The Athens malikhane fell vacant in 1772 and was acquired by the
infamous Hadji Ali Haseki, an Anatolian Turk who had been the
personal bodyguard of Sultan Abdiil Hamit I. After being Malikhane
Sahib for three years Hadji Ali was made voivode of Athens, a post to
which he was reappointed four times in the following seventeen years.
These were the worst years in the history of Athens under Ottoman
tule; hundreds of Greeks, women along with men, were imprisoned on
Hadji AS") orders, many of them dying in prison, and the city was
impoverished by his extortionate taxes. Attica was twice overrun by
hordes of Muslim Albanians during the first three years of his rule, the
second time in 1778. This led Hadji Ali to construct a new defence
wall around Athens, the so-called Serpentzes, which had a perimeter of
about 10 km, indicating that the city had expanded well beyond the
quarter now known as Plaka. Hadji Ali enlisted the entire population
of Athens in the project, Turks and Greeks alike, and by working them
day and night he completed the fortifications in less than four months.
Then, as the chronicler Dimitrios Kalephronas writes:
As soon as the work was completed, Hadji Ali presented the Athenians with a
bill of 42,500 piastres for supervisors from outside, and they paid it. But, alas,
that wall became a prison for the Athenians, though useful to the tyrant. He
set guards at the gates, and his tyranny was worse than before. The Athenians
suffered much, until in 1784 the curse of his rule was no longer to be bome.
The longer he stayed in Athens the more his tyranny took root and grew
worse. [Quoted Micheli, Monastirak.]
Hadji Ali's excesses led the Porte (the Sublime Porte, named after
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the monumental entry-way to the headquarters of the Grand Vizir,
was the Foreign Office of the Ottoman government) to bring him back
to Istanbul in 1785 for trial, along with the Athenian archons who had
supported him. But five years later he was reappointed voivode and
returned to Athens, where an outbreak of the plague had killed off one
a
1792:
--» like a dragon creeping out of the den where he was hiding, he retook
possession of the malikhane . .. In 1791 and this year too there was nothing
but oppression, with people fleeing the country and the Athenians fleeing in
every direction. The years 1789-92 were the worst in the twenty-year period
of Hadji Ali's rule, if not in all the history of Athens. {Quoted Micheli, Monas-
tiraki}
The enormity of Hadji Ali's crimes had by then become evident
even to the sultan, the liberal-minded Selim IIl, who banished him to
Chios and had him beheaded there three years later. Hadji Ali’s head
was then sent to Istanbul and displayed before the main gateway of
Topkapi palace, as was customary for those executed by the sultan, as
proof that the villain was really dead.
During the latter Ottoman period Athens was visited by a number
of travellers from northem Europe, some of whom wrote scholarly
descriptions of the city or made drawings of its ancient monuments.
Fortunately, two groups made careful studies of the Parthenon shortly
before it was blown up in Morosini's bombardment, observing the
temple while it was still virtually intact, except for the structural
changes and damage that had taken place in its successive conversions,
first to a church and then to a mosque. The first of these groups was
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rear wall of the stage had eight aisles for statues, four of them arches
and four quadrangular. A colonnade standing some 2 m forward of the
stage wall supported a second storey, which in the interior may have
opened out as a balcony. This storey and the one above had between
them arched windows in three rows; these and the south facade
most distinctive landmarks on the south slope of the Acropolis. Three
doorways led from the stage on to a long, narrow vestibule, paved in a
mosaic of variegated marble. On either side of the vestibule arched
doorways led through vaulted chambers that gave access to the
paradoi and thence to the lower tier of seats. Spectators going to the
upper tier could enter from the second floor of the Stoa of Eumenes,
where a stairway over the main entrance to the east led up to the top
diazoma of the theatre.
Several ancient writers make reference to the {ngt that the theatre
had a roof of cedar wood. But surely this roof would have covered
only the stage, for without intemal Supports it would have been quite
impossible to have roofed the whole vast expanse of the auditorium.
The Odeion of Herodes Atticus was undoubtedly destroyed in the
Herulian sack of ap 267, and there is no evidence that it was ever
rebuilt in ancient times. During the Turkish period the stage-building
formed part of the Serpentzes, the fortification wall built in 1778 by
Hadji Ali Haseki. The Serpentzes was dismantled after the Greek War
of Independence, and the Odeion was excavated and cleared of later
accretions in the decade 1848-58. The theatre was completely restored