in-depth guide for digital creatives artsay eC the arti Design your Follow our in-depth tutorials All the software you need on the disc! p, Flash, After Effects * 30 essential typography rules * How to sell your own fonts Typography techniquesarts 5 )©Cce) Scared of working with code? We make ight work of formatting ype throushout Your 1 us TopSivies Cascading Style Sheets See page 70. ographer ie this dual demote create an origi Mako gafitfort sing simple shapes hat you can proudly place in yourfort withthe help of eur aterla start On ment Follow ou steps fom page 2 page 80 Flash MX sraphic Crunch and bounce type to forma short on your Website with the help of our Flash tuto starting on page 42 Read two chapters in POF format from Stop ‘Stealing Sheep & Find Out How Type Works Cn Edition) See our book reviews on page 20,ew z2@ O28 ws KIRSTY,, 38 %& MEKCELLENT 3044 d g ws Bemis: 2290R2—m 4 3 2 e DUMMY > ¢ = Do EAGNABUTTERE 2 =o + Subrara 2 Y ea Ye ee = 600660 . Ar a ZO2QUE Sanioual | y i ‘x Ryist & Calligrufty my UNO! = pees Andale tisiagiiar stank © » Stamped owt QUEL WWIII Su GunplayATA GLANCE | FEATURES s UTORIALS 2 24FontLab ~ fort creation i e 30 rules of Type Se ec ercpcom, | 0b The SOrues of yp 442Flash animating type for the Web | mmrove Yours: wih our oes 50 After Effects ~ promo film {66 Photoshop ~ raised type effects 70 aver= CSS Te Suitcase -font management comes. BOFontosrapher stencil typefaces. | whohn BEAIURE 20 Type boc (08 Type rules and recommendations 14 The history and heroes of type 20 Book reviews 60 Typography Q&As 93 Your free fo PROFILE 56 [1-26] 84 Rinzen 88 Patrick Lindsay COMPETTION N <31Win FontLab plus a font family REGULAR: G7 CD contents PROFILES 87 Back issues ae 90 Subscribe to CAS Shox 56 [1-26] FONTS . cpa £83 More than 250 fonts on the disc ba f : 84 Rinzen i ‘The Australian design house explains how teamwork the secret tis success e : 88 Patrick Lindsay French yperaphe an sor Favick Uday les onl ere offi in ls font sets So) gee Mii_ TUTORIALSecu) tyoe Pee Our experts bring you 30 professional guidelines for creating better typography... eck rdendedieedinpLnidocteristscend seta Feet ir tap lathesc er cciretpartrmoet cd TyoeCon 2003 ee eee] Aerts sty er aan ea ee ae aera pirimansare seater tansy renee) erent fr oceap iene nN oan eee eeePart 7; Rules and recommendations 4. Ariver runs through it 6 Seasoning the mix 1. Apostrophes revisited _ comics Te aatcaps we at ey ela “Wrong” “Right!” it's it’s Wssupposed were going to look” do i 2, Hyphenation consternation EUV VE Fees: ance Faye Riss Socity ot iyvoreapnic A low sypesctn or ww ymite com lwo yoeseceatgunreypdite cor "8. Hang that punctuation!0. The luxury of ligatures 15, Staight shooting with bullets 15, The ups and downs of caps fi fi fl fl 11, Less is more, more or less 14. Figuratively speaking s WINTER 2002 WINTER ay. Winter 2002 — Wint EST ntoeatrire WinTeR 2002 Winter 2002 eee ae = 2 a — gprs cron snes osc throu te Re16. Word space vs. line space nO as | Sal. nob as 1 uO. 17, Be nice to your fonts 18, Fun with alternate characters EVERYTHING EVERYTHINGart 2; Spacing and keming 21. Invisible success (Fit Theory) 25. Spacing fundamentals 29. Kerning symmetrical ‘charactors = TATAVAWAYA | ca =! HHOHOOnnonco00 TATAVAWAYA 30. Kerning: Using words = HHOHOOnnono000 _ 26. Control stringTyoe COmes alive Typography has always been about upsetting the status quo through technology and design innovation. Where has it come from and where is it going? We take a look re rg pe, Toh sept sme Guerre pad the (et nase prodced Book in 1454 the Gtsnbarge Hive vrasarevuton nell Win 50 year hs prasing the tert le ovr 1000 pnts sap shop oxaeBOD ‘Stes Eope OF court Path Chueh ane Saka ‘Shad th ese wh who ie gan sna ne bough in censor deren nai ham i cas for ning. of copyna BookaMax Meidinger Jonathan Barnbrook econ Ons Ana Fon Wraiynine ot Maren Roa Coton Beh eis snow rnb Via Fore nar cry ons Gove a arched “scent soabonton win Hn aresWhere tae? hart et Carin he work Fas bacome even mae corse the str ot e2sstcartury manta 100 you Preval Tyeagagty nouns ‘ator think etesion commer ac eT so mem torierscty, >Neville Brody retina te Seal io tthe We: ante that type esha tke Nek Hayes ater th 5 ypo3apy con aig vito ad SOUR David Carson : world of fonts. Cai aa nry Sa poe ers ed wn deeanengnn orn orate |MOVING TYPE $2495 ‘Matt Woolman & Jeff Bellantoni RoteVision 1S a “TAL TYPE £19.95 Rob Gordor Thames & Huds )-500-28313 PHOTOSHOP TYPE EFFECTS — VISUAL ENCYCLOPEDIA Now Riders (SBN 0-735-71190-8EVIVING THE RULES OF TYPOGRAPHY + RotoVision SEN 2-88046-677-8 ITFACE —R $2996 Author David Jury Publ oO WARL LLA: LETTERS ON Lewis Blackwall & Lorraine WildTYPOGRAPHICA ATYPEPRIMER ¥PE& TYPOGRAPHY 1 81795 996 Author John Kane Phil Baines & Andrew Haslam Jisher Lawrence King we Lawrence King 2 1-85689-291-4 1-85869-244-2 TYPE1 DIGITAL TYPEFACE DESIGN Prce$26 AuthorNathanGale Publisher Lawrence King ISGN1-85869-270-1 ye iisraiyartererce bok evar wn Ar weve a, aaa aan ele outelmtegtripicn ro ‘sare fontaeaga.oranice steno feck ost oaThe Brief > create a marketing campaign, spanning print, web and film media, to promote a new film by fictitious film-making company Crunch Films sary shorfilm. Add one typeface. Dstruk Sted special for this project by Pees tree designers to use within marketing campaigns ‘Print, Weband motion, : Peer For print: We asked award-winning magazine designer, Richard Llewellyn, to desian a typographic poster campaign for Crunch Films, using Photoshop For Web: Design collective BD4D creates an animated Website intron Flash, and shows you how to animate type with ease Forfilm: Our moving type tutorial shows how to create a 30- ‘second promo for Crunch Films, using After Effects. Chris ‘James Hewitt, co-author of After Effects Most Wanted shows youhow. Tum the pageto see the results,meanwhile back at the Rie aleetool er you need to build FTop 10 FontLab Tips ———aaGld shulelim|Part 2: First steps in FontLab There are a few steps to go through before you can start playing around with your typeface: setting your preferences and importing your vectors ‘Gupcerethar sane hl hs ‘Modus ana ne Mpeg oom eran)Part 4: A yearning for kerning Although automatic kerning will produce an acceptable font, the best results come from manually kerning your typeface Opertype eer aR eaaeaeeee aanScene Bold Alternative@123 Scene fold italic Alternative 123 Scene Black@123 Scene Black Alternative@123 Scene Black italic@123 Scene Black Italic Alternative 123 Scone Ultra Black a123 Scene Ultra Black Alternatives@123 ‘Scene Ultra Black Italie@123 Scene Ultra Black Italic Alternative@123 competition and yor een neg on a cin Cp he. Defeeratccne comcnsgrcne a Gpaoeecrmcteatiche | “ow gsuivaminr ates imccemtameise cm | oinies ne Seber Ghesten Wscehendeieniteimeamiaees? | Prvs wines = encanto a bs ‘econ etcroneos Recnreminarneonem | trac imnlatin sane Minna | ‘Stawinfitensaare ‘ool shia ton ‘Stanafantitima Saoea na lama anne etary |The hidden © depths of eet. We create a filn shovann rob camney bridget wood ed rickets: eat and annilise brant waeses Seca Wun-wlel (santo mele ne graphy gilltan roachPart 2: Stitching type into fabric continued... esERSEAS: ORDER ONLINE: “YES! Iwantto subscribeto @ItS 3D graphics * Flash » Dreamweaver + Digital video * Web design + Photoshop « Make even ¢ Savings by Subscribing toPart 4: An eye for loveh r Mac 08 X v2 is widely aecaimet asthe nds Apple's legendary ease of use with the rock-solid reliability of UNIX. century, oe belong — finn! w-apple-com/kémacosxAnimating type in Flash ind publishPart 1: Installing the font Save the typeface Dstruktonaut to you -Part 3: Sting 2 - Bouncing text Greating different animation effects and publishing your results Sees Sbaienicen cane oSting 2 — Bouncing text continued...Our typefaces spe We'll let our custom | wouldn't buy my fonts anywhere else. Delighted with your exemplary response - fast, ficient and wonderfully professional! + Faultless... yet again, ¢ Fonts, ever Pp service Exceedingly good knowledgeable and quick service! Very impressed: Thanks for a very prompt, efficient and pleasant service. the service is always quick and easy.” asune dealing with Facts” er nine 1B) And we'd love to speak to YOU. Call for your free catalogue, 01276 38888. Fonts and royalty free images Wide choice of foundries. Single weights to full libraries for Mac and PC. Licensing advice. Custom designed fonts and characters. THIS BOX LOOK OUT FoRIT! ~> \W £799= Part 1: Type constructioi Using Perec yourrUt Smooth-moving text in ‘ thType transitions 's deconstructionRRRRERS BRARAR ao AFALEEERDMARASBARLLEIRGa fol acon Lethe wr fates, ard dosnrs canbe uot olan, fecelaurvary These Peneapen neo, ‘ni gil a gat at tot Mrs mena ‘ie ecltina Cn sconden2 sy pcognond yn sotenaopee Caton | aural rama, al pitas manta putend Woebypecetat | andl taema oo 1 _ -[T-26] « We talks to T-26's Carlos Sequra about the company's work, history, and its development of a “breakthrough in font marketing’.Who designe Arak, and where dd the, inspiration coma fom? Proven nieces eta ee Ital Whats the difference between ana ash andanandaah? mass and dathor ae to iter horsol ire udto breakup. or and your tags?Hl seest nn _ Controlling type with TopStyle continued... Understanding the 00" Getting more out of Topsiye ro1: Getting started with CSS in Dreamweaver neets, here's how you get started from within your main production tool Part 2: cones type with TopStyle ased interface is good, but you can't beat getting dirty with the cod:Managing your fonts If your font’ have become troublesome, try packing them away in suitcases Ported softwareeonsaresinesnn ciety ‘ae tig ee l/r 0 fate toner tweet On + Onna * semaine 8,2: Managing fonts within Suitcase ired, you need to find out how to make the TNS) IS aae Part 3: Mac-specific features at general cross-platform configuration issues, here are a few es specific to the Mac.a gt ocd abedgeghizgtn nepyeskuvunye ident art 2: : Streamline oom font uallyStreamline your font continued... Vector programs eamputer arks eamputer arts kype speeiat Part 3: Tag your work You've got the font, now use it! 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