Prologue. SCENE. A classic Grecian interior. Altar C. Pillars at sides. Palace drop or flat.(N.B. This scene may be set inside of the scene of the first act. An effective change can be produced in a theatre, or where the lights can be pro- perly managed by darkéning the stage and making change of scene without nse of curtain. If only one scene isused, the prologue can be given in the same scene as that of the play, dropping the curtain between prologue and play proper.) On rising of curtain Tragedy discovered C. TRAJEDY. Adagio. (Full, Broad, Sustained. ) = i* I who wan- der in tears sor- - row shroud - - ed, | My face with griev — ing Not of blood- shed is now wild im. to - - - ning Nor of grim ty - rants Now pre-pare ye to Team of love © im- mor - - - tal Faith - fl and con — stmt Jo che dal - ti sos- pir ra~ gae di pian. © = Spars’. or di do glia Non sangne spar - so din = to cen. - ti ve - - =e Non ci glia’ spen - te Men. tre Sen - na Re - al pre- pa - rain. tan. _ . to M- to dia- de ~~ ma Adagio. Copyright MDCECKCIV by Oliver Ditson Company.=— ——___=_z = at + 5 £. == f. == = 73S ee * e = st or with dark ha - tred cloud-ed, I who in the a~- re - na when crowds as. sem-ble Make with and their pele vio tins moan-ing Hence “de part! Ye dread por - tents our hearts con geal ing Rise soft r- en beyond death's por- tal See be fore you the mead. ows of Greece ap - the = a = ==. = = —— — — — rn on a mi nac-cieil vol- to Fei ne, gliam-pi-te - a~ tri al po - pol fol- to Sco - lo- Ti ~ ran ~ noin-sa - no, eeeta -co - lonfe-W - ce al guar-dou - ma-no Can- to onceit bel coin ah fees BLE an ti, seg. BF, degivan-tiche Regi Del Tra- cio Or- 1 = 5 o— ——— = ey g a= 4 58 gl »-—_————— ———— d a4 oe 9 © _ SS = 5 —— = = _‘RITORNELLO. = pi- ty and fear all hearts ens fa Yis~ fons to fen der ness ap-pea ~ ling. sto- ry of Or-pheus lend your ~ Ing S t rir di pie- tz vol- tie — sembian- ti. su mes- tee la~ gri mo ~ se 80e~ Ne. ( Several stansa ofthe original prologue are omitted here.) -0 da-teVor- ec . chia al can to. B0- 57596- 43.