Ghibli et le

mystère Miyazaki
Documentaire d’Yves Montmayeur
(France, 2004, 52mn)
Coproduction : ARTE France, Point du Jour,
en collaboration avec le Studio Ghibli
Ghibli The Miyazaki Temple 
https://rutube.ru/video/70606ee736865ad4569a6cec735848a5/

https://documentaryheaven.com/ghibli-the-miyazaki-temple/
2005 ‘Ghibli et le mystère Miyazaki’ Directed by Yves Montmayeur

PRODUCTION: An Arte France, Point du Jour production, in association with Studio Ghibli,
with participation of SBS-TV (Australia), CNC. (International sales: Point du Jour, Paris.)
Produced by Vincent Decis. Directed, written by Yves Montmayeur.

CREW: Camera (color, DV), Pascal Villa; editor, Olivier Heinemann; music, Joe Hisaishi.
Reviewed at Melbourne Film Festival, July 30, 2005. Running time: 53 MIN.

WITH: With: Isao Takahata, Toshio Suzuki, Hayao Miyazaki, Jean Giraud.

Originally produced for Gallic TV

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Nossa heroína é uma mulher de 90 anos e seu namorado é um covarde.

“working together to turn a person’s idea into a film. (...) on the other hand
westerns, the Disney people and others see it as impossible for a single person to
conceive a feature animation film. So they collaborate in forming an idea. I guess
that makes us diffrent.”- Toshio Suzuky
Miyazaki or Takahata, the idea comer from one person, then many o fus work
together to make it into a film.

Animation or not, a film is one of two kinds. Either it depicts what no one has
ever seen, that’s one kind of film-making. The other kind depicts what everyone
knows. That’s the big diffrence between the two artists. Miyazaki wants to shoe
people something they’ve never seen. While Takahata depicts something familiar
to let us gain a new insight into the way we live our lives. The two artists have
contrasting orientations, linkened to the sky and the lands expressed in their
Works.

- o que trouxe ele para animaçã o foi fantasia, -“i found myself enjoying depicting
dilay life.” porem quando começou a trabalhar separadamente de Miyazaki, -
“i decided, unconsciously, I guess, to do something else

dealing with ordinary things that I find in everyday life. – ISAO TAKAHATA
“Its more significant to create this feeling than to make the pictures realistic in
concrete ways.”- Criar um feeling é mais importante

“the traditional method of japanese pictorial ar tis to use a brush to draw lines
and then to colour in. This method of drawing outlines, then colouring inside the
lines originally came from China. Since then, throughout history, we’ve been
using this method. The leap in pictorial scrolls happened a long time ago, as far
back as the 12th and early 13th centures. You look at a Picture scroll from right
to left. As u unroll it on the left and roll it upo n the right the story unfolds.

Scrolls of Frolicking Animals and People. – animais macaco, lebres, sapos e

outros, e sao engraçados.

You can’t help presuming them to be the ancestors of manga.

Pom-poko – parece isso.

Miyazaki entrou 4 anos depois de Isao.

We loved russia but we didnt like communism.

“Our generation was closely aligned with the student movement which was
raging at the time. We couldn’t be uninvolved in politics. Within this context the
two artists, Miyazaki and Takahata, made an animation for children with a
political agenda. It abbsolutly stunned me. It also made me realise the potential
of animation films. – Toshio Suzuki

Horus, the film made by Thakahata and Miyazaki had the underlying philosophy
that one can live a rich life even in porverty and the belief that if United, the weak
can achieve something.

They did maneged a film for adults.

Takashi Namiki – critico de filmes

Russian animation and Grimault – the shapperd and the – le roi et les oiseau

Isao Takahata – resolveu virar animador por causa de Grimault.

Goro Miyazaki – diretor do museu ghibli – explica que o que tem em comum
entre os dois diretores é que o protagonista vai para um outro mundo onde a
audiência experiência o mundo visualmente quando a historia se desenrola. Um
lugar que provoca experiências.

Muita arquitetura junta – Goro Miyazaki

Dando impressã o que o espaço de fato existe.

Vizita de Miyazaki em Yakushima island. – Nausicaa

Em mononoke ele queria que fosse nessa ilha também

VER MOEBIUS E MIYAZAKI SOBRE O ESPECTADOR.