Oscar Bellomo

A Winter Day
Suite for guitar

collection for solo guitar

 A WINTER DAY
Suite for guitar
Oscar Bellomo (2020)
I - Cloudy

Adagio, cantando

          
             
           
    
  


   
           
   
4

    
     


       
6

           
     



      
    
9

       
      


   
   
            
11

   
    



GuitArt International Group 2020 ©

2

 
      
 
  
  
13

    
     


   
          
 
        
   
16

     
       


 
        
     
     
19

      
    

  
 
              
    
          
21

    





        
            
24

            
       
 

               
       
27

           
  
 3


    
        
        
30

        
 
    


  
          
  
           
33


         


    
         
                 
36

      
         
 


 
      
    
39

      
   

     
 


 
        
      
41

           
            


            

44

                
      
   
4


    
47
 
          
    
  

   
        
49
    
   
       rall.

      
       
 
 
52

          


   
     
   
54

   
     


 
56
             
           
    

 
  
      
       
58

     
 
rall.
 5

II - Windy

Mosso
     
                      



     
    
     

     
    
5


    



8
                  
      
  



         

  
11


         
  

         
        
        
    
14

      


         
   
               
18

 
 
6

          
5

        
21

                 
     



 
         
        
     
        
24

           
    
  

      
              
          
27

           
      
      

          
       
30

           
 


           
       
                           
34

     
 

 
rit.

      
38

                      


    
                
   
  
 7

Meno mosso

            
               
    
42

   
   


                  
    
44

                         
     

 
            
46
           

             
   
     
  


              
  
                           
      
49

     
 


             
  
                             
53

      


            

     
 
      
   
57

  
     
 

8
 
             
60
            
     
   
      


       
          
63

          
           
 

       
66
      
            
       
  
 

    
  
69

      
             
   
  accel.

73
           
             

                        
77

         
accel. e cresc.
 Tempo I
       
     

          
81

  


    
85

 
      
                   
   
     


        
            
89

     
          
  

         

                  
93


 
 

             
97

         
      

    
    
4

    
   
100

     
    
rall. marcato
10
III - Chant I


Adagio assai
 
       
 
    

 


           
4

 
         


     
7

      
        
    

  
10
       
     
   
 


  
 
     
13

   

   

Poco più mosso

   
      
    
16

       
      


          
 
19

         
           

 11

         
22
        
   
               
      
  
 

     
25
 
        
        
 rall.
     


         
        
    
28

   
 
 leggiero

  
30
                  
       
   

   a tempo 
        
rit.

           
      
32

          
  



 
     
35

         
         
 
rall.
12

 
rit. Tempo I

        
38

         

    

           

42

  
     
 

       
45
      
          
 

       
    
48

       
   

     
    
    
51

        
  
    

  
  
55

    
   



58
    
         
  
rall.
 13

IV - Chant II
Calmo e rubato

           
         
       


         
5
         
       



9
         
              
    

               
     
13

       



    
17
                    
      
   


   
rit.

   
21

   
  

 

 
 
14


Poco più mosso

          
               

24

          
   


        
 
   
28

         
            
 


                 
       
32

            
       



           
       
36

         
          
espress.



   
 
40

       
                    
  

45
           
 
                              
 

   
   
49


                                   
       
attacca
accelerando
 15

V - Stormy
Toccata

Vivace

 
                       

 
   
         

 
      
            
4

        
   

  
     
                               
8

 

   
12 
                 
           
        


       
      
                 
16

       
 

 
                

20

              
          
   
16


                
      
 
     
23

       
         




           
   
26

         
        
  
 


   

30

             
        
                
  

      
         
               
33

      
   
  


  
               
  
36

          
         
 

 
40
            
      
      

       
             
 
 
     
 
 17

  
      
1.

44
           
            
   
 


  
                 
  
47

   



2.
 
         
          
50

          
          
   


      
53

         

          
 

56

          
          


 
  
3

 
59


3

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 meno mosso
In Copertina
Danzica, olio su tela,
Maria Lorek

GuitArt International
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Nicolodi ,5 Avellino - Italy

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