Cody Blackburn

Beethoven

1. An authentic cadence in C Major

2. Measure 54
3. A Minor, Relative Minor
4. An E diminished chord
5. Measure 24, it resolves to a C major chord
6. Rounded Continuous Binary
7. Ab Major, Measure 28
8. 52, it has interpolations and expansions, yes
9. The coda repeats the Rhythm in found in the main melody but repeated on different pitch
centers, between 13 measures before the ending, and 5 measures there is new material
expanding on the pitch center of C Major, the ending is emphasized by an extension on the final
chord in the last measures.

Gershwin

1. The first phrase starts in measure 17 with the introduction of the melody, and each ends with a
deceptive cadence
2. A parallel period
3. I for one measure, vii for one measure, ii for one measure, and then I for the final measure.
4. It is extended by two bars, and finishes with an authentic cadence
5. AABA form