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  • Azul Y Plata: Oboe Marcha de Procesión

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    Edu Navarro Santos
    30 views1 page
    This musical composition is titled "Azul y Plata" (Blue and Silver). The document contains musical notation for an oboe piece, including markings for tempo, dynamics, articulation, and structure. It follows a march-like form and includes sections labeled "Marcha de Procesión" (Processional March) and indications to repeat parts of the piece. The sheet music provides all of the information needed for an oboe player to perform this work.

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    Original Title

    306072982-Azul-y-Plata-Manuel-Marvizon-16

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    This musical composition is titled "Azul y Plata" (Blue and Silver). The document contains musical notation for an oboe piece, including markings for tempo, dynamics, articulation, and structure. It follows a march-like form and includes sections labeled "Marcha de Procesión" (Processional March) and indications to repeat parts of the piece. The sheet music provides all of the information needed for an oboe player to perform this work.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    30 views1 page

    Azul Y Plata: Oboe Marcha de Procesión

    Uploaded by

    Edu Navarro Santos
    This musical composition is titled "Azul y Plata" (Blue and Silver). The document contains musical notation for an oboe piece, including markings for tempo, dynamics, articulation, and structure. It follows a march-like form and includes sections labeled "Marcha de Procesión" (Processional March) and indications to repeat parts of the piece. The sheet music provides all of the information needed for an oboe player to perform this work.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Oboe AZUL Y PLATA M.

    Marvizón

          
    Marcha de Procesión
            
                   
    q=100
        

                  
    mp 5 5 3 3 f 5 5 3 3 f
    3 mf 3
    
           $
     
                     
    10

             
           
       
    mf 3

                                            


    19


                   
    5 f 3
    3 3

                   
    cresc.

                     
    To Coda
            
    28

         
    3
     

    5 ff mf 3 3 5

        
               
              
     
    38


    3 3
       
    f f 3 3 5 3 3
    5

         3   
             
           
        
    48
     3
             
      
    5 mf cresc. ff mf
      
                  
          
           
        

    60

       
    3 3 3 3 f
    mf f mf

             
                 
    D.S. al Coda CODA
        
    70 5
            
         
    
    ff
    3 3 3 3 ff
    mf 3 3 5

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