Professional Documents
Culture Documents
Teacher’s
Resource
Book
Copyright © The McGraw-Hill Companies, Inc. Permission is granted to reproduce for classroom use.
Book
Resource
Teacher’s
Grade K
www.mheonline.com/readingwonders
© Macmillan/McGraw-Hill
Week 2 . . . . . . . . . . . . . . . . . . . . . . . . 19 Unit 10 Week 1 . . . . . . . . . . . . . . . . . . . . . . . . 49
Pack It June the Mule
Sock on a Dock A Tune
Week 3 . . . . . . . . . . . . . . . . . . . . . . . . 21 Week 2 . . . . . . . . . . . . . . . . . . . . . . . . 51
Dan Had Ten Kids A Seed
Pick Nick See a Bee
Unit 7 Week 1 . . . . . . . . . . . . . . . . . . . . . . . . 25 Week 3 . . . . . . . . . . . . . . . . . . . . . . . . 53
Pup is Fun In Time
In the Sun Kate and the Mule
Week 2 . . . . . . . . . . . . . . . . . . . . . . . . 27 Pete
Get the Bug!
Wet Dog
2 Decodable Passages
Phonics
Name
initial/medial o
Tom on Top
1. I see Tom on top.
2. Nan can not see Tom.
3. Tom can not see Nan.
© Macmillan/McGraw-Hill
Activity
Draw a picture of
a hat on top of a
mop.
© Macmillan/McGraw-Hill
Activity
Draw what Mom
and Pop can do.
Don
1. Don can see Ted.
2. Ted can see Don.
3. Don and Ted can go.
4. Don and Ted sit and nap!
© Macmillan/McGraw-Hill
Activity
Draw what Don
can do.
© Macmillan/McGraw-Hill
Activity
Tell how Dom can
use a map.
© Macmillan/McGraw-Hill
cap.
4 1
8
We see Sam in a
Tip the cap, Sam.
tan cap.
© Macmillan/McGraw-Hill
2 3
9
Tod
Tod can nap in a pit.
© Macmillan/McGraw-Hill
4 1
10
Tod is a cat. Tod can sit in a pit.
© Macmillan/McGraw-Hill
2 3
Phonics
Name
initial h
Activity
What else hops?
A Hot Hat
1. Hap has a hat.
2. The hat is hot.
3. Hap is hot in the hat.
4. I can fan hot Hap.
© Macmillan/McGraw-Hill
Activity
Tell why a hat
might be hot.
Ted Is Set
1. Ted has a net.
2. Ted is set.
3. Do you see a fin, Ted?
4. Dip the net in!
© Macmillan/McGraw-Hill
Activity
Tell what Ted is
doing.
Red Pet
1. Ed has a red pet.
2. His pet is a red hen.
3. Red Hen is in a red pen.
4. Ed can let Red Hen nap.
© Macmillan/McGraw-Hill
Activity
Tell what kind
of pet you want.
Why?
My Fat Cat
1. Red is a fat cat.
2. My fat cat can not fit.
3. Red can not fit in the pot.
4. My fat cat can sit on top.
© Macmillan/McGraw-Hill
Activity
What can fit in a
pot?
Ron, Nan,
and a Fan
1. We see a fan.
2. Ron can tip a fan.
3. Ron can fan Nan.
© Macmillan/McGraw-Hill
Activity
Draw what Ron
and Nan are
doing.
Deb at Bat
1. Deb is at bat.
2. I bet Deb can hit it.
3. Let Deb hit it!
4. Hit it to Ben!
© Macmillan/McGraw-Hill
Activity
Tell what you like
to do outside.
© Macmillan/McGraw-Hill
Activity
Circle the words
that start with b.
Pack It
1. Ken has to pack a sack.
2. Can he pack Mack?
3. Ken can not pack Mack.
4. Mack is back on the dock.
© Macmillan/McGraw-Hill
Activity
Underline the can
Tell what Ken
words
pack.
Sock on a Dock
1. My red sock is not in the
sack.
2. Is it on the dock?
3. It is not.
4. Did Kit see my sock?
© Macmillan/McGraw-Hill
Activity
Underline
Draw thethe
where
wordshas been put.
sock
© Macmillan/McGraw-Hill
4 1
22
Dan fed his He set his ten kids
ten kids. on the bed.
© Macmillan/McGraw-Hill
2 3
23
Pick Nick
Nick, Ben, and Ron
© Macmillan/McGraw-Hill
can hit!
4 1
24
Nick can kick.
Nick has a red cap.
Pick Nick!
© Macmillan/McGraw-Hill
2 3
Phonics
Name
initial/medial u
Pup Is Fun
1. Kip and Pup run and run.
2. Pup can hop up on Kip.
3. Pup can lick his neck.
4. Pup is fun!
© Macmillan/McGraw-Hill
Activity
Tell what else
Sam Kip
doesPup
and in the
canpan.
do.
In the Sun
1. The sun is up.
2. Do not sit in the hut.
3. But pack a hat!
4. The sun is hot.
© Macmillan/McGraw-Hill
Activity
ADraw
ctivitwhat
y you
pack for sunny
Tell what Sam
days.
does in the pan.
Activity
Tell what the bug
can do in the sun.
Wet Dog
1. Tug is a wet dog.
2. Tug ran to Meg.
3. Do not wag, Tug!
4. Do not get Meg wet!
© Macmillan/McGraw-Hill
Activity
Tell what Tug will
do next.
Activity
Tell what you
can fix.
Sick Fox
1. Max is a red fox.
2. Max is sick.
3. Is the vet in?
4. Can the vet see Max?
© Macmillan/McGraw-Hill
Activity
Tell what happens
to Max.
Activity
Tell some other
animal sounds.
Quick Jan
Quin has no jam in the jug.
Quin can get Jan.
Jan is quick.
Jan can get jam and get
back.
© Macmillan/McGraw-Hill
Activity
Tell how Jan can
get jam.
Activity
Tell what you like
to play.
© Macmillan/McGraw-Hill
Activity
Draw something
you would like
to win.
© Macmillan/McGraw-Hill
See Six!
1
35
36
Can Yam see Can Vick see a
a pig? pig dig?
© Macmillan/McGraw-Hill
2 7
37
The big ox has a pig
© Macmillan/McGraw-Hill
I see a pig in a wig.
on his back.
6 3
38
He has a pig in I see a pig in a box
a bag. and a pig on a box.
© Macmillan/McGraw-Hill
4 5
See Jim win!
48
© Macmillan/McGraw-Hill
Jog, Jim!
1
39
40
Jim can jog. Do not quit yet, Jim!
© Macmillan/McGraw-Hill
2 3
7
41
Jim can jog up
© Macmillan/McGraw-Hill
Jim has a jug.
and up!
6
4 3
1
42
See him jog with Jim can zig and
his pup. zag.
© Macmillan/McGraw-Hill
4
2 3
5
Phonics
Name
long a (a_e)
A Lake
Nate and Kate go to a
big lake.
They take a red rake.
Kate dug in the hot sand.
“I can wade in the lake,”
said Nate.
© Macmillan/McGraw-Hill
Activity
Draw a picture
showing what you
would do at a lake.
Activity
© Macmillan/McGraw-Hill
Tell about
something that
you would like to
make.
Activity
Circle all the
words with the
long i sound.
A Dime
“I had a dime,” said Mike.
“Did you see a dime, Ike?”
Ike did not have time to see.
“Get up,” said Ike.
Mike had sat on a dime!
© Macmillan/McGraw-Hill
Activity
What have you
lost? Where did
you find it?
Mole is Home
Mole woke up in his home.
It is so wet in the hole.
Mole can not go.
Mole put on his robe.
He is fine at home!
Activity
© Macmillan/McGraw-Hill
Activity
© Macmillan/McGraw-Hill
Activity
How do you think
June the mule
helps Luke?
A Tune
Duke is by the dune.
It is not huge.
Duke can play a nice tune.
June can tap to the tune.
Can June make a tune?
© Macmillan/McGraw-Hill
Activity
What instrument
would you like to
play? Why?
A Seed
Pete has a seed.
He put the seed deep in
a hole.
Pete can feed it.
He can keep it wet.
What does he see?
© Macmillan/McGraw-Hill
Activity
What does Pete
see? Write about
it.
See a Bee!
I see a bee.
Eve can see a bee.
We peek at the bee.
Can we keep the bee?
No, the bee is on the weed.
© Macmillan/McGraw-Hill
Activity
Where will the bee
go next? Draw a
picture.
53
It is five! Mike can dine with
Mike is in time. Miss Fine.
© Macmillan/McGraw-Hill
Mike can meet Miss Fine
at five.
4 1
54
Mike is in a big line. Mike can dive.
He can not go. Mike can dive in
Is Mike on time? the lake.
© Macmillan/McGraw-Hill
2 3
Kate and the Mule
55
Jake is well! Kate has a mule.
He can kick and kick. His name is Jake.
Kate and Jake can have Jake can not go.
© Macmillan/McGraw-Hill
fun. “ I hope he is not sad,’’
said Kate.
4 1
56
Kate and Dad sit by Dad can tap. Jake
the lake. can tap.
“I can play a tune,” “Look at Jake!” said Kate.
said Kate.
© Macmillan/McGraw-Hill
2 3
Pete
57
Pete can hug his mom. Pete can not go to bed.
Mom can hug Pete. “I need my duck,” said Pete.
“A hug is what I need,” “Fine,” said his mom.
© Macmillan/McGraw-Hill
said Pete. “I hope you can go
“I can go to bed!” to bed.”
4 1
58
Pete can not go to bed. Pete can not go to bed.
“Let me peek,” said Pete. “I need my jeep with me,”
“Fine,” said his mom. said Pete.
© Macmillan/McGraw-Hill
2 3
Sorting with Students
Sorting is an active part of word study. Here 1) Check that students can read the words
are tips to consider as you develop your word of the sort. Students must be able to read
study program. most of the words in the sort. Three or four
unknown words are acceptable and are
Getting Started learned over the week. Choose an easier
list and sort if too many words are
• Make a copy of the sort for each student or
unknown. Explain to students that you
pair. Increase the size of the copy to rid the
want them to read through the sort to
page of the margin; this leaves less for
make sure they can read the words or
students to cut.
name the pictures.
• Students scribble distinctively on the back
When first sorting, model for students how
so that they recognize their chips.
to read through the words. Read the word
• During independent work time, at their cards in an “I know it; I don’t know it” fash-
seats or in a station, students cut up the ion. Put the known words in a pile in front
sort and place the chips in an envelope or of you; place the unknown words to the
plastic bag. Students can write their names right. Show them how to count to three,
on the fronts of the bags. Do not use and if they do not know the word, they
instructional time for cutting up the word place the unknown word card in, hopefully,
or picture sort. a small pile to the right.
• After cutting up the sort, students try it Ask students if they know the meaning of
out; this is an “open sort.” Observe how the words. You can teach several of the
students sort before instruction to guide meanings over the week. If there are sev-
your pacing. Ask students to sort the words eral unknown words, take the time to use
into several columns and to set aside them in a concept sort in which students
unknown words. sort the words into meaning categories,
such as words that relate to animals, the
Instruction landscape, and so on. Ask students to
Introduce the sort in small group. A few min- point to words that fit a category.
utes of small group reading time is used for 2) Teach four-step sorting in small group.
word study. This word study time is an oppor- When you show students how to sort,
tunity to integrate phonics, spelling, and begin with an easier sort and teach stu-
vocabulary. dents the four steps that they will follow
© Macmillan/McGraw-Hill
Picture Cards
79
apple carrot corn
© Macmillan/McGraw-Hill
milk pizza pie
80 Picture Cards
farmer florist
gardener lumberjack
© Macmillan/McGraw-Hill
grocer chef
Picture Cards 81
© Macmillan/McGraw-Hill
Picture Cards
82
© Macmillan/McGraw-Hill
Picture Cards
83
© Macmillan/McGraw-Hill
Picture Cards
84
buzz boom
splash quack
drip beep
© Macmillan/McGraw-Hill
tick-tock crash
Picture Cards 85
© Macmillan/McGraw-Hill
jam ram
88 Word Family Cards: -ad, -am
can fan
man pan
tan van
© Macmillan/McGraw-Hill
cap map
Word Family Cards: -an, -ap 89
nap tap
cat fat
hat mat
© Macmillan/McGraw-Hill
pat sat
90 Word Family Cards: -ap, -at
bed fed
led red
den hen
© Macmillan/McGraw-Hill
men ten
Word Family Cards: -ed, -en 91
get jet
net pet
vet wet
© Macmillan/McGraw-Hill
kick lick
92 Word Family Cards: -et, -ick
pick sick
did hid
lid rid
© Macmillan/McGraw-Hill
pin fin
Word Family Cards: -ick, -id, -in 93
bin tin
hip lip
rip sip
© Macmillan/McGraw-Hill
tip zip
94 Word Family Cards: -in, -ip
fix mix
six hop
mop pop
© Macmillan/McGraw-Hill
cot hot
Word Family Cards: -ix, -op, -ot 95
lot not
pot ox
box fox
© Macmillan/McGraw-Hill
duck luck
96 Word Family Cards: -ot, -ox, -uck
puck tuck
bug hug
jug mug
© Macmillan/McGraw-Hill
rug tug
Word Family Cards: -uck, -ug 97
bun fun
run sun
but cut
© Macmillan/McGraw-Hill
hut nut
98 Word Family Cards: -un, -ut
rake lake
take cake
make gave
© Macmillan/McGraw-Hill
save cave
Word Family Cards: -ake, -ave 99
hide ride
side wide
ripe wipe
© Macmillan/McGraw-Hill
bike kite
100 Word Family Cards: -ide, -ipe, -ite
joke poke
woke bone
cone rope
© Macmillan/McGraw-Hill
note vote
Word Family Cards: -oke, -ope, -one, -ote 101
cute tune
cube June
© Macmillan/McGraw-Hill
Pete Eve
Word Family Cards: -eep, -eed, -e_e 103
Learning with Games
© Macmillan/McGraw-Hill
pencils
Prepare: Give partners a Tic-Tac-Toe grid. For easier use, you may want to enlarge the
board while photocopying. Have players place picture cards face down on each space of the
game board.
Play: Players take turns. The first picks up a picture card and names the picture. Then he or
she has to say a word that rhymes with the name of the object. If successful, that player can
then place an O or an X in that space. The winner is the player who first gets three Os or Xs
in a row horizontally, vertically, or diagonally.
For a challenge, have players use the 4 x 4 grid. Have them say two rhyming words
before they can place their O or X.
104 Games
What Comes Next? Sound Bingo
Materials Materials
Puzzle Pieces, three pieces (p. 116) 5 x 5 grid (one per player; p. 114)
crayons 4 x 4 grid (optional; p. 113)
scissors game markers
pencils
Skill: Beginning, Middle, and End
Prepare: Organize players into groups of three. Give each player a copy of the slip strips.
Have them write ock in the rectangular space to the right of the slots.
Then have each small group make a spinner. Write the following consonants and
consonant blends evenly around the spinner: d, j, l, m, r, s, t, cl, st, fl, sm.
Play: Each player spins the spinner and writes the letter onto his or her sliding strip until
there are four different consonants or consonant blends on each strip. Players then take
turns decoding and reading the words they have created using their letter slip and slide.
Games 105
The Long Ride Read the Room Game
Materials Materials
Oval board (p. 108) S-shaped board (p. 109)
4-part spinner (p. 107) 4-part spinner (p. 107)
game markers
Skill: recognizing short i
Skill: high-frequency word recognition
Prepare: Create cards by writing the
following letters on slips of paper: b, h, k, p, Prepare: This game is for two players.
r, s, t, w. Two or three players can play this Copy the S-shaped board for each pair.
game. Copy the oval game board. Draw a Label the first square begin and the last
star in one square to indicate the beginning square end. Fill in the remaining squares
and ending point and the following endings with high-frequency words such as and, are,
on the board in an alternating pattern: _id, do, for, go, has, have, he, here, is, like, little,
_it, _ip. look, me, my, play, said, see, she, to, the, this,
Also give each group a 4-part spinner was, we, what, where, with, you.
numbered with 0, 1, 2, and 3. Give each pair a 4-part spinner filled in
with the numbers 1, 2, 3, and 4.
Play: The first player spins the spinner
and moves his or her marker the number of Play: Each player spins the spinner and
spaces indicated. Then that player chooses moves the number of spaces indicated. The
a card and looks at the word ending in the player then reads the high-frequency word
square. The player reads the word he or she on which he or she has landed. Once the
has created. If a nonsense word is created, player has read the word on the board, then
the player continues choosing cards until a both players look around the room for the
real word is made. The game continues until word card. The first player to find the word
each player has been around the oval twice. spins the spinner. If neither player can find
the word, then the other player goes next.
The winner is the player who reaches the
_id
_it _it end square first.
_id _ip
© Macmillan/McGraw-Hill
_ip _id
_it _it
_id _ip
106 Games
Spinners
2. Mount it on
heavy paper.
3. Attach arrow
with a brad.
© Macmillan/McGraw-Hill
Games 107
Oval Game Board
© Macmillan/McGraw-Hill
108 Games
© Macmillan/McGraw-Hill
S-shaped Game Board
Games 109
Word Wheel
© Macmillan/McGraw-Hill
110 Games
© Macmillan/McGraw-Hill
Games
Cards
111
© Macmillan/McGraw-Hill
Games
Tic-Tac-Toe
112
© Macmillan/McGraw-Hill
Games
4x4 Grid
113
© Macmillan/McGraw-Hill
Games
5x5 Grid
114
© Macmillan/McGraw-Hill
Games
Slip Strips
115
© Macmillan/McGraw-Hill
Games
Puzzle Pieces
116
Copyright © The McGraw-Hill Companies, Inc.
Response Board
Response Board
117
Copyright © The McGraw-Hill Companies, Inc.
Response Board
Response Board
118
Name
Reader Response
Title:
Author:
How did you like this book? Circle how you feel.
Reader Response
Title:
Author:
How did you like this book? Circle how you feel.
© Macmillan/McGraw-Hill
My Writer’s Checklist
In our classroom:
• We follow classroom rules.
• We respect other people’s feelings and ideas.
• We speak slowly and clearly.
• We speak loudly enough to be heard.
• We take turns speaking.
• We ask questions to make sure we understand.
• We answer questions thoughtfully.
• We can describe people, places, and things we
know.
• We draw or add pictures to help our
descriptions.
© Macmillan/McGraw-Hill
In our classroom:
• We listen to others.
• We respect other people’s feelings and ideas.
• We listen and follow directions.
• We can repeat directions for others.
• We listen to key details.
• We ask questions to make sure we understand.
• We ask questions to find out more.
© Macmillan/McGraw-Hill
opportunities for periodic review of these words in the coming weeks. For
example, use these words in transition activities and classroom discussions.
• At the end of each unit, review 4 to 5 words per Interactive Read-Aloud text
by asking the question for those words again. Keep track of children’s prog-
ress to see how well they maintain the vocabulary over an extended period
of time.
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
© Macmillan/McGraw-Hill
2 2 2
Brightly LD8
N
& 42
Pat legs 4 times Pat shoulders 4 times Pat head 4 times
with both hands
Show
&Œ
7 hands Clap three times Pat legs 4 times
œ œ œ œ œ œ œ œ
(Clap) (Clap) (Clap) A - dam has an ap - ple and an
j j j j j j
Pat shoulders 4 times Pat head 4 times Pat shoulders 4 times
œ œ Œ Œ Œ
11
&œ œ œ œ œ œ œ œ œ œ
ant in his hat, ant in his hat, ant in his hat.
j
Pat shoulders 4 times
j
œ œ
17 Pat legs 4 times
& œ œ œ œ œ œ œ œ œ
œ œ
A - dam has an ap - ple and an ant in his hat, so
Show
Copyright © The McGraw-Hill Companies, Inc.
&œ œ œ œ œ
let’s all clap our hands! (Clap) (Clap) (Clap)
2 2 2
Pat legs Pat shoulders Pat head Show
Œ
25 4 times 4 times 4 times hands Clap three times
&
(Clap) (Clap) (Clap)
j j j j
œ œ Œ œ œ Œ
33 Pat legs 4 times Pat shoulders 4 times Pat head 4 times
& œ œ œ œ œ œ œ œ œ œ œ œ
A - dam has an ap - ple and an ant in his hat, ant in his hat,
j
& œj œ Œ
39 Pat shoulders 4 times Pat legs 4 times
œ œ œ œ œ œ œ œ œ œ
ant in his hat. A - dam has an ap - ple and an
j j
Show
Pat shoulders 4 times Pat head 4 times hands Clap three times
œ œ
43
&œ œ œ œ œ œ œ œ
ant in his hat, so let’s all clap our hands! (Clap) (Clap) (Clap)
Play Ball!
Words and Music by
JOHN JACOBSON and EMILY CROCKER
12
Boogie Woogie LD8
N
b
& b 44
Index fingers in the air, wag your fingers and bodies in time with the music
Pretend to hold
a baseball bat
b œ.
&b œ œ œ œ œ
13 Wag R index finger from L to R over your shoulder
œ œ œ œ
You get the ball and I will get the bat.
bb œ œ. œ œ œ œ
16 Swing the bat Repeat wagging the R finger
& œ œ œ œ
You get the ball and I will get the bat.
bb
Pretend to Swing
œ œ. œ œ œ œ œ. œ œ œ œ
19 hold the bat the bat Point out Thumbs to self
&
You get the ball and I’ll get the bat. Play ball!
b
&b œ Œ Œ œ Œ Œ œ. œ œ Œ »
23 Pretend to wait for the pitch as the batter Swing the bat
œ œ
Copyright © The McGraw-Hill Companies, Inc.
8
bb
Watch the “ball” Back to Boogie with index fingers
27 fly in an arch waving overhead like the intro
&
b
& b œ œ. œ œ œ œ œ œ œ œ œ œ. œ œ œ
35 Repeat as before
You get the ball and I will get the bat. You get the ball and
b œ œ. œ œ œ
&b œ
40
œ œ œ œ
I will get the bat. You get the ball and
Sound–Spelling Songs 147
Sound-Spelling Songs
b
& b œ œ. œ œ œ œ œ Œ Œ œ œ œ Œ Œ œ. œ œ Œ »
44 Swing the bat
I’ll get the bat. Play ball! Play ball! Bat - ter up!
b 8
Strike a pose like
&b
49 Watch the "ball" fly in an arch Boogie index fingers overhead the top of a trophy
4
Vivace LD8
N
& 42
Tilting claps from side to side
Hands on hips. Kick your feet out in front and across in time to the music
œ
5
& œ œ œ œ œ œ œ œ œ œ œ œ œ
Can your cam - el do the can - can? Can she do the can - can?
œ œ œ
10
&œ œ œ œ œ œ œ œ
œ œ œ
Can your cam - el do the can - can? Can she do the can - can?
œ
14
&œ œ œ œ œ œ œ œ œ œ œ
Yes, she does the can - can. Yes, she does the can - can.
8
Œ
18 Tilting claps
&œ œ œ œ œ œ œ
Copyright © The McGraw-Hill Companies, Inc.
œ œ
Yes, she does the can - can, tra - la - la!
œ
29 Resume kicking in time to the music
& œ œ œ œ œ œ œ œ œ œ œ
œ œ
Can your cam - el do the can - can? Can she do the can - can?
œ œ œ
34
&œ œ œ œ œ œ œ œ œ œ œ
Can your cam - el do the can - can? Can she do the can - can?
œ
38
&œ œ œ œ œ œ œ œ œ œ œ
Yes, she does the can - can. Yes, she does the can - can.
Œ
42
&œ œ œ œ œ œ œ œ œ
Yes, she does the can - can, tra - la - la!
&
8
Sea Chantey LD
8N
& b 68
Wave hands at waist level like the hula 2 times L, then 2 times R;
repeat until singing starts
j
Hands on hips
&b œ j j j Œ.
Lean L R L R
œ œ.
9
œ œ œ œ. œ. œ œ œ
Did you see a dol - phin di - ving in the deep?
j j j
Wave Hula hands L R Shrug
&b œ œ œ œ œ œ œ œ œ œ
13
œ œ œ œ J
Dip - ping and di - ving, swift - ly she swims. Do dol - phins ev - er
j j j
& b œ. Œ Œ.
Hands to hips Shrug Hands to hips
œ œ
16
œ œ œ œ.
sleep? Do dol - phins ev - er sleep?
4
Wave hands at waist level like the hula 2 times L, then 2 times R;
&b
19 repeat until singing starts
Copyright © The McGraw-Hill Companies, Inc.
Hands on hips
j j j Œ.
&b œ j
Lean L R L R
œ œ.
23
œ œ œ œ. œ. œ œ œ
Did you see a dol - phin di - ving in the deep?
j j j
Wave Hula hands L R Shrug
&b œ œ œ œ œ œ œ œ œ œ
27
œ œ œ œ J
Dip - ping and di - ving, swift - ly she swims. Do dol - phins ev - er
j j j Œ.
Hands to hips Shrug
& b œ. Œ
Hands to hips
œ œ
30
œ œ œ œ.
8
sleep? Do dol - phins ev - er sleep?
&b
33
Wave hands at waist level like the hula 2 times L, then 2 times R, repeat.
Then stretch like you are tired and make a pillow for your hands. Pretend to go to sleep.
4
Churn arms One clap
Afro-Cuban LD8
N the other first palm
& 44 ..
around each other then back of hand on “plate”
Œ
Scram - bled egg, fried egg, egg on a plate,
j
Œ ‰
7 Shrug L Shrug R Wag index finger Rub stomach like “yummy”
&
boiled egg, egg on toast, hur - ry, don’t be late! Eggs are good for break - fast or
‰ j
10 Shrug
&
in a sa - lad, too. No mat - ter how you cook them, they are
Œ Œ
12 Show your muscles around each other then back of hand on “plate”
&
good for you. Scram - bled egg, fried egg, egg on a plate,
Copyright © The McGraw-Hill Companies, Inc.
&
boiled egg, egg on toast, hur - ry, don’t be late! But no
Œ
17 Shrug Wag your index finger
&
mat - ter where you go and no mat - ter what you do,
8
React in a funny way like you have an
egg in your shoe and you just squished it.
Œ ..
19 Wipe like “safe” Point to your shoes
&
nev er, ev - er put an egg in your shoe!
b 8 j
Rub your hands together like you are
& b b 68
j
œ.
warming them by a fire March in place working your arms with enthusiasm
œ. œ œ œ œ
“Let’s build a fire,” Fi -
b j j œ. œ œ
& b b œ œj œ œ œ . œ œ . œ Jœ œ . Œ .
11
.
œ œ J
œ.
o - na said to Far - ley. “Let’s build a fire and in - vite all our friends.
b œ œ
& b b œ. œ œ. œ. œ œ. Œ.
17
œ.
Point at a friend Both thumbs point to yourself
J J
You bring the hot dogs. I’ll bring the buns.
bbb j j j j Œ.
21 March
& œ. œ œ œ. œ œ œ œ œ œ œ.
Let’s build a fire, and we’ll have a lot of fun.”
8
Rub hands together
bbb j . j j œ œj
25 like the introduction March
& œ. œ œ œ œ œ œ œ œ. œ.
bb j œ. œ œ œ œ œ. œ.
œ. œ œ œ. Œ. œ.
Point to friend
b œ
37
& œ. œ J J J
“Let’s build a fire and in - vite all our friends. You bring the hot dogs.
b j œ . œ œj j
& b b œ . œ œJ œ . Œ . j
œ. Œ
.
43 Thumbs to yourself March
œ. œ œ œ œ œ œ
I’ll bring the buns. Let’s build a fire, and we’ll have a lot of fun.”
7
bbb
Rub hands together, then fold arms
49 over your chest for a final pose
&
154 Sound–Spelling Songs
Sound-Spelling Songs
Get a Guitar
Words and Music by
JOHN JACOBSON and EMILY CROCKER
8
Hoedown L=8N
#### 2 Clap your hands on the beat
& 2
#### œ
œ œ œ œ œ œ œ œ Œ »
9 Pretend to play the guitar
& œ
Get a gui - tar and you can sing a song.
#### œ
œ œ œ œ œ œ œ Ç »
13
& œ Ç Ç
Get a gui - tar and you can play it all day long.
#### œ
œ œ œ œ œ œ Œ Œ
17
& œ œ œ œ œ n œ œ œ
Join the band and have some fun. Sing and play till the day is done.
#### 8
Clap on the beat
œ œ œ œ œ œ œ nœ œ »
21 or swing your partner
& Ç
Copyright © The McGraw-Hill Companies, Inc.
#### œ
œ œ œ œ œ œ œ œ Œ »
33 Pretend to play the guitar
& œ
Get a gui - tar and you can sing a song.
#### œ
œ œ œ œ œ œ œ Ç »
37
& œ Ç Ç
Get a gui - tar and you can play it all day long.
#### œ
œ œ œ œ œ œ Œ Œ
41
& œ œ œ œ œ n œ œ œ
Join the band and have some fun. Sing and play till the day is done.
#### œ
œ œ œ œ œ »
45
& œ nœ œ Ç
Get a gui - tar and you can sing a song.
#### 8
Hold the clap
49 Clap on the beat or swing your partner as the song ends
&
3
Pesante LD8N Put fists to hips and walk in place
& b 44 » Œ œ Œ Œ œ œ
like a big, heavy hippo Stop Bend knees, then stand up
œ
When the music starts, put hands
œ œ œ œ œ
to face and look surprised There’s a hip - po in the house. There’s a
Wipe your “paw” Spread arms
&b œ œ Œ Œ œ œ œ œ œ œ œ
Walk heavily Stop Bend knees, then up on your cheek to show “big”
œ
7
œ œ œ œ
hip - po in the house. Not a kit - ten or a whale, not a
Put both Fists on hips,
&b œ œ œ œ œ Œ Œ
10 paws under chin Shrug walk heavily Bend knees, then stand up
œ œ œ œ œ œ œ œ œ
ham - ster or a snail, but a hip - po in the house. There’s a
&b œ œ œ œ œ Œ Œ œ œ œ œ œ œ œ Œ Œ œ œ
13 Walk heavily Bend knees, then stand up Walk heavily Bend knees, then stand up
&b œ œ œ œ œ œ œ œ
Flipper hands by sides Dog paddle hands Shrug by the side of face like gills
œ œ œ œ œ
17
Copyright © The McGraw-Hill Companies, Inc.
œ œ œ
pen - guin or a pup - py, not a hedge - hog or a gup - py, but a
4
Bend knees,
&b œ Œ »
19 Walk heavily Bend knees, then stand up Walk heavily then stand up
œ œ œ œ
hip - po in the house.
& b 42
your chest and lean from side to side like a classical singer
&b Œ ‰ j œ œ Œ
11 wave your hands as if to chase it away
œ œ œ œ œ œ œ œ œ
Kim hears an in - sect buzz - ing ’round and ’round her
&b œ ‰ œj œ œ œ œ j
œ œ ‰ œ œ œ œ
15
œ
head. It’s buzz - ing in the kitch - en. It’s buzz - ing ’round her
&b œ ‰ œj œ œ œ Œ
19
œ œ œ
bed. Kim hears an in - sect buzz - ing.
10
‰ œj œ
Pretend to Like the beginning,
&b Œ
23 swat insect Clasp “opera” hand again lean side to side
œ œ œ œ
&b Œ ‰ j œ œ Œ
36 Again look at the annoying insect
œ œ œ œ œ œ œ œ œ
Kim hears an in - sect buzz - ing ’round and ’round her
j j
&b œ ‰ œ œ œ œ œ œ œ ‰ œ œ œ œ ‰ œj
40
œ œ
head. It’s buzz - ing in the kitch - en. It’s buzz - ing ’round her bed. Kim
‰ œj œ œ œ
Reach up
&b œ œ œ œ œ œ Œ Œ
45 with both hands Clap
œ œ
hears an in - sect buzz - ing. (Clap) Why can’t it sing in - stead?
12
Swat the air as if shooing an insect. Clap your hands or swat your
&b
51 own arm on the claps. Watch the insect fall as the music does.
Copyright © The McGraw-Hill Companies, Inc.
Everybody Jump
Words and Music by
JOHN JACOBSON and EMILY CROCKER
3
Dance Pop LD8
N
& 44 »
Step clap or freestyle Hip Hop moves
Jen - ny likes to
& .. ‰ j j ‰ » ‰ j j ‰
5 Jump on both feet every time you say the word “jump”
jump, jump, jump. Jen - ny likes to jump, jump, jump.
&» ‰ j j ‰ »
8
John - ny likes to jump, jump, jump. John - ny likes to
j j j j
& ‰ ‰ » ‰ ‰ »
11
jump, jump, jump. Ev - ery - bod - y jump, jump, jump. Ev - ery - bod - y
Œ » Œ .. Œ »
15 1. Hug yourself like a rapper on “yeah” 2. Hug yourself like a rapper
&
Koala
Words and Music by
JOHN JACOBSON and EMILY CROCKER
7
Cheerful LD8N
# j ‰ œj œ ‰ œj
Hold up L jazz
& # 42 Œ ‰ œ œ
hand by head
Add R hand
#
Rock jazz hands Hold up L jazz
j j
Hands Rock jazz hands
& # œ œ œ œ œ ‰œ œœ‰ œ œ œ œ œ œ
side to side down hand by head Add R hand side to side
œ œ œ
11
hap - py as can be. Ko - a - la, ko - a - la, won’t you come and dance with
## j j
Hands Tilting claps
‰ œ œ ‰ œ œ œ œ œ nœ œ ‰ œ
down L LR R Point from low to high
œ œ œ
16
& œ œ J
me? Ko - a - la, ko - a - la, sit - ting high up in the tree, Ko -
##
Tilting claps
œ œ ‰ œJ Œ ..
L L Rub tummy like “yum”
œ œ œ
21 R R
& œ œ œ œ œ œ
al - a, ko - al - a, munch - ing eu - ca - lyp - tus leaves.
# #Swing your partner, skipping around each other like a square dance 8
Copyright © The McGraw-Hill Companies, Inc.
25
&
I Licked a Lemon
Words and Music by
JOHN JACOBSON and EMILY CROCKER
3
Steady and heavy LD8N
b
& b 44 » Œ ‰ j œ œ #œ œ Œ
Pretend to lick a lemon Make a “sour” face
œ œ œ
I licked a lem - on, and it
b
Make another Pretend Make a
& b œ œ #œ œ œ ‰ j œ œ #œ œ Œ œ œ œ œ #œ nœ œ Œ
6 sour face to lick a lemon Make a “sour” face funny face
œ
had a sour taste. I licked a lem - on and I made a fun - ny face.
bb ‰ j œ œ œ œ œ ‰ Jœ
9 Rub stomach like “yummy”
& œ œ #œ œ œ œ œ
I like lem - on can - dy and I like lem - on - ade, and
Put hands to face Then make a Wipe like Make a
b
& b œ œ œ œ œ œ #œ » Œ ‰ œ œ œ œ œ # œ œ Œ ..
11 one at a time funny face “safe” funny face
4
bb
During the interlude sections, pat twice, clap twice, snap twice;
14 then put hands to face and make a funny/sour face. Repeat.
&
My Map
Words and Music by
JOHN JACOBSON and EMILY CROCKER
3
Bouncy LD
8N
b
& b b b 68 Œ. Œ j œ j j
Point down
b j
& b bb œ j j j j j j j
to your head cheek like a pillow Wag your index finger
œ œ
6
œ nœ œ œ œ nœ œ œ œ œ œ nœ œ
have a map. I mem - or - ize it when I nap so I don’t fall in -
bbbb j j j j j
Shrug Search
œ œ œ œ.
10
& œ œ nœ œ œ œ œ
to a trap and lose my way with - out a map!
b
& b bb Œ ‰ Œ j j j j j
Point R hand from L to R then R to L
œ œ
14
œ nœ œ œ œ nœ œ
A map can take you far and near and
bbbb j j j j j
Point in a big circle
œ œ
17
& œ œ nœ œ œ œ œ œ œ nœ œ
Copyright © The McGraw-Hill Companies, Inc.
bbbb j j j j j
Fold your arms over your chest
..
œ œ œ.
20
& œ œ nœ œ œ œ œ œ
’round and then a map can bring you home a - gain.
b 4
& b bb
23 Search as before
Nellie’s Nest
Words and Music by
JOHN JACOBSON and EMILY CROCKER
b
Cheerfully LD8N
8
& b b 42
Flap arms like wings and flit around
in a circle ending up where you started.
b
& b b œ. œ œ œ
Clasp hands in front of your heart, lean L Lean R Lean L
œ œ œ œ œ œ œj ‰
9
œ. œ œ œ
Nel - lie built a love - ly nest, a love - ly nest, the ve - ry best.
bbb j
œ œ œ ‰ œ œ œ
œ Œ
13 Lean L Lean R Fold arms over chest
& œ œ œ œ
œ . œ œ
Nel - lie built a love - ly nest, and that is where she stayed!
8
bbb
Flap arms like wings and flit around
18 in a circle ending up where you started.
&
b œ œ œj ‰
& b b œ. œ . œ œj ‰
Flap wings Fold arms over chest
œ œ œ œ œ œj ‰
26
bb j
œ œ œ œ ‰ œ œ œ Œ
Shake head as if to say “no.”
& b .
30
œ œ œ œ œ œ œ
No, I can not fly a - way. Oh, no, I nev - er will.”
b
& b b œ. œ œ œ
Clasp hands in front of your heart, lean L Lean R Lean L
œ œ œ œ œ œ œj ‰
35
œ. œ œ œ
Nel - lie built a love - ly nest, a love - ly nest, the ve - ry best.
œ œ œ œ
Nel - lie built a love - ly nest, and that is where she stayed!
6
bbb
Flap arms like wings and flit around in a circle ending up where you started.
44 Then sit down like you are sitting on a nest.
&
Copyright © The McGraw-Hill Companies, Inc.
3
During the intro, wave your arms by the elbow of your L arm, which is held slightly overhead,
j
& b 44
around in any direction like an octopus like a Latin dancer
» Œ œ ‰ œ œ œ œ œ œ œ Ç.
œ œ
If you take an oc - to - pus to din - ner,
j j œ j
‰ œ œ œ œ Œ œ
& b œJ œ .
Wipe like “safe” Wag your finger three times Wave your arms like an octopus
œ œ œ
7
œ œ
do not wor - ry or make a fuss. An oc - to - pus has
j j œj œ
Put hands under your chin
&b œ ‰ œ Œ » œ œ œ
and grin cutely Wave your arms like an octopus
œ œ œ
10
œ œ œ œ œ œ
eight long arms. It’s one of his man - y charms. Wave your arms like an
&b œ œ œ œ Œ œ œ œ œ œ œ œ Œ œ œ Œ œ
14 Spell the letters with your body and arms Nod
œ œ œ
18
œ œ œ J œ œ œ œ
make a mess if you take an oc - to - pus to din - ner.
4
During the interlude you can pretend to do a tango dance
&b
21 or just wave your arms like an octopus
4
Brightly, in two LD
8
N
j
Pretend to play piano with both hands
& 68 œ œ œ œ. œ œ œ œ œ
L L R R
2 j 2
up and down Back and forth again Play up
œ œ œ œ j
the scale L L R R then down
œ œ œ œ.
7
&
Pol - ly and Paul play ev - ery day.
4
Play piano way to the R,
& œ. œ œ
13 Stop then play way to the L
J Ç.
High or low,
3
Move piano hands Play piano slowly
& œ. œ œ
19 Stop quickly from R to L to your L
J Ç.
Fast or slow,
f Stop 2
In front of yourself, pretend
to play both hands loud
Copyright © The McGraw-Hill Companies, Inc.
& œ . Œ Jœ . œ. œ ‰ Œ.
24 Stop
œ.
then soft
Ç
Loud or soft, Now they’re off!
j j
Like before play piano with both hands back and forth
& œ œ œ œ. œ œ œ œ œ œ œJ œ ‰
L L R L L R R
œ œ œ œ œ
30 R
Pol - ly and Paul play the pi - an - o. Pol - ly and Paul play ev - ery day!
4
Play piano from
34 way L to way far R Then take a bow
&
3
Regally LD
8N Follow the queen around like follow the leader;
& b 68 Œ ‰ Œ j
j œ ‰ Œ j
Everyone walks very regally
j j j
&b œ œ ‰ Œ ‰ œ œ œ œ œ
7
œ œ œ œ J J œ œ œ
queen is tak - ing a walk. Ev - ery - bod - y get in line, the
j 3
&b œ ‰ Œ ‰
11
œ œ œ œ œ
queen is tak - ing a walk.
j
The queen lies down; everyone put your index finger to
j
&b Œ ‰ Œ j œ ‰ Œ œj œ
16 your lips and walk on tip toes
œ œ œ œ œ œ œ œ œ œ
2. The queen is tak - ing a nap. The queen is tak - ing a
j
&b œ ‰ Œ ‰ œ œ œ œ œ œ œ
20
J œ œ œ
j 3
&b œ œ œ œ œ œ ‰Œ ‰ Œ ‰ Œ j œ œj œ
23 The queen stands up and combs her hair
œ œ œ
queen is tak-ing a nap. 3. The queen is comb - ing her
j
&b œ ‰ Œ j œ ‰ Œ ‰
30 Everyone pretends to comb hair like the queen
œ œ œ œ œ œ
hair. The queen is comb - ing her hair.
j j
&b œ œ œ œ œ œ ‰ Œ ‰
All silently applaud for the queen
.
33
J œ œ œ œ œ œ
Ev - ery - bod - y say, “Oo! Ah!” The queen is comb - ing her hair.
3
&b Œ ‰ Œ j n# œ j
œ ‰ Œ œj
37 The queen stretches and yawns
œ œ œ œ œ
4. The queen is go - ing to bed. The
# j
Wave your hand as if to say goodbye
œ ‰ Œ ‰ œ œ œ œ œ
Everyone stretches and yawns as the queen lies down and pretends to sleep
& œ œ œ œ
43
œ J
queen is go - ing to bed. Ev - ery - bod - y must
# j j
On “Good night!” put index finger
j
& œ ‰
to lips as if to say “shh!”
œ œ œ œ œ œ œ
46
œ œ J
now go home. The queen is go - ing to bed. Good night!
Copyright © The McGraw-Hill Companies, Inc.
A Rose
Words and Music by
JOHN JACOBSON and EMILY CROCKER
4
Flowing LD
8N
j j j
& b 68 Œ ‰ Œ j œ œ œ ‰ œj œ œ Jœ ‰ œ œ
Hold the imaginary “rose” in both hands
Pretend to pick a
œ
rose and smell it A rose is nice. A rose is sweet. It’s the
&b œ œ œ œ œ j nb b b b 44
œ œj ‰ ‰
Pretend to pick another rose
œ
8
œ
lov - li - est flow - er that you will meet.
b
Pretend to get pricked by a thorn and
& b b b 44 » Œ
shake your hand like it hurts Point your index finger at the audience
œ œ
10
œ œ œ œ œ œ
f But here is a warn - ing and a
"
bbb œ œ œ œ ‰ œ œ œ œ œ œ œ œ j ‰ ‰ j U n n n n b 68
Hold your finger with your
b
12 Point again Wag your index finger other hand like it hurts
& J œ œ Ç
word to the wise: Be care - ful or you’re in for a sharp sur - prise!
& b 68 Œ ‰ Œ œ œ œ œ œ œ œ œJ ‰ œ
and add them to your bouquet
j
15
œ œ
A rose can make a beau - ti - ful bou - quet. A
&b œ œ œ œ œ j ‰ ‰ nb b b b 44
22
J œ œ œ œ
rose can bright - en up an - y - one’s day.
A Rose, continued
Faster, marcato LD8
N
b j
& b b b 44 » Œ j
Pick one more and get pricked with a thorn Fists to hips
œ œ
24
œ œ œ œ œ
œ
f Now, I don’t want to grum - ble, and
I don’t want to grouch, but a rose can make you SAY OUCH!
2
Put both fists to your cheeks
bbbb
29 like you are pouting
&
Copyright © The McGraw-Hill Companies, Inc.
3
Bright Calypso LD8
N
b j j
Churn “traveling” arms (like a referee in basketball)
& b b 44 » Œ
L R L R
œ œ œ œ œ. œ œ
During the intro, œ œ œ. œ œ
pretend to watch the sun rise See the sun rise in the morn - ing. See the
Repeat traveling arms
b j j
& b b œ.
7 L R Churn low to high, present high L R
œ œ œ œ œ œ œ œ œ. œ œ œ œ
œ œ
sun rise. I’m read - y to play. See the sun rise in the
bbb j j Œ
10 L R L R Churn low to high, present high
& œ. œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ.
morn - ing. See the sun rise, it’s going to be a great day.
2
bbb œ œ œ œ ‰ œj œ œ œ œ œ Œ œ œ œ œ ‰ œj
Slowly lower hands
13 Wave R hand like “hello” One clap burst Wave L hand
&
Say hel - lo, hel - lo to the sun. Say hel - lo to
Resume traveling arms
bbb œ œ œ j j
Reach both hands to audience L R L R
nœ
18
& œ œ œ œ œ. œ œ
Copyright © The McGraw-Hill Companies, Inc.
œ œ œ. œ œ
ev - ery - one. See the sun rise in the morn - ing. See the
b j
Present both
& b b œ. Œ ..
21 L R Churn low to high hands overhead
œ œ œ œ œ œ œ œ œ œ
sun rise, it’s going to be a great day.
10
During the interlude, do traveling arms low L, high R, low L, high R,
bb
low L, high R, then middle low to burst high
& b
23
My Two-Ton Turtle
Words and Music by
JOHN JACOBSON and EMILY CROCKER
7
Shuffle, in two L=8N
& b 44 .. » Œ ‰ j œ
Train arms (like “locomotion”)
œ œ œ œ œ œ
During the introduction and interlude
sections do the Twist! My two - ton tur - tle took a
&b œ œ œ œ ‰ j œ
Search
œ œ œ œ j j
10
œ œ œ œ œ œ œ œ œ
train to town. My two - ton tur - tle tried to look a - round, and then my
&b œ j œ œ œ œ œ œ œ œ
13 Jog in place Shrug On “not” wipe like “safe”
œ œ œ. œ œ œ œ
two - ton tur - tle tried to trot, but my two - ton tur - tle could not
&b » Œ » Œ ‰ j œ
16 Do the Twist Pretend to climb a tree
œ œ œ œ œ œ œ
trot! My two - ton tur - tle tried to
& b œ œ œ œ ‰ œj œ œ œ œ œ œ œ œ œ œ œ œ œ œ
20 Search
Copyright © The McGraw-Hill Companies, Inc.
climb a tree. My two - ton tur - tle tried to see what he could see, and then my
j j j œ œ œ œ œ œ œ
& b œ œ œ œ.
Flap your wings like flying
œ œ
23 Shrug
œ œ œ œ
two - ton tur - tle won - dered why, he fell flat on his back when he
&b œ œ œ œ Œ œ . œj œ ‰ œj œ œ œj œ . œ . œj œ ‰ œj
26 Do the Twist
9
tried to fly! Oh, my two - ton tur - tle. Oh, my
j ..
&b œ
Continue the Twist
œ
30
œ œ.
two - ton tur - tle.
My Umbrella
Words and Music by
JOHN JACOBSON and EMILY CROCKER
3
Lilting, in two LD
8N
## 6
Pretend to hide under your
Œ. Œ
umbrella holding it in both hands
& 8 œ œ œ œ œ œ œ œ
Look at the sky like you start to see rain coming
I can hide un - der - neath my um -
## j j
œ œ œ œ œ œ
6
& œ œ œ œ œ œ œ œ œ œ
brel - la. I can hide un - der - neath my um - brel - la. My um -
##
Pretend to raise Lower the umbrella
œ œ œ œJ Œ Œ. Œ œ œ œ œ œ ‰ Œ. Œ œ œ
9 the umbrella close to your head
& J
brel - la goes up when the rain comes down. I stay
##
Skip (or walk) in
j Œ. Œ œ œ œ œ œ œ œ œ
a circle around yourself Look up under your umbrella
œ œ œ œ œ œ œ œ œ.
13
&
dry un - der - neath my um - brel - la. When I look un - der - neath my um -
## j j j
œ œ œ œ œ
18
& œ œ œ œ œ œ œ œ œ œ
## j
Pretend to raise Lower the umbrella
œ œ œ œ œJ Œ Œ. Œ œ œ œ œ œ œ Œ Œ. Œ œ œ
21 the umbrella close to your head
&
un - der - stand how nice an um - brel - la can be. I stay
## 4
Skip (or walk) in a circle
j
Tilt side to side holding your umbrella in both hands
œ
25 around yourself
& œ œ œ œ œ œ œ œ.
dry un - der - neath my um - brel - la.
It’s a Volcano
Words and Music by
JOHN JACOBSON and EMILY CROCKER
4
Heavy LD8
N
j j j j
& 44 Œ
Stand very still
. .
Look back and forth
like watching a tennis match What is stand - ing ver - y still?
j j
7 Shrug L hand then add R Start shaking your body
&
Is it a vol - ca - no, or is it a hill? If it starts to shake, and it
j j Œ
10 Solo Soloist shakes Group Group shakes
&
can - not stop, It’s a vol - ca - no! It’s a vol - ca - no!
&
It’s a vol - ca - no! It’s a vol - ca - no! It’s a vol - ca - no,
&Œ Œ Œ Œ Œ Œ Œ
16 Hands to knees cresc. Fists to hips
Copyright © The McGraw-Hill Companies, Inc.
ƒ
On “boom” jump and burst arms
Œ Œ Œ » Œ ..
19 Hands to head like something blowing up
&
TOP! BOOM!
8
Gently LD8
N
b
& b 43
Hands behind your back; sway with the music
b
&b œ œ œ œ œ Ç Œ œ
9
œ œ Ç œ œ œ
What can you see out your win - dow? Can you see a
b
&b œ œ œ Ç œ Ç Œ
Stop swaying and look low to high
œ œ œ œ œ œ
14 Sway
œ Ç. Ç
bird fly - ing in the sky? What can you see out your win - dow?
bb œ
Stop swaying and look from L to R
œ œ
21
& œ œ œ œ œ Ç.
Can you see peo - ple hur - ry - ing by?
bb œ œ
Wave one hand overhead like saying “goodbye”
œ œ
25
& œ œ œ œ œ œ Ç.
bb œ
Slowly lower open hand as it continues to wave gently
œ œ
29
& œ œ œ œ œ œ œ Ç.
Can you hear the wind blow - ing branch - es on high?
bb œ œ Œ
33 Hands behind your backs; sway again
& œ œ œ œ œ Ç Ç
What can you see out your win - dow?
b
Stop swaying; lower hands with wiggling
&b œ œ œ œ œ œ œ
37 fingers from high to low like snow
œ œ Ç œ Ç.
Can you watch win - ter snow - flakes as they gen - tly fall?
bb œ œ œ œ
41 Hands behind backs and sway
& œ œ œ Ç Ç œ œ œ œ œ
What can you see out your win - dow? Make a wish at the
2
bb
Cross your fingers like you are making a wish;
œ Ç. œ Œ Œ
46 close your eyes and make a wish
& œ œ œ
won - der of it all.
Copyright © The McGraw-Hill Companies, Inc.
4
Lumbering, comic LD
8N
b
& b b 68
Pretend to pick up a box
b j j j j
&bb œ œ œ œ ‰ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ
5 Pretend to carry a box walking in place
Fred - dy the fox was car - ry - ing a box, was car - ry - ing a box of six
b œ œ œ œj ‰ œj œ j j
&bb œ j j Œ œ œ
8
œ œ œ
shoes and socks. “Fred - dy,” said I, “I won - der why, you’re
b bb Œ
& œ œ œ œ j j
11
œ œ œ œ œ œ
car - ry - ing a box of six shoes and socks.”
bbb j j
œ nœ œ œ œ nœ œ
13 Stop walking Pretend to set the box down
& œ œ œ nœ œ œ œ œ œ
b j j
& b b nœ œ œ œ œ œ œ œ œ œ œ œj Œ
16
œ œ œ
know what to do. I’m car - ry - ing a box of six shoes and socks.
bbb j j ‰ nœ œ ‰
Hold up 4 fingers
j
19 Hold up 2 fingers
& œ œ œ J œ œ
Four for me and two for you!”
4
bb
Pick up the box and continue
walking until the song is finished
& b
21
8
Cheerfully LD
8
N
# 6
& # 8
Pretend to play with a yo-yo (or play with a real yo-yo)
# j
& # œ j j j
9
œ œ œ œ. œ œ œ. œ œ œ. œ.
If you have a yo - yo, a yo - yo, a yo - yo,
# j j
& # œ j j j
13
œ œ œ œ. œ œ œ œ œ œ Ç.
Ev - ery - where that you go, your yo - yo goes there, too!
## j
Twirl your R wrist
j ‰ œ œ œ œ
Solo 2 steps forward Group 2 steps forward
œ œ œ œ
17 by your side
& œ œ œ œ œ J
Walk the dog and a - round the world. Walk the dog and a -
##
Twirl your R wrist
j ‰ j j ‰
Solo Twirl both hands around each other
œ œ œ œ
20 by your side
& œ œ œ œ œ œ œ
Copyright © The McGraw-Hill Companies, Inc.
#
Pretend to play with the yo-yo
j j
& # œ œ j j
Group making it go up and down
J œ
23
œ œ œ œ œ. œ œ œ œ œ. œ œ
Loop the loop and give it a twirl. If you have a yo - yo, a
27
## j j j j
& œ. œ œ œ. œ. œ œ œ œ œ. œ œ
yo - yo, a yo - yo, Ev - ery - where that you go, your
## 16
Show off your best
j j
31 yo-yo tricks
& œ œ œ œ Ç.
yo - yo goes there, too.
4
Bluegrass style LD8
N
# 2
Try to zip up your coat
& # 4 œ œ nœ œ œ œ nœ œ
Clap your hands on the beat
Zeke the Ze - bra wore a coat and
## œ nœ œ ‰ nœ
œ œ œ œ œ œ œ œ œ
7
&
zipped it to his chin. When the zip - per got stuck, it was
Œ
Pretend to play the violin
œ
10
& œ œ œ œ œ œ œ œ œ œ œ œ œ
his bad luck, so he played his vi - o - lin. Hi - ho, it’s the
#
Pretend to struggle with your coat zipper
& # œ œ œ œ œ ‰ œ œ œ œ œ nœ œ œ
14
œ œ œ œ œ
fun - ni - est sight that you will nev - er see. When the zip - per got stuck, it was
## 3
Pretend to play the violin and
Œ
Hold a violin
œ
18 stomp one foot
& œ œ œ œ œ œ œ œ œ
# j
& # Œ ‰œ œ œ nœ œ œ œ nœ œ œ nœ œ
Put your head on your hands like a pillow
œ œ‰ œ œ
24
He climbed in - to his sleep - ing bag and zipped him - self right in. When the
##
Pretend the zipper got stuck again
œ œ œ nœ œ œ œ œ œ œ œ Œ
29 Hold the violin
& œ œ œ œ œ
zip - per got stuck it was his bad luck, so he played his vi - o - lin.
## ‰ œ œ
œ œ œ
33 Pretend to play the violin
& œ œ œ œ œ œ œ œ œ œ œ
Hi - ho, it’s the fun - ni - est sight that you will nev - er see. When the
#
Struggle with the zipper Hold the violin
& # œ œ œ nœ œ œ œ œ œ œ œ Œ
37
œ œ œ œ œ
zip - per got stuck, it was his bad luck, so he played his vi - o - lin.
41
## Play the violin and stomp one foot 8
&
Copyright © The McGraw-Hill Companies, Inc.
Riding on a Train
Words and Music by
JOHN JACOBSON and EMILY CROCKER
5
With a train-like motion LD8
N
& b 44 » Œ œœ œ œ œ œ œ œ œ œ
Churn your arms like a train
&b œ j j
9
œ œ œ œ œ Ç. œ œ œ œ œ œ œ œ œ
great day, so climb on board. Buy your tick - et at the sta - tion and
&b œ œ. œ œ œ œ œ œ œ œ »
12
œ œ œ œ œ Ç
wave good - bye. It’s a great day to go rid - ing on a train!
& b . .
15 Pull down one arm like blowing the whistle of a train
J J
Whoo! Whoo! Whoo! Whoo!
Churn your arms like a train; perhaps move
&b » Œ
around the room like follow the leader
œ œ œ œ œ
18
œ œ œ Ç œœ œ œ œ
&b œ j j
21
œ œ œ œ œ Ç. œ œ œ œ œ œ œ œ
great day, so climb on board. I will meet you at the gate, so
& b œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ Ç »
24
& b . J . .
28 Pull down one arm like blowing the whistle of a train rit. Slow down Stop
J J
Whoo! Whoo! Whoo! Whoo! Whoo! Whoo!
High Five!
Words and Music by
JOHN JACOBSON and EMILY CROCKER
4
Hip hop LD8N
& 44
Do your favorite hip hop moves and choose a partner
j
Give your partner a high five Hands to yourself, then give your partner
& .. Œ ‰ Œ
5 with one hand, then the other another high five
High five! High five! My friends and I do a high five.
Hands to yourself, then give your partner
Œ
7 Step clap L R another high five
&
We’re so fine! See us shine! My friends and I do a high five!
Count and raise the appropriate
9 amount of fingers
&
One, two, three, four, five! One, two, three, four, five!
j
& Œ ‰ Œ
13 High five with one hand then the other another high five
High five! High five! My friends and I do a high five.
Wipe hands like “no way”
Œ
15 4 times in the measure Give partner a high five
& .
That’s no lie. Come on, let’s try! My friends and I do a high five!
&
One, two, three, four, five! One, two, three, four, five!
Œ Œ Œ »
19 with one hand, then the other back to back with partner
&
High five! High five! Yeah!
5
During the interlude, do your favorite moves,
..
21 and change to a new partner
&
A Goat in a Boat
Words and Music by
JOHN JACOBSON and EMILY CROCKER
3
Light and fun, in two LD
8N
& 68 Œ. ‰ jŒ ‰
Pretend to row a boat
j Œ. œ œ œ œ œ
œ Œ
Wipe hands like “safe”
œ œ œ
7
&œ œ œ œ œ J
ev - er see a goat row a boat? No, I nev - er saw a
3
Wipe your hands off from each other
& œ œ œ œj ‰ œj œ ‰ œ œ ‰ œ œj ‰ ‰ Œ .
10 with the same rhythm as the words Whisper again
& Œ. ‰ j Œ ‰
16 Shrug Hands to face like “oh, my!”
œ œ œ œ œ œ œ œ œ œ œ œ
2. Did you ev - er hear a pig tell a joke? Did you
j Œ. œ œ œ œ
œ Œ
Hands to face like “oh, my!” Wipe hands like “safe”
œ œ œ œ
19 Shrug
&œ œ œ œ œ J
Copyright © The McGraw-Hill Companies, Inc.
œ j ‰ j j ‰ ‰ Œ.
œ ‰ œ œ ‰ œ
22 with the same rhythm as the words
&œ œ œ œ œ
pig tell a joke, and that’s the end of that!
3
Œ. ‰ jŒ ‰
25 Whisper Pretend to dig with a shovel
& œ œ œœœ œ œ œ œ œ œ œ
3. Did you ev - er see a mole dig a hole? Did you
U
Shrug and shake your
a tempo
& œ œ œ œ œ œ œ œj Œ Œ . œ Jœ œ œ œ œ œ œ œ
31 rit. head left and right
œ œ œ
ev - er see a mole dig a hole? I don’t know, but there’s a hole in my gar - den, and
4
Wipe your hands off from each other Whisper to your neighbor, then fold your arms
&œ ‰ œ œ ‰ œ j ‰ ‰ Œ.
35 with the same rhythm as the words over your chest as if to say “so there.”
œ
that’s the end of that!
3
Rock 'n' Roll, shuffle LD8
N Hand Jive:
& b 44 » Œ ‰ j œ
Pat twice, clap twice
œ œ œ œ œ œ
Alternatingly point index fingers in the air
and boogie by wiggling your hips The shapes threw a par - ty on
Slice R hand over L twice, Pound R fist on top of L twice, Hitchhike R thumb over R shoulder twice,
&b œ œ œ œ œ Œ j Œ
then L over R twice
j
6 then L over R twice then L thumb over L shoulder twice
œ œ œ œ œ œ œ œ œ œ œ
Sat - ur - day night. Cir - cle and Square, they were there, that’s right.
&b œ ‰ b œj n œ œ œ œ
9 Repeat the Hand Jive
œ œ œ œ œ œ œ œ
Cube and Sphere and Tri - an - gle, too. The band was hot! They
j j
Change up Hand Jive: Churn traveling Reach both
b œ ‰ j ‰ ‰ j ‰ j Œ ‰
Pat twice, then clap twice hands hands high
b œ n œ b œ b œ
12
& œ œ œ œ œ œ œ œ œ œ
knew what to do! They’re gon - na rock, rock, rock! They’re gon - na
j
& b j ‰ ‰ œj œ ‰ œ œ Œ ‰ b œ œ œ œj ‰ ‰ œ œ ‰ œ
j j j
15 Repeat change up Hand Jive
Repeat change up Hand Jive
Copyright © The McGraw-Hill Companies, Inc.
œ
rock, rock, rock! They’re gon - na rock, rock, rock!
&b œ Œ » œ Œ »
Repeat change up Hand Jive
œ œ bœ
18
œ œ œ œ
Rock - in’ all through the night.
3
Alternatingly point index fingers in the air
and boogie by wiggling your hips
&b » Œ ‰ j œ œ œ œ œ Œ
21 Repeat original Hand Jive (like measures 5-12)
œ œ œ œ œ œ œ
The Square said to Cir - cle, “You’re cute! What’s new?
&b œ œ œ œ œ j j ‰ œj œ
27
œ œ œ œ œ œ œ œ œ
Ev - ery - bod - y here wants to dance with you, the Cube and Sphere and
&b œ ‰ b œj nœ œ œ œ œ
30
œ œ œ œ
Tri - an - gle, too.” The Cir - cle said, “Yes, I
& b œ bœ nœ ‰ b œj œ j ‰ ‰ œj œ ‰ œj
32 Repeat change up Hand Jive (like measures 13-20)
œ œ œ
know what to do.” They’re gon - na rock, rock, rock!
b j j j j
Œ ‰ b œ j ‰ ‰ ‰ Œ ‰ b œ
34
& œ œ œ œ œ œ œ œ œ œ
They’re gon - na rock, rock, rock! They’re gon - na
j j œ œ œ bœ œ œ œ
& b œj ‰ ‰ œ œ ‰ œ œ Œ » œ Œ »
37
4
Alternatingly point index fingers in the air
&b
41 and boogie by wiggling your hips
Chickadee in a Tree
Words and Music by
JOHN JACOBSON and EMILY CROCKER
4
50s Doo-Wop LD
8N
& 12
8
“Temptation” style pushes with both fists and elbows going
R R L L R R L L
& Œ œj œ œj œ œ ‰ œ œ œ œj œ j Œ. œ . œ œj
5 R R L L R R
œ œ . œ œ . œ œ œ
Eve saw a chick - a - dee sit - ting in a birch tree, sing - ing his song for
j œj . Œ .
Flap hands like little bird wings and lean
j j j j
8 L L L R L R
&œ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ.
ev - ery - one to hear. “What a love - ly mel - o - dy,” Eve said to the chick - a - dee.
2
Keep flapping and go
& Œ. j Œ.
L R L R
œ.
11
œ œ œ œ. œ.
in a circle around yourself
œ œ œ.
“I hope that you can stay all year.”
&Œ j j
œ œ œj œ œ œ ‰ œ œ œ
15 Flap elbows like wings with your thumbs under your arms
œ. œ œ œ œ œ.
Copyright © The McGraw-Hill Companies, Inc.
She saw a bum - ble - bee buzz - ing ’round the ap - ple tree,
j
& Œ. œ œ œ œ œ œ. Œ. œ œ
Shrug
œ. œ. Ç.
17
œ œ œ œ œ.
vis - it - ing flow - ers one by one. “Where is your fam - i - ly?”
j
& œ œ œ œj œ œ œ œ . Œ . ‰ œ œ œ. œ œ œ œ. œ. œ. Œ.
20 Flap elbows Begging hands “Temptation” pushes
Eve said to the bum - ble - bee. “Come with me, and we’ll have some fun!”
‰ œ œ œ. j j
& Œ.
L L R R
œ œ œ Ç.
23
œ œ œ œ
Sound–Spelling Songs 189
Sound-Spelling Songs
& Œ. ‰ œ œ œ. j j j
L R L R
Œ
rit.
œ œ œ œ.
25
œ œ œ œ œ
Woo, these cheer - ful mel -o - dies. The
».
Flap hands like wings Flap elbows Wiggle like you have a bee stinger
œ
27
&œ œ œ œ œ œ. œ. Ç.
chick - a - dee and the bum - ble - bee.
Play Ball!
Get a Guitar
Everybody Jump
Koala
I Licked a Lemon
My Map
Nellie’s Nest
A Rose
My Two-Ton Turtle
My Umbrella
It’s a Volcano
a yo-yo, a yo-yo,
Everywhere that you go,
your yo-yo goes there, too!
Riding on a Train
High Five!
A Goat in a Boat
Chickadee in a Tree
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G2 Kindergarten
Problem and Solution Setting
In a story, a problem The setting is where and
is something that a when a story takes place.
character wants to do,
change, or find out. Text Evidence
Text evidence are
The way the person
examples from the text
solves the problem is the
to support your answer.
solution.
Theme
Sequence
The theme is the big idea
In literature, sequence
or message of a story.
is the order in which the
key events happen.
In informational text,
an author sometimes
gives information in
sequence, or time order.
Words such as first, next,
then, and last help you
understand sequence.
Kindergarten G3
TEACHER GLOSSARY OF TERMS
This glossary includes linguistic, African American English a dialect of
grammatical, comprehension, and American English used by many African
literary terms that may be helpful in Americans in certain settings and
understanding reading instruction. circumstances and follows regular,
systematic language rules for grammar,
academic language; general academic pronunciation, and vocabulary.
vocabulary vocabulary that is found across
text types, especially in written texts that agreement the correspondence of
provide more nuanced or sophisticated ways syntactically related words; subjects and
of expressing meaning than everyday predicates are in agreement when both
language. are singular or plural.
acronym a word formed from the initial alliteration a literary device that uses
letter of words in a phrase, such as SCUBA the repetition of the initial sounds in
(self-contained underwater neighboring words or stressed syllables.
breathing apparatus).
alphabet the complete set of letters
acrostic a kind of puzzle in which lines of representing speech sounds used in writing
a poem are arranged so that words or a language. In English there are twenty-six
phrases are formed when certain letters letters.
from each line are used in a sequence.
alphabet book a book for helping young
adage a short, often old, saying that children learn the alphabet by pairing
expresses a common observation or truth; letters with pictures whose sounds they
for example, “The early bird gets the worm.” represent.
GT1
antonym a word that is opposite in meaning blending combining the sounds represented
to another word. by letters or spellings to sound out or
pronounce a word; contrast with oral
appositive a word that restates or blending.
modifies a preceding noun; for example,
my daughter, Charlotte. Appositives are canon in literature, the body of major works
also definitions of words usually set off by that a culture considers important in a given
commas. time.
GT2
clarifying a comprehension strategy in comprehension skill a skill that aids in
which the reader rereads text, uses a understanding text, including identifying
dictionary, uses decoding skills, or uses author’s purpose, author’s point of view,
context clues to comprehend something comprehending cause-and-effect
that is unclear. relationships, clarifying, comparing and
contrasting items and events, drawing
clause a group of words with a subject conclusions, distinguishing fact from opinion,
and a predicate used to form a part of or identifying main ideas and key details,
a whole sentence; a dependent clause making inferences, distinguishing reality
modifies an independent clause, which from fantasy, and understanding sequence.
can stand alone as a complete sentence.
comprehension strategy a sequence of
close reading a careful rereading of a text steps for monitoring and understanding text,
to deepen comprehension. includes adjusting reading speed, asking
questions, clarifying, making connections,
cognates words in two or more different predicting, summarizing, and visualizing.
languages that are the same or similar in
sound and/or spelling and that have similar concluding statement the final statement
or identical meanings, for example, active/ in a piece of writing expressing the lasting
activo. impression the writer wants to leave in the
reader’s mind.
collaborative conversations discussions
between and among students about conjugation the complete set of all possible
topics of study or texts read that follow inflected forms of a verb.
conversational rules (e.g., build on other’s
ideas) and are designed to arrive at new conjunction a part of speech used to
understandings or learnings. connect words, phrases, clauses, or
sentences, including the words and, but,
collaborative learning learning by working and or.
together in small groups.
connecting words; linking words words
collective nouns names a single group and phrases that signal how different parts
composed of multiple members, for of a text are linked; for example, sequence
example, school of fish. words, such as first, next, finally.
command a sentence that asks for action consonant a speech sound and alphabetic
and usually ends in a period. letter that represents the sound, made by
partial or complete closure of part of the
common noun in contrast to proper noun, vocal tract, which obstructs air flow and
a noun that denotes a class rather than a causes audible friction.
unique or specific thing such as girl versus
Maria. context clue information from the
immediate and surrounding text that helps
comprehension the understanding of what identify a word.
is written or said.
GT3
contraction a short version of a written decodable text text materials controlled
or spoken expression in which letters are to include a majority of words whose
omitted, as for example, can’t. sound-spelling relationships are known
by the reader.
convention an accepted practice in spoken
or written language, usually referring to decode to analyze spoken or graphic
spelling, mechanics, or grammar rules. symbols for meaning.
creative writing prose and poetic forms of determiners words that come before a
writing that express the writer’s thoughts noun in a noun phrase and mark the noun,
and feelings imaginatively. as in a, an, the, some, my.
cueing system any of the various sources diacritical mark a mark, such as a
of information that help identify an breve or macron, added to a letter or
unrecognizable word in reading, including graphic character to indicate a specific
phonetic, semantic, and syntactical pronunciation.
information.
dialect a regional variety of a particular
culturally responsive teaching using language with phonological, grammatical,
cultural knowledge, prior experiences, and lexical patterns that distinguish it from
and performance styles of ethnically diverse other varieties.
students to make learning more relevant
and effective for them. This type of teaching dialogue a piece of writing written as
validates the home language and culture of conversation, usually punctuated by
students. quotation marks.
cumulative tale a story, such as “The digital tools electronic resources used to
Gingerbread Man,” in which the action and/ produce and publish writing.
or dialogue is repeated and accumulated
until the climax. digraph two letters that represent one
speech sound; for example, sh or ch.
dangling modifier usually a participle that
because of its placement in a sentence diphthong a vowel sound produced when
modifies the wrong object. the tongue glides from one vowel sound
toward another in the same syllable; for
example, /oi/ or /ou/.
GT4
direct object the person or thing that exclamatory sentence a sentence that
receives the action of a verb in a sentence; shows strong emotion and ends with an
for example, the word cake in this sentence: exclamation point.
Stella baked a cake.
explicit instruction intentional design
domain-specific words vocabulary specific and delivery of information by a teacher
to a particular field of study, or domain, to students, including modeling/
like social studies or science. demonstration, structured practice under
teacher guidance, and opportunities for
drafting the process of writing ideas in corrective feedback.
rough form to record them.
expository writing; exposition a
drama a story in the form of a play, written composition in writing that explains an
to be performed. event or process.
edit in the writing process, to revise or fable a short tale that teaches a moral.
correct a manuscript. Often this is part of
the final step in the process with a focus fantasy a highly imaginative story about
on correcting grammar, spelling, and me- characters, places, and events that cannot
chanics rather than content, structure, and exist.
organization.
fiction imaginative narrative designed to
emergent literacy the development of entertain rather than to explain, persuade,
the association of meaning and print that or describe.
continues until a child reaches the stage of
conventional reading and writing. figure of speech; figurative language
the expressive, nonliteral use of language
emergent reading a child’s early interaction usually through metaphor, simile, or
with books and print before the ability to personification.
decode text.
fluency freedom from word-identification
encode to change a message into symbols; problems that hinder comprehension in
for example, to change speech into writing. reading. Fluency involves rate, accuracy,
and expression.
English learner; English language learner;
Limited English Proficiency (LEP) a child folktale a narrative form of genre based on
who does not speak English or whose the customs and traditions of a people or
native language is not English and who is region that is well-known through repeat-
not currently able to perform ordinary ed storytellings. Some examples are epics,
classroom work in English. myths or fables.
epic a long narrative poem, usually about foreshadowing giving clues to upcoming
a hero. events in a story.
essential question the driving or guiding formal English (see Standard English)
question students are expected to answer
after reading a collection of related texts.
GT5
formative assessment a deliberate process guided reading reading instruction in which
used by teachers and students during the teacher provides the structure and
instruction that provides actionable purpose for reading and responding to the
feedback used to adjust ongoing teaching material read.
and learning strategies to improve students’
attainment of curricular learning targets high-frequency words the most frequently
and goals. occurring words in English; for example,
the, is, like. Some are phonetically irregular
free verse verse with irregular metrical (was, some); others are phonetically regular
pattern that often contains rhythm and (go, but).
other poetic devices, such as alliteration,
similes and metaphors. homographs words spelled the same, but
with different meanings and sometimes
freewriting writing that is not limited in different pronunciations; for example,
form, style, content, or purpose; designed bear, row.
to encourage students to write.
idioms an expression whose meaning is not
genre a classification of literary works, predicted from its constituent words; for
including tragedy, comedy, novel, essay, example, “kick the bucket.”
short story, mystery, realistic fiction, and
poetry. indirect object in a sentence, the person or
thing to or for whom an action is done; for
gradual release of responsibility a model example, the word dog in this sentence: Bob
of instruction that requires a progression gave the dog a treat.
from teacher modeling that shifts from the
teacher assuming all the responsibility for inference a conclusion based on facts, data,
performing a task to students assuming or evidence.
responsibility.
infinitive the base form of a verb, usually
grammar the study of the classes of with the infinitive marker; for example,
words, their inflections, and their functions to go.
and relations in sentences; includes
phonological, morphological, syntactic, inflectional ending an ending that
and semantic descriptions of language. expresses a plural or possessive form of
a noun, the tense of a verb, or the
grapheme a written or printed comparative or superlative form of an
representation of a phoneme, such adjective or adverb.
as c for /k/.
informal discourse communication that
graphic organizer a visual representation does not adhere to the formal rules of
of facts and concepts from a text and their grammar and usage and often contains
relationships within an organized frame; truncated or incomplete sentences.
often used as a temporary scaffold for
understanding or writing about text. informational text text that has as its
primary purpose the communication of
technical information about a specific topic,
event, experience, or circumstance.
GT6
informative/explanatory writing writing legend a traditional tale handed down
whose purpose is to inform or explain. from generation to generation.
irony a figure of speech in which the literal making connections a reading strategy
meanings of the words is the opposite of used to connect information being read to
their intended meanings. one’s own experiences, to other reading
materials, or to one’s knowledge of the
irregularly-spelled words words that do not world. Making connections fosters
follow typical sound-spelling phonetic rules engagement, which helps the reader make
of English, such as was or come. sense of the text and connect information.
keyboarding skills the ability to use the metacognition the awareness and
computer keyboard to produce writing; knowledge of one’s mental processes while
involves basic typing skills. reading or thinking about what one is
thinking about.
GT7
metaphor a figure of speech in which a myth a story designed to explain the
comparison is implied but not stated; for mysteries of life.
example, She is a jewel.
narrative writing; narration a composition
meter the basic rhythmic structure of in writing that tells a story or gives an
poetry. account of an event.
miscue a deviation from text during oral narrator the person telling a story.
reading in an attempt to make sense of the
text. nonfiction prose designed to explain, argue,
or describe (rather than to entertain) with
modal auxiliaries an auxiliary verb used a factual emphasis; includes biography and
with other verbs to express mood, aspect, or autobiography.
tense; for example, can, could, may, might,
should, ought, will, would. nonliteral language words or phrases that
mean something other than the exact words
modeling an instructional technique in used; for example, a “night owl.”
which the teacher makes public the thinking
needed to use critical reading and writing noun a part of speech that denotes
behaviors. persons, places, things, qualities, or acts.
Abstract nouns refer to abstract concepts
mood the literary element that conveys the like kindness. Collective nouns refer to a
emotional atmosphere of a story. collection of things considered as a unit,
such as group, company, flock, family.
moral the lesson or principle taught in a
fable or story. novel an extended fictional prose narration.
multimedia the use of several media (video, opinion writing writing whose purpose is to
internet, print, visuals, music) to express express the writer’s beliefs and conclusions
ideas and learning. about a topic.
multiple-meaning words words that have oral blending the ability to fuse discrete
more than one meaning; for example, bat. phonemes heard into recognizable words;
oral blending puts sounds together to make
multisyllabic words; polysyllabic words a word; see also segmentation.
words with more than one syllable.
GT8
oxymoron a figure of speech in which con- phonological awareness the ability to
trasting or contradictory words are brought attend to the sound structure of language;
together for emphasis. includes sentence, word, syllable, rhyme,
and phonological awareness.
paragraph a subdivision of a written compo-
sition that consists of one or more sentenc- plot the literary element that provides the
es, deals with one point, or gives the words structure of the action of a story, which
of one speaker, usually beginning with an may include rising action, climax, and
indented line. falling actions leading to a resolution or
denouement.
participle a verb form used as an adjective;
for example, the skating party. plural a grammatical form of a word that
refers to more than one in number; an
pedagogy the science and art of teaching. irregular plural is one that does not follow
normal patterns for inflectional endings.
personification a literary device in which
human characteristics are given to an ani- poetic license the liberty taken by writers
mal, idea or thing. to ignore language conventions.
phonics a way of teaching reading that precise language specific words chosen
addresses sound-symbol and sound-spelling to express ideas in a nuanced and more
relationships, especially in beginning sophisticated way than informal
instruction. conversation or writing.
phonogram a letter or letter combination predicate the part of the sentence that
that represents a phonetic sound; also used expresses something about the subject and
to refer to common spelling patterns like includes the verb phrase; a complete
-at or -ick.
GT9
predicate includes the principal verb in a pronoun a part of speech used as a
sentence and all its modifiers or subordinate substitute for a noun or noun phrase.
parts. There are many types of pronouns: personal
pronouns (I, he, she, we, they, you),
predicting a comprehension strategy in possessive (mine, yours, his), indefinite (all,
which the reader attempts to anticipate each, few, many, some), reflexive (myself,
what will happen using clues from the text herself), relative (who, whom, whose, which,
and prior knowledge, and then confirms that).
predictions as the text is read.
proofreading the act of reading with the
prefix an affix attached before a base word intent to correct, clarify, or improve text.
that changes the meaning of the word.
prose spoken or written language that
preposition a part of speech in the class follows grammatical rules, but does not
of function words such as of, on, and at have a rhythmic structure (like poetry).
that precede a noun phrase to create
prepositional phrases. prosody the feature of expressive reading
that includes phrasing, emphasis, and
prewriting the planning stage of the writing intonation that speakers use to convey
process in which the writer formulates ideas, meaning and make their speech lively
gathers information, and considers ways to when reading aloud.
organize them.
proverb a simple, popular saying that
print awareness; print concepts in expresses a common truth; for example,
emergent literacy, a child’s growing “If the shoe fits, wear it.”
recognition of conventions and
characteristics of written language, pseudonym an assumed name used by an
including reading from left to right and from author; a pen name or nom de plume.
top to bottom in English and that words are
separated by spaces. publishing the process of preparing written
material for presentation.
proficiency level descriptors an
overview of the stages of English language punctuation graphic marks such as
development that English learners are commas, periods, quotation marks, and
expected to progress through as they gain brackets used to clarify meaning and to give
increasing proficiency in English. Includes speech characteristics to written language.
three proficiency levels: emerging,
expanding, and bridging. question an interrogative sentence that asks
a question and ends with a question mark.
project-based learning an extended
process of inquiry in response to a complex realistic fiction a story that attempts to
question, problem, or challenge. Projects are portray characters and events as they
carefully planned, managed, and assessed actually are.
to help students learn key academic
content, practice 21st century skills, and rebus a picture or symbol that suggests a
create high-quality, authentic products and word or syllable.
presentations.
GT10
reference materials resources used when search tools Internet tools used to locate
reading or writing, such as a dictionary, information, such as search engines.
glossary, or thesaurus.
segmentation the ability to orally break
register variation in vocabulary, grammar, words into individual sounds; see also oral
and discourse of a language to meet the blending.
expectations of a particular context
(audience, task, purpose, setting, social self-monitoring a metacognitive behavior
relationship, mode of communication). in which a reader attends to his/her own
understanding of a text by using decoding
Response to Intervention (RTI) integrates and comprehension strategies when
assessment and intervention within a experiencing difficulties.
multi-level prevention system to maximize
student achievement and reduce behavior semantic mapping a graphic display of
problems. a group of words that are meaningfully
related to support vocabulary instruction.
retell to tell a story again (one that is read
or heard), remembering as many details semantics the study of meaning in
as possible. language, including the meanings of words,
phrases, sentences, and texts.
revise in the writing process, to change or
correct a manuscript to make its message sensory details story details that appeal to
more clear. the five senses of taste, touch, sight, smell,
and hearing.
rhyme identical or very similar recurring
final sounds in words, often at the ends of sentence a grammatical unit that expresses
lines of poetry. a statement, question, or command; a
simple sentence is a sentence with one
rime a vowel and any following consonants subject and one predicate; a compound
of a syllable. sentence is a sentence with two or more
independent clauses usually separated by a
root word a unit of meaning, usually of comma and conjunction, but no dependent
Latin origin, that cannot stand alone but clause; a complex sentence is a sentence
that is used to form a family of words with with one independent and one or more
related meanings. dependent clauses. There are four types of
sentences: declarative (makes a statement),
scaffolding temporary guidance or interrogative (asks a question), imperative
assistance provided to a student by a (expresses a command or request),
teacher or another peer, enabling the exclamatory (conveys strong or sudden
student to perform a task he/she would emotion).
not be able to do alone. The goal is to foster
the ability for the student to perform the sentence combining teaching technique in
task on his/her own in the future. which complex sentence chunks and
paragraphs are built from basic sentences.
scene a part of a play, movie, or story
that occurs in a single place without a break sequence the order of elements or events.
in time.
GT11
setting the literary element that includes study skills a general term for the
time, place, and physical and psychological techniques and strategies that help
background in which a story takes place. readers comprehend text with the intent
to remember; includes following directions,
shades of meaning words, phrases, organizing, outlining, annotating, locating,
and clauses that can be used to create and using graphic aids.
nuances or precision in language/writing
and to shape how the message will be style the characteristics of a work that
interpreted by readers and listeners. reflect the author’s particular way of
writing.
sight word a word that is taught to be read
as a whole read, usually words that are subject the main topic of a sentence to
phonetically irregular (or taught before stu- which a predicate refers, including the prin-
dents have acquired the decoding skills cipal noun; a complete subject includes the
to sound it out). principal noun in a sentence and all
its modifiers.
simile a figure of speech in which a compar-
ison of two things that are unlike is directly suffix an affix attached at the end of a base
stated, usually with the words like or as; for word that changes the meaning and the
example, She is like a jewel. function of the word.
stanza a grouped set of lines in a poem. syllable a minimal unit of sequential speech
sounds containing only one vowel sound
statement a sentence that tells something with or without preceding or following
and ends with a period. consonant sounds.
story grammar the important elements that symbolism the use of one thing to represent
typically constitute a story (plot, setting, something else to represent an idea in a
characters, problem, resolution, theme). concrete way.
GT12
synonym a word that means the same theme a major idea or proposition that
(or nearly the same) as another word. provides an organizing concept through
which, by study, students gain depth of
syntax the grammatical pattern or structure understanding.
of word order in sentences, clauses, and
phrases. topic sentence a sentence intended to
express the main idea of a paragraph or
technical text text on a course of practical passage.
study such as engineering, technology,
design, business, or other work-related tragedy a literary work, often a play, in
subject. which the main character suffers conflicts
and which presents a serious theme and
temporal words words and phrases that has an unfortunate ending.
express time, such as first, next, last, and
specific dates. transitional words and phrases (see
connecting words, linking words)
tense the way in which verbs indicate past,
present, and future time of action. Universal Design for Learning (UDL) a set
of principles for curriculum development
text complexity the inherent difficulty of a that gives all individuals equal opportunities
text combined with consideration of reader to learn.
and task variables; in the CCSS, a three-
part assessment of text difficulty that pairs usage the way in which a native language
qualitative and quantitative measures with or dialect is used by the members of the
reader-task considerations. community.
text evidence examples from a text, verb a word that expresses an action or
including words, phrases, and quotes, used state of being that occurs in a predicate
to answer a question about the text or of a sentence; an irregular verb is a verb
support claims made about a text. that does not follow normal patterns of
inflectional endings that reflect past,
text feature print features in text used to present, or future verb tenses. Other verb
organize content and aid in comprehension, tenses include simple, progressive, and
such as titles, headings, charts, diagrams, perfect.
hyperlinks, glossaries, and maps.
verse writing arranged with a metrical
text structure the various patterns of rhythm.
ideas that are built into the organization
of a written work. Common text structures visualizing a comprehension strategy in
include chronology/sequence, comparison which the reader constructs a mental
(compare/contrast), cause/effect, problem/ picture of a character, setting, or process.
solution, and description.
vowel a voiced speech sound and the
text types forms of text used in writing, alphabet letter that represents that sound,
including opinion, informative/explanatory, made without stoppage or friction of the
and narrative. airflow as it passes through the vocal tract.
GT13
vowel digraph; vowel team a spelling writing process the many aspects of the
pattern in which two or more letters complex act of producing a piece of writing,
represent a single vowel sound. including prewriting, drafting, revising,
editing/proofreading, and publishing.
word analysis the process used to
decode words, progressing from decoding
individual letter sounds and combinations
to syllabication to analyzing structural
elements.
writing; composition the process or result *Some of the above definitions provided
of organizing ideas in writing to form a courtesy of the California Department of
clear message; includes persuasive/opinion, Education’s “Glossary of Selected Terms.”
expository/informative, narrative, and
descriptive forms.
GT14