— KEYBOARD 1 / CONDUCTOR SCORE — Book by JON HARTMERE and DAMON INTRABARTOLO Music by DAMON INTRABARTOLO Lyrics by JON HARTMERE bare received its world premiere at the Hudson Mainstage Theater, Hollywood, CA on October 14, 2000. Produced by God Help! Productions (Danny Feldman, Eric Anderson, Daniel A. Miles, Damon Intrabartolo & Kristin Hanggi), John Ottman & Donnie Land Directed by Kristin Hang Orchestrations by Deborah Lurie Music Preparation by Christopher Deschene and Brian Benison Theatri@al Rights WORLDWIDE 1359 Broadway, Suite 914, New York, NY 10018 866-378-9758 toll-free 212-643-1322fax www.TheatricalRights.com The materials contained herein are copyrighted by the authors, are not for sale, and may only be used for the single specifically licensed live theatrical production for which they were originally provided. ‘Any other use or duplication is strictly prohibited by law.EYBOARD I bare 1. — Epiphany (CUE.Music begins as processional commences Calmly (d= 120)KEYBOARD | [7], WY TANYA, AND DIANE: In no = mi NADIA, RORY, AND KYRA: i In no - mi PETER, MATT, AND ZACK: a In no = mi LUCAS AND PRIEST: In no = mi WARM CHURCH ORGAN: pe pa ts B pa Et EpiphanyKEYBOARD 1 3 J. Epiphany Pate solo —— ‘ [yp] PRIESTT wanto welsome you a bak: hpe shar Chisanas was ie of gato fron and your fein (on") eS S| Feast ofthe Epiphany. the celebration ofthe arrival of he dhee wise me fo pay hominage tothe baby PRIEST (cond): "Today is lyon faith. (cont) Jess. [wan you to imagine what he journey must have Been like, journey resting enKEYBOARD 1 PRIEST (contd .. that they would know where they were going once they arived. Imagine what joy itmasthave been. {or them to have finally reed their destination. Seniors, You are coming to an end of four yeas at St Ceci’ (cont'd) poo ee a E PRIEST (cont'd: "You have live together, studied together. and, most immportany, prayed together. Strength forthe journey. ‘Weregin now inthe name ofthe Father. the Son and the Holy Spirit (contd) PRIEST (contd): "Let us take a moment now toll to mind those tin Te when we've fallen frmo Gods Grace. confess." PETER, IVY, NADIA, MATT, LUCAS, TANYA, DIANE: "To lnigh’y God ed 199 though my ow fl. In my hovahis ae my wor in bat bave dans sd in what ae alle snges ad aint and you my bebe and iste > <= my brothers and sister, tht Ihave sinned do. And Ik the Blssod Mary ever Vig,KEYBOARD 1 —5 1.~ Epiphany (Prayer fades out except for PETER) PETER: To pray (or me othe Lord our God.” Se [=] Faster (J=150) j prey tr him—— fpr the Lond Ole Ky One of these boys— just aint like the oth-ers, Loves his fe - male sing -KEYBOARD I 6 1.~ Epiphany Looks 2 - round—— in gym— It ples = ses him ! Thoughts en slave him, Comet to ay save him. Thoughts ‘Cuz he knows that he — tak - ing chan-ces he knows that 7 =o Tt SS ro - mance—— is doomed. He sac-ri - fice his1. = Epiphany KEYBOARD 1 Heavy = [mo] deep and save your soul Grave mistakes will take £ will take — ur soul Grave mis-takes Dig down deep and. save theie isomer ed in their coll — Ev.KEYBOARD 1 8 1. Epiphany % more dodgKEYBOARD 1 o— path ‘And your moth ~ er how she will suffer Will your Fath - er broak— ae you were a force. &i- vorce.KEYBOARD 1 —10— shep ~ herd, shep = herd you drag there with you? un = sure n y change his mind, = |KEYBOARD 1 =H 1. ~ Epiphany BLL Life | Life is choi - ces by our voi - oes Grave mis-tokes—— will take tol. Ev - ty sin is - —,.~ ~ a — Grave mis-tokes—— will take.KEYBOARD 1 Heavy - en comes— 2 2 ae Heav - en comes. 7 does = wit more dodg - 2 2s more dod, Goda ee rect eve pine, 1.~ EpiphanyKEYBOARD 1 Bo 1. ~ Epiphany = ly spar = row, The road is long—— the . = row, The road is long—— the pat CLAIRE: “Our 3 reading today.” (continued) CLAIRE (cont "isthe sory ot how despite the best effors of singe mothe, child can go hohe wrong” PETER: "Morn." CCLAIRE:"For his eich birthday Peter asked ne for an Easy Bake Oven his fther asked for divorce (continued) CLAIRE (cont)"To me, the lnk Between these wo evens was us tong as Pete's atracton to my makeup table." continued)KEYBOARD I 14 1. Epiphany CLAIRE (cont'd Ye set hin to boarding school, thinking it might help, but when he mt hs roommate Jason, the two of." (continued) CLAIRE (cont) Locked eyes and I sid to myself, ‘Claire, you wamed grandchildren, and instead you're going o get ambiguous Christmas cards fiom South Beach.” Slightly Slower «d=<136) DIANEPeaton sn siping or cory ty, Naber 78," Bek Anon Us a= mong us. He must be + eee children, ten takeoff their —_elothes, A mong us. There'sKEYBOARD 1 —15 1 Epiphany Ge bboy with - sionce who's CLAIRE: (cont'd) "Pure cockamamy that this isn'ta choice. Don't do this to." ime, Peter." peace of the Lord be with you al = ways. Let us with you.KEYBOARD 1 16 1.~ Epiphany offer cach oth-er a of Christ's peace fon - ly say the wor}KEYBOARD | 0 1. ~ Epiphany 202 stat with just aKEYBOARD I ~ 18 — — Epiphany spo ken PETER:"Mom, what i it? Ivy? Nadia?” Matt (J=s0)KEYBOARD 1 —19— 1.~ Epiphany | Tim = 0 = thy, Ro = mans, Co + rin - thi - ans, Le = vit = i = ems, flow voicing) / Hate the sin - nen, Hate the sin tin = thi = ans, in = thi ans,KEYBOARD 1 —20— 1.~ Epiphany A= bom =i = Ae bom O-ver-dose sin a joke. Too much is a co-ma, breath-is' slow ‘til ya choke! So care and par-ty har-dy a-ware. I int drag-gin’ your ass home. If you fail to be-ware and it's all for fan— but in the back of your mind re-mem-ber rule num-ber 1, son, 1KEYBOARD 1 88 know you know X, but this shit's got i's lim-its MATT: What time? ycas, 6.— Wonderland play-ah, but play Play the game, TANYA: "Come on, il be fan, MATT: We would have to Ieave— by nine Hf / COMPANY: ad lib. excitement at Mat’ decision, MATT: Ab-right rlKEYBOARD 1 —s9— Bare 7. —A Quiet Night At Home NADIA2"Oh thank God. Ihav decoy S20 Ur belly baton For hoor.” IVYe"Does it Took good? 1 don’t have the advantage (0 d0 of it being Way out in font of me.” iano (Solo) * ded oe fu know. Ive noticed some of ry clothes are missing. NADIA:*Yeah, [thin we've all noticed that" MATTT!"Ready, ladis?”."Wow.ar you performing?” IVY? "If you'r chy [MATT="What do you mean? NADIA“ pot going." [NADIA:"I mean no. Fucking go alreadKEYBOARD I —90— 7.-A Quiet Night At Home NADIA:*Said the whore, uncharactersticaly." NADIA: SS = so dqui-et night at hore. Si-lent nigh. joy 10 pass—— a qui-et night. et night at-home, All my fiends are gone——— and # == eo —+ = ee +KEYBOARD 1 qui-et night at home, A Quiet Night At Home just me and my good shep-herd Ss SS can count a mil-lion sheep qui-et night at ~home,— Pr filling up the time il fine = moth - e's wor-ried —glan quiet night atKEYBOARD I 2 A Quiet Night At Home take my hand, a = S e elk of ships and princes Sooth-ing sa-gas laced with lov-ing lies me eight at + Tite place. Slim down, dear,KEYBOARD 1 93 7.-A Quiet Night At Home = things will change. —— For after all youve such a ui et night ee play my si - ren song at ~ ing none my ship just won't come Cling - ing Neveen, —ev-er, even to =A Quiet Night At Home KEYBOARD I oa Pass - ing ‘Tear = ing through 8 bun = St ‘poco dim ait (uu crossed Life is lived on Sink - ing,KEYBOARD 1 ~A Quier Night At Home +e dane = ine Nev er asked why then, Far t00 cleveer Big. gir, Big. girl re = — Ship and_prin-ees. All gone bome. A= lone a-gain aKEYBOARD 1 96 — 7.—A Quiet Night At Home qui-et night at home vo = = — —— With tmoughts of why, A qui et night get = ting—KEYBOARD 1 —97— bare 8. — Rolling eas] -KEYBOARD 1 98 4. Rolling ECF 3 MATT: , what's wrong, with her?” LUCAS: he's falling out, Shel be fine. Tl take her outside."MATT: "No, I got it" we= Rolling KEYBOARD 1 - 99 — ‘eeling it?" PETER: "I did't take it 1 don't need it.” Lets get some ait o PETER: "Why cant you kiss me inside?” © powED GLASS + VOX PAD c A 2KEYBOARD 1 100 — 9. — Best Kept Secret Jews (As music starts) JASON: "needed some si" PETER¢ "I heard you" bare “OTT le DTT PT 7 2 . 7 A 12 Time Feet JASON: 1 know this world can have a place If we can try to find a errs 7 that time will vrsersicetr.KEYBOARD 1 —101- 9, — Best Kept Secret In a fan-taesy 1 dream @-wake- ft re-acli-ty is give and take Dd 5 eet SI ale You take what you can give time a chance to weit un-Gl the world is fast asleep TI wipe a-way the doubt — Bhea9D and show you why we keep the best kept we:KEYBOARD 1 — 102 9. ~ Best Kept Secret e-ver want is there in your eyes, ‘They tell me Tm al-right and wy Te 1 al-ways We whis per words when we're a- fi |i | oe at night want to hear them in the mor = ning light Mmm eo 5 2KEYBOARD 1 103 9. ~ Best Kept Secret And with Jove on our May-be weld be al Pro Be + neath mil = lion stars there's I look around — to-night Beaaa9/D JASON: ‘and won-der why we can't ihe best keptKEYBOARD 1 — 104 9, ~ Best Kept Secret | Faster Rock Feel (2 PETER: 155) Did-at you see— there cared? A thou-sand pea - JASON: to what? = ple saw us dan-cing there you have to give the world chance... A chance | ee en eee toe go back to school _KEYBOARD 1 9, = Best Kept Secret | _ just think it through. 1 think it through and you just JASON: fe Youre such 2 co-wardt —And_you're Pane eal PETEI You know we can't go on c= ver this way All this for -e ver can't you “, TR PETER: 3, L . Fes ——— = r= aS eo ¥ T [ live for to = day? We have to gow wp wp LeKEYBOARD 1 106 — 9. ~ Best Kept Secret There's so much more Ws best kept Bh Abed 4 PETER:'I love you, son." qa Je CUTTY en, *KEYBOARD I —107— bare 10. — Confession NN Fast Rak (d= 166) DIANE, Ivy. TANVA: VGA, NADIA Were do-ing time incon We the sac - ra-ment—_ of op-pres + ZACK, ALAN: Were do-ing time incon -fes — Ws the sae ra-ment_— of op-pres - We're do-ing time in con-fes - sion Its the sac - ra-ment—_ of op-pres - e757 reed for for-give - ness sion — We have no _—— Be-cause We have no need for for-give - have no need for forgiveKEYBOARD 1 shit's shits none of his bus sli’s none of his bus ALAN: times 1 don't —108— ZACK — y fin - 1 got nailed s0 high 10. ~ Confession 1 fainted my itl ~ friend, rr 8 - Lucas: KYRA: Zz = ——————— —$$$=+ é SS = 2 1 took some ex = tra Ny ~ quil To Blinked and it, was 0 ~ verKEYBOARD 1 — 109 10. ~ Confession DIANE WY, TANYS RRA NADIA : 1 swear with all my might 1) sin no more Tm sory Lord_— ZACK, ALAN: [2] Were doing time in con-fes = sions the poor_man’s Were doing time in con-fes - sion Ws the poor man's th a> py ses Were, doing time in con -fes sion It’s the poor man's ther-a- py. ses = >KEYBOARD 1 no 10.~ Confession We ave no need for for gi need for forgive ness Be-cavse = sion We have no need for for give ness, Be-cause shi’ none of bis shits man should mind bisKEYBOARD 1 1 10. ~ Confession ALAN: RORY: KYRA: gave me nine "Hail, Masy's” encty five "Out Fathers.” This is 90 ar- bite don't think God in ten-de: sion to be sea-ry DIANE AVY, TANYA! RVRAAADA Say that you for - give me, Lord. Were do-ing time in con -fes ZACK, ALAN; : Say that you for - give me, Lord Were do- ing time in con - fes Lucas: Sty the yous fer give me Lond Were do- ing time in con-fes -KEYBOARD I We have nz Where wee work - ing Where we're work - ing no need for for-give no need for ‘no need for for - for give give 10. ~ Confession ‘out some ag gres cout some ag- eres out some ag ares Be-cause shi's none of Be-eause shits none of shits none ofKEYBOARD 1 —13 10. ~ Confession Our none of his bus ness. HT, — none of his bus none of his bus ‘ness! sionals, the PRIEST is seated center) Ballad (J=150) (PETER and MATT sp into adjoiningKEYBOARD 1 4 10. ~ Confession fs] the church wrong? some-thing that you 2 guinst Jaw, do you Some-thing that you saw. against the Taw,KEYBOARD 1 8) ob us— 10.~ Confession | The chur - chs Ques = tions of bare teach-ings come doc = tine ore from sil cen = erie of st. vee chuch is nev ~ er but if you wrong nev = er find your - selfKEYBOARD 1 —16— 10. ~ Confession 79 (d=355) PETER/MATT!"No, father” PETER: IVY: Hesr my voice. KYRA: TANYA: real ~ ly hear. me? T dont think you see——_me.KEYBOARD I —17- 10. ~ Confession ZACK: © Did you real = ly hear me? you real = ly know 1 think you know me, NADIA: Hear my voice. —KEYBOARD 1 —118— 10.~ Confession — Bomvab Ab Bhab abKEYBOARD 1 — 9 — bare 11. — Portrait of a Girl (d= 143); CHANTRLLE:'OK Let's just ry to put yesterday srehearsal behind us, New day, new attitude, thre, four.” = maxo ps as PETER/MATT/LUCAS/JASON/Z.ACK/ALAN/ "YINADIATKYRA/TANYA: (CHANTELL cople, your frst note isa C-natural.” fair Ve = ron where we lay our sceneKEYBOARD 1 20 11. ~ Portrait of a Girt CHANTELLE:" Ain't nothing natural about what you're singing." PETER/MATT/LUCAS’JASON/ZACK/ DIANEJRORY/IVY/NADIA/KYRAUTANYA: From an = cient grudge break 19 new (CHANTELLE: "That's it! There's bad and then there's whatever yall are doing.” hands un “ CHANTELLE: "Have merey! Go practice somewhere I can’t hear you." Wy: r: Chantelle, I i some sketches, you know, ike forthe poster or the program. ChKEYBOARD I 1 ML. Portrait of a Girt “Thanks.” Hey, that looks great." |ASig hopes Por-tait— of DaasiRe Can-vas. of The stage—— is hers— — =z ad —— de-mure— in prac iced beau Holding all—— in thrall — DacadKEYBOARD I -122— 11. ~ Portrait of a Girl Por = trait of They say Dad se oe oo sins,U1. = Portrait of a Girl = 123 KEYBOARD 1 am ‘The rap - ture cold. Brush a= way what's stray add ay ae, ane has cap = tured the git — Now the por - = 7 = as @ pear Now the por- trait _ 2" — ££ e ft wos has cap - tured the gil Por-trait— of @ Daws9iFéKEYBOARD 1 = 124— I~ Portrait of @ Girt avy) a fe on ‘She'll play her part, she secs. that she’s it looks just like — you. Daaeoirt Jest un = der = stand, F (a alienKEYBOARD 1 1s 11. Portrait of a Girl Ss ee one be - gins Brush a - way => = ao Add sha-dows that dance = cross ber. skin — 's dis-guise in her eyes. Don't know—— Stripped bare be-neath — Hilde the doubt that cries out seared ML say toa much, Stripped. bare be-neath— oaKEYBOARD 1 — 126 I~ Portrait of « Girl the lay - ers, would you = cog = nize the girl all the lay - know there's = ing: there — Se 2 a s SSS - —— Sought af - ter trapped. like @ peer Now the por-trait od the girk— yo. ee Now, the por wait has cap - tured the gia £ ££ 2 hua!KEYBOARD 1 —127— I~ Portrait of a Girt 103 Daae9iFE Daas | ae 7 avy) rubato feir-est of them all e Dar-ing— you to fi (MATT, st of them all Dar-ing—— you to fall ee —s: oe ooKEYBOARD I —128— bare 12. — Birthday Bitch Medium Rock (4 = 120-126) 2 * KYRA: a MATT: me o SS SSS — this real-ly_iskes you back. I could nev-er find yours, Zack —Ex-cuse me! What the hell is Lp-tet e ts . che a . ve tere agg ry i i¢ foie LUCAS: 3 SS — that? Matt, Put it there in ~ stead, Would-n't wan-na hit your