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5474 PilladaIngles PDF
5474 PilladaIngles PDF
KED ON
HOO
Published by:
Coordinated by:
Authors:
The authors benefitted from the advice of Carmen Castro (SinGénerodeDudas) and the
supervision of the Government Delegate for Gender-based Violence when producing this
comic-strip.
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HOOKED ON YOU
OLIVIA AND MARTIN'S STORY
CRISTINA DURÁN / MIGUEL A. GINER BOU
It might seem made up, a cautionary tale rather than a true story, or something surreal and far off,
as if real life had nothing to do with the pictures in the comic-strip or the characters with people we
see every day on the metro or bus. But I can assure you that Olivia and Martin’s story is real and the
characters in it aren’t from another planet or a figment of someone’s imagination. The main characters
could be any of those girls or boys you see each day around school or down at the local shopping centre.
People you know, girls who fall for boys who seem lovely at first, but who then start thinking they own
the girl, that she belongs to him…and they stop being lovely and turn violent.
A survey conducted by the Ministry of Equality on teenage girls and boys across Spain shows that
roughly 1 in every 10 girls says they have experienced an abusive situation at the hands of the boy they
are going out with. A little more, 1.3 in every 10 teenage boys, admit to behaving aggressively towards
their girlfriends. So you see, it’s not all that uncommon and it is closer than you think. Maybe you think
I’m exaggerating and you wonder what these guys have done for us to think they have been abusive. I’ll
tell you: these guys themselves admit to, for example, hitting their girlfriends, making them feel afraid,
insulting them or making them look a fool, or they have made them feel that they are worthless. They
have also sent images of their girlfriends or messages with their mobile or over the internet to insult
them or humiliate them...to name just a few of these things. As you can see, this isn’t just kids’ stuff. It
is the complete opposite. These are genuine acts of aggression that form part of the violence suffered
by women, even the very youngest.
This is why it is really important for you to be aware of this kind of violence and understand that it
appears to be the most normal thing, as if it was just a part of being in a couple, or at least part of
being with a particular partner, which means it is justified instead of rejected. What’s more, it is very
widespread as you have seen: remember, nearly 10% of teenagers admit to experiencing it or inflicting
it at some time! It can happen anywhere, forget about poverty, conflict, alcoholism and drug addic-
tion...any teenage boy can inflict it if they decide to do so; it all depends on his will.
And if this is the case, have you ever wondered why so many teenage boys inflict it in all kinds of pla-
ces? This is a good question. If the same kind of behaviour appears in highly different circumstances,
it means there must be something in common to all of them, something that is nothing to do with
whether the parents earn more or less money, whether the family have a higher or lower level of educa-
tion, whether they live in one neighbourhood or another, ...if it was a result of certain circumstances, it
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would be associated with them. Yet it’s not. Being violent to women crosses all barriers and situations
to arise in any couple if that is what the aggressor wants. They all have the same cultural references.
By culture I’m not talking about cultural expression in the form of art, literature, painting or music, etc.
I mean values that our culture gives us to organize how we live in society and the functions and roles
assigned to us as part of these cultural references so we grow up to be “real” men and women. These
values say different things to girls and boys, allowing some boys to feel that they should control “their
girl” as part of a commitment to the relationship so they don’t look bad and his friends don’t think he’s
under the thumb or that she could cheat on him with his friends. And these values make girls believe
that when “their guy” gets tough or tells them not to talk to other friends (whether girls or boys), or tells
them to wear different clothes… he does it for love, because he’s jealous and jealousy means love.
And that’s completely true: he does do it for love, but love of himself, because he is selfish and thinks
he owns her. These values make him think that he is the one who can set limits in such a way that the
relationship adapts to what a culture built by men believes a relationship between a couple should be.
This is how deception occurs, which leads to the most serious expressions of inequality; these include
violence to and discrimination of women, the same as “it’s no time for a girl to be out” or “this place
isn’t suitable for a woman”.
Where there is love, there cannot be violence. And everything that involves imposing, limiting or con-
trolling a girl’s will is violence because it forces her to obey her boyfriend, and because it leads him to
act in a more violent way by means of aggression to correct what he considers to be wrong or feeling
that it is her behaviour that threatens his status as a man.
Putting up with this behaviour doesn’t mean you love him more or that he is more of a man by be-
having like that. The human condition is based on respect for Human Rights. If you find yourselves
in situations like those described in the comic-strip or you know that it is happening to someone you
know, don’t hesitate, hesitation always traps the person suffering from the violence and reinforces the
person being violent as the only thing it does is draw it out over time and prolong the circumstances
surrounding it. Ask questions, raise the issue, call 016, ask for help and give it yourselves like Olivia’s
friends do. We need to build a better society where there is no longer any violence. By taking action
together, we can succeed.
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HEY LOOK OLIVIA, A
PUPPY!
DO THINK IT’S
DANGEROUS, CAROLINA?
YES IT IS...
HI DOGGY...
LARACROF! LARACROF!
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THERE YOU ARE, YOU I’LL TEACH YOU TO
STUPID ANIMAL! OBEY YOUR OWNER……...
OLIVIA! OLIVIA,
HELP ME!
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OLIVIA. OLIVIA!
YEAH, I NOTICED...
YOU SHOULD SEE THE I THINK HE FANCIES ME…... I’VE NEVER FELT THIS WAY
WAY HE LOOKS AT ME….. ABOUT ANYONE BEFORE…...
HA, HA... …I’M OFF, I’VE LISTEN, THE OTHER DAY I WAS IN THE YEAH, YEAH...WHERE YOU LIVED,
CHANGING ROOMS AND I HEARD HIM WHICH CLASS YOU WERE IN, THAT
GOT ART. TALKING ABOUT YOU…... KIND OF STUFF...
YOU DID?
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MARTÍN! YEAH? ISN’T THAT THE GIRL
YOU FANCIED?
OH MY GOD! DID YOU SEE HOW OH MY GOD, I THINK I JUST WENT YEAH RIGHT, THAT’S WELL, SEE YOU CIAO.
HE JUST LOOKED AT YOU? BRIGHT RED…I’M GONNA POUNCE ON HIM NOT EXACTLY YOUR TOMORROW.
TALK ABOUT OBVIOUS! AT THE PARTY. STYLE…...
MUM, DAD, I’M WHO’S THAT I CAN SEE? HELLO LOVE, GIVE ME A
HOME. IT’S MY LITTLE BUDDHA…... OLI... VIAA... HAND WITH YOUR
BROTHER, I NEED TO
START THE SUPPER.
HI SWEETHEART.
SO, HOW FINE, SAME JUST FINE? SO WHAT‘S THAT ERRRR..…. WEEELLLL..….
HI MUM, I’LL GIVE ADRIAN WAS SCHOOL AS USUAL... TWINKLE IN YOUR EYE? I THINK THERE’S A BOY
HIS SUPPER…... TODAY? WHO LIKES ME...
OLI... VIAA...
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BITE THE DUST, YOU ****! THEY’VE KILLED ME AGAIN! ARE YOU STAYING FOR
MINGING ZOMBIE! SUPPER, RICARDO?
WHATEVER... …BY THE WAY THAT OLIVIA? YEAH, I REALLY WELL, THEY’RE ALL
I THINK I’M GONNA TRY SHE’S A FOX... FANCY HER. THE SAME REALLY…...
AND PULL THAT GIRL FROM
SCHOOL…...
I DUNNO... …I’LL TRY AND WHATEVER, BUT DON’T RICARDO’S NOT STAYING, I’VE LEFT A SANDWICH OUT FOR
PULL HER AT THE PARTY SAY I DIDN’T TELL YOU SO: WHAT’S FOR SUPPER? YOU... I’VE ALREADY HAD MINE.
ON FRIDAY…... THEY’RE ALL A PAIN IN THE
NECK.
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OH NO OLIVIA…I... VE JUST HEARD THE GUYS THEY’VE GOT TRAINING AND THEY’RE WELL…... IT DOESN’T
ON THE FOOTBALL TEAM AREN’T COMING…... NOT COMING, SORRY…... MATTER... DON’T WORRY…...
HOW COME?
IT’S OLIVIA,
ISN’T IT?
AND YOU’RE
MARTIN...
HA HA, YOU’VE
GOT THE SAME
NAME AS POPEYE’S
GIRLFRIEND.
THAT’S GOOD IDEA...
AND THE SAME
ONE AS THE GIRL
IN FRINGE…...
?
AM I ON TIME?
DEPENDS...
ON WHAT?
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TWO MONTHS LATER.
I CAN’T, I TOLD YOU … ... THEN CAROLINA TO HAVE A AND THEN I’VE GOT
I’M MEETING AHMED…... LOOK AT SOME OF THE PAGES IN TO PICK ADRIAN UP.
HER COMIC…...
AHA.
HI OLIVIA, HI
MARTIN.
HI SIR.
WHY DON’T YOU COME TO EH... …NO, NO. I CAN’T JUST BUT IF YOU LIKE I COULD COME TUT…... DOES YOUR
TRAINING AND WAIT FOR ME? NOT MEET THEM. AND MEET YOU WHEN I’VE BROTHER HAVE TO
PICKED ADRIAN UP…... COME?
SPEAK LATER...
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SO WE’VE GOT A TRIANGLE SO A DIVIDED BY SIN A EQUALS B DIVIDED
WITH ANGLES ABC, RIGHT? BY SIN B, WHICH EQUALS…... OH, THERE
ABC. GOES MY MOBILE AGAIN.
MISS U...
NOT AGAIN!
HE’S A PAIN
IN THE
NECK MORE
LIKE...
YEAH, IT’S STOPPED WHAT? YOU WHAT ABOUT NO, NO IT’S NOT THAT…... WELL, ALRIGHT THEN…... I’LL LET
RAINING…... MEAN RIGHT CAROLINA AND... IT’S JUST I DON’T WANT THEM KNOW I’M NOT COMING…...
NOW? AND... ADRIAN ? TO CHANGE PLANS AT
THE LAST MINUTE.
TAP, TAP,
TAP, TAP.
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THAT WEEK...
I CAN BRING THE HI GUYS,
DRINKS…... WHAT’S UP?
HI BABE, WHAT KILLING ZOMBIES, WE’RE GOING TO THE ON SATURDAY? I’VE GOT A
ARE YOU DOING? WANNA JOIN ME? BEACH THEN THE CINEMA MATCH ON SATURDAY...
ON SATURDAY...
COURSE! AS IF YOU
NEED TO ASK...
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WHAT’S THE IT’S JUST, FOR GOD’S I’VE ALREADY TOLD THE
MATTER? AREN’T SAKE OLI, YOU MAKE GUYS YOU’RE COMING…...
WE PLAYING EVERYTHING SO COMPLI-
ANYMORE? CATED…...
I’D REALLY LIKE YOU
TO BE THERE...
WELL, YOU COULD HAVE AND BY THE WAY... CAN YOU YOU’RE KIDDING,
ASKED ME FIRST. DO YOUR TOP UP A BIT? I RIGHT?
CAN SEE EVERYTHING...
OH.
WHAT’S THE
MATTER?
IT WAS OLIVIA...
GUESS WHAT? WELL, IT’S NORMAL…
THEY’VE GOT BET-
SHE’S NOT COMING TER THINGS TO DO! OH PEDRITO, YOU’VE
ON SATURDAY. GOT A ONE TRACK
MIND.
KNEW IT!
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THIS ONE’S NICE,
MUM.
TH...THAT ONE?
YES, WHAT’S WRONG WHY DO YOU SAY IT’S JUST AS YOU ALWAYS WEAR SHORT
WITH IT? DON’T YOU YES, YES I LIKE IT… I’M JUST SKIRTS, I’M NOT USED TO SEEING YOU
LIKE IT? SURPRISED YOU DO. THAT? IT SUITS ME. WITH SUCH A LONG ONE…...
SKIIIIIIIIRT...
OOO... LI... VIAA.
WELL MUM, I’M OLD ENOUGH WHY DON’T YOU STOP NO DARLING,
TO WEAR WHATEVER I LIKE, TREATING ME LIKE A CHILD? IT’S NOT THAT…...
AREN’T I?
I’M OFF.
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HERE, YOU CAN I’M GOING FOR A
HAVE MY GO…... WEE.
WHAT!?
CAN’T YOU EVEN DO THAT FOR US?! JUST YOU LISTEN IF I TELL YOU TO BRING US A DRINK,
WHAT’S UP? TO ME…...! YOU BRING IT AND THAT’S THAT!
YES, IF I WAS GOING DOWNSTAIRS,
BUT I’M NOT, SO YOU CAN DO IT...…
YOU’RE KIDDING,
RIGHT?
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THE NEXT MORNING AT SCHOOL…...
LOTS OF PEOPLE ARE IN A SITUATION OF AND REMEMBER THAT YOU HAVE THE RIGHT TO THERE’S ALSO THE
RISK AND THEY DON‘T REALISE IT... REPORT IT, TO REQUEST A RESTRAINING ORDER AND 016(*) HELPLINE AT
TO RECEIVE INFORMATION ON LEGAL PROCEDURES... YOUR DISPOSAL. I’LL
LEAVE YOU A LEAFLET…...
OK, PLEASE THANK THE I’M IN A HURRY... THANK YOU VERY MUCH,
SPOKESWOMAN FROM THE VIO- IT WAS A PLEASURE…...
LENCE UNIT OF THE EQUALITY
MINISTRY FOR HER TIME.
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DO YOU LIKE CAROL? YOU HAVEN’T
IT? CALLED ME THAT FOR AGES...…
SINCE WE WERE LITTLE...…
DO YOU REMEMBER
THAT PUPPY?
LARACROF!
CAROL, THIS IS
AMAZING... HOW COULD I
FORGET?
YOU’RE
PUSHING US
AWAY, YOUR
AHA... FRIENDS...
BUT OLIVIA...
WHAT’S THAT
SUPPOSED TO
MEAN?
PFFF...
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... …AND WE
THRASHED THEM…...
HA, HA, OH MY
GOD!
HI BABE, WHAT’S UP? IT’S BECAUSE OF ME, ISN’T IT? BECAUSE OF THE DRINK
YOU LOOK A BIT DOWN... THING THE OTHER DAY…...
IT’S NOTHING...
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THAT WEEKEND OUTSIDE THE LOCAL BAR...
OLIVIA? FANCY COMING
HIYA. HI CAROLINA, FOR A DRINK? WE’RE
HOW’S IT GOING? ALL HERE...
HEY, ISN’T AH, OK...
THAT MARTIN?
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UHM…... SHE’S NOT COMING...… AND, JUST LISTEN TO SHE’S EXPECTING MARTIN TO RING
SHE’S GOT TO LOOK AFTER HER THIS BIT…... AFTER THE MATCH!
BROTHER AND SHE’S STAYING IN
TO REVISE…...
LET’S FOLLOW THEM TO UHM…... BETTER NOT, ... ANYWAY WE’VE GOT TO REVISION
FIND OUT WHAT THEY DO, CAROLINA. WE DON’T WANT TO DO…...
OK GUYS? ANY TROUBLE…...
WELL, I’M GONNA HMMM, WHERE COULD THEY HAVE GOT TO?
FOLLOW THEM...
COME ON THEN IF
YOU THINK YOU’RE
HARD ENOUGH!
OH MY GOD!
LET’S SEE
WHAT
YOU’RE
MADE OF..
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SUNDAY EVENING.
HEY, YOU’VE GOT A MASSIVE
BRUISE ON YOUR RIBS...
HAVE YOU
THOUGHT ABOUT
WHAT I SAID?
ABOUT KILLING
ZOMBIES?
NO STUPID, ABOUT
TAKING IT FURTHER…...
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I’VE BEEN WAITING FOR MON- WHAT WE’VE GOT IS SPE- THE OTHER DAY I SAW YOU OH THAT? THAT’S NOTHING,
THS, I CAN’T WAIT FOREVER…... CIAL, YOU’LL NEVER FIND FOOLING AROUND WITH SOME IT’S NORMAL FOR GUYS TO
ANYTHING LIKE IT…... GIRLS... FOOL AROUND...
YEAH, BUT YOU DON’T LET …... AND IF THEY DO YOU SPEND AGES NOT
ANYONE GO ANYWHERE NEAR ME... SPEAKING TO ME AND YOU GET IN A SORRY, BUT IT’S STUFF
RIGHT STROP…... I’VE BEEN WANTING TO
TALK TO YOU ABOUT
YOU’VE DONE IT AGAIN! YOU’VE FOR A WHILE...
CHANGED THE SUBJECT AGAIN!
STUFF? IS THERE
ANY OTHER STUFF?
YES, BUT
DON’T GET
CROSS…...
I DON’T KNOW…... I JUST DON’T LIKE HIM…... HIS FAMILY HAVE PROBLEMS AND I KIND OF
YOU ACT DIFFERENTLY WHEN YOU’RE LOOK, RICARDO’S LIKE
WITH HIM. A BROTHER TO ME…... FEEL RESPONSIBLE FOR HIM…...
HE ISN’T A GOOD
INFLUENCE…...
HE ISN’T A GOOD
INFLUENCE? YOU
SOUND LIKE MY OLD
WOMAN!
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COME ON MARTIN,
DON’T BE LIKE
THAT…...
WHAT’S THE
MATTER?
CAROLINA!
EH, EH...
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CALM DOWN CALM DOWN?! MY FOLKS AND JUST WHEN I’D SORTED
WHAT THE **** DID YOU OLIVIA... ARE PACKING ME OFF TO MY HOLIDAY OUT WITH
TELL MY MUM AND DAD?! IRELAND FOR THE WHOLE MARTIN…...
SUMMER!
YOU’RE RIGHT, I’M SORRY,
I SHOULDN’T HAVE GONE
TO YOUR FOLKS…...
HEY, THAT’S OUT YOUR PROBLEM IS IF EVERYTHING’S SO GREAT WITH HIM, LAST SATURDAY? THEY
OF ORDER... THAT YOUR’RE WHY DON’T YOU ASK HIM ABOUT LAST WERE PLAYING AWAY…...
SO JEALOUS YOU SATURDAY NIGHT?
CAN’T STAND IT. ARE YOU SURE ABOUT
THAT? WHY DON’T YOU
ASK HIM?
YOU’RE JUST NOT YOU’RE...… YOU’RE LIKE THAT THAT’S WHAT YOU’RE
THE SAME ANYMORE LITTLE DOG THAT LOOKED LIKE WHEN YOU’RE WITH GO TO
OLIVIA, YOU’VE LOST SO FRIGHTENED AT ITS MARTIN…... HELL!
YOUR SPARK…... OWNER…...
NO WAY IS THAT
LOVE...
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WHERE R U? AT FTBLL, WHY? WHAT HAPPENED LAST SATURDAY
NIGHT, MARTIN?
EH?
WHO’S
GRASSED?!
THAT’S NOTHING TO
SO IT’S TRUE THEN? DO WITH YOU…...
I SEE, THE BRUISE WHY DIDN’T YOU WHAT’RE YOU TALKING DO YOU THINK THAT’S GOT
WAS FROM THE FIGHT…... TELL ME? ABOUT? TO DO WITH BEING A GIRL?
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LOOK I’M GETTING FED UP NOW TELL ME WHO WHAT’RE YOU GONNA DO?
WITH YOUR NONSENSE…... GRASSED! SETTLE A SCORE WITH ME?
WELL IT WON’T BE BECAUSE YOU DON’T TELL ME, WHO RAQUEL? THE PAKI?
DESERVE IT…... WAS IT? WHO TOLD
YOU?
CAROLINA?
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“YOU’RE LIKE THAT LITTLE DOG THAT CAROL...
LOOKED SO FRIGHTENED AT ITS OWNER”
MARTÍN, NO!
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HUH!
I’LL DEAL WITH YOU LATER... YOU CAN STAY WITH YOUR WEIRDO?
WEIRDO FRIEND…...
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ARE YOU ALRIGHT,
CAROL?
YEAH, AND IT
LOOKS LIKE
THEY’RE ARGUING.
HE WOULDN’T DARE WITH
ALL THESE PEOPLE AROUND.
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YEP, COME
LOOK, I THINK ON...
MARTIN’S LEAVING...
HOW ARE FINE, FINE… I BROKE ... FOR GOOD! AND LOOK AT YOU! NOT A WELL, I’VE DONE ALL THE
YOU? UP WITH HIM...… SINGLE TEAR! CRYING I NEEDED TO…...
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HELLO
I’LL GET IT... CAROL.
I’VE GOT SOMETHING FOR WHAT IS IT? I’M NOT IN TRUST ME…... OPEN IT OLIVIA! BUT HOW?
YOU... THE MOOD FOR ANY MORE AND YOU’LL FIND OUT…...
SURPRISES…...
THE END
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Survey on Equality and Prevention of Gender-based Violence in
Adolescence at:
www.mspsi.es
www.lagruaestudio.com
www.unaposibilidadentremil.com
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HOOKED ON YOU
OLIVIA AND MARTIN'S STORY
“It might seem made up, a cautionary tale
rather than a true story, or something su-
rreal and far off, as if real life had nothing
to do with the pictures in the comic-strip
or the characters with people we see every
day on the metro or the bus. But I can as-
sure you that Olivia and Martin’s story is
real and the characters in it aren’t from
another planet or a figment of someone’s
imagination. The main characters could
be any of those girls or boys you see each
day around school or down at the local
shopping centre. People you know, girls
who fall for boys who seem lovely at first,
but who then start thinking they own the
girl, that she belongs to him…and they
stop being lovely and turn violent...”
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