a. Cello Sonata (1897) b. Méditation Hébraïque (1924 Cleveland), possibly to casals c. From Jewish Life (1925 Cleveland), to Hans Kindler d. Suite No. 1 for cello solo (1956 Agate Beach) to nelsova e. Suite No. 2 for cello solo (1956 Agate Beach) to nelsova f. Suite No. 3 for cello solo (1957 Agate Beach) undedicated officially, Originally to Nelsova to edit, but she didn’t get the score in time and Bloch assumed she didn't like it g. Voice in the Wilderness, Symphonic Poem for orchestra with cello obbligato (1936 Châtel, Haute Savoie) Nelsova and Bloch 1) In 1949, Nelsova met the composer, Bloch, and was asked to participate in the Bloch festival in London. She played Schelomo with the composer conducting and also recorded it with him. She also recorded the prayer, supplication and jewish song with Bloch at the piano. After this, the composer would often say 'nelsova is my music' – she has a photograph of Bloch which is dedicated "To Madame Schelomo".