss ngunge (ts mode, mele lines, chords, ym em) which ie the specie eieuies forthe earning and sigh-singing Hens te stem fof wining exereses have been elaborated y the author and plenty of sal ‘amples have been chosen fom the modern musea tere “Tir couse may be ua for ay fr of work he eso: ih singing, carting, tion for students of musical elles and consenatores— for evertody ho wants to become poise in contemporary mul prac K 200-0 ens gam © MB Kapa, 1996 ISBN 0045~86419-028—4 © PcTM, 1356 Boe pans congas ‘Alps reeried cana acm wa anol crn ne Mower Guns acenponseeen wa or aseetpouitnat hot wexsoeoaben cpeacanu(xosan Goro 1 ASepORE™ io) 6s swenor paopeuent etasenun AeopeK H HaEMENC Nas [No pat ofthis book may te reproduced in any form or by any means, tecwonie of mechanical, eacng photocopying and Xroxcopying, without Pe ‘isin in wring from the ath nd he petYacre Il TIPMMEPbI 13 MY3bIKAJIBHOM JIMTEPATYPHI Tloscnem x yenonnine oSoanavennsn: 1) Seesaowrof (°) nowewen Homepa Tpsotepos, KOTOPAE MOXMO MCHONAIORITD AAR MySHKAAMNO™ pana. nepXY NOTHOTO NpHMEpa NOKASMNAIOT, ATO B OPMTHHAE 22N- (Gwe) onrase maw (Gurxe) Wer. yRaMMNACT FB BOSMONHME B ZANWOM Mec as, weonnn nan componente 2aRNCAN a Oa '3) Oboamatienne mucormx yeroes w cxO6KaX ‘re mmeronanwounnie opwenTpus Pasmea L JIAOTOHATbHOCTS ‘Tema 1. HATYPAJIBHBIE H CMEUIAHHBIE AJbI § 1. Tewrarowa H cenierynemme naronieckne 2a. Net W.Crparmcent, “Beewa cesmenan™ (Beane xoposot") Tranquitlo 29 ——— tree _ Ne 2. K.leGrocen, “Iller» araemix anurpapos* (Ne 1), Tens rpexronoeno; neve sepa aoe } meonponomacin boprenano. ™ 301 0 Modéré _— Ff @¥ Ne 3°, H.Macxoncxitt. Crnuonua Ne 17, x. I 304, Cattegro) yg 84: P-Cenpnzon. “Kypeene ncaa, Ne Hexwo, apuxorauao SS = Bap. ys rea Cm jon 5 Bene om eC ‘dug rubato a” 2 No 6*, B.lleGanum. Knaprer No 8, 3 04, ‘Andante . 2 af ——— + 4 hep Allegeovivace £ ayX No 8*. B.Baprox. Kontepr aaa expunen ¢ opkecrpow No 2,1 306 eee Allegro non troppo aay ¥ fal © No 9, A.Xawarypat, Cnsebonna No 2, 4,1 aon S- Pan. Cuno . Andante sostenuto : ovr § 2. Tewwomnwe aa ZX Ne 10°, B.lleGanws. Knaprer Ne, w. I 308 li mosso Candan f x |. M-Mycoprexuit. “Kaprixy ¢ mucranxn” (*llsa expes hg NEU MMycon apr (Tia capes ag Nt 2 BBapror. “Munporoewoc”, Ne 58. Assal lento ?,§ 3. Cwemannie cemncrynewmnie w weoxranue sak Aqq No 13. B.Baprox. Myatera ana crpyunanx, yaapninx m veneers, 1V Motto moderato or + a4q_ N¢14, B.JloGanon, “Mertipe cravxorsopess A.Tlapuna” Ne 2 “Vencerxs”, ‘Alegretto . Boa ia Ne 15, H.Crpanwnceni “Kap-nnnua™ CTloranich nase") + ata Allegro feroce ‘ers hl?343) Ne 16*. 1 llocraxonnu, “Ha eapedccol waponwod nozsun” (*Tlecws seayan") Allegretto Ele v P v No 17, flocraxomns, “24 penesvn w dye ans opremtano%, npenoans No 14. Lad Adagio = = = GP aus NP 18. AXavarype, “Pauio", Ne 42. Allegro = ~ Pee ee z papier fear epee ad dey SyNe 198, C.Paroanunon, Cnsbonns No 3, 6 Th 31g Adaglo ma non troppo ers,(oxranok nance) ca Gy Ne 20, A.Xauarypan. “Cnaprax*, No 27, Andante xr {| senor inte8 No 21. F-Caupusos. “Konno WerBenwo, erKO W PHTHHYHO Gates races were rer x ‘319 _N# 22*. B.Bapror. “Muxpoxocwoe", Ne 52. Allegro o tS SSS 8 4, Acinoverpusmut xpomaTuso pasaiendx 28084 YCAOBIEK 320 Ne23. A.Xavarypan. Komiepr ans Gopremuano opeecrpon, I. Andante con anima P sea Ne 24. B.Canwanos, “Je6exymxa", Ne 1. Heroponaneo — Pa 22 Ne 25°. 1LMuo, Conarana ans dpretiru x goprennano, I Tendre — GJ323 N? 26. T.lfocraronws, Konyepr 213 expumen c opxecrpom Nt 2, 1. Moderato P Ne 27°, H.llocraxosw, Cunupoums Ne 9, 4 IL geq S27 Cuno Presto (Mere oxrasom wwe) F Troma B ag5 N° 28*. Lillocraxosns. Couara ana goprenuano Ne 2, ¥. I Moderato __—~ — > a Ne 29, H.Crpanuncen. “Terpyan 326 Sostenutoo ‘Tewa Tl. CHMMETPHOHBIE TAS § 5. Nasu “ron-nosyrow, “noxyron-ron a7 N30. H.Pamcra-Kopcaxon. “Kame Beeweprnat, xapr 1 Cattegretto mosso] Ele No 31. A.Xavatypan. “Taawo*. Fiponor, No 4. ‘Allegro con ealore f Ne 32°. O.Mecenan. Keaprer "Ha koweut spewent, w. 1V. gop DECHME, modéré, un pew vit or Ne 33. B.Baprayexac. Komuepr ans anbra c oprecrpom, ¥. Il. 98 argo Eeeu speayexac. “Cemp alpenoa”, Ne 3. Ne 35. AXavarypan. “Taswo", Ne 10. Tiers maruraaocio; neve reprint ranoc, arpa ocranse ranoca na dooprenan. ‘Andante 332 f 1 mh t ¥ br 1g N? 36. B.Baprox. “Muxporocucc", Ne 88 334 Motto moderato Pa12 $6. Apyrwe maw cmoverpwenarx aa208 Ne 37%, K.lleGocet, “eens ari omirpagpon", Ne 2. iste et tent 384 (fers oxronok mess) — a gas #38 1.Compuon, “ers enmorsopesit Buna Bana", Ne 5 35 attegro fNe 39. B.Baprox, “Munpoxocwoc", N? 108, CConoeransenme pashonucormx saysoparos aaza “I-S*. Tlers aBysran0eHo; oxvot ron0e ner, Sspyron npr $36 andante P Ne 40°, H.Crpaniceut, “Tlerpyuna®, xapr, 2 ax 2-1-3" CFurioso] ere F Ne 41. H.Cuxexswuxon, “Pyccxie cxaskw", No 7. Coveranne anyx pashomsicoruisx sayxopas08 (ronoca: 1+, IN) aaaa "3-2-1", 339 Ter» tpexroscevo; eve 18a Repxinx raxoea, rperuil urparh na bopremsano.§ 7. Coneranua a2ewenTos necomucnx conawerpHsmnix 24308 Ne 42. CMeccnan. Knaprer “Ha rowet speseu, «. VL 389 Décidé, vigoureux, grantique, un peu vif 349 Ne 43. BBapwayexac. “Conn alipenos", Ne 6 —— a[Ne 44, B.Baprox. “Muuxpoxocsoc", No 101. Tere amyxraocno; oaWi anor ners, APyFOM wrpaTs. ea 5 con moto oe6 ‘Tema Il, XPOMATHYECKAS TOHAABHOCTh MAXXOPHO-MMHOPHOA OPHEHTAUMH $8 Mesos ¢ swo aupaxceninn TOMB WENN \Ne 45. H.Mackorceat, “Ona abe apyr apyra Ste dtentato [ag 2 [Ne 46°, 1. Mlocraxonms, Komepr ang aonowenn ¢ opxecrpow Ne 1, u. IV. 343 TAtiegro con moto) Eee SS @ @ 4 teen oma SSS SSS] eaetione—t —~, 2 ey a) sag, Nt 48% Qulenco, Conara ans ay cxpwnox, a IL ‘Allegro giusto ==: ees ee oe al ff oo we 4 Tema, Cb 346 Ategro _—_ 3S Se SS aay mH? ov {Ne 50%, A.Xauarypen, “Cnaprax®, 2 1 Lente 347 Qeuv Ne 5. Mlllocraxonn, Keaprer No 7, 1 348 Callegretto) J ira) Ne 2", B.Baprox. Allegro vivace wepr nas opxeeTpayw. . a o @ Ne 53, Dlfocraxonis. Cunegonnes No 15, «I 350 Allegretto eat fs] saga, N54: Htllocraxoms, Cnnaponin Ne 15, «1. Allegretto] eq” ol o & a a &8 $9. Mesonnca c wenee scwo mupaxennne seipasuna yoroet sanonun macau ess Ne $5*, C.Ipowospes. “Hepox, 3. I. 1a mosso (allegro moderato) P 7 .g Ne $6, PuJlesenes. Keaprer, «IV. ‘Allegro con moto = a a No 57°. P.Lleapan. “24 mpemoaust a cbyra ans coprennano™, cpyra Ne 9. 354 oF °( Gag Yo 5. Nope. “Bonne, 21 Komeras Napa P Ie 59%, TLXwveresore. Ciououns “Xyzoxonx Marne", 1 ‘356 Ziemfich lebhafte Halbe ~, — F Ne 60°, TLXwuzeworr. Knaprer in Es, 9 1. 357 Breit und energisch iNe 61. T.Xwwuxenr, “Kore Mapnn", Ne 10, 8 sehr tangsam ca Ne 62. A.Bepr. “Tarp necen op. 4, Ne 4 359 Langsam 5 P § 10. AxcamBnesue npuepu 6 xpowariveckoll TonaZBHOCTH 263. C.lTpoxospees. “Tens soa. 360 Aautegro moderato20 Ne 64, C.llpoxoduen. “Poseo u Dxyaerra, Ne 12. co pli tranquillo aoa Poco pl tranqull i Ne 65*, TLXwuaenorr. Conara aaa Goprennano Ne 3, 362 Ruhig bewert Here = @ a Ne 66. C.ipoxothuen, “Fers n won" 363 Moderato 1 oe {No 67, B-Topane, “Mec Sanna sus" Ne. Mer) meevnrsccno (eropome marin — IV, ners orate wax), 6) werupexonec rong) a ono Vs are 366 Tent asa eS Ne 68*, H.Mscxoncxn. lupwiecxoe konueprano, . Il. ‘365 Mlers nsruranoeno; neva rpm sepxmix ranoca, OCTaAMMNe ron0ca MPT, Cattegro gioeoso) Dt Ne 69%, T.Xuwresure. Oyra, 366 Tet» avyxraxocno; oan race ners, apyrol mrpart. Andante22 Ne 70, Alupysos. Oyra. Tlers xpexronocno, 6) oxo ronoc ners, gaa ocramuax apart. 387 Commodo a 2 ‘Tema IV, MHTOHAUHOHHBIE M HOTOTPADHYECKHE OCOBERHOCTH XPOMATHECKOM MENOHKH 11, towanait xponarion 6g N* 71°. Cipoxabees. Coupons Ne 4, w.1V. Cattegro.risolute] mo — a Np 72, shllfocraxonss, Keaprer N® S, x, Ill goo (Allegrttod P Ne 73* B.Baprox. “Muxporocuoc", Ne 132. 37 rdagio a74, Adllwuree, “Tpw waapurana*, Ne 1. Ne 75, B.Baprox. Keaprer Ne 6,1 esto yr 8 —~ oe [Ne 76. H_Mscroscenit. Cuoubonus No 11, 1 Ter» anyxranocuo; oxi roe eve, pO Mrpare, 373. Pochissimo pit animandoa Ne 77, ADupywos. Oyra lem» xpexroiocno; Oni rosoc ners, ocrazsuise mrpars. 374 jem 1 mm Animato = 412, Hososxxopiosan mezoswxa _Xwacenier. Consors “Fapwonia spa, ans NTE aon “Tapsonns soup, Sehr getragen —— f a a 7 1976 Nt 79°. C.Croumexall. “Hap, «1, Allegro 7 —* 77 Ne80*. P.fabuwsanae. *Tanser", No 12, & Catlegro molto Meno mosso ap evNe 81. Pulexeses. Konuepr-noosa as ansra ¢ opeeerpou. 378 Andante — Ne 82, JL. locraxonma, Conara nas goprennano No 2, w. I 379 Largo. — — =<— P ee x Ne 83. A.unai. Cowara ans cxpumen w oprennano No 2 ‘Allegro agitato ——. — (#] [Ne 84, A.UNEnGepr. “Oxnzanue", eucna Ne 4 Ruhig ftieBende — 381 P Za Ee a [Ne 85, J.TpaGoncxu “Peiineo6paasioe™. Tempestoso se , t 226 No 86. A.Tlupywos. Oyra (Osu roaoe ners, ocrambine wrpars, 383 Allegro moderato rr Pies 26 1» 87. B.Baprox. “Muxpoxoewac*, No 91, Onn ronoe net», apyr0H urpaTs. 384 Lento $13. Inpocowrepnaaenan MezosmKa Ne 88°, H.Crpunnucenh. Cimon neanmon, #. U ass doo[Ne 89%, P.lleapun. Oyra Moderato 2 386 —_ 2 17_N 90°, H.Crparnucim, Konuepr ane 2syx oprennano, IL ‘Allegro f INe 91°. C.tTpoxossen. “Hy2na, xapr 6 Allegro ma non troppo t [59 P91. P.lleapum. ‘Tpu conmeaxno™, Ne 3 raccato P 1N® 93. A.BeGepn. Mars neces op. 3, Nel ‘390 Fliesend = § 14. Hororpaguecene rpyanocrs «ce g,_h Metin xpouaeeni8 mTepnaon ag, 8°94. H.Crpanmexni, “Pony6s Motto sostenuto[Ne 95, A.BeGeps. Mare neces op. 3, Ne 5. 392 Langsam P 1N# 96, A.lMénGepr, “Hs Kur mucewnx canos", No 9 30 SLangsam ? [Ne 07, A.lllensepr. “Ha Kir ancawex canos", No 10. 394, i Langsame P29 Pasaea IL JMCCOHAHTHO-TAPMOHHYECKAS BEPTHKAE Tema ¥. HETEPIOBAS AKKOPAHKA § 15. Marxomecounpyioute axxopai Tepuosolt Hevepuosoh CrpyRTYDM [Ne 98, C.Paxneaunon. Crouponnt No 3, 4H 395 Adagio ma non troppo eve f 39 { No 99, A:3umal. Konuepr 21x roSox ¢ opxecrpont. “autegro.vivace) we[Ne 100. H.Crpaunnccnd, “Kap-araus" Motto. pesante nem ef wra [Ne 101. K.JleSiecen. “Jiyna enyexaeres ua paspyiennnat xpay Tete rpexraoeno 8 conposoxtenim Goprenano UyGAKpys AakMyO rapMoumuecKyi6 noCMesORI- ‘renauoers Ha Goprenvano OxTapOM Dilla), 398 399 Ne 102. F.Coupaaos. “PuGaxit na Tagore" Nem aco i t au 1 ca Nv 103, 10.Byuxo. “Ax, nena, nvenka spa!" 400 Meazenno, pacnesno pap32 No 104, C.Caommcxisi, “Hxap", ¥. 1. son Note ——_ 2 24 2 ba: #16. Ocrpoauccompyioume aexopas H xxacrepes Ne 105. A.CxpaGun. “TTposereiNe 106. A.Cxpa6un, Tpesoaus op. 74, Ne 4 33 ‘403 Hen» oni 1 rosocos, urpat ocranwatie a oprenavo, Lent, vague, indée = a No 107. M.Panean. Buaropomue u ceumunewramsune names, N¢ 1 odéré-trés frane 404 | Mod 1 i 2. Ne 108. H.Crpasnmcxnit. “Conbonus ncarwon", . I. 8 405 nerd “erupexronocwo3 gyi lud st [pa tla dd fa Ne 109, F.Caupuaos. “Hownze o6naxa", Ne 1 G_xnnxeunen, no nepaso 406, | Ye : ” 3 WT35 [Ne 110. P-Canpusos. “Howe oSaxa", Ne 4. rere: a) socssenroocno; 6) vernpexronocto (napri compano w amsToR) x conpowoaaesnt dop- Temwano (irpars mapran Tewopo8 H 6acow). 407 Jpamaruwno, ¢ wanpamennen fNe IL. Pillleapms. “Konueprimo*, «1 “Jlecruma sana". aos Moderato wyNe 112, B.Topmue. “Hxopexutt anoe", Ne 2. 409 [Moderato]‘Tema Vi MOAHTAPMOHHS 417, Momuaazosocrs [Ne 113. B.Baprox. Komuepr 21s opeecrpa, ¥. I. Ther» anyxranoeno; 6) oxi race neve, apyFoH Mpa Allegretto scherzando ?a (ot) Ne 114, B.Baprox. “Minxpoxocacc”, Ne 62 ‘Onn rosoe ners, apyrot urpars 44s Vivace ma. non troppo, risoluto eS (rare oxraeot nun)Ne 115. B.Baprox. “Muxpoxocmac", Ne $0. lens meysraoci; ost race nerD, APYTOR wpa. 22 Tempo di menuetto Epp ma-von. [Ne 116, B.Baprox. “Muxpoxocwoc", Ne 59. Tere amysranoci; oaus race NeTD, APYFOH Mrparh. Lento 413 erNe 117. H.lllocraxoow. "Karepmna Hawaizona", a. I Tern xayxroncewo; oan ronoc nets, apyTOM rps Allegretto f Ne 118, M.Pasens, Conara ana cxpuniie suononvea, Bepxvnironoe revs, nicki MIpaTE. ‘Allegro — @ [Ne 119°. B.Baprox. Konuepr 21x opsccrpa, ‘gag Met rpexronocno, CAndante non troppo] BP &[No 120. H.Crpasimcaa, “Iya. Tlers wersipexronocso. rT oF OF ’ tLr e121, BBaproe “Mipoxaowae Ne 64. negro418, Mlomrapmonus c 6ausxosucorsnin conerannen C3028 ‘oanronaasnoro tna) 4g 8? 121. C.MTpoxopses. Croupons Ne 2, 4 I Carghettol Ferg (oxranoR nue) Ne 123, B.Baprox, “Muxpoxocwac*, No 105, (Oxy range ners, pyro Hepa, iit altegroNe 124. B.Baprox. “Muxpoxocwoc”, Ne 125. Bepxiit ranoe nev, KKK pars. 42% aitegretto zg N? 125. B.Baprox. “Minxpoxoewoc", No 108 ‘Allegro non troppo fNe 126. B.Baptox, *Muxpoxocmoc”, Ne 142. ‘agg BEPEO ronce ners, mpc wepers. (HaToNasgoHNaH onops — anyK “COR? Atlegro a) )§ 19, Tosurapwonns xax coverarne aex010 ‘C mosanOWUN conpoBOx.tees .Crpannncxi, “Menseas" ‘aay O27. H.C fe P Ne 128. C.Caommnexuti. “Benas neSeayxa”. 425 Andantino con moto[Ns 129. B.Baprox. *Muneporocuoc", No 86, Tern amyzraaoeno; oan race nevi pyTOH mrpsr 426 ‘Andante : ag7 ©? 130. H.Crpannncent, “Tlerpyuma”, xapr. 4 Cento, pia: mosso] 7 ~an {§ 20, Mpiepis noanrapwonn 8 axxopaosol veprixaan {Ne 131. H.Crpasimcxiit, “Horopas conara", cu, 7 “Bonu xopa" lens serupexronoeuo; 6) ort razce ner, OCraNBie HIpaT ‘aga Largo a a48 [Ne 132, A.lluirxe, Conara aaa swononsean a doprenano, 4, Il 429 Largo New Ne 133. Allies, Tina Ne 4 30 Allegrtio (combate) 1 iPasaea IL PHTMHKA « ‘Tewa Vil. HEPETYsISPHO-AKIEHTHAS PHTMHKA $21. Cimon yeaosusx nocrosimoro raxtosoro pasmepa 1 N? 134. BMamxoncant, Keaprer Ne 4, Moderato ag N? 135. M.Cxopm. Hlaprira Ne 2, I ‘Con moto No 136, Joe, Fepunan, "Panconns 433 Molto moderato ere 6x03".50 No 137, B.Mapruny. Crnupons Ne 3,1 ‘agq O80 FORGE NETH, ApYTOR wep ‘Allegro poco_moderato =p § 22. Cueuanmve w nepenenuie paswepes Nr 138, H.Metuep. “Sa6une norma", Ne 1 Allegretto “Bari Morini, Ne 3 436 Tempo capriecioso P No 140*. C-MTporogpses. Conara ana cepunin w goprenuano Ne 1, 4. IV. 4g7 Allegrissimo fNe 141, H.Crpannmcxiii, “Bata apo ancy” ase d126 f Nv 142, H.Crpannnexni. “Baka npo ancy” 42% stringendo f Nv 143, 1.Ullocraxonwe. @yra Tere asysroaocio; ami FONE Ners, apy MepaTE. 4 40 Moderato con moto loan Ne 144, H.Cxpamascaa. “Oscen Tleve ayxronoch; cau race Merb, apyrol wrpa, a4§ 23. Cusxons» chewiannux H nepeneninux paawepax GAR. No 145. C.Caonmcxut, “Heap, . ‘mOMMEKMA. “Hikap", 4. tag NM6.CO. ps I Vivace britlante lesz ddd 4 aay f 444 Ne 147. C.Caomncrat, “rap, Uh Vivace =, = =[No 148. B.Baprox. *Mimporocwoc", No 153. 445 1 Jas0 f Ne 149, B.Baprox. “Muxpoxocwoe, Ne 152, og Hts pamanponars Allegro motte fen 44 2Ne 150, C.Paxasnmos. “Cinomnveckne Tanun, 4. I a “ T poco meno mosso (Callegro vivace)3. “Mxpoxocsoc", NP 1 ‘gag 8? 151. BBaprox. “Mnxpo Ne 33. ‘Allegro es wt Perm nsnponsrs56 ‘449, Ne 152, W.Crpanuncenit. "Beewa cesmenas ere ocrasot wee wt § 24. O6pasun nepenerpusauyan Moria 4 noanmerpuN 450. N® 153, Butorocxancen, Tp, I Cattegro_vivgce] —_— f [Ne 154, T.Xamaenur, Cunupouus "Papmowus sexpa HL Ruhig beweet — a 454 2 Nr ISS. KOpb 152 Tee Seeanon wee puna Bypana", Ne 6No 156°, B.Malixoncxul, Conara ane suarouesm 1 goprensano No 453 Largo _ = — Np 157, W.Crpanunceail, “Kowawnit xoanGeme", Ne 1 454) vse 3 we 55, B15 MCrponmeant “Texoma 7 ‘Ne 159, H.Punceni-Kopeatos. Menyor Terw asysronacio. 456 (5 Sostenuto v58 Ne 160, H.Pncxati-Kopcaxos. "Tpeason” 457 Allegro spiritoso tw]59 Ne 161. C.Caonncrait, “Hkap*, «4. 1 458 Her anyxronocno. ‘Allegro eroico f No 162. C.ry6asaysuna. “Py6aiir. 459 Tov» oxi ta ranocon w conposomenmt doprensano, Tema Vill. BUJb YCIOBHOTO PHTMHYECKOTO AEAEHHA WMOAMPHTMHS § 25. Onesie suai YexosHoro purmnecKoro eneH 460 N? 163. A\MaRxoncxni, Kosepr 2am auazonuess ¢ opRecrpon. Eattegro motto] a~—. fNe 164, A.UlénGepr. “Ha Karn ancsne canon", No 13, Sehr tangsam aga — Soe ee ee Ne (65. H.Cuzemsnxon, “Fogusnuu wex", w. V. ‘Andare a battuta e sensibilissimo 402 P aaa SH 53 N* 166, B.Yaixoncend Keaprer No 4, I ‘Andantel ww) z = 464 N? 167. 1.Comspaoe, “Tecum eyas6u, Ne 3 “Kparxocrs". Aljegretto = § 26. Bosee cxoxnue noampinanveckHe pucyhiH 465 N? 168. Dlenucon, “Drape”, Ne 2, Animato Cue 7[Ne 169. 1.Chenpnos. “Zeus” Presto 466 ere oxraso8 wpe + —~ f 467 N# 170. H.Cusensseos. “yann, I Con anima ~~ P F > +S = a Ne 171. 2.Cxupuos. "K wyaas” 488 Andantino neNo 172, 9.Jlemncon, “Tlpo6yxacne”. CaoKokno =63 ‘g70, N0 173. 3lleneos. “Caer Tew EAnimato] Pp ay 2 aa “aa § 27. Tloanpurnuin » saororoaoci v 7 be 174, Astanon. Base Tempo di valse 47g N017S, H.Pucxait-Kopcaxos, KonuSeauias (8-)Andante con moto 2 473, Ne 176. H.Puoterni-Kopcaxos, Tapawrenna, Vivo NoNo 174—176 ners amyxronocno: oat rarce neTb, pyro wrpanon Tema IX. MOHOMEPHAS PHTMHKA § 28. O6pasus sueraxronof prrsarsecxolt worawun 474 NEV7T. Pallleapmn, “Tlooropas, Ne 1 Rubato ~ A = PP A od 1475, Ne 178. P.Llleapan, *"Mysuxamuoe npuouenne Cattegrol aT Ne 179, C.Caommscrat. “Mosm0 evepon". — noaysonras azmreasioers, Orcutt episnar HoTaMt KAK MeTBepTs¥, Andante a fe ee ee Ne 180, 9.Jlenncon. Conara axa garora-cono, ¥. 1 477 Moderato 2 2 7 oe ee 2 =n — == = == _ tS Se SS al om a fap == = =e eS SS =$29. Prerw c npnSanaennoit rawr 478 Ne 181. O.MecenaH. “Spann, neon moGan w copra, Ne ‘Tres modéré 65 oe? 7 f Ne 182. O.Meccuan. "Spawn, meen» snoGan 1 ewepra®, Ne 4 9 Moasré pt "Ne 183, O.Meccuam. Keaprer “Ha xoveu penn, I wf P aa.aea IV, OBOBIIEHME HITOHALMOHHDIX HM PHTMHYECKHX TPY{HOCTEH Ne 184, C.Caoumncxatt, “Hkap*, 1, xapr 481 Poco pit mosso — f Ne 185, B.Baprox. Mystexa ans cxpyunats, yaapunx w weer, ‘Andante tranquillo 482 ‘PP 483 No 186, B.Tmmenxo, Konuopr ss Goprensano opreerpom, 4. I. Allegretto. tranquillo b PP66 ‘gq Ne 187*, B.Bapror, *Muxpowoewoe", Ne 115 Vivace P § [Ne 188, O.Mecenan. Keaprer “Ha xoweu apenenn", . V. 89, C.Paxwaninion, “KazoKana", #. 1V. Ne Lento. tugubre 486 oe ao . .Xwnaesnnr. “oerae Mapa, Ne 11. ‘agy 2190-1 pm Sehr fangsam P ‘4g 80 191. B.Bpwrren. “Dx0". Largamente f 1p N° 192, CCaoumsceah, “Coane pyr non Teno nya0" 485 Sostenuto! ? 7 Ne 193. A.Bepr. “Bouuex", a. 1 Sehr breit, 490 Etwas -bewegter 7 ue a68 [Ne 194, K.flenzepeuxnit, Tp manuariopis ans xaapnera m oprennano, Ne 2 Andante cantabile — 2 < [Ne 195, B.Bapxaycxae. Cimon Ne 2, 4, I 492 493 N? 196. C.Caoweceni, “Tupuuccaae expos”, Ne 4 ‘Allegro ben ritmato f — = seo ee SS No 197, B.Bapxayexae. “Pacepuerute ors", Ne 5. 880 Na oa — 8 Ge i ?69 ~Poxamew ‘ag5 NOUS. Ai ‘Allegro _moderato —— f Tas Ne 199, A.llénGepr “Ha Kirn suezunx canon", Ne 14 MO Misi ? 97 NP 200. A.BeGepn. “Mars necen op. 3°, No 3. Tiemlich raseh — 2P 7 498 N° 201. A.BoSepn, “Herspe noes op. 13%, Ne 1 Sehr rubig = P = ‘agg N* 202, 9.lemncon, “Maneante” Adagio o4 PPCOMEPKAHHE YACTo IL. TPHMEPI H3 MYSBIKAIBHOA JMTEPATYPEI PASE L AANOTOHAMLHOCTS ASIEN 1. ACCOHANTHO-TAPMOHMSECKAS BEPTIRCATD ‘Tena V. Herepuonas axxopsmxa. 515. Marxoancconupynoante axxopmes repuosolt x nerepuozott SYED 4.16. Ocrpasneconpyroune axxopiba W KnacTepa. Tena VI. Toxsrapuomss. 17. Tametaxosoer $18 Tamarapsonns < Gaxonucorman coveratne nate (GaamerowaMOrO THD wer $19, Tlomnrapwowna xax covcrase exon ¢ mnOnaaomine ‘conposoxcaenen $20, Hipmepe: nasurapmonin » axxopaosod neprananu PASE PITA, Tema VII, Heperyaspao-axueuruas panama. § 21, Canuroni » yenornax nocrosiHoro raxrosoro paasepa. $22. Guemamnie w nepesiemnve pasmepa $23. Gammon » cwemananix w nepewenmsx paswepax $24. O6panuus nepewerpusanune wornna i nomDeTpIO Tema VIII. Bugs yeaossoro parnaxvecxoro nexewns ¥ nomMpHS. § 25. Orsemsme maw yenosnoro prnarveckoro xe. 4§26. Bonee cnoxmze nomupsrrecene pHCyHKH. 427. Tloxnpenans » waororonoci Tena 1X. Mowowepmas pura. §§28. Ospasuus aueraxrosok pirnanseckol noran. $29. Pune c npuGanncanoi arurremuocrs0 PAS JLB. 1. OBOSUIRHNE WETTOHALIMONHDX H PHTMHSECKIIX ‘ryawocrEnCONTENTS PART I, EXAMPLES FROM THE MUSICAL LITERATURE SECTION 1. NEW MODALITY AND TONALITY '§ 1. Pentatonic and church modes. 3 4§ 2 Hemiolic modes. 3 3. Mixed church and non-octave modes. 6 4 4. Asymmetric chromatic lines In different modal positions... 8 ‘Theme II, Symmetric modes. '§ 5. Scales “ton—semitone", “semitone—tone 10 12 . 7 14 tonality with major and minor mood. '§ 8. Melodic lines with clear-heard tonal centres. 16 § 9. Melodic lines with vague-heard toaal centres and mood... 18 § 10. Ensemble examples in chromatic tonality... ‘Thema IV. Special difficulties of intonation and notation of the ‘chromatic melodies. § LL Zigrag-ehromatic lines § 12. New-chords melodic lines « § 13. Wide-interal lines. § 14, Notation difficulties of chromaic-interval-reading SECTION Ml DISSONANT HARMONY Theme V_ Non-tertil chords. § 15. Soft-sounding terial and non-tertial chords § 16, Harsh-sounding chords and clusters Thema VI. Polybarmony. § 17. Polymodal counterpoint. § 18, Polytonal combinations § 19. Combinations of chords with coafic § 20. Polychords SECTION mt RETIN Thema VIL Irregular chythmic system. § 21. Syncopation in the simple and compound meters. § 22. Mixed and changing meters 4§23, Syncopation in the mixed and changing meters $24. Some examples of the motive re-accentuation and palymeters 56 ‘Theme VIII. Polychy hn '§25. Basie melodic figures. § 26. More complicated combinations. $27. Maltivoiced polychythm ‘Thema IX. Monodimentional rhythen. {§28. Examples of the out-of-bar rhythmic notation vcsonse6 § 29. Rhythm with added note value 65 SECTION 1V. EXAMINATION MUSIC EXAMPLES Integration of melodic, harmonie and rhythmic difiulties, 6s