В комнате цветных пелерин

Beyond The Piano Мария Чайковская

  
                                        
 =170

    
              
      

                                       
8

    

                 


                  
 
          
     
14

    
    
                    
        

            
                                 
21

   
                   



  
           
               
    
30

 
    
 
                     

             
      
36

           

 
           
          
          

41

    
                        
  
      



                                        

48

    
          
            
  

                              
       
 
55

      
         

           


                        
      
     
62

    
    
     
                
        

       
 
          
     
  
69

       
                   
         

               
      
76

                          

2
                           
   
82

 
    



                


               

  
     
87

       
            
                
 

       

       
94

                 

   

                 
  
          
 
99

 
        
             
 

                
       
  
104

  
               
   
      
   

      
 
113

   
  
 
3