22.51 Figured bass Of this chorale’ four phrases (indicated by the fermata) the first establishes the tonic, the second tonicizes (but does not modulate} the relative mejr, the third modulates to the relative major, and the final phrase returns tothe tone ey by ‘means of a direct (or phrase) modulation. Realize the figured ass with SAT spacing, es shown in measure 1,and one chord on each beat: Provide a Roman each Key. Bach, “Erhalt uns, Hers, bei deinem Wort” (‘Keep Us in Thy Word,’ Chorale No. 72) isis, identify each cadence type, and show pivot chords by using red color to mark the pivot numerals in gi ~ (Continue Roman ‘numeral analysis) (enter cadence type) (enter cadence type) a a (enter cadence type) (enter cadence type) ‘The Musician’ Guide Workbook, Second Editon, Noteflight Version, © 2012 by W. W. Norton & Company23.1A Analyzing binary forms Listen to the movement below. Write uppercase letters above the staff to represent the large sections and lowercase to show phrase structure. Label cadences, and be sure to indicate any changes of key. Provide a Roman numeral analysis and then answer the question below. Mozart, Minuet in F Major, K.2 Bl 6 (continue Roman numeral analysis) (Continue Roman numeral analysis) (Gontinue Roman numeral analysi ‘The Musician's Guide Workbook, Second Editon, Notelight Version, © 2012by W. W. Norton & Company