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Case study 2.

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Case study 2.1


Mother London
NICHOLAS KINNIE AND LOUISE HOPPER5

Background and drive their relationships with employees and cli-


ents. These values are:
Mother London is a creative organisation employing
around 280 people and part of Mother Holdings, which •• Produce high quality creative output;
has 20 companies with around 700 people including •• Have fun;
freelancers. Established in 1996, Mother works with •• Make money.
around 40 clients, including a number of high-profile
brands. It is independently owned by its seven part- Ways of organising
ners who include the three founding partners. Mother’s Mother have a distinct way of organising and working
main outputs are producing commercials for television, with clients which is unlike other creative and adver-
and cinema as well experience events and some online tising agencies. In many other agencies there will be
output. Not experienced an experience event is the a group of staff known as Account Handlers or Client
actual term – highly participative marketing events. It Services (sometimes referred to as the ‘suits’) which
has also developed creative ideas in addition to tradi- act as the ‘go-between’ between the creative staff (the
tional advertising including an award winning feature T-shirts) and the client representatives. Mother has
film, graphic novels and various ‘house projects’ such dispensed with this group preferring that their creative
as the ‘uncarriable carrier bags’. It has an extremely staff, their strategists and their producers have direct
high reputation for its creative output and was recently contact with clients.
voted Agency of the Decade by Campaign magazine.
Ways of working
Core principles Mother is characterised by a highly collaborative
Mother is characterised by a series of core principles style of working which involves both specialists and
which reflect the beliefs of its founders and have a pro- non-specialists being involved in the creative process.
found effect on how it is managed and structured and In particular, there is a high degree of flexibility and
the relationships it has with its employees and clients. permeability between the various skill groups. Staff
often perform multiple roles and will move frequently
Quality of creative output between different teams. Moreover, a problem-­solving
Copyright © 2016. Pearson Education Limited. All rights reserved.

Creativity is the essence of Mother. The quality of the cre- approach is adopted which often involves multiple
ative output is at the heart of everything that Mother pro- solutions being developed of which one is selected.
duces. In the words of one of the founding partners, ‘it’s
what comes out of the door that matters’ while another Joint ownership of creativity
senior manager said ‘Mother stands for creativity’. Since In an industry which is often accused of pandering to
its foundation, Mother has become the destination brand the highly individualistic prima donnas who build per-
for creative people who are attracted by the opportunity sonal portfolios at the expense of others, Mother pro-
to work alongside people who have a high reputation for motes joint ownership of creative output. Rewards and
creativity and to work with well-known clients. recognition are attributed to Mother collectively rather
than to individuals.
Holy Trinity of values
This emphasis on the quality of output is reflected in Brand teams
what is referred to as the ‘Holy Trinity’ within Mother – The brand teams are at the heart of the creative pro-
essentially a statement of values which underpins how cess and are responsible for running campaigns and
they work. It is these values which set their priorities managing relationships with clients. These teams are

5
Group Head of HR, Mother Holdings Ltd.

Wilkinson, A., Redman, T., & Dundon, T. (2016). Contemporary human resource management : Text and cases. ProQuest Ebook Central <a
onclick=window.open('http://ebookcentral.proquest.com','_blank') href='http://ebookcentral.proquest.com' target='_blank' style='cursor: pointer;'>http://ebookcentral.proquest.com</a>
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60 CHAPTER 2  HUMAN RESOURCE MANAGEMENT AND ORGANISATIONAL PERFORMANCE

dedicated to a particular client, brand or campaign and Human capital


are typically composed of (see Figure 2.5): The core principles of Mother mean that they are com-
•• Creatives – these include copywriters, art directors pletely reliant upon the quality of their human capital for
and Creative Directors; their success, indeed they can be said to adopt a ‘tal-
•• Strategists – who are responsible for the develop- ent- or people-centric approach’. The staff themselves
ment of strategy; have very high reputations in the industry built up over
•• ‘Mothers’ – who coordinate the team activities; many years and they are highly skilled and experienced.
•• ‘Nannies’ – who manage the relationships and They tend to employ staff who have gained some expe-
logistics of the team. rience elsewhere and are attracted to work at Mother
These Brand Teams then work with a series of internal because of the people who already work there. In the
and external parties in order to produce work for clients. words of one senior manager, ‘they need to have a
These include the television editing suite, Finance, HR and passion for creativity, they need to be inquisitive, be up
Office Management, each of which has a Discipline Head, for a challenge, have an edge about them and a con-
and with a whole set of external television producers. viction about what they do’. However, they also need
However, it is the way Mother works with clients which to be ‘tenacious and get stuff done. They need to be
is particularly distinctive. Members of the brand teams right and left brain people. And although they need to
work alongside the client representatives to focus on the be ambitious – they also need to have humility.’
problem; they see the client as part of the solution to the
shared problem rather than the problem. In the words Social capital
of one senior manager ‘our way of working is designed The core principles and especially the ‘Holy Trinity’ of
to work with the client rather than for the client … agen- values mean that the culture of the organisation plays
cies are often seen to be at the beck and call of clients, a key part in Mother’s success. The fit with the organi-
whereas we are not afraid to turn around and say no’. sation culture, which gives priority to creativity, is abso-
lutely essential; in essence this commitment is the glue
Forms of capital that holds Mother together. Without this it would be
We can consider the key resources, or forms of capital, impossible to convert the knowledge, skills and expe-
upon which Mother draws to develop its creative out- rience of its staff into valuable client outputs. The result
put. In particular, we can consider their human, social is a high level of emotional attachment to the work
and organisational capital. produced.
Copyright © 2016. Pearson Education Limited. All rights reserved.

The problem

Figure 2.5  Ways of working with clients


Wilkinson, A., Redman, T., & Dundon, T. (2016). Contemporary human resource management : Text and cases. ProQuest Ebook Central <a
onclick=window.open('http://ebookcentral.proquest.com','_blank') href='http://ebookcentral.proquest.com' target='_blank' style='cursor: pointer;'>http://ebookcentral.proquest.com</a>
Created from nottingham on 2020-10-08 02:15:53.
Case study 2.1 61

Organisational capital The internal allocation of creative staff is made by


The structures, procedures and processes also reflect the Head of Creative Resource in collaboration with the
the core principles of Mother. The organisation struc- Partners. The task here is to balance the needs of
ture itself is relatively flat with only three levels, but the employees for interesting and challenging work
more importantly there is a high level of interaction and the clients who want to work with the best possible
between the partners and more junior staff. One dis- staff. Senior staff is very aware of the risk of their best
tinctive characteristic is the way in which staff is phys- staff being poached by competitors.
ically located. Not only is the work space open plan
Training and development
but many staff are not physically located within what
in a more traditional organisation would be their func- There is a mix of formal and more informal training
tion or department. The Head of HR is just as likely to opportunities. Although a budget is set aside for for-
be sitting next to a Creative as someone from Finance. mal training for each employee there are no formal,
Moreover, staff is rotated between their allocated routine training programmes. Instead, bespoke train-
spaces every eight weeks to allow a wide range of rela- ing is arranged for employees as needed. Much more
tionships to be formed and contribute to the develop- emphasis is placed on the opportunity for relatively
ment of social capital. junior staff to work alongside much more senior staff.
Employees learn by working with other experienced
People management practices people, by being challenged by new creative tasks
People management responsibilities are shared and from clients. In particular, great care is taken to
between three groups of staff: Discipline Heads; the identify the training and development needs of indi-
HR team and the Partners. These practices make a vidual staff. One of the resource managers said,
direct contribution to the success of Mother. ‘I take great care to find out what they want to do,
what are their aspirations, do they want to write a
Resourcing book or a blog?’
External recruitment is mostly in the hands of each
Performance management and rewards
Head of Discipline who work with the Partners to
identify suitable staff. Although some use is made of There is an annual system for appraising perfor-
agencies, most newcomers are recruited through the mance to be carried out by the line managers. This
extensive personal networks of senior staff. The selec- meeting involves discussion of the previous year’s
tion process involves the Heads of Discipline and the performance and changes to the reward package.
Partners with most emphasis placed on the applicant’s However, any changes in salary have to be approved
portfolio of work. A cultural fit is also extremely impor- by one of the Partners. The benefits package is very
tant and considered when hiring. The HR team deal strong with very good provision for insurance and
with the unsolicited applications and internships. time off.
Copyright © 2016. Pearson Education Limited. All rights reserved.

Questions for discussion


1 In what ways have the different forms of capital contributed to the success of Mother?
2 Explain the role of people management practices in supporting these forms of capital.
3 What risks and problems might Mother encounter in the future in the people management area and how
might these be overcome?

Wilkinson, A., Redman, T., & Dundon, T. (2016). Contemporary human resource management : Text and cases. ProQuest Ebook Central <a
onclick=window.open('http://ebookcentral.proquest.com','_blank') href='http://ebookcentral.proquest.com' target='_blank' style='cursor: pointer;'>http://ebookcentral.proquest.com</a>
Created from nottingham on 2020-10-08 02:15:53.

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