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Philosophy
W A T E are all familiar with the fact that wisdom was regarded
as the ars vivendi by the Stoics.' By describing it as a
T XVP roV faiov they were putting themselves in a tradition
of ethical theorizing which self-consciously took Socrates as its start-
ing point. But simply to note that they identified philosophy or
wisdom as an art-or craft, to use more familiar terminology-does
not tell us very much. For crafts may have different logical struc-
tures, and as soon as we accept that philosophy is a craft we want to
know what sort of craft. The distinction among kinds of craft is a
point which (one might argue) Socrates did not explore thoroughly
enough, or at all.
Crafts, we can agree with Aristotle, can be practiced properly even
when in some fairly obvious sense we fail at them. Two Aristotelian
examples of such crafts are rhetoric and medicine, and Aristotle uses
the latter to illuminate the situation with rhetoric at Rhetoric
1355blO-13: "Its job is not to persuade, but to see for each point the
persuasive elements in the situation, just as is also the case in all other
crafts (for the job of medicine is not to produce healthy things, but to
advance as far as is possible in that direction)." At Topics 101 b5-1 0
dialectic too is grouped with rhetoric, medicine, and "abilities of this
sort"; Aristotle speaks here not about the function of the craft, but
of determining when someone possesses the AuOobos or techniqu
reXEws, completely or perfectly. When we possess the technique com-
pletely, we can "do, within the limits of the available possibilities,
what we choose to do." He explains: "For it is not unconditionally
that the orator will persuade or the doctor cure, but if none of the
available possibilities is left out, then we will say that he has the
knowledge satisfactorily. "2
So even if the doctor's patient dies, he may have practiced his craft
reXiws; even if the court case is lost, the orator may have done all that
the craft of rhetoric could ask of him. Failure at the obvious aim of
the craft seems, in such cases, not to damage one's claim to be a
perfect practitioner of the art. The question, then, for the Stoics is
7See my Ethics and Human Action in Early Stoicism (New York: Oxford,
1985), ch. 6.
8 See the extensive discussion in A. A. Long, "Carneades and the Stoic Telos,"
Phronesis, XII (1967): 59-89, and Alpers-Golz, op. cit.
9 Before Antipater the aKoxOis-riXos distinction was in use, but not to express this
contrast between the level on which the sage could fail of his aim and the level on
which he could not. Rather, it expressed the difference between the happy life,
understood as a physical object, i.e., the living, breathing sage himself, and the
attainment and living of that life (Ed. 2.77.21-7).
10 On moral rules, see recently I. G. Kidd, "Moral Actions and Rules in Stoic
Ethics," pp. 247-258 in Rist, op. cit.
" SVF 3.510. Note the reference in this text to jufcaat 7rpc4Ets, and compare it t
the jfYaat -rvxvat quoted above, which I associate with the KaO6~KOvra of the non-sage
The man who has made the greatest moral progress fulfills all appro-
priate actions in all respects and omits none; but his life is not yet happy.
This supervenes when these intermediate actions acquire the additional
properties of firmness and consistency and they take on a certain solidity
of their own.
so from the proper state (btcffcns) of mind; for only this can guaran-
tee that the agent will deal properly with the particularities of unique
situations, something no rule of craft can teach. The craft of life is a
necessary but not sufficient part of the sage's life. It after all can fail,
while happiness cannot.
The Stoic sage practices a craft and, like all craftsmen, has a goal;
but his craft has two distinct levels or aspects corresponding to the
elts and to the &&aOffcns which constitute his moral perfection. At the
level of '4ls the sage has purposes or targets for his action (called
cYKOrOl by Antipater) and follows rules which cannot guarantee the
success of even the wisest action; while on the level of his 6alwt&Os the
sage pursues a goal (rEXos) which he never misses. This goal is happi-
ness. The terminology of '4ls and &a&ffOcs, like the more explicit and
informative terminology of Antipater, is intimately tied to the Stoics'
Socratic conviction that the virtues are crafts.
We have one last question to consider: what is the relationship of
the sage to his rEXos? Is it the intentional content of his actions; i.e.,
does he say to himself that his aim in acting on each occasion is to
further his happiness? Or is the self-conscious awareness of an aim in
each action distinct from the happiness that is his goal? Surely the
latter. The sage acts, like the Aristotelian wise man, for the sake of
the noble, and in so doing he infallibly achieves his goal and so
becomes happy; but he does not consciously set happiness as the
target of his actions. It is difficult to find evidence that can prove this
beyond doubt, but one consideration can be mentioned in its favor.
The sage is unaware of becoming so, according to early Stoic doc-
trine (SVF 3.539). Since being a sage is in part a matter of doing
things with the infallibly proper motivations, if the conscious pur-
pose of a sage's every action were something distinct from the con-
scious purpose of the IrpOK06rTwV at his very best, then he could hardly
be unaware of the change that propelled him at last to the state of
perfect wisdom. The sage, must, from the point of view of his con-
scious motivations and goals, be indistinguishable from the nearly
perfect lrpoKlrTrwV.
The raXos of life, happiness, then, is not what we consciously aim
at, but something built into our nature as human beings. Our nature
defines what it means for us to be happy and perfect in our kind, and
in this respect Stoic ethics is as "naturalistic" as Aristotle's-or in-
deed any ethics that employs a version of the function argument to
ground human happiness in human nature.
One final observation about this deserves to be made: happiness is
the goal of life, but also, as we have seen, the goal of the crafts that
constitute virtue. For the Stoics, who revived the Socratic notion of
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