CONTAINING

50 PIECES OF MUSIC,
CONSISTING OF

100 DUETS FOR TWO FLUTES, TWO VIOLINS, <fce.,

200 SCOTCH AIRS, 200 IRISH AIRS, QUADRILLES, FANCY and CONTRA DANCES,
WITH THE CALLS AND FIGURES,

m&s, mmimmm, waltzes, auxcKSTEPs, marches,

HORNPIPES, SONGS, &c
For the Violin, Flute, Clarionett, Fife, Cornet, Flageolet, <£&

BY ELIAS HOWE.
t JB O S T O 1ST :

-pTjriBmisiisiy by elias howe, ^gkt., 103 ootji^t stbeet.

in the Clerk's Office of the Dletrict Conrt of the Dlttrict of
MassBchui***.
Entered accoMiag to A ct of Congre!», in the ye»r 1603, by Willard Howb,
 1 1

INDEX.
Ab:ahaaTs Daughter... 130 Caller Hem'n Ill Fairy Belle 129 n Bonducan: 148 Song of the Battle Eve.. 105 O Nannie wilt thou gang.118 Sally come up Sebottlsc. 135
dr-<ine Waltz 110 Carnival of Venice 137 Fox Hunter's Jig 105 Italian Monfrina 147 Locb-Erroch side O would I were a bov aga.129
Ill Splashing of the Churn. 107
Alij Croker 158 Callas Packet ... 97 Foagv Dew 107 Jolly Ploughman 107 Loch aberuo more Paddv's Trip to Dublin.. 105
122 Skiver the Quilt &
Aunt Tobe.'i Qaickstep. 148 Chinese Dance
]
129 Fife Hunt Reel 125 Jan'novichi's Reel 117 Loudon's bonnie woods. Pic Nic Redowa
121 143 Sold er's Dance 138
American Eagle Polka.. 143 Captain Megan
,
100 Favorite Air..... 138 John Anderson or the old. 128 Locblin and Eveline ... 116 Polonese Gavotte 138 Scotch Reel 123
Arrah. mv dear Eveleen. 102 Call am Beg 124 Flora Mc' Donald's Lam. 122 John Patterson's Mare.. 124 j
La Belle Suisse Waltz... 14-5 Peggv's Love 123 Saw ye my wee thing. . . 110
Angel's Whisper 10.1 Carrie Polka Redowa. . . 146 Fagan 100 Jock O' Hazeldean 116 i Lizzie Lindsay 110 Peep of Day 113 Spinning wheel Song... 98
Argyle is my name 109 Camstroden's Rant 104 Florentine Air 136 John Anderson, mv Joe. 112 Laughing eyes Polka ... 144 Petticoat loose Jig 113 Stack trie Rags 98
Annie my' darling.... 12-5
is Callara's Frolic 110 Favorite French Mazurka. 137 Jig Polthogue.....' 104 La Tricotcuse 117 Priest in his boots, The. 98 Short Grass 10)
Andrew Carey 101 : Corn Rigs are Bonnie... Ill Foxes Sleep 103 Johnnie Cope 123 i La Fille Du Regt. Polka. 143 Paddy will you love me? 99 Strathean: no
All the way to Galway.. 97 Cameron got his wife .. 115 Frennct Hall 115 Jennie's Bawbee 125 Lc Ressignolo Waltz.... 140 Pat Mahonev's Jig 100 Sheriff Muir 117
Annie Polka Redowa ... 141 j
Cock up vour Beaver... 113 Fair Star Waltz 145 John O' Reily the Activ. 102 '
LadyCharl'teAdges St'py.120 Piper's Jig 104 Scotch Fusileer's March. 119
Adelaide Polka Bedowa. Ill Cork City 100 Fort Sumter Redowa.. . 144 . Jack and Peggy Polka.. 116 Lass with the ve'dow coate.116 Phillip Mc. Cue's Jig 104 Straun Robertson's Rant. 119
Alistair Macalistair 121 Come, rest in this bosom. 97 Favorite Scotch March. . 117 Jack in the Green 109 I
Military Polka. 141 Peeler and the Goat.The. 98 Spanish Dance. No. 1... 140
Athol Highlander's Mar. 120 I CowderFair 114 Guil am nam Bo 117 Jessie.the flower of Dura. 1 10 My Jo. Janet 114 Paddv.now wont vou be. 97 Spanish Dance. No 2... HO
Adjutant's Quickstep... 126 '
Countv Tvrone 101 Green grow the Rushes O. 124 Johnnie Mc.Gdl 110 My Nannie 0 114 Prince of Wales Waltz.. 139 Such a parcel of Rogues. 123
Auld maid wad be marri 110 Cauld'Kal'e in Aberdeen. 113 Good night and jov be.. 110 Jackson's Waltz 147 My Heart and Lute 118 Prima Donna Waltz 140 Sally Kellv 123
Arethusa 104 Com in' thro' the Broom. 118 Green Tree '.
118 Kathleen O' Moore 102 My only Joe and deary O. 112 Pirate's Chorus 129 Sisters The 138
Amelia Waltz !42 Colleen Rue 104 Galwav Jig 99 Kildroughalt Fair 112 Mv Love is but a Lassie. 112 Pea Nut Gal 129 Titania's Favorite Polka. 143
Armagh Nightcap 102 I Cuddy clawed ber 113 Grinder 100 Kick the Rogues out.. . 104 Moll Brooks 98 Pearl Polka...... ...... 141 To Damon me in*
All the blue Bonnets ... 117 Crooghan a Vendee 98 Golden Robin Polka.... 135 Kelton's Reel 117 ,
Miss Bradv 97 Polka Mazurka 126 Todlen Hame 15B
Athol Cummer's Strath. 119 Cropi>ies lie down !03 German Polka. 129 Kilcaldrum 116 ,
Mayfield Polka 139 Polish Mazurka 145 Terry Heigh 100
Bonniest Lass in all the". 117 Cleone Waltz 136 God save the Queen.... 130 Kelvin Grove 124 : Monev in both pockets.. 97 Paddy ORafferty 106 Tara's Harp 107
Border Widow's Lament. 129 Conscript Waltz 136 Gazelle Re Iowa 14 5 Kitty of Coleraine 97 |
Minuet Redowa Waltz.. 136 Peeler's Jacket 103 Toss the Feather 105
"ironze horse Gallop.... 146 Clara Mazurka 137 Growling old woman .. . 108 Kitty Oulart 97 . Musidora Mazurka 137 Paddy Snap 109 Tullocbgornra 112
Jamev Brallagan 99 Ccan Dubh Dclish 98 Go to the Devil and shake. 107 buss me sweetly 123 Moll Roone 109 Pinkell's Strathspey.... 152 This is na my air. Lassie. 112
Barbara Allen 114 Craeovic Varsovienne... 142 Geese in the Bog 108 Kate Anderson 117 MouJiewart The 11-5 Piper's Dance 102 Tak vour auld cloak abo. 116
Bag of Praties 103 Col. Mo. Bain's Reel.... 117 Grana Cile. 105 Kind Robin lo'es me-... 118 Meeting of the Waters.. 106 Paddie's Evermore 99 Two" Penny Jig 99
Bannock's O'Barlev meal. 125 Carl, an' the King come. 121 Gavot De Vestris 137 Kansas Waltz 147 j
Miss Warrenden's Strat. 123 Post-horn Waltz 138 Traineaux Mazurka 137
Bay of Biscay Polka . . . 142 Caledonian Hunt 125 Gallop in Gustavus 140 Kissed Yestere'en 117 '
Moreen 106 Pol wart on the Green. .. 123 Teddv and Mollv 97
Bahigboran Jig 109 C>w boy 117 Green Bushes 101 Kcumore is on and awa. 120 Moll Roe in the morning. 109 The Praties are dug and. 99 TattherJack Walch 103
Black Eagle 123 Celebrated Spanish Maz. 146 German Redowa 142 Eaird O' Cockpen 112 j
Mrs. Casey 106 Punch and Jndv Set.... 134 Tliou art gane awa' from. 118
Berks of Aberfeldie 11"' Cazorti 126 Great Exhibition Polka. 144 Lewie. Gordon 114 i
Mo'rgiana in Ireland.... 105 Quaker's Wife Ill Teddy Mc. Shane 101
Beauteous fair Molly ... 100 CaHv Polka Ill Gypsey's Dance 148 Lothian Las-de 116
J
Mc.Lochlan's Scotch Mea.121 Raw Recruits. No. 1 -- 130 There ne'er be peace till. 121
Ben Lomond 122 Dirge of Carolan 101 Groves of Blarney 106 Ladies, take care Ill ; Marv Morrison 118 Rakes of Kildare JO» Time was thy locks were. 117
Benedetti Sia La Madrc. 138 Duncan Grav 112 Gala Water 118 Lassies, took before you. 113 Morgan Rattler 104 Reel of Tnlloch 120 The unfortunate cup of tea. 97
Billv Boy Waltz 143 Dunbarton Drums 112 Highland Marv 12-2 Lassies look behind vou. 113 May Rose Waltz 142 Re l. red Rose 115 Cp in the Morning 116
Blow the candle out.... 102 Dashing White Sergeant. 121 HuthtbeCat 97 Lad v Bettv's Reel...'.... 116 Mv wife's a winsome wee. 113 Rakes of Westmeath.... 102 Vienna Polka 146
Blow the windv morning. 103 Drops of Whiskev 98 Huggamur Fene on Sam. 99 Lochiel's March1
112 My Bandy Dandy O ... 120 Rat Catcher's Polka 144 Vialtance Polka Militaire. 138
Hack Brigade" Camp... 143 Dublin Streets 10'J Hev Bonnie Breast knots. 114 Lochaber's Reel 115 Mv Bov Tommv Ill Rocks of Caskcll 103 Weary Pund O'Tow.... 110
Jlue Bells of Scotland.. 110 Dustv Miller 120 Here a wa', there awa',. . 116 Leather the Wig
!
100 I
Merrv Girls of Dublin .. 99 Ride a Mile 101 What the Deil ails vou.. 120
Blcwitt's Jig 99 Dieleta Waltz 136 Highland man kissed his. 116 Limerick
,
Jig 101 Marry the Piper Girls... 100 Rowdledum 100 Wren The .'
104
Bonny Jean of Aberdeen. 114 Diamond Schottische-.. 1381 He that gets a Bonnie Las. 123 Lady Cawdor's Jig 104 ! Mrs. Ayer's Strathspey . 121 Rakes of Killkenny 103 Waful Heart 120
Bonnie Dundee 114 Drawing room Polka... 139 Hunting the Hare 97 Lamentation of Diedre.. 97 I
Miss Forbes farewell to. 114 Rattlit;.. roaring Willie. 104 Wha wadna tight for Ch. 113
Bonnie Annie 115 Danish Dance 128. Hattic Polka Redowa... 146 La M.inola 133 J
Molly put the kettle on- 12.5 River Waltz 140 Willie Cameron 123
Bonnie Eloise 129 Duval's l'olka Redowa. . 145 Hand Organ Polka, 1.30 Les Soupir's Mazurka.. 137
i
Maggie Lauder 12] Ricci's Waltz 140 We're all a Nid N;d Nod. 125
Beethoven's last Waltz . 14'1 Deny Down 105 Hurler's March 105 Leipsic Polka
. .139 !
Netty Moore .... 130 Rainbow Scliottische.. . . .138 Within a. mile of Edinb. 12i
Bold Soldier Boy.. 97 Dandy O 109 Humors of Castle Lyons. 107 La Madrilliane 127 Nine pint Coggie 113 Raw" Recruits. No. 2.... 130 Well Amy the keel row.. 114
When
| I

Bonnie House of Airlie . 122 Disappointed Coquette.. 100 Hattie Schottische.'..... 141 Lady Harriet Hope's Reel 119
i
'

i
Norah Crcena 98 Renodinc 106 the Kye come ho. 113
Bonnie Brier Bush Dermot Astore Health from cup.... 102 Lady Mary Ramsay's Str. 119 Nellv Polka Redowa.... 143 Rakes of Mallow What's Kim. 112
1

124 99 the 109 a' the steer

Bonnie Scotch Lassie... 110 I Dear Irish Boy 101 Humors of Donnybrook. 103 La Grange Waltz 147 Nightingale Waltz 139 Rus-ian Mazurka 147 Wha'll be King but CL- . 121
Bottle of Punch 97 Disappointed Widow... 115 Halloween
]

112 Lucv Ann's Waltz 147 Noch Bonin Shin Do... 208 Rattle the Cash 102 Widow Malone 98
Bolero 143 I Deuks dang o'er mv Dad. 124 Hither O you 125 Lemon Hill Waltz
;
147 New Polish Dance 128 Rob;n Adair 114 Winnowing Sheet 99
Bottom of the Punch... 103 Drunken w feof Gallowa. 118 Happv Familv Redowa. 118 L' Aline
:
148 Neil Gow's wife 120 R-icosi Galop 148 Witcics Bance 140
Bonnie Scotland 12-5 Dennis Brulgruddery... 106 Ham fat Man"..' 129 L' Imperialle 127 New Spanish Dance.... 148 Rob Rov Macgregor.... 124 Waltz in the Swiss Famil. 136
Braes of Balquither..... 11-5 Draw the Sword, Scotland 1 16 I lost my love and I dinna.120 La Roska
1
128 O'er the Moor amongthe.115 Silent, Oh Movie 10-2 Willie Mazurka 130
Boyne Water 106 East Nuke of Fife 125, Irish girl I do adore 102 La Carrilon De Dunberq. 126 One Bumper at parting. 105 Sound from home Wlz. 1.2.144 Wounded H> -j>ar 129
Bruaohan Lach N'eish St. 115 |
Emilv Waltz 136 Italian Air 1 10 La Favorita Redowa ... 14-5 Otis Polka Quickstep... 1-16 Sound from home Wlz.3-4.144 Wedding of Ballyporren. 105
Bold Dragoon 109 .English Mazurka 140 I would rather than Ircl. 101 Leather away with the. . 108 Oonanb.or while gazing. 104 Scotch Bonnet 124 When the wind blows.. Ill
Brown Iri~h Girl.- 103 i
Emilie Redowa 145 Irish spinning wheel.. 98 Low hacked Car 107 Open the door softly .... 102 Scotch Dance. Hither Cy.llS Wearing of the Green.. . 10'
Brian O'Lin's Jii 100 Everlasting Polka. 139 I'm o'er young to marrv. 116 La Blongere 126 O, Waly, Waly Ill .Scots wba' hae wi' Walla. 10
1 Wind that shakes the Ba.105
Bonnie Bessie Green 118 j
Exquisite Polka 139 Irish Pipes .'. 106 Let Erin remember 107 Of a' the airts the wind. 107 (aw ye Johnnie comin.. 112 Wanda Polka Mazurka.. 137
Billv O' Rourko 106 I
Esmeralda 127 Irish Crv 98 Last Rose of Summer .. 106 Ovster River 10: shule Aroon 105 Will ye gang to the Ewe. Ill
Braes of Bushbie 120 Eveleen's Bower 109 Irish Hop Picker's Jig... 104 Laity Crogan 108 Old Lansalec 112 "Sixpence 100 Wandering"Willie US
Bonnie Earl of Murray.. 119 Evangeline Polka 149 In happ/ moments 130 Lillibullero 105 Old Scotch Song 113 Silver Miner's Waltz 148 Wilson's Fandango 143
Bob of Fettercaim Reel. 119 From 'Moses in Errypt." 136 Is it the Priest vou want? 99 Lizzie Polka Redowa... 141 O, whistle and I'll come. 114 Shanghi Polka 129 Tcllow hairec Laddie... lid
Captain O' Kane 101 Favorite French Waltz. . 136 Irresistible Polka 106 Love's young dream.... 104 O, Willie brewed a peck- 115 Sir Roger De Coverly... 128 Vellow Stockings 9t)
Capt. and kit Whiskers. 129 Fairy Boy ... 98 Vsa the Dov for bev.itch. 106 La Pirouette' Polka. 144
. . O, if Jockey would but.. Ill Sicilieanne 127 Yourself along with me. 103
Caledonian Laddie 122 IFutterat wi' the gray tail. 1 1 lu ^rctt,- to beinBaUiu. 112 Linaa Redowa 144 O, Charley is my darling. 113 Savourneen DeelisL. .. . J& Young Cuckoo 1%
Captivating Touta 103 Far, far arross the se» . .V* i.-
1 side Ill Limerick Races 120 Off she goes - J7 St. Patrick was a 106 Zulma Orientate 121
Wider Fair Reel LU Flowing Walt* ~. iZb In»b Mcllv 0 103 Lass of P«ue'« Mill 424 O Lassie art ttiou Meeping 125 B*eet tmwiL/^ .'.OS Zaoe.adi iu
 INDEX.
Ally Unker 1* Eclipse Polka. No. I.... 149 Lord Lovel 156 Papageno PolVa 153 INDEX OF DUETTS, i
National Bohemian Pol'a. 191 Child fobbing. N«. I
Adeline Waltz 140 Eglantine Polka 152 La Catina 163 Pluie De Mai Valse 150 Norwegian National Air. 195 Cross child.
Adjutant's Quickstep... 161 El Yapelado 146 Lass that loves a Sailor. 156 Polka L' Amore 152 Andante 180 Odd fellow's March 188 Child's cry.
America 130 Redowa
First love 151 La Hons^.se 127 Princess Roval 104 Ah don't mingle 187 O I should like to marry. 174 Canarv Bird. No. 1

Abraham's Daughter... 130 French March 161 Light Infat-try Quick'p. 140 Polka Quickstep 146 Alice Polka 189 01), Summer Night 172 Canary Bird. No. X
Arcadian Waltz 152 French Muse !62 Love's Ritornella 154 Peace of the Valley 149 Aurora Waltz. No. 1... 193 Orftil Waltz 172 Cuckoo
Air Militnire.from Pietio. 101 Forest of Bondi 164 Lady of the Lake 161 Piper's Maggot 157 Aurora Waltz. No. 2... 193 Pirates' Chorus 171 Cooing Dove.
Air Militaire from Fra Dia.161 Flower girl's Quadrille. . 166 Light Dragoon Quicks'p. 161 Pero's Bricklayer 162 Aurora Waltz. No. 3... 193 Prussian National Air... 191 Cat mewing.
Arranmore Loved Arran. 108 Fine old Fngl'h Gcntl'n. 154 La Somnambuia Quick'p. 160 Paddy's Dream 98 American National Air.. 194 Prayer from Der Frei'tz. 183 Cat in the night.
Ave tor ane and twenty. 115 Female Auctioneer 156 Lord Moirar's welcome. 121 Paddy's trip from Dublin. 98 Austrian National Air .. 196 Per me ora fatale 1S7 Calf, Blair of.
Air from Stradella 159 Follow me, Harrv 164 Lass of Gowrie. 121 Protestant Boys 105 Ah Bello ami Ritorno-.. 189 Partant pour la Sj'rie... 196 Cow, Blair of.
Betsy Baker 155 Flora's Birthday! 163 Laves of Binie & Aleck 151 Punch and Judy Sett... 134
. Alexis Waltz 171 Polka Fiera ."
194 Cricki-
Bright things tan nev. die.158 Fra Diavolo's Quickstep. 160 Ladie's Polka 149 Prince George's flirt Gal. 165 Bronze Horse Quickstep. 182 Russian National Air... 191 Dove.
Butcher's Row 163 Farewell, but whenever- 109 Lucy's Waltz 147 Quick, we have a second. 109 Beethoven's Larghetto. . 171 Rosa May 185 Duck.
Bra re Wolfe 156 Gillie Calluui 157 La Reapers 167 Queen's Gallop 150 Butolf Polka 185 Romanza from Zampa . . 180 Elephant.
Bung your Eye 155 Gipsy Quadrille 168 Les Dancers 167 Rubina Polka 150 Come sit thee down 180 Sad hour of parting 179 Guinea Hen.
Balance a S:raw • 158 champ'e.
Glori's vint'e of 156 Love and Whiskey 165 Rout 163 Cure 170 Sally come up 179 Game Cock. No. I.
Binie's Waltz 119 Goose hangs High 156 Lover's Serenade 154 Robert Kidd 156 Caliph of Bagdal 174 Strida In Vampa 187 Game Cock. No. 2.
Bachelor's Ball 137 Goillam Nam Bo 117 Larra O'Lashem 98 Rural Felicity 155 Duett from Belisario-... 173 Se tradirme 186 Game Cock. No. 3.
Burgess's Hornpipe 161 Georgiana 165 Military Quadrille 168 Redowa Waltz 152 Dark Phantom 173 Suom la Tromba 188 Game Cock. No. 4.
Bride's Maid's Chorus .. 162 German Polka 163 Muses 165 Recovery 157 Duet from Lucia di Lam. 175 Spanish Serenade 184 Goose.
Baltimore Hornpipe.... 162 Hunters of Kentuck.... 150 My Mitherisaye glowr'g. 110 Romance fr.Anna Bolena. 159 Departed days 175 Star Spangled Banner.. 197 Growl of a Tiger.
Bumble bee in the pumk. 162 Highland Schottisehe... 158 Meg Merriles 164 Rai'bowPol'u Red'a Q'lle. 165 Duet in Don Juan 178 'Tis the true heart of W'n.170 Hawk.
Blithe and merry was she. 156 House that Jack built. . . 165 Matrimonial Sweets 145 Rosalinda Waltz 149 Duet in Linda 178 Trumpet Waltz 174 Hen from roost.
Bobbin Joan 165 Haste to the wedding ... 155 Merry Dance 165 Duet Concertantc 17S Viva bacco 192 Hen cackling.
Hunting Song 155 Mountain daisy Waltz.. 150
Shadow Dance 159
Do thev think me Veram a te Sull 182 Howl of a Dog.
Brose and Butter 165
Simon Bornegra 159
of at.. 183
Ccme under my pladie. . 110 High road to Linton-... 159 Mazurka. No. 1 153 Dch Pardona 188 Vieni O Tu 190 Horse neighing
Such abeautv did I grow. 157
Charley is my darling... 113 If thou wilt be mine.... 99 Mazurka. No. 2 153 Danish National Air.... 194 Whig Polka 186 Heifer, Blair of
welcome thee with 159 Mazurka. No. 3 153
Song of the Sky-lark.... 157 Dutch National Air .... 196 What's a' the steer, Kim. 191 Horse Fly.
Central City 168 I gla's.
Mazurka. No Sweet Ellen 163
When night comes o'er. 170 Kitten, Mew of
Cambridge reserve Guard 160 Isabel 154 4 154 English National Air ... 190
Song of the Enchantress. 158 Echo of the Mountain..
Chinese March 161 IrishEmigrant's lament. 154 Morton's Reel 162 . 176 Weber's last Waltz 171 Laughter. No. 1.
Soldier's Polka 151
Crimson morn bids hence.101 Indian Death Song 157 Market Chorus 162 Evening Star Waltz 176 Laughter. No. 2.
Single blessedness. .... 155
169 Mam, Mam, Ma .... .... 101
.
Circus Quickstep 162 Italian flower girl Polka. Empire Quickstep 171 Lark.
Sky Rocket Polka 152
Charles Street Reel 163 Johnny Sands 156 March from Guil'me Tell. 163 From Otello 177 Lamb.
Capt. Louis Gaul's Q'stp. 160 Joice's Hornpipe 163 Munster Butter-milk .. . 157 Take your auld cioak, &c.H6 Freedom, I serve thee.. 177 Laughing Hyena.
Calver Lodge 164 John of Paris f 154 Musikanter Polka 151 Tank 162 French air
.

178 INDEX OF Mother calling Daugb'r.No.l.

Copperhead Gallopade. . 1C0 King of the Canl IsV^k. 158 Morning Star Waltz.... 153 Time was thy locks were. 117 Flow gentlv sweet Afton. 179 Human Expressions, and Mother calling Dangh'r.No 4
Circassian Circle 164 Karl an the King come.. 121 May Morning Schottis'e- 153 Triumph 155 Florence Waltz 192 Nightingale. No. 1.
La Risoluto Merry Lads of Ayr 158 Three Ghosts 155 From Don Giovanni .... Cries of Birds, Domestic Nightingale. No.
Champagne Gallop 151 168 ISO 3
Contraband's Quickstep. 151 La Fieramentc ICS 164 Tis all for the love of.. . 158
Miss Manning's Reel.. . . From Don Pa^quale 184 Fowl, Beasts, &c. All of Out of Breath.
Cassino. 156 La March 168 Mv own One 157 'Twas merry in the hall. 158 Finale to Crown Diam'd. 182 Ox.
which are on Page 169.
Come thou rosy dimpled. 156 La Heroique Nel Silenzia
168 109 There are mom'ts of bl's. 102 French National Air.... 196 Oxen.
Charming Moliy 161 La Reveuse Nut, The 168 161 There sat three Ghosts. . 154 Fat John's Polka 190 Ass. Cry of Old Ewe.
Cherubim Quadrilles.... 133 La Suige 167 Nine Pins Quadrille 132 Uncle Otis' s German ••• Wl Grand March 173 A Crv. Peewit.
Canteen Call 158 La Helverie 167 National Cadets Quick'p. 160 Union Band Quickstep.. 160 God save the Queen .... 196 Blackbird, Crv of. No. 1. Peahen.
Connemara Jig 155 La Tyrolese 167 Nepaulese 152 Unfortu'e Robinson'soe. 157 God save the Emperor. . 196 Blackbird, Crv of. No. 2. Pig grunting.
Dnxbury Hornpipe 164 La Villagers 167 New Stop Waltz 152 Virginia Quickstep 165 Hen's March 170 Blackbird, Cry of. No 3. Robin.
Dance from Lucia 164 Land O the Leal 110 Not Married Yet 155 Virginia Water 165 Her bright smile haunts. 185 Bantam. Salutation. No. 1.
Dusky Night 155 La Reine of Navarre....
131 Nightingale 156 Vexed Editor 163 I've left a sweet home.. 181 Bark of a Mastiff Dog. Salutation. No. 3
Down among the dead. 157 Ladies Club
. 154 Oh I sholild like to mar'y. 10-3 Waltz in the Brewer of.. 159 I think of thee i85 Buzzing of a Bee. Sneeze.
Dance in the honeymoon. 155 La Pantalon 166 Old Song. No. 1 155 Who'll come fight in the. 99 IILabro I8S Blowing the Fire. Sighing.
Drink to me only 154 La Paule 166 Old Song. No. 2 155 When he who adores thee.109 pray for thee
I'll 172 Coughing Soarrow.
Dead march in Merope.. 160 La Finale 166 Old Song. No. 3 155 While gaz'g on the moon. 101 La Shepherd 170 Children at play. No. 1. Sheep.
Drowsy Maggie 105 La Fobatrerie 106 O where has the exile his. 151 Woodpecker's March . .. 156 La Sonnambula 174 Children at play. No. 2. Thrush.
Democratic Rage 164 La Alpine 166 Old Cushion Dance 128 Wil-on Waltz March ... 150 Make me no gaudy Cha't. 175 Child crying. No. 1. Throstle.
Demon Lover 156 La Ete 166 Old Drummer's Delight. 158 Why don't the men pro'e. 151 Mona Macree. • •
• • 183 Ciiild u'ving. No. 2. Turkey Poult.
Double XX Waltz 152 La Sylphide Waltz 149 Over the hills and far aw. 156 Woodman spare that tree. 158 Morn returns in saffron. 181 Child crying. No. 3. Whine of a Dog.
Bi Provenza 158 La Beveuse Polka Red'a. 149 Old Arm Chair 154 Young may Moon...... 109 Mai Regendo 181 Child crying. No. 4. Whinny of a Hon*
Eclipso Polka. No. 2.... 149 La dance ponse Polk. Ma.151 One Horse Hornpipe.... 162 Zouave Quadrille 96 Medlield Polka 173 Child crying. No. 5. Yelping Car
Bver be Happy 129 La Parquette polka Bed. 151 Over the hills 154 Zouave Quickstep 160 Nobil Donna 182 Child sobbing. No. 1. Yawning,
 THE FULL CAMP DUTY,
AS PRACTISED IN THE UNITED STATES ARMY AND NAVY.
The Reveille is the signal for the men to rise, and the Sentinels to leave off challenging. It is usually played at dawn of day, except when the troops are on the march, when the signal may
be played at a much earlier hour. The men form on their company parade grounds, and as soon as the Reveille ceases the rolls are called by the orderly Sergeants, iuperintended by a commissioned
officer.

Remarks. — No. 1. Of the Reveille, " The Three Camps,"

as it is written, must be played in about slow march time, and as though it had four beats to the measure instead of two, as usual
£ time.
No. 2. '• Slow Scotch " is also a slow impossible for the drummer to beat it correctly, unless played slow and with marked accent.
movement, as it is The rolls on the drum at close of each
movement gives the fife player time to breathe, so that each part may be executed easily ; and great care should be taken, that the time may be steadv throughout the performance of the whole
camp duty.
"THREE CAMPS."
» No. L

™" "1 u* 9

Then three Rolls on the Drum

" SLOW SCOTCH." "THE AUSTRIAN.
n,
No. 2._
« ^— Fine. j
D.C „No.
— - n &~ -- 3.
- ^^-^0^- .
]
_

Then three Rolls on the Drum.

Then three Bolls on the Drum.

THE OLD QUEEN DUTCH."

No. 4.

Then three Rolls on the Drum.

" KINLOCK OP KTNLOCK." Usually played, but not really a part of the Reveille.
The first time slow. Thea quick, with Double Drag Beat.
1»T«— T T 1
T

THE HESSIAN. Single Dragg.

U
No. 5

j I i 1^ 3^?
T'i3D thrceTiolls on the Drum.
 THE FULL CAMP DUTY. —INSTRUCTIONS FOR THE FIFE.
"THE DAWNING OP DAY."
11 No, 6.

, ^Zjt-n
•
m ,

Then three Bolls on tue Drum.

"THE FIFER'S DELIGHT,,"
Wo. 7. Double Drag£.

iff
Then three Bolls on the Drum
No. 8. •'PRINCE EUGENE." Side Drngg,

" THE QUICK SCOTCH.

No. 9.

3£ g"

End the Reveille with repeat of No. 1. The "Three Camps." Sometimes the first strain of the "Three Camps," on/y is played as the finale of the Reveille. Then three Bolls on the Dram.

"PEAS 'UPON A TRENCHER." Breakfast call. Single Dragg.

No. 1. Signal for Breakfast.

M SURGEON'S —
CALL." The surgeon's call is played at • o'clock in the morning, when the
nek, able to go about, are conducted to the hospital by the first Sergeants of companies, who hand to the
surgeon a list of all the sick in the company. " THE ASSEMBLY." Signal for forming the Regiment
No. 2. Play through twice, and end with 3 Camps, No. 1. Reveille. Three Camps. No. 3.

DINNER CALL " ROAST BEEP."

No. 4. The Dinner call is played at noon, and is the signal for dinner.
I
FATIGUE CALL, OR CALL POR PIONEERS.

• The hoar for the Troop, Surgeon, ana aa oinor cans, except the "Keveaie-," "Retreat." an<l iae ""Tattoo." are ae*?rminea Dy cne commanding offlre*.
 THE FULL CAMP DUTY.—INSTRUCTIONS FOR THE FEFft
„ CALL
Willi x un THE
FOR GENERAL
iuli wan an n 1 1. - ,,

BE
FOR THE COLOR
a „ . «

For Supper Call, repeat "Peas upon a Trencher," same as for breakfast.
" THE RETREAT."
The Retreat is played at sunset, the evening gun is fired, and the flag is taken down for the night, when there is a roll-call and the orders for the day are read, when the weather permits, ther« ia
t dress parade at rttrent. and the orders are read out at the close of it.

tr tr * tr tr Fine.

THE T.A.TTOO.
THE DOUBLING. Commences with three Rolls of the Drum and Doubling. "HAIL TO THE CHIEF."
This is to be repeated after each No. u No. 1.

The Tattoo is played (usually about nine in the evening.) when the rolls are called ; the lights are extin-
guished ; no soldier is allowed to be out of his tent or quarters after this hour, without special permission.

g^Sggpgaiit
Repeat " Doublings."
No. 2. SMITH'S HORNPIPE. | time, open beat.

Repeat "Doublings."
No. 3. M FLFER'S QUICKSTEP.'

Repeat " Doublings."

No. 4. KLNLOCK.

No. 5. " BATTLE MARCH.'

185

Repeat Doubling.
No. 6. "A DOUBLE DRAGG."

Eft?
Repeat "Doublin^i.-
 —

THE FULL CAMP DUTY.—INSTRUCTIONS FOR THE FIFE.

Wo. T. "HORNPIPE.

~
ittoo " with
Salute with three Rolls, and end the " Tattoo
"YANKEE DOODLE.

END OF TATTOO.
ADJUTANT'S CALL. CALL TO ARMS OR QUARTERS. ROUGE'S MARCH. Played to drum thieves out of Camp.
JJ,
n £ ^—^ 3 Fine. d.o.

ON THE MANAGEMENT OF TOE FIFE.

SCALE FOR THE PIPE. The an instrument that requires but little wind to oocain a clear and rich tone that lit.
Fife is :

a. -f--r- tie, however, must be judiciously applied to produce the desired effect. The lips should be contract-

P #-
D G B Bb C
1=
D#E E[> F G A B c
ed so as to form a small, smooth and firm aperture for the passage of the wind to the embouchre
or blow-hole of the instrument. The strength of the blast should be regulated according to the ele-
vation of the note or notes to be performed. Hence the high notes require more strength than
9 the low ones. It is desirable that the learner should first practice blowing the open note C sharp
© o o 9 9 o o 9 9 O 9 9 9 o o 9 o
o a o O 9 O 9 o 9 9 9 9 9 9 o 9 O o without using the fingers, until he can make the fife speak that note clearly and distinctly. When
9 O 9 o O o o o O 9 9 9 9 9 9 9 9 o he has become master of that note, he may cover the holes properly with the first three fingers of
O 9 O o 9 o 9 9 9 O 9 9 o o 9 O o each hand, and commence ascending and descending the n jtes of the first Octave successively, ac-
o 9 O o O o O 9 9 O O o o 9 G o cording to the above Scale. This done, he can nest proceed to the higher notes, taking care to
o O O O o o 9 O 9 9 O o o O 9 o increase the pressure of wind gradually as he ascends, and diminishing regularly as he descends the
several notes contained within the compass of the Instrument.

EXTRACT FEOM ABSTRACT OF CAMP REGULATIONS:" HEAD-QUARTERS FIRST BRIGADE, FIRST DIVISION, M. V. M. Long Island, Boston Habboe, Mat 11, 1861.

Stated Signals. ing to the right of their parades, thence to the left, and back to the centre, where the beat will cease.
A Drummer of the Police, who will attend constantly, and in temporary absence leave a sub-
—
The Reveille ; is to sound or beat at daybreak, and is the signal for the men to rise, and Sen- titute, at the Police Quarters, to communicate the call for signals.
tinels to leave off challenging.
A Signal Drummer and Fifer, in each Regiment and Battalion, to beat the prescribed signal*
—
The Assembly ; at 6, A. M. Company drills : and whenever at other times this signal is on the Regimental or Battalion parades.
beat, the men assemble on their Company parades, and hold themselves in readiness to respond
promptly to other signals.
Peas upon a Trencher —
at 7 o'clock, A. M. Signal for Breakfast.
;
Roll Calls.
To the 'Color ; —
at 8 o'clock, A. M. This signal ( having been preceded by the Assembly,) There will be three stated roll calls daily The First, immediately after Reveille.
tails Companies to form in Battalion line, upon Regimental parades, for dress parades and drill. The Second, immediately after Assembly, before Retreat.
—
The Troop ; Guard Mounting at 10 o'clock, A. M., or immediately after drill. The Third, immediately after Tattoo.
—
Roast Beef; at 12 o'clock, A. M. Dinner. Sentinels will permit no non-commissioned officer or soldier to quit the camp without a pass from
To the Color — ; at 4 o'clock, P. M. Same as at 8, A. M. the General, or the General Staff Officer, under authority of the General, except they be dirocted
The Retreat —
; at 6 o'clock, P. M. Evening dress parades. by express orders from the Officer of the Guard to pass persons with the Countersign. Such orders,
Peas upon a Trencher ; —
at 7 o'clock, P. M. Supper immediately after dress parades. will, however, be given only by direction of the General for special reasons.
—
The Tattoo ; at 10 o'clock, evening. After which no soldier is to quit his quarters, unless At every relief, the guard must parade for roll call and inspection, and remain formed until the
—
by special leave ; and after the roll ca'ii, all lights, except at Head-Quarters, the Police, and the relief returns.
Guard Tents,— are to be extinguished. The officer of the guard must see that the countersign is duly communicated to the sentinels *
The Long Roll —
is the signal for getting under arms immediately.
; littie before twilight to enable him to do which, he must be furnished by the Officer of the On.j
;

The General ; —
is the signal to strike tents and prepare for marching. with the Parole and Countersign, before Retreat.
—
The Drummer's Call; will be beat, at the Police Tent, by the Drummer of the Police, 15 minutes Immediately after receiving the countersign, and until Reveille, the sentinels must challenge
previous to the above signals, and the signal drummer and fifer of each Regiment and Battalion all who approach them. No sentinel must suffer any person to advance nearer than the point of
will immediately repair to their parades, before the Colors of their Corps. The beats will com- his bayonet unrii he has received the countersign, placing himself in thp position of" Arms port*
Mucce on the riant, and be immediately taken up by ail, who will beat the required signal, march- for that purpose. He jh:s: s.z:i conversation witn none except in discharge of his duty.
 — —
soisro-s, &c
MARCHING ALONG. By permission.
-0-0-0-0-
£4i #
1
BELL BRANDON. Bv permission.

DO THEY THINK OP ME AT HOME.

BULLY FOR YOU.

DIXIE'S LAND. By permission.

Jig;
— T f-=-
•-•-• -m\
9tS
MOCKING BIRD. By permission.

It

MARYLAND, MY MARYLAND.
-— »-i — 1—

"WHAT IS HOME WITHOUT A MOTHER P

WHEN WE WENT BOBBIN AROUND.

-0- -0-
-»— 0-

MY MARY ANN. AUNT JEMIMA'S PLASTER.

— «.•.
 .

IRISH J^TTIS. q7
THE BOTTLE OP PUNCH. ^- ^ ^

SKIVER THE QUILT. ^_ m

Iff" ~ yJ~
KITTY OP OULART. .
— ^ . —

TEDDY AND MOLLY.

O MINOR.

be
THE UNFORTUNATE CUP OP TEA. (Reel.;

MISS BRADY. LAMENTATION of DIERDRE for the Sons of Usneach.

KITTY OP COLERAINE ALL THE WAYS TO GALWAY.

HUNTING THE HARE, or the Calais Packet.

n n FINE. D. C.
_
.

COME, REST IN THIS BOSOM.

PADDY, NOW WON'T YOU BE EASY.

-0-0 0-0 *

MONEY IN BOTH POCKETS. -#-„ _ * 0-m -0 .

BOLD SOGER BOY.

98
IRISH _r s
STACK THE RAGS.

WIDOW MALONE.
V
i_Ti

EUGGAMUK PENE ON SAMBHRULINN.

m DC.

The original Irish for " We hare brought the Summer with us." IRISH CRY.

THE PEELER AND THE GOAT.

G MINOR

FAIRY BOY.

CROOGHAN A VENEE.
— .
*
— #- -P —
-#—
re t-

I i J LT

CEAN DTJBH DELISH.

,0*00

DROPS OP WHISKEY. .

MOLL BROOKS. DC NORAH CREENA.

SPINNING WHEEL SONG. IRISH SPINNING WHEEL.

BARNEY BEALLAGAN, or Ble Witt's Jig.

YELLOW STOCKINGS.

IS IT THE PRIEST YOU WANT?

DERMOT ASTORE.

MERRY GIRLS OP DUBLIN.

100 IRISH AIRS
MARRY THE PIPER GIRLS.

PAGAN

CAPTAIN MEGAN THE SIXPENCE.

:a j?4

DISAPPOINTED COQUETTE.

LEATHER THE WIG.

3E ^^j^ ^ E i- j ^
nEl^Tj[*ffl^=f ... jl v J—>

DUBLIN STREETS. FINE. 0

—
BRIAN O'LINN'S JIG

ROWDLEDUM.

PAT MAHONEY'S JIG

=

:?T^t •
cr.-zfr-.f"*-* f F=S^(» T^-f

BEAUTEOUS "«?AIR MOLLY.

ejz—sz-c-i _____ t__ * W 1 * U

"M I
i^-* J J - J
J:
0 jTt.-*J-*-«'F-^-»-J:xzi^ '"^ ^3* — -J—Ji
TERBY HEIGH, the Grinder.

g_^g^_£_g5^^-_^^ag^p_-^S-^-__-^^-_-g^-^j^
CORK CITY.
 —
IRISH AIRS. 101
THE DIRGE OP CAROLAN.

THE SHORT GRASS.

CAPT. O'KANE.

RIDE A MILE. 1st time.

~i i

2d.

RAKES OP "WESTMEATH.

ANDREW CAREY.

LIMERICK JIG.'
0. _,«.
0-t
— ! 1 *

THE DEAR IRISH BOY.

GREEN BUSHES.

TEDDY McSHANE, or, O whore has the Exile his home.

I WOULD RATHER THAN IRELAND.

THE COUNTY TYRONE.

 i

102 IRISH IRS-

BLOW THE CANDLE OUT.

OYSTER RIVER. rl „, • m . m m m

KATHLEEN O'MORE.

TATTHER JACK WALSH. THE PIPER'S DANCE.

DC.

HEALTH FROM THE CUP

THE IRISH GIRL I DO ADORE.

OPEN THE DOOR SOFTLY

3Efc_
—8—
i i

JOHN O'REILLY, the Active.

THE ARMAGH NIGHT-CAP, or, Thqre are Moments of Bliss.

RATTLE THE CASH.

ARRAH, MY DEAR EVELEEN, or, Silent oh Moyle.

•< —
-% ——
1 4- mmm .. " #' I
^3 <;

LIMERICK RACES.
 IRISH ic>3
HUMORS OP DONNYBROOK PAIR.

^ THE CAPTIVATING YOUTH.

IRISH MOLLY O.
=?¥=¥=1=S

-0- " " ~ ~

k/

THE ROCKS OP CASHELL.

THE COLLEEN RUE.

YOURSELF ALONG WITH ME.

CROPPIES LIE DOWN

#

BLOW THE WINDY MORNING.

THE POX'S SLEEP, or, When he who adores thee.

BOTTOM OP THE PUNCH BOWL.

BROWN IRISH GIRL.

D.C.

RAKES OP KILKENNY.
 — — -

104
IRISH J^TFLS
THE ARETHUSA, or The Princess Royal.

THE WEEN. , ,

RATTLING ROARING WILLIE. ^ i£

# .
#_ rINE .
#

LADY CAWDOR'S JIG.

JIG POLTHOGUE.

—— — — -# ~ f —
OONAH, or, While gazing on the Moon's Light.

KICK THE ROGUES OUT.

Ste fan |i;tlif^i^^iii^i^JS^«1igiit'i2^s

PIPER'S JIG. CAMSTRODEN'S RANT.

LOVE'S YOUNG DREAM. FIN1 .

DC

MORGAN RATTLER.

IRISH HOP-PICKER'S JIG.

PHILIP McCUE'S JIG

„ y —— » 0-M-m-M — —
- §a — -!-» »—»
 —

TOSS THE FEATHERS, or Drowsy Maggy.

FINE. DO.

D Minor. SONG OP THE BATTLE EVE.

& 0 0-

LILLIBULLERO, or Protestant Boys.

_o *
^rtffi^
tt ___
L^T
n p -^-f-i

SHULE AVOON.
GEANA UILE

WIND THAT SHAKES THE BARLEY.

MORGIANA IN IRELAND.
S&e ^ r# (*-»-#-»
-*-*~\ »-|

— —*
^T" 1
1
,-

L-^=E^Ez:JI
r 0—0-0-m —
r »-|
gysp&
1

— hi * * . ,
-S—Si —
rr
rr-

»t — i
I
**
— i
1 » 1 »* — r »v 1

WEDDING OP BALLYPORREN

SAVOURNEEN DEELISH.
m
u ^ _ i-^-i-i ii HURLERS' MARCH.

jl
POX HUNTER'S
^5 JIG.
 106
BOYNE WATEA _

ST. PATRICK WAS A GENTLEMAN.

THE LAST ROSE OF SUMMER, or the Groves of Blarney. I'M THE BOY FOR BEWITCHING THEM.

FIXE. MEETING OF THE WATERS.

•/ ' ^^^^ •/ ^

DERRY DOWN, c r.D ennis Brulgruddery.

THE MOREEN.

'
,
*~ "
SWEET INNISFALLEN.'
FINE ^ - - ^
I jfc g— M
I
;| | _ |
j- =^
f ^ =r«Tz*^rp^:*=^zrr^3 |_«. g ^y^ f
D.C.
f-f rq i
^fe|_^t^ - ^ j | ^m-^4
s
}\ \
fz=z:M—0.. — J-jigrzCgq

PADDY O'RAFFERTY.
 107
OFF SHE GOES.

GO TO THE DEVIL AND SHAKE YOURSELF.

WEARING OF THE GREEN.

FIXE

THE SPLASHING OF THE CHURN.

HUMORS OF CASTLE LYONS,

LOW BACK'D CAR, or the Jolly Ploughman.

LET ERIN REMEMBER THE DAYS OF OLD.

 f !

THE GROWLING OLD WOMAN.

LEATHER AWAY WITH THE WATTLE O

C5
m »-r-r«-»-'-*-r»-»-»-T^

OLD LANGALEE.
FIN'E

S
•
SEEtt^
aFEE 16 if* g
-

PEELERS' JACKET.

GEESE IN THE BOG.

LARRY CROGAN.

RAKES OF KILDARE.

Li i # L#
KILDROUGHALT FAIR, or Oh! Avranmore, loved Avranmore.

NOCH BONIN SHIN DO.

if
IT S PRETTY TO BE IN BALLINDERRY.
 —

109
PADD"S SN AP, or Quick, we have but osecrau. THE DANDY O.

or the Young May Moon. MOLL ROE IN THE MORNING, or One Rnmper at Parting.

RAKES OF MALLOW.

BOLD DRAGOON.

^_ WHEN THE WIND BLOWS.

EVELEEN'S BOWER.

YOUNG CUCKOO. (

BALTIGHORAN JIG.
ft'. Tgltefe
3SbEH— * -

BAG OP PRATIES. JACK IN THE GREEN.

MOLL ROONE, W
or Farewell, but whenever you welcome the hour

-* —— —

ANGELS WHISPER.
110
SCOTCH AIRS.
GOOD NIGHT, an' Joy be wi' you A'.

SCOTS WHA HA'E WI' WALLACE BLED.

JESSIE, THE FLOWER OP DUMBLANE.

Egg mm® m BLUE BELLS OF SCOTLAND.

H _ _ FINE. DC.

SAW YE MY WEE THING. ^ ^ , , . , .

STREATHEARN. A Strathspey. Kiel Gow. = fine. .£T~- - D.C.

BONNIE SCOTCH LASSIE. Reel.

THE AULD* MAID WAD BE MARRIED; or, my Mither aye glowering o'er me. Bonus's song, " Louis, what reck I by thee," is sung to Ais tune.

JOHNNIE M'GILL; or, Come UDder my Plaidie.

» « -* e *- »

CALLAM'S FROLIC. _ -
'

p — 1
~*~
LIZZIE LINDSAY. /tn
I

THE WEARY PUND O'TOW.

O WALY, WALY.

MY BOY TOMMY.

WILL YE GANG TO THE EWE BUGHTS, MARION.

CALLER HEREIN.

O, IP JOCKEY WOULD BUT STEAL ME.

THE PUTTERAT WP THE GRAY TAIL.

THE INGLE SIDE.

112
scotch: -A-i :r s.
HALLOWEEN. «. v

DUNCAN GRAY.

TTJLLO CHGORUM 1st time. 2d time.

THE LAIRD COCKPEN.

^mmmmm^M mm
O'
f<
-0- B-0-0—
p
-

Si
THIS IS NO MY ATN LASSIE

P3
WHAT IS A' THE STEER, KXMMER?

JOHN ANDERSON, MY JO.

MY ONLY JOE AND DEARY O.

DUNBARTON'S DRUMS.

SAW YE JOHNNIE COMIN\

DC.
' » . *
-j-i-t-*-

LOCHIEL'S MARCH.

MY LOVE IS BUT A LASSIE YET.

<
«'
J— — — i X—__.j ^r
 SCOTCH AIRS 113
LASSIES, LOOK BEFORE YOU. A Strathspey.

LASSIES, LOOK BEHIND YOU. Reel.

^-^

ii^iSii^^iii^l^i^M^igij ^^^^^^
PETTICOAT LOOSE JIG.

OLD SCOTCH SONG.

ViOCK UP YOUR BEAVER.

9

O, CHARLEY IS MY DARLING.

CUDDY CLAWED HER. — "mm « #_ p ^

THE NINE PINT COGGIE.

DC - ,* j=l

WHEN THE KYE COME HAME.

MY WIFE'S A WINSOME WEE THING.

CAULD KALE IN ABERDEEN

114 SCOTCH
O WHISTLE, AN* rLL COME TO YE, MY LAD.
S-0—e-P

ROBIN" ADAIR.
3*

BONNIE JEAN OP ABERDEEN. ^ i>

BARBARA ALLAN.

MISS FORBES' FAREWELL TO EANFF.

S3
COWDER FAIR. 1st. 2d.
MY JO JANET.
a » e » »
BMtt #3
!!^ti: ::::
- — 1 •J « -

LEWIE GORDON.

HEY THE BONNIE BREAST KNOTS.

_Ji •

" BONNIE DUNDEE."

WEEL MAY 1HE KEEL ROW.

-5 JU-
* w
FAIR REEL
,^jt„ m * —
"MY NANNIE O."
 — #

SCOTCH J^XTIS 115

WHA WADNA FIGHT FOR CHARLIE? DC LOCHABER'S REEL.

BIRKS OF ABERFELDIE.

t
DISAPPOINTED WIDOW.

RED, RED ROSE. CAMERON GOT HIS WIFE "AGAIN.

FRENNET HALL.

THE MOUDIEWART, or, O for one and twenty I am.

BRUACHAN LOCH NEISH STRATHSPEY.

_ — -u—i _™=—o #n-i^-J~ — —
|

r-*r »"i
#± -Jr- Or —t O t-,— H #r- »j —^ — TB1 —
T^s: -p

BRAES OF BALQUITHER DC.

"O, WILLIE BREWED A PECK O' MAUT."

BONNIE ANNIE.

O'ER THE MOOR AWANG THE HEATHER. _ — .— »~ — .— ~9-W -IT 1-' _ ^ _ ^ _ — _

116 SCOTCH AIRS
DRAW THE SWORD. SCOTLAND.

THE LASS WITH THE YELLOW COATEE.

e , e ,
ii i — . » — . - «

YELLOW HAIR'D LADDLE.

TAK YOUR AULD CLOAK ABOUT YE

.
LOTHIAN L4.SSIE.
G MINOR. " i q

HERE AW A; THERE AWA.

THE HIGHLANDMAN KISSED HIS MOTHER. Reel.

UP IN 1HE MORNING EARLY.

"JOCK O' HAZELDEAN."

itrf

I'M O'ER YOUNG TO MARRY YET. DC.

KINCALDRUM. Scotch Reel

- «

LADY BETTY ^S__R EEL.

^ Ili-^-s 1 *-
e # — — ' " 1 1 -
____ - " *

. LOCHLIN AND EVELINE.

HE**
 _ —
SCOTCH AIRS 117
FAVORITE SCOTCH MARCH.

KISS'D YEST'R E'EN.

Lit THE BLUE BONNETS_OVER THE BORDER. ^ _^ ^

SHERIFF MUIR.

ANNOVICHI'S REEL. KELTON'S REEL.

THE BONNIEST LASS IN A' THE WORLD.

«i=-T=^r.f ? fl i^:^^Jt&;i~ iatfirfA+tm - -^_-_--id-.*r # # rsy?^i* * , rf^fc=rf5*=5J=1 ±:r*

COL. McBAIN'S REEL.

g£F£t±=f j^rj^jlf rpjac^a^ j

feg;g:}.^^-^^g}:a-g^^<(^j^^[=^j

GIULLAN NAM BO; or Tho Cow Boy.

tr , =a._^_ 1
— „-

KATE ANDERSON, MY KATE. F. N. Ck.cch.

TIME WAS THY LOCKS WERE BROWN.

_-+=
[) «j —
l
118 SCOTCH
COMING THRO' THE BROOM, or Gala Water.
>T\ /TV
O NANNY, WILT THOU GANG WT ME?

WANDERING WILLIE.

THOU ART GANE AWA PRAE ME, MARY.

MY HEART -AND LUTE.

D C.

KIND ROBIN LO'ES ME.

THE GREEN TREE. Scotch Reel.

i» —» _ S- Pi »— — 0T

BONNIE BESSIE GREEN.

u_ -0

MARY MORRISON.

DRUNKEN WIPE O' GALLOWAY

-?r<r
1 .» ;V^£l^-i-r^l^r:^^^tgFg^iag^{s^^^^
PEEP OF DAY. A Strathspey.^

SCOTCH_DANCE. rm ,
*
•
*
•>..—>..
 ,

SCOTCH AIRS 119

ATHOL CUMMER'S STRATHSPEY.

- tj km
Repeat 2d * i
Btrain, ^ D.
and n
r> C. STRAUN ROBERTSON'S RANT, _
n .p. _jt _|B» ^

4t,4-0-*-+. -fL+.+. LADY HARRIET HOPE'S REEL.

0.-9 .
m ^

<8>-=^v 1—— ir-»-i-» — *~t -» Pr-*-'*}-m-;—&-—T-'— m--- v 0-i—0-*—0 ^T-'-*--e^—o-m-»-» 0 0-0'P T »— 0 f—0-F- *'-
0-0\^»-^ "f-h-r" ^ hi » «-i-»s~r-P5"«^ .

SCOTCH PUSILEERS' MARCH.

- , „ ^ TO D ANTON ME.

BONNY EARL OP MURRAY.

BOB OP PETTERCAIRN REEL.

:-$:=t=:CT^p.-'
J —hrh-rfF
»Y MARY RAMSAY'S STRATHSPEY.
 y

120
SCOTCH J±T1=lS-
THE BRAES OF BUSHBIE.

THE DUSTY MILLER. From a collection of Scotch music, published in 1 709.

11

KENMURE'S ON AND AWA'

THE WAEPTT HEART.

WHAT THE DE'IL AILS YOU.

NEIL GOW'S WIPE. Strathspey.

REEL OP TULLOCH.

XT """^" "™ " * «> ««• —_ — —

THE BORDER WIDOWS LAMENT.
45 k-, _T .
T
- r t -i
#-*'-#•',«-#

LADY CHARLOTTE OP BE AIDS STRATHSPEY.

HEY RANDY DANDY O.

— — —
# « #- »•*« r
: - #-»—#-]
:

b"i
•>
 — a

scotch: airs. 121

MBS. ADYES' STRATHSPEY, tr
ess

WITHIN A MILE OP EDINBURGH.

ilp^liiiiiiiPii IfiiiliillSpiiiilii^ii^liil^iiil
WHA'LL BE KING BUT CHARLEY.
t . 0± —
,— -— - - . - . . A MINOR. _0 .

M'LACHLAN'S SCOTCH MEASURE.

MAGGIE LAUDER.

LORD MOIRA, or Loudon's bonnie Woods and Braes.

r i*» pN— :

^ ,
—— , ;0- a -.*--0— 0~~ r 0- m-^f--0-*-'0-m —-rrv«-»ii r**--r-»'P-t--0-l-0- m r—
m
*-0—0~*-~ (\^-P-'~:^0~l-0—-;0-, — *"* -—"r

THERE'LL NEVER BE PEACE TILL JAMIE COME HOME.

# 1

DASHING WHITE SERGEANT

.0

» 9 o' <

CARL AN' THE KING COME.

ALISTAIR MACALASTAIR.
O MIXOR.
MIXOB. -v^ 0 f' 0 -0- -#-11 L/CS D.C.
 *

SCOTCH ^I^tS,
LOCHABER NO MORE

HIGHLAND MARY.

OF A' THE AIRTS THE WIND CAN BLAW

THE BONNIE HOUSE O' AIRLIE.

4J
EE

Cr i J j^ gg^a
CALEDONIAN LADDIE.

it
BEN LOMOND.
n= —
TODLEN HAME.
_ « «_
'it:

PINKELL'S STRATHSPEY.
r4 '

H -j
- "~ ~-

FLORA MCDONALD'S LAMENT.

jl r * ,e e f Lf r im ^ff grtimg
 —

WILLIE CAMERON".
SCOTCH AIRS. 123
minor. i

i- ^ ___|^^J* e\» K k K

SCOTCH HEEL.
"*T» »i
A MINOR. •"•^S" BgggB » -»- • tea
MISS WAERENDEE OP LOCHEND'S. A Strathspey.

THE BLACK EAGLE. By David Rezzio, private Secretary to Mart, Queen of Scots, who was assassinated in her presence bv her husband and others
tr ^
—4- j a.' a^o r^-^-^-^-F^^-^-jjg-t-pta--*-^- P^v*-^-*-F^-^-^--^-F*V^g -r.-^l'** '^- "i-EE *+">»- 1
+h±JjS~^-^ 1
\
j— — A
a .
POLWART ON THE GREEN. fine JJ «
Dc

SUCH A PARCEL OP ROGUES IN THE NATION.

KISS ME SWEETLY.
-jr-* f ~* » a ^
c
b' — ^r^f > m'f m (^SMt^tC —»t i*^*^ iir r~zz**— '
1 1

h s^-^-^^sn s»—i^l—=»— :£t*-« — a ;i i

JOHNNIE COPE.

ARGYLE IS MY NAME.

PEGGY'S LOVE,

HE THAT GETS A BONNIE LASSIE. Reel.

SALLY KELLY. Reel.

 SCOTCH AIKS
SCOTCH BONNET

BONNIE BRIER BUSH. rl>E 0_m. _ DC.

THE DEUKS DANG O'ER MY DADDIE. - ^^^^

GREEN GROW THE RUSHES O

CALLUM BEG.

LASS OP PATIE'S MILL.

KELVIN GROVE.

JOHN PETERSON'S MARE GOES FOREWORT. Performed in the time of a Horse Gallop.

tr tr tr

ROB ROY MACGREGOR. DC.

DC. FINE.
 SCOTCH AIRS- 125
JENNIE BAUBEE, or MOLLY PUT THE KETTLE ON. EAST NUKE OP PIPE.

HITHER O YOU. Scotch Dance.

WE'RE ALL A NID NOD NODDIN.

_ > FINE.
l inn..
^ -v y -
f T *. /TV ^-v /TN DC.

§1 .. II

ATHOL HIGHLANDER'S MARCH.

PIPE HUNT REEL.

O LASSIE, ART THOU SLEEPING YET ? 0

CALEDONIAN HUNT. Reel.

ANNIE IS MY DARLING.

BANNOCKS O' BARLEY MEAT.. #

— «-

BONNIE SCOTLAND.
 i

126
LA BOUXANGERE.
La Boukmgtreia » French dance of great antiquity; in the present day it usually forms ilie concluding dance of a hall, in the same way that Sir Roger de Coverly does in England. The
gentWnen and their partners plan; themselves in a circle, and join hands, the gentlemen facing inwards, and the ladies outwards of the circle.
They dance once round still keeping hands, and when they come back to their places, the leading couple begin the figure.
The gentleman with his right hand takes ins partner's right hand, turns once round with her, and then leaves her. After which, with his left hand he takes the left hand of fhe-lady next
in rotation, turns once round in like manner with her, and then returns to his partner, to whom he gives his right hand as before, then his left -to the lady standing next in the circle, and so
on to the end, always alternately dancing with his partner, who in the meantime when he leaves her, is to continue to turn by her herself inside the circle, and keeping as far as she can from
"him. When this couple arrive at their own place again, the whole number join hands as before, turn once round, and the next couple to the right dance the same fisure When the party
is very large, two couple may begin at the same time, one at the top and the other at the bottom of the room.
After which the lady dances the same figure.
u. -0- - - FINE.

v— z:
y i

EES
LE CARILLON DE DTJNKERQUE.
Le Carillon de Dunkerque, like the Bonlangere, is a French dance of the olden time, and is the merriest and noisiest of all country dances.
The gentlemen select their partners, and place themselves as for the Quadrille.
It is of no consequence if the number of couples is not equal, the more that dance the merrier it is.
The music plays the first eight bars, after which each gentleman takes the place of the gentleman to his right, the ladies meanwhile retaining their places.
All balance and rum with their new partners, the gentlemen finishing with their faces towards the ladies, and thoir backs to the centre of the Quadrille.
Then all the ladies and gentlemen clap their hands three times, and then stamp on the floor three times, and finish by turning round with their new partners This figure is again begun
and repeated until the gentlemen meet with their original partners, after which the ladies perforin the figure in the same manner with the gentlemen.
u tr FINE D.C
I J I

POLKA MAZOURKA.
The Polka Mazourka is of Polish origin, and is a very graceful dance. It is a combination of the Polka and Mazourka steps.
Slide the left foot forward (count one) ; bring the right foot up to the left, at the same time raise the left foot, extending it, pointing the foot down (count two) ;
bring the left back close
to the right, at the same time springing on the right foot without touching the left on the tloor (count three) ; then execute the Polka Redowastep (count three).
Commence the whole n ith the right foot ;the Mazourka part is executed forward without turning
; then turn half round with the Polka Redowa step
;
repeat, and you make the whole
round.
FINE.

THE CAZORTI.
In this new dance there is a pleasing combination of figure with the galop and two step waltz. The company stand up in squares of four couples each, either round or down the middle
ol the room, the first standing opposite the second, the fourth even with the first and opposite the third, and hold as in galops.
1st. All chassa to next corner and there turn, and repeat places. First and third couple forward and back, second and fourth couples repeat, first and third couples forward and change
ladies, second and fourth couples repeat, first and third resume partners ; second and fourth also.
2d. First and fourth couples chassa forward and turn in loop, second and third repeat; then all forward. back, forward, and change ladieR with opposite couples repeat this.
;

3d. All chassa round, eight bars, closing towards the centre. Left hands across by gentlemen, they still retaining the ladies with right, then chassa in this position at the sixth step the
;

gentlemen pause, while the ladies, with two steps, pass on to the gentlemen before them; repeat the star figure four times then all turn, the gentlemen taking their ladies with left hand>
;

and hand across with the rijrht, chassa round as before; at the sixth step, the gentlemen pause while the ladies pass on as before, four times. All valse ad libitum.
KINK. . D.C.
 !LA madrilainnk.
La Mad;i!ainne is a graceful dance, lately composed by Madam Michau, of London. Its style is Spanish, and Gastcners are oortgato, to accompany rne music, which is in three-eiglit time,
p.nyeJ rather slowly and well marked.

The gentleman begins with left foot, the lady with her right, the position the same as in the Waltz or Polka. Slide to the side, point the other, and bring it near to the first (one bar)
repeat, andtwo pas de basques in turning once round (two bars,) side again, point the other, and bring it up to the first (one bar.) pas de basque (one bar,) turning half round, repeat, this
to be coutimied as often as found agreeable, after which the first par t is r epeated.

- m -?-0
rfrr —W-—\ 1—

L' IMPERIAL!!. A New Parisian Danee.

Another Parisian dance; a compound of the Galop, Mazourka and Redowa, the music in common time.

Partners hold as usual, and chassa forward, eight bars, then turn, eight bars, as in the Mazourka, the gentleman on the right foot, the lady on her left, then back your partner round the
room, as in the Redowa, eight bars, and then repeat the whole.

"
THE ESMERALDA.
S'.ide two steps forward with the left foot; then execute one Polk,i step with the left foot (two bars,) and continue two more Polka steps, with the right and left (two bars,) recommencing
the slide with the right foot, changing the feet alternately every time you commence sliding. _
p - ^_ ^ jt. . FINE. #-*<+ » P -0- 0> € m Jt ,#..#..^'
c

THE SICILIENNE. In Waltz Time.

Spring on the right foot, and bring the left foot behind, (count one). Spring again on the right and bring the left in front (count two.) Spring on the right again, and extend the left foot,
pointing the toe on the floor, (count three.) Spring on the right, and bring the left foot back in front of the right (count four.) Slide three steps forward with the right foot in front,
turning half round, making in all eight movements repeat the same with the right foot, and so on alternately, turning as in other round dances.
;

ZULMA L' ORIENT ALE.

The gentleman commences with the left foot and executes two Polka steps, turning round (which occupies 2 bars of music.)
—
Then place the point of the left foot in the fourth position (count one) then bring the heal of the left foot back into the hollow of the right (third —
position—count two) make a slight
spring on the right foot and slide the left foot forward, bringing the right foot up behind the left in third position (count three) —
then slide the left foot forward again
and turn half round,
—
finishing on the left foot with the right foot behind (count four) occupying two bars. In all four bars.
For a lad}' the directions are the same, except reversing the feet.
4-
F
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f f P f—
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 — J J;;

i*9
JOHN ANDERSON ON 1 HE OLD CUSHION DANCE.
A celebrated Dance very fasliionable in great Brittain about 1800.
Before this dance commences, the company should he all seated round the room, then the Dance is begun by a single Gentleman it may be by either Lady or Gentlemaa. If a Gentleman,
:

he takes the Cushion in his hand, or throws it over his shoulder, and dances round the room to the music, stops at any lady he pleases, and lays the Cushion at her feet, the music ceases
at the same time the Gentleman say to the Musician
—
* " This Dance will no further go ? " Musician '* —
Why Sir, say you so Gentleman—' Because the Lady won't come to." Musician •' She must and shall come *"V.
V 1 —
—
The samo words are used by the la ly. where she says it before the Gentleman with only this alteration, that, instead of Lady, she says " The Gentleman won'v come to."
The Lady must kneel down anil the Gentleman salutes her. They rise, and then the Lady takes the Cushion, dances round, leading the Gentleman with her left hand ; sometimes they
jghtly take hold of each other's dresses ; she then in the same manner, lays it before a selected Gentleman, who kneels down and kisses her.
Then the 6econd Gentleman takes the Cushion as before, and lays it at the feet of another Lady, and so on alternately, to every Lady and Gentleman till they are all joined in the dance who :

then join hands, make a ring and dance round once, then stand still, while the Gentleman (or lady as it may be) that begun the Dance, takes the Cushion as before, lays it as before, at the
feet of any Lady he pleases and salutes her then raising up the Lady, bows to her and leaves the circle, the Lady saying. "Farewell Sir."
;
— !

The Lady then takes the Cushion, they all hands round again, and all stop for the Lady to select a Gentleman to lay the Cushion to, who kneels, salutes her the Gentleman raises her up
:

she courtesies and retires, the Gentleman saying,— "Farewell, Madam or Miss." And so on till they have all gone out of the circle one by one as they came in.
* It is sometimes danced with only saying "She won't come to," leaving out the words, " This Dance will no further go."

1 c — ,
10 000 #»— —'"— — #l ## #^Jj_-^-q_LL_ # _ # __ # _^i.
_

*
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0000 0 w -~* 1

* 000
—
-—-1

SIR ROGER DE COVERLY.

The first lady and foot Gentleman forward in the centre meet and courtesy and bow — first gentleman and foot lady the same, first lady and foot gentleman forward and swing with right
hands— first gentleman and foot lady the same — first lady and foot gentleman forward and swing with left hands— first gentleman and foot lady the same first lady and foot gentleman—
forward, swing with both hands— first gentleman and foot lady the same. »

—
First lady and foot gentleman forward and allemande around each other first gentleman and foot lady the same.
First couple swing each other with right hand, first lady swings second gentleman with left hand (first gentleman swings second lady with left hand at the same time), first conple swing
—
each other with right hand again, third lady and gentleman with left hands partners with right and so on until you reach the foot of the set— the gentleman passes his arms around his
[•artners waist (lower their hea Is) all the other couples join their hands raised, and first couple promenade up followed by the other couples —
down the outside to places— first couple will
—
now be at the foot the first couple cross their hands and galop up and down the centre.

^^^^f^^^a
•Also called in England, where it originated, the finishing dance, it was usually played as a finale to balls.

-0-

THE NEW POLISH DANCE LA ROSEA.

'-0-
EfcH w 3 fcft
Jfrj /JB^^rtff^T
Tho music for this dance requires to be played in three-four time, the same as a Mazourka. The steps are composed of the Mazourka and Polka Redowa. The position is the same as any
of the other round dances.

DANISH DANCE.
This dance is of recent introduction in the first circles of society, and is a very pleasing one. combining the galop, two step waltz, and Schottisch turn. In the first place avoid stamping
the four steps, as it is exceedingly vulgar, and does not belong to the dance.
first Slide the left foot forward then draw the right close up in the third position; perform this forward
;

movement fi.ur times; then slide in the contrary direction, eight galop steps. Repeat the forward and back again, twice (16 bars). Then dance the two step waltz or the Schottisch; turn
(16 bars). Then recommence with the first part.

^ i—
 — f

129
PIRATES CHORUS. (Ever be happy.)

O WOULD I WERE A BOY AGAIN.

JESS
WOUNDED HUSSAR.

IEEE ^-r r i
r
tn i r r|^j^^jggtf j a [

j
j aJlj
-
SHANGHAI POLKA, or the Chinese dance

GERMAN POLKA

I'

i FINE. s
— CAPTAIN AND HIS WHISKERS.
u

4=F
FTNE.

D.C. m HAM PAT MAN.

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1
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-

A Minor. PEA NUT GAL.

F r2 a- » Pjf p - *

— —
BONNY ELOISE. By permission

\>

FAIRY BELLE. By permission.

130
IN HAPPY MOMENTS. From Maritana.

NETTY MOORE, or Far, Far across the Sea. chorus.

Stmphoxt. RAW EECETJITS, or Abraham's Daughter,

0-0- r n-0
0-0 0
7 * y#r
5=_| ^
^D.C. RAW RECRUITS. No.2

tf=fc=il ^^ffi
GOD SAVE THE QUEEN. National Air of England.
'

• ? p + - I

HAND ORGAN POLKA.

*- -0-

WILLIE MAZURKA.
* 1

-f-fr-
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 131
L.E HEINE DE NAVARE QUADRILLE. D'Albert.

No. 1. (3 strains.) First four right and left ;

balance, and turn partners ; ladies chafe ;
promenade four. Sides the same.
b
No. 1. D.C. .

No. 2. (2 strains.) First couple chassa to couple on their right, bow and courtesy to each other twice, moving right and left across each other at each salutation ;
right and left with
same couple chassa to next couple, next, next other couples the same.
ax** _
; ;

No. 2. . . . • ^ a q frq d.o

No. 3. 3 strains.) First lady balance to right hand gentleman, turn with any' gentleman she may choose ; balance with next gentleman. &c, 2nd lady, &c, 3d lady, 4th lady.

No„3. f a. *

D.C.

Nc, 4. (3 strains ) First lady turn right hand gentleman with right hand, next with left ; next with right, partner with left ; all promenade'; first side la ly the same, and so on with others.

u No. 4. ^^^^^^^^^^^^^^^^
V-

^. M).C.

No. 5. (3 strains.) First couple promenade round the set and face the head of the hall next, next, next ; ;
all
lady balance with partner, swing any gent, she may choose balance with second gentleman, &c ; second lady,
; &c
chassa across partners, and back all balance and turn partners
; ; first
; all balance and turn to places; all promenade round the hall.

No. 5. s *
I • V •
 - —
—

133
J> CHERUBIM QUADRILLE. JOHX STRAUS.
No. First four right and left — side couples right and
1. —
left— ladi?s balance to the right all promenade. First ladies chain side ladies chain ladies balance to (he right—all promen —
e. -i< I

First four forward

No. L m <s* —
and back, and four hands round to places — side couples forward four and back, and four hands round to places, the ladies balance to the right— all promenade. First
—
four cross right hand, go round to the right and back again to places— side couples cross right hand, go round and hack again to [daces ladiosbalunce to the right— all promenade.
—— • . . . . .

ir i— -—— ——— vss — ' * -»- -r

————— — —-——
No. 2. Forward two — face to face — sides four — the gentlemen all change places— all promenade— ladies grand chain all— hands all round — all forward— sides four and turn to place
right and left all round— repeated twice, first by the head couples and then by the sides.

No. 3. All chassa and turn partners— four ladies forward —

to the centre and back four gentlemen forward— —
four ladies cross right hand — round and bae'e, forming the star figure
all —
balance and turn to places repeated twice, the second time the gentlemen forward first and cross hands' in the centre.

No. 3.
DC

— — —
No. 4. All chassa— hands all round ladies chain sides four— the gentl men all change places all forward and back (sides four) and turn partners to places — hands all round— four
lauies forward and back and four hands round to places —
four gentlemen forward and back and four hands round to places —
four ladies cross right hand round and back, forming the
— — —
6tar figure
No.
all balance and turn to place
4.ish
1

-#.\*.
fc.b>
-A*-
right and left all round

-A*
b-.«.
4- 4L
^_^^^^>
repeated twice, first by the head couples and then by the sides.

+S JL S Jt-
, J^JL

g
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No. 5. All chassa —ladies grand chain—balance to corners and turn — all promenade — repeat twice and then finish with jig.
No. 5.

vv^t- +*t** _
^

TIIE JIG. Hands all round —

ladies balance to the right and turn — —
balance to the next and turn balance to the nest and turn balance to partners and turn — —hands all round — all chassa.
N. B. In each figure the dancers all have a new partner, and is repeated four times, which will bring all back again to their own places
If this be all repeated, the second time the ?ett61«men should l>ilo. :2S to the left, and hands all round.
 ; —

PUlfCH AND JUDY SET.

No. 1, (2 strains..) — —
Gentlemen ail balance to corners, and turn gentlemen cross over and all balance to opposite corners and turn gentlemen all promenade rouna on the otr.sida to
places, and turn —
partners—gentlemen all promenade half round on the outside, swing the lady with the bright eyes promenade round to place, swing the lady you love best.

No. 2. (3 strains.) First lady balance to the right band

— —
gentleman, swing the gentleman witli big feet pass on and balance to the next gentleman, swing the gentleman with the long
,,, 8 —
pass on and balance to the next gentleman, swing the gentleman with the red hair balance to partners, swing the best looking gentleman in the set gentlemen all promenade round
to — —
the ri lit on the outside— ladies all promenade round on the inside (at the same time) balance and turn partners next lady balance to right hand gentleman, &c.
,r

3. (3 strains.) First couple promenade ronnd the set, and face out— next couple promenade round the set, and face out— next couple promenade round the
No. set and face out— last coup-
le —
promenade round the set and face out first four promenade to centre (backwards) back, pass outside and face right hand side couples— all forward to centre (sides backwards) (first 4
forward) chassa by couples— all balance and turn to places.

D.C.
>.- r^rJ "' * m *
-<— j— •— *— g~
h>-j f- if- - —— i
;

=P —^==^=^
—
No. 4. (3 strains.) First gent pass partner and balance to the 1st lady on the left, swing the lady with the black eyes pass on and balance to next lady and swing the lady with curls
—
pass on and balance to next lady and swing with the lady with dimples in her cheek pass on and balance to next lady— swing the most beautiful lady in the hall all balance and swing
;

whom tliev please.

N<>. 5. (3 s'.raii s.) All balance to corners, turn with opposite corners— all balance with opposite corners, turn with the best dancer in the 6et— first lady promenade half round the set to
the right (the gentleman half round to the left at the same tinie) join bands and promenade back to place— next lady, &c. —ladies all forward to centre and stop, gentleman all round the
ladies —
la lies fall back, gentlemen all forward and stop, first and secon 1 ladies, an 1 third and fourth ladies, join hands and promenade to seats.
 SALLY COME UP SCHOTTISCHE.*
IF -A. 1ST d^ST DANCES, 135

GOLDEN ROBIN POLKA.

»»s»~ -0-

IRRESISTIBLE POLKA..
is 1 _C33 J—^ B33 kink. ^ i .

"~~
D.C.

permission of Geo. D. Bc&sell & Co., who publish Fred. Buckley's arrangement for the Piano Forte.
 J — 1 —
136 FANCY DANCES
CONSCRIPT WALTZ.
-i — ~

WALTZ IN THE SWISS FAMILY.

-0-

i-' • '-i. .!.-• II

FLOWING WALTZ DC.

DIELETRA WALTZ
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FROM "MOSES IN EGYPT." D.C.

--» — -[#-*
MINUET REDOWA WALTZ. FIXE.

•'i. • -
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EMILY WALTZ.
#
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D.C.

FAVORITE FRENCH WALTZ.

5 I.
9
— —
fir | FLORENTINE AIR.
TRAINEAUX MAZOUEKA.

LES SOUPIRS MAZOURKA.

FAVORITE FRENCH MAZOURKA.

138 F-A.3STC"Y DANCES.
VAILLANCE POLKA MILI1AIRE.

FAVORITE AIR, Bt Mozabt.

POLONESE GAVOTTE.

SOLDIER'S DANCE.

RAINBOW SCHOTTISCHE. [Qj permission.]

 ^

MAYFIELD POLKA.
FANCY DANCES. 139

LEIPZIC POLKA.
D.C.

*^ ' ' T\T) A WTW/l T) nr\W ^PC

DRAWING-ROOM t)nT T7" /

EVERLASTING— POLKA —3
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'
— * -0- FINE. ^^^-0-0- I ^ *- |\ « '

D.C.

EXQUISITE POLKA. ^—

NIGHTINGALE WALTZ.

PRINCE OP WALES WALTZ.

CLEONE WALTZ.
140
OALLOP IN GOSTAVUS.
FANCY DANCES.

PRIMA DONNA WALTZ. DC.

ADELINE WALTZ.

SPANISH DANCE. No. I.

THE WITCHES' DANCE. By Pagasi>i.

 IF -A. 3XT C DANCES. 141
MILITARY POLKA. Dedicated to Lient. Joseph B. Prince, Jr., of the 30th Mass. Regiment.
_ • FINE..£_. # ^_ •

ANNIE POLKA REDOWA.

,
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- D.C.

PEARL POLKA* H. Kleber.

%V CALLY POLKA.* A. Dodworth.

7>\

.IDE POLKA REDOWA.

ADELAIDE
D.C. ^

D.C.

HATTIE SCHOTTISCHE. Jordan.

LIZZIE POLKA REDOWA.

« b . _ . . . . _ , . . f.
-!«-»-- —1 ^ FINE.

II -^-^ h z 'z --- DC -

• Sr permission of Fibth, Pond it proprietors of the copy-rig£5,

 "WALTZES, POLKAS, Szc.
BAY OP BISCAY POLKA.

WILSON'S FANDANGO, Very popular in London in 1816.

CRACOVIE VARSOVIANA.
 WALTZES, POLKAS, SCO. f
1«0
THE BLACK BRIGADE CAMP DANCE.

NELLIE POLKA REDOWA.

BOLERO. From the Opera of " Masaniello."

AMERICAN EAGLE POLKA. E. K. Eaton.

TITANIA'S FAVORITE POLKA. Jules Normann.

144 WALTZES, POLKAS, <5cc-
T.A PIROUETTE POLKA. Paseloup.

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. . . . • - I.
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M' H B RAT-CATCHER'S POLKA Jules Norma*™.

• • A -»-* FINE. ~0'0- -0- *
A * " "
T**

LAUGHING EYES POLKA.

» d.c.
tt
. . • . . _ fin e. ^ JSSa JBS82 — —
*- -

FORT SUMTER REDOWA. E. K. Eaton.

SOUNDS FROM HOME WALTZES. No. 1.

No. 2. • • •

^ "
No. 3. ^ DC

~~
No. 4.
.„ , . . . fr _ mm fixe. _^ ^ tr~. tr-^^-tr^^tr-^-p- . .

fir'- „ Jr.

~ ^ PIO ALLEGRO. SEGNO AL FINE.

THE GREAT EXHIBITION POLKA.
* N " _ ^ \ - " - »* ^ FINE.
,
-0- * * • 1 ~*Z»~9m
D.C.

LINDA REDOWA. DC,

 — —

"WALTZES, POLKAS, Sec. 145

POLISH MAZURKA
FINE. DC.

DUVAL'S POLKA. REDOWA.

- -- - - FINE. - 3 -
'

<-""J~"» ______ J) C

LA FAVORITA REDOWA.

EMILIE REDOWA. Kroskwitz.

1

,# — __ i Id.

* Bepeat third strain *and D.C. ""5

H _r> _

EVANGELINE POLKA.

GAZELLE REDOWA. O. Langroth.

D.C.

<« Dot
Dolce.
oe. -e_- 1
-33- ' '
Dal Segno.
FAIR STAR WALTZ. Chas. D' Albret

T+C^ — #Tbi ^T- t

LA BELLE SWISS WALTZ.

I l.T Tiai. '|
t» TI Ml.

— fF_T^ t44 \^h t

7>

Ltd f * r-r
146 -W-AJL.TZES, POLKAS, Szc.

BBONZE HOESE GALLOP.

OTIS' POLKA QUICKSTEP.

 WALTZES, POLKAS, <5cc.
LUCY ANN'S WALTZ. Not too fast.

v RUSSIAN MAZURKA.

ITALIAN MONPRINA.

LEMON HILL WALTZ.

LA GRANGE WALTZ. Ltojj.

148 WALTZES, POLKAS, <Scc.
SILVER MINER'S WALTZ.
______ FIXE.

HAPPY FAMILY REDOWA.

LA FILLE DU REGIMENT POLKA. J. Strauss.

'
^GYPSY'S DANCE IN PRECIOSA. ^
r

L' ALINE. FRENCH CONTRE DANCE.

IL BOND TJC ANT.

lillllillllil^^
NEW SPANISH DANCE,
Ut. 1*.
D.C. j

U». i to. lrr. i».

RACOZI GALLOP.
» § t § a

Repeat 3d strain.
AUNT TOBEY'S QUICKSTEP.
D.C.
JUL ,-frr
 -

"WALTZES, POLKAS, <Sco.

149
ECLIPSE POLKA . No. 1. koenio.

D.C. No. 2.

LA SYLPHIDE WALTZ.

DC LADIES' POLKA.

D.C.
ROSALINDA WALTZ. , -0.tr tr

-8-0-*

CTIE'S WALTZ.

LA REVEUSE POLKA REDOWA.

-« # ^! -0 e- fine. ^ u .m .0- w k

THE PEACE OP THE VALLEY. Balfe.

150 "WALTZES, POLKAS, <teo.

MOTJNTAIN DAISY WALTZ.

* As a marcn should always precede the waltzing, this was comaascJ iu wtZit time for that purpose to show ths connect'.vu bcorci; cripie and common time, the former will De in imitation of the latter if
flayed proper!;-.
 "WALTZES, IPOXjEC-A-S, <Sco- jrj|
MUSIKANTER POLKA. Wallersteik.

T.A PARQUETTE POLKA REDOWA.

CONTRABAND'S QUICKSTEP.

'
CHAMPAGNE GALLOP.
152 WALTZES, 3?OHiIi£-A.S 3 &CG.
THE SKY ROCKET POLKA. J. n. Seipp.

., n !>•-', •-'.-' ',-• '*

*0 fU-^-f^m DC
-#-*-#- Jl IT Clap hands three times.

Sholi! Whoo! Hal.

NEPAULESE POLKA. Strauss.
DC.

EGLANTINE POLKA.

POLKA D' AMOUR.

DC, NEW STOP WALTZ

REDOWA WALTZ. -# l.T. I >>. I

THE DOUBLE XX WALTZ.

^ ^ ^_ ARCADIAN WALTZ. FINK D.C

1^ HHiiit^lI'lisIi i^f^t|iS!P^lipiEfpli?pl§iliE«i
'
 WALTZES, POLKAS, <Scc.
153
MAZURKA. No. 1.
tr ^. D C.

MAZURKA No. 2.
a tr^- r tr
m
tr tr tr tr fine._,_ ^ _*.#; ji_, T DC.

MAZURKA No. 3.

MAZURKA No. 4.
^

PAPAGENO POLK\. 20.

* * »
I I

-« •«

R IO
E-^gfeg ^fjj^ -^Tr^f- j=n J . :-;--r--. «l ^se&

MAY MORNING SCHOTTISCHE.

lilglftliiipil^ iiiiiiiiiifiipiii

MORNING STAR WALTZ. -0 -P-

DC.
J~F4 J -|-T 2—5= =]
hi 1 PT T=
154
JOHN OP PAHIS, or the " Ladies' Club."
SONGS, Szc.
D.C.

DRINK TO ME ONLY WITH THINE EYES

!YES. LOVE'S RITORNELLA.
FIXE. -0^0 0-0-0 0 0-0-0-0-0

imiii!i ^^^yipBifepggtegHiHfe'irgi^i
ISABEL. Spanish Melody.
»

THE OLD ARM CHAIR. Hekrt Russell.

THE IRISH EMIGRANT'S LAMENT. W. R. Dempster.

THE LOVES OP BINIE AND ALECK, or the Lover's Serenade.

^ ^ . ^ WHY DON'T THE MEN PROPOSE?

THE THREE GHOSTS. There sat three ghosts by the Kirk-yard side.

OVER THE HILLS AND A GREAT WAY ORP THE OLD COW DIED OP THE HOOPING CORP.

PINE OLD ENGLISH GENTLEMAN.

MATRIMONIAL SWEETS.
a five. . D.tJ.
 sonsras, Sec. 155
SINGLE BLESSEDNESS. Very old.

DANCE IN THE "HONEY MOON."

RURAL FELICITY, or Haste to the Wedding.

OH! I SHOULD LIKE TO MARRY. D.C.

-ft. -m - * -0- m .
fine. -#•-»->, -»•(**-*- ft _# .
-j^ . - "J

NOT MARRIED YET!

'f
-0-^-0-0 .0-^-000
1

THE TRIUMPH.

OLD SONG. No. 1. OLD SONG. No. 2.

«v •
Dc OLD SONG. No. 3.

if

BETSEY BAKER.

BUNG YOUR EYE.

THE DUSKY NIGHT. A celebrated Hunting Song

CONNEMARA JIG.
156
THE FEMALE AUCTIONEER
SONGS, Sec.

JOHNNY SANDS. ,
riSf> |
. -# — „ n.c.

THE GOOSE HANGS HIGH.

BLITHE, BLITHE AND MERRY WAS SHE.

-0---0'»- -0-

THE STANDING TOAST. "THE LASS THAT LOVES A SAILOR."

^^^^ m ^L ^^^^E^^^^^a
-0-

LORD LOVEL.
a j Ltj
THE DEMON LOVER. ROBERT KIDD. Minor.

THE CASSINO, or " Come thou rosy dimpled boy." Composed in 1630.
» _ FINE. DC.

BRAVE WOLFE. A Minor. THE WOODPECKER'S MARCH.

THE NIGHTINGALE. ^_ ^ ^

« U --•-.-•'0-*-0-*-.-:»-*-»-m -0--0-.»- -0.»- -0-* *-0-0-0-*~£^0- -;0- -0- rf 1 • 1 1 « •-'i'tk-L

 UNFORTUNATE ROBINSON CRUSOE.
SONGS, SCO. 157

SUCH A BEAUTY I DID GROW. THE MUNS1ER BUTTER MILK.

BACHELOR'S BALL.

MY OWN ONE. David Lee.

SONG OP THE SKY LARK. fine.

fztzzzz^t^^
INDIAN DEATH SONG.

THE PIPER'S MAGGOT. _

THE RECOVERY.

GILLIE CALLUM. Sword Dance.

DOWN AMONG THE DEAD MEN. Old English.

us
158
Old name, " ALLY
SO 1ST OS, Sec.
THE HUNTERS OP KENTUCKY. CROKER."

THE CANTEEN CALL, or the " OLD DRUMMER'S DELIGHT."

— 1~

'TIS ALL FOR THE LOVE OP THE WIDOW. •

THE GLORIOUS VINTAGE OP CHAMPAGNE. Balfe.

SONG OP THE ENCHANTRESS.

m^-WBmmM^M
THE KING OP THE CANNIBAL ISLANDS.
:

ifiiii^lO ^iiiillili"lii^iiil^iiilJ

'TWAS MERRY IN THE HALL.

BALANCE A STRAW.

WOODMAN SPARE THAT TREE.

j^*4- W f!| a
i-
BRIGHT THINGS CAN NEVER DIE.
D.C

MERRY LADS OF AYR.

 SOJSTGS, Sec. J5J)
•

STEli SILliNZIO. Meterbeeb

AIR PROM " STRADELLA."

Andante Moderate. DI PROVENZA. (In whispers soft.)

Do?.

I "WELCOME THEE "WITH GLADNESS. Bellini.

SHADOW DANCE PROM " DINORAH."

AIR PROM "SIMON BOCANEGRA."

WALTZ IN THE "BREWER OP PRESTON."

ROMANCE PROM "ANNA BOLENA."

HIGH ROAD TO LINTON.

 .

1G0
QUICKSTEPS, HORNPIPES, &C.
LA SONNAMBULA QUICKSTEP.

11 j^pE^^^^^^^^^W%^^g^^^J^3fai^^^^B
FRA DIAVOLO QUICKSTEP. tin e DC

UNION BAND QUICKSTEP.

'
~
'
"""" *

p
NATIONAL CADETS' QUICKSTEP.

DC COPPERHEAD GALLOPADE

ZOUAVE QUICKSTEP.

DC CAPT. GAUL'S QUICKSTEP. -

DEAD MARCH IN "MEROPE."

—* r#-i •-w-»<
•>*
1

CAMBRIDGE RESERVE GUARD QUICKSTEP

 161
UNELE OTIS'S GERMAN PAUSE

CHARMING MOLLY

BURGESS'S HORNPIPE.

LIGHT DRAGOON QUICKSTEP,

T-# i^-teP

^illiiiii^iliiili
ADJUTANT'S QUICKSTEP

FRENCH MARCH.
-J* -J- ^ P . £ ^ * * #

** _ 3
w ->» . .

^ ^
==- 3 MARCH PROM GUILLAUME TELL.

II »- FINE. «_ m ^ D.C.

AIR MILITAIRE from "Fra Diavolo."

. r - -

THE CRIMSON MORN BIDS HENCE THE NIGHT. From the " Duenna.'

AIR MILITAIRE, from "Pietro l'Erimita."

CHINESE MARCH.
1(52 QUICKSTEPS, HORNPIPES, &C.
BRIDE'S MAID'S CHORUS. From " Der Freyschutz."

MARKET CHORUS. From " Massaniello."

MAM, MAM, MA. The imitation of the mam, mam, ma, is obtained by a common door key held by its handle betwixt the teeth of the performer, with the other end resting on the taiKpiece of
the Violin. At every imitation he moves the end of the key to touch the bridge slightly, to and fro, at pleasure.

tr

mam mam ma, mam mam ma, mam mam ma,

mam mamma, mammamma, mam mam ma. mam mam ma, mam mam ma,
BALTIMORE HORNP IPE.

%J mam mnm mn
mom mam ma ^m^m arm sa

BUMBLE BEE IN THE PUMPKIN BLOSSOM. Imitation of the Buzzing of a Bumble Bee. To Violin players. — Tune the G string a fourth below the D string, and an octave below the A

CIRCUS QUICKSTEP. 0 0 -ft #

FRENCH MUSE. To Violin players.— Tune the D string a fourth below the A, and the G a fifth below the D.

THE TANK. Country Dance.

PERO'S BRICKLAYER. f

ONE HORSE HORNPIPE. ^ 0 ___

 GiXJIOKSTEFS, HORNPIPES, &c. 163
SAVIN HILL HORNPIPE. ^ ± 0

MORTON'S REEL.

LA CATINA. ^

BUTCHER'S ROW.

FLORA'S BIRTHDAY. ^

CHARLES STREET, BATH. Reel.

SWEET ELLEN.

THE VEXED EDITOR.

THE ROUT.

JOICE'S HORNPIPE.
 ,

164 GiXJIOKSTEFS, HORNPIPES, &C.

MEG MERRILEES. English Country Dance.

CALVER LODGE. English Country Dance.

THE NUT
J i) ,—

D c
CIRCASSIAN CIRCLE. English Country Dance.
-*-0-m-?t m P * m P . «. . »
i . a

DUXBURY HORNPIPE.

FOLLOW ME, HARRY.

DANCE FROM LUCIA DI LAMMERMOOR. 1st. 2d. FINE.

FOREST OF BONDI. _m ? jl. ^*

MISS MANNING'S REEL.

DEMOCRATIC RAGE.
 .

DANCES, Sec. 105

THE HOUSE THAT JACK BUILT.

THE MUSES.

BOBBING JOAN, or Love and Whiskey.

GEOBGIANA.

^— Dc BROSE AND BUTTER. '

^ ^ _ _ , _

VIRGINIA WATER.
# #-

Cres. p f J*

U -#y - C\S —« 7"T~^ ==- - _ U ... 6\S ^ «>S ... .... .... ... 0

/y Dolcissimo. f Void. f
MERRY DANCE.

Merry Dance. First two ladies join hands and chassa across the set and back (first two gents chassa across single on the outside and back, at thesame time.)
;
First two gentlemen join hands
and chassa across, (ladies on the outside at the same time), back. First couple down the centre, back, cast off, right and left.

*'\-m- !~S-t—i^S—f~3-r~i"~2S—*«-t m»fm \~n , F0 — ,F

,-p.e-t-'--*.-? _ ft
-e-P-f-'r-*- m P.-P-o P-T-*- T » 1* »-fT-f-
r-F'-FP-^ iF ° f\ \ f »^trf^'-^rT-r'»r-^

PRINCE GEORGE'S _FLIRT GALLOPADE

- 0- — — -^
1st 2d \£ • • £ •
#
• - -0-
^ ^
106
FLOWER GIRL'S QUADRILLE.
No. 1. La Fantalon.
DC.

No. 1. First four right and left ; balance ; ladies' chain ; all promenade ;
grand right and lett. Sides same.

^ _ ... D C. No. 2. L'Ete.

No. 2. First two forward and back, cross over .

\» -P- T
chaasa, cross back ; balance. Repeat 4 times.

No. 3. La Poule.
DC. l0-P>-P- D.C.

No. 3. First two give right hands, cross over, left hands back on a line : balance, half promenade ; ladies' chain ; forward and back, half right and left to place. Others same.

No. 4. La Trenise.
-
frs -H-^— t— t-rPPPP-P-Pj
*—" ™ No. 4. J irst four lead to right, chassa out right and left; ladies' chain ; forward and
;
back ; turn partners to place. Sides same.

No.

Ptlff^f^l
No. 5.
5. La Finale.

First lady balance to right

~ =~ Igj^ ^ff
next gent; balance
and turn next
I

to next, and turn partner

~j
in centre ; six
;~ ^itgl
hands
han
"
1
^
round that couple and turn partners
' 1- ! "frl
_

=^
to place. Others same.
_

S~

*3 f m m r — -»-•-#— # ylt ^Vi'^r-fh* f t rtta-ffztfffcscs —— I „

m
GIPSY QUADRILLE.
No. 1. La Fobatrerie.
> r# t— #-' T --»-. » *: T — ^ -'P-'F-bt-* — *— " ~* — ^r 0- a .0,-0
J3 0 *'l'-M- m .0 , » r---r* g -
rr T »-j.»t T P t f

No. L Right and left 4 ; balance and turn partners ; lead to the right, balance, and swing four bands round to place ; all chassa across. Sides the 6auie.

No. 2. La Alpine.
3 s DC.
-P,-f-0 — *,
0- -0 P-0-0-* 0- -0
fL'{~T- If
„ r-v _
f~t~P *- -0-Pj

No. 2. Forward 2, cross over ;

chassa, cfoss back ; balance and turn partners^ all promenade. Next 2, i
 1G7
No. 3. La Sulze
-0

No. 3. Forward and back 2, back to back ; balance and turn partners ; first four lead to right and form lines ; all torward and back, and turn partners to place. Others same.

No. 4. La Helvecie.
-» 00 n ft »-

No. 4. First couple balance right hand couple, balance next couple ;
right and left with next couple ; 4 ladies chain ; all promenade. Others same.

No. 5. La Tyrolese
-0- P0

No. 5. Forward and back 2, and turn in centre ; 6 hands round that couple ; all balance and turn to place ; all chassa across ; all promenade. Others same.

RAINBOW POLKA REDOWA QUADRILLE.

No. 1. La Villagers.

No. 1. First 4 balance, and turn partners ; first 4 polka ; sides polka ; sides same, and all polka,

_D.C.„ J)
m —\- rJ-d —— • I

il-*^ r*
!
-DC.

X 7 |-g i
yl +

No. 2. La Reapers.

No. 2. First 2 forward and back, give right hands, swing to place ; first 4 polka ; sides polka. Others same.

No. 3. La Shepherds.

No. 3. First couple polka inside the set; grand right and left half round ;
polka to place. Others eame

No. 4. Les Dancers

"'No. 4. All take hands forward and back, ladies pass to right ; all polka. Repeat 4 times.
 ,

168
MILITARY QUADRILLE. CENTRAL CITY
5o L La Heroique.
-
n
» u> fc*. ^_JS . . « — ,
J5 # ^

No. 1. Eight hands round ; first 4 right and left ; ladies grand chain ; all promenade ; 8 hands round ; sides right and left ; ladies grand chain ; all promenade.

No. 2. La Risoluto.
•D C. * 0- D.C.

No. 2. First 2 forward and back, cross over ; 2 ladies join hands and chassa across, gents outside ;
gents same ; forward 4, and turn partners to place. Others same.

D.C.
No. 3. La Fieramente.

' 0 9

No. 3. First 4 forwardand back, half right and left ;

right and left with right hand couples ; ladies chain with left hand couples ; forward 4, and four brands round to place. Sides same

«X -0^
... -'^ ,
*t "# * ,
•
^f- f-0 - f =^£D :. ~ ^Xt-rJJ .^-, =£f£^. ^JL
^ mf ^
— j
* V- # {
"
[j£=P= j ,
'
0- 'n-i—i't
— Q *y0- II
nernMjra a
j^ ** mwimj- * re ._ j n> r t z
j]
mf
No. 4. La Marche.

No. 4. march. The head couple ("that is, the first couple in the first set, which stand at the right hand comer of the head of the hall,) c?n now conduct the march as they please, marching in single
A
couples, in double couples, and single file (lady front of gentleman.) After passing through all the different forms of the march, introduce a quickstep, at the end of which form into sets, each four ladies and
four gentlemen facing — —
each other first couple balance and chassa down the centre next couple next next all forward and back, swing to places. — — —

m MMM — ^ M — C.Q Jl -M±M

. M f? ft — 1
— — fe»

si
DC.

No. 5. La Reveuse

: I
No. 5. Ladies all balance to right and turn ;
promenade with same. Repeat 4 times. Ladies grand chain ; all promenade.
 UTT^-A-IN" EXPRESSIONS, and cries of Birds, Domestic Fowls, Beasts, &c. 160
Salutation No. 1. wuiu™
Salutation No. «• 2. Mother ™
calling &
s daughter, ———
No. - Mother '
° — No. —
~£ calling daughter,
1. —^b—»>, «»•
„ Laughter, No. -j* — '> 2. 1.
»•

How d'ye do ! Pretty well, thank ye. How d'ye do Pretty well, thank ye. Sa - rah, Sa - rah. Ma- n-a, Ma -ri-a, Eh^ ' eh eh ch eh eh eh
!

Couching.
^ *^
>n"hter No.
Laughter 2. Yawning. Sneeze. Sighing. Out of breath.

'Miiiiiifrrriiiii Ippp $^mmwm

^
Auch,
m&$imm l§ii|iip liiiipii
auch, auch. *"» -0-

Children at play, No. 1. Children at play, No. 2. Child crying, No. 1. Child crying, No. 2. Child crying, No. 3 Child crying, No. 4.

Child sobbing.

rfefrf
Neu
Seu

JL
- e.

Nichtingale, No. I.
^^^^
*
Cross child. _

Nightingale, No. 2.
crying No. 5.
Child crying,

lisiiiiiil
5
,

Canary Bird, No. 1

Child's cry.

i>:

Igisiij^iiiiSaiisiIi^p
Canary. No.
8'
2.
Child sobbing.

Thrush.
A cry.

Cuckoo.
*^

Sp^rrow.^
Robin. Lark. * K Peewit. ^ Hawk Throstle.

istSiii
Cooing Dove.
p ove
^selfe ijggipBip pfeig Igigii^gii ^r-^i-:Mi
Blackbird. Hen from roost. Hen. Bantam. Pea-hen.

iiisiii^ isiiii
tr tr

taS^^Ss tsiliij las^ fef£g§iuij

Guinea hen. Game-cock, No. 1. Game-cock, No. 2 Game-cock, No. 3. Game-cock, No. 4.

isfiiits fpa^i^pi
,,

pisisii
Blackbird.
ii^ii^s
Blackbird.
. . ft- -*
Turkey Poult.
Goose. Duck.
r -J£-q-
•-»4-*-r-r— rr
iigilli Hg=5gHii:] ili^lil^ii
Ydpi Whtaneyof a Hor.e.
Cat. Ellen. Cat in the night. g Whine of a Dog. Bark of a Ma>tiff Dog. Howl of ajJog.

iiS iil! siili ilii iiUll fefwrr lis iiliiiiilli^

Horse neisrhinjr.
mew
mew, mew.
Lamb Sheep. Laughing Hyena. Pig grunting.
"* * • m 0>m-
Calf.
-#-

Heifer. Cow.
Ox.
-,-0,0-

ma, ma. -0-0-0-

Baa - — - -- "
Ass.
Old Ewe. Growl of a Tiger. Elephant. Bee. HoHse Fly. Cricket. Oxen. Blowing the Fire.

Ba - ah.
—
'
'1
=fc
"

Slide the finger upon the strings in playing the above examples upon the Violin or Violoncello,
 /r

tr

—
U-
1 1
 175
DEPARTED DAYS, Concluded.
a a

& -==ZZ. ralC< .

— .
*

'
/ ^ *

DC.

rall.~~— -

"MAKE ME NO GAUDY CHAPLET."

at

+ 0-1-0 ps*
Tire

-jj j—> j

1=3
VERANO A TE SULL. lccia di lammebmoob.
 ^ — »

184
I THINK OP THEE. WOCTUKH.E JTEOM "DON PASQUALE."
Anlanti. Larghetto.

i
M->f r ~t
_ 1 r-i li-ytT^I
.h^H- = y tf fcfc —tt r _l—* •< s-»
1
'"I i
b~6 1 1

rr-H
r-«»
r -H - —
F 0 ,-0'0>'m0

-pa-- - *

El] I
^ fc^^ c^^^^ a piacere. a tempo.

IT IS O'ER. u
Andantino. m A,.

& »
-# ^- -» :
p?i___nT2

8 — -
 BUTOLF POLKA. 185
"YES! LET ME LIKE A SOLDIER DIE." mabitaha.
Tempo di marcia.

ft*
. tr -5^? tr (-S3

i.' ;:••>:•;•;•! :

j
-"V V-j!' -f-l!

ROSA MAY.
For two Flutes
Andante.
dance.
. . . .— * 0-
-m-
-p#4»- „ „ s —
.
.
ZZ' * m
rpf-fc
ODD FELLOWS MABCH.
 — « —

U)0
FAT JOHN'S POLK 4. PAT JOHN'S POLKA, Concluded.
3y permission of t'ae Authoi.

"VTENI O TU." DONIZETTI.

Larghetto. —
.

-#-»-r*
, .^Jf^.-
.—
—
,-t— r~ ' * s * P-

*G

* » '
o Hs*^— *tH ^ r^TMi* — *-a i^^^"r^==r ^™*** r — #---~-
T

-— fr ^ „ — j« _ u 5 -0-t -~ p- 0- *7l 0~*1

r> -

* , "
ST — - •
5T d a
NATIONAL BOHEMIAN POLKA.

POLKA FIERA. • don c-esar di bazan.

 QUADRILLE AND BRASS BAND MUSIC. Howe's Diamond School for the Violin.
Quintette Quadrille Hand, No. 1 in five separate books
, — and second Vio-
first
Howe's Diamond School for the Flute.
lin, Clarionet, Cornet, and B ise; cont uningtweuty-two sets Quadrilles, forty Fancy Howe's Diamond School tor the Clarionet.
and Contra Dances, PolUas, Marches, etc. Price, §0.00 per set, or $8.1)0, with half a Howe's Diamond School for the Flageolet.
quire of Music- Pa per bound in eacli book. This set of books contains everything Exercises, with
Each of these Instruction Books contains new and complete Rules and
necessary for the season's business of any band. The air being " cued in " to the
421 pieces of Music, nine sets of Quadrilles, 100 Contra and Fancy Dances, with
first violin part, it can be used lor any number of instruments, from one to five.
Sent by mail post-paid.
calls, Polk is, Waltzes, M
irehes, Quicusteps, Opera Airs, &c. Price, each, 00 cents.

Quintette Quadrille Rand, No. 2, in five separate books, 1st .and 2d Violin,
Howe's New Violin without a Master.
Cliriourt, Cornet, a d Das;-, contains eleven sets Quadrilles, twenty Waltzes, seven- Howe's New Flute without a Master.
teen Galops, eight Polkas, eight Sohuttischeo, eight Polka Redowas, four Marches, Howe's New Flageolet without a Master.
three sets of Waltzes (" Sdieiden,"' "Dreams of the Past," " Lustschwarmer "), Howe's New Fife without a Master.
Fapoy Dances, Concert Pieces, &c. Price, sane as No. 1.
Quintette Quadrille Band) No. 3, in five separate books; First and Second Vio-
Howe's New Clarionet without a Master.
Each of these Instruction Books contiins new and very complete instruction, with
lin, Clarionet, Cornet, and Bisc, containing nine Quidrilles, twenty-two Waltzes,
seven Galops, also Poikas, Polka Redowas, Schottischep, Fancy Dances, Quicksteps, Pules and Exercises, and 488 pieces of Music, 100 Scotch and 100 Irish Airs, Quad-
rilles, Contra and Fancy Dances, Waltzes, Polkas, &c. Price of each. 5 cents.
>

Concert Pieces, Price, SG.UO per set, or $1.00, single.

Howe's Brass Band, No. 1, (in seventeen books) arrange 1 in an easy manner for Howe's Army and Navy Fife Instructor, containing the Calls, Signals, and the
eighteen instruments. Fredrich's Mirch (or Quickstep) by Gung'l, Gluck Auf. complete Camp and Garrison Dufes as practised in the Army and Navy of the United
.March, by C. Faust, Singer's Joy March, by II. Hermann, Gablenz March, by Strauss. States. Containing more than double the quantity uf music to be found iu any
other instruction boos. Price, 00 cents.
Price, §3.0 J, or tl.00 for a single piece.
Howe's Brass Band No. 2, contains Bavaria, Recruit, Hurrah, and Gammera Howe's U. S. Regulation Drum and Fife Book, for the u=e of the Army and
Marches or Quicksteps, all by J. Gung'l. Price, §3.00, or §1.00 sinsle. Navy, containing lull Rules and Exercises, the duties cf Musicians on all occasions,
full Camp Duty, Signals, Calls, &c. Also, the complete Bugle Calls, for the Infan-
Howe's Brass Hand, N'o. 3, contains Warrior's llcturn Quickstep, by C. Faust,
try, Artillery, and Cavalry. Price, 00 cents.
llelter Skel er G by Faust; Mabel Waltzes, by Godfrey; Dexter Polka, by Cat-
ilop,
New Concertina without a Master and Concertina Songster com-
Bo, Price, §3.00, or §1 QJ single. Howe's
bined; with correct and perfect Rules, and a large collection of new and fashionable
Howe's Brass Band, No. 4, contains Golden Robin Polka, Blue Bird Polka Red- Music, arranged expressly for the instrument, coi sisting of Songs, Marches, Polkas,
owa, Mocking Bird Quickstep, Nightingale Waltz. Price, S3.00, or &1.00 siuglc. Waltz: s, && Price, 00 cents.
(To be continued with all tlie Lest first-class Alusic.)
Howe's New Accordeon without a Master and Accordeon Songster com-
Bond's Brass Band: Part Books), containing, arranged in an easy
First, (in 14 bined; with very full and complete Rules and Exercises, with '200 pieces of popu-
manner for fourteen instruments. Hail Columbii, Star Spangled B inner, Yankee lar and fashionable Music.arranged expressly for the Accordeon and Flotisa.
Doodle, Columbian March (red, white, and blue), God Save the Queen, Hail to the Price, 50 cents.
Chief, Scotch March (Roy's Wife), aud Sprig of Shillaleigh Price, §3.00 for eight
pieces of Music.
Howe's German Accordeon without a Master. With new and complete in-
structions to perfect the pi ijer in the art of playin™ the German AccordeoD, with
Bond's Brass Eland; Part Second (in 1< Books), containing, arranged'in an easy English and German words ; together wit over 100 pieces ot Music, every piece
i

mann r for lourteeii instruments, Marseilles lit inn, Le Chant du Depart, Pourtant expressly arranged tor this instrument, with the fingering marked. Music consists
Pour La Syiie, Home, Sweet Home, God Save our Native L.ind, Washington's of Songs, Polkas, Schottisches, Waltzes, Marches, Quicksteps, Hornpipes, Contra
March, Mary of Argjle, and Rule Britannia. Price, §3.00 for eight pieces of Dances, etc., etc. Price, 00 cents.
Music.
Howe's New Guitar without a Master. New and very complete Rules and Ex-
Howe's Duetts, for Two Cornets, Saxhorns, or Allhorns; containing sixty-five of ercises, with about 100 pieces of popular and fashionable Music, Songs, Waltzes,
the most popul ir pieces of the day, consisting of Opera Melodies, irehes, Quick- M Polkas, &c. Price, 00 cents.
steps, Galops, Polkas, Songs, &c, arranged expressly for these instruments, as pro-
gressive exercises, recreations, and amusements. Price, 70 cents.
Howe's New Banjo without a Master. Rules are very easy nnd simple; about
•200 pieces of Music; Songs, Jigs, Keels, Clog, and other Dances, Polkas, Waltzes,
Howe's Cornet School, with complete Instruction, Rules, Fxercises, and Studies; &c. Price, 00 cents.
together with a large collection of Popular Music, arranged as Duets, for two Cor-
nets, Saxhorns, and Althori.s. Price, §1.50.
Howe's Songs and Ballads of ye Olden Time, No. 1, containing the original
words an I music of the Sonss and Ballads sung by the Grandmothers and Grand-
Howe's Comet School, abridged. Price, 75 cents. fathers of the present generation. Arranged for four voices. Pi ice, 50 cents.
American Dancing-Master and Ball-Boom Prompler, containing about Five
MISCELLANEOUS. Hundred Dances, including all the latest and most fashionable. Price, oO cents.
How e's
r
103 Duetts, for two Violins, two Flutes, or any two Treble instruments, Bali-Room Manual; or, Pocket Prompter, contain ng in neat form for the vest
several pieces lie ni especially arranged for two Cornets. Opera Me'odies, Waltzes, pocket of the popular Quadrilles, Contra and Fancy Dances.
all Price, 10 cents.
Polkas, National Airs, Marches, Quicksteps, Dances, Songs, &c. Price, 50 cents. Prize Song Book, containing a large collection of the most popular miscellaneous
Howe's Trio' i- Five Numbers. (1st and 2d parts and Biss.) Quidrilleand Songs of the day. Price, 10 cents.
p ancy_ Da-- with c dls and figures, Polkas, Waltzes, Songs, Marches, Opera Howe's Comic and Sentimental Irish Songster, containing a complete col-
'odic Hie Violin, Flute, Cornet, &c. Price, 30 cents each. lection of the ancient and modern Songs of Ireland. Price, 15 cents.

ANY BOOK SENT BY MAIL ON RECEIPT OF PRICE.

 HOWE'S
@1 MW
PUBLISHED BY ELIA8 HOWE,
1VO. 103 COURT STREET,
PIANO MUSIC BOOKS.
The Circle of Prilliants. Tlie best compositionsof " Striuss," " 0 Ifrey," *' C.
>
Faust," "Guugl," &c. All the litest tiist-clas-i Music. A new collection of Piano
Music. 224 p.u:es, 1 irge Music size, extra tine paper, containing 32 full sets of
Waltzes, such as "Mabel," "Guards," "Village Swallows,'' " Scliciden." "On
Willis of Niuht," ** Leap Vear," " Peri," " Corn Flower," " Dream on the Ocean,"
—
&c; 2S Galops, " B.ideof the Wind," " Ma," " Holier Skelter," " Cataract,"
"Through the Air," " Up ami Down," " Hurley Barley," " Columbiuus," &c; 20
Marches and Quicksteps, — M" il anollo,'' " Freiderichs," " Wedding," &c. ; 20
Piano Pieces (Variations, Transcriptions, &c), — " Shower of Pearls." "Carni-
val of Venice," " The Kiss," " Soldier's Chorus," ' Dew Drop," 40 Redowas,
Mazurkas, Polkas, Schottisches, &c.,— " Dexter," " Plume," " Blue Bird Redowa. '
Price, in boards, morocco back, S3; cloth sides, Turkey morocco backs and corners,
£4; same, full gilt, $5, A first-class Musical Present.
Pianists* Matinee, containing Marches, Quicksteps, Waltzes, Galops, Polkas, Polka
Redowas, Mazurkas, Schottisches, Quadrilles, Fancy and Contra Dances, with calls
and figures; Opera Melodies, Sonatas of Beethoven, and others ; Songs without
words,~four-hand pieces, &c, &c, being a Musical Library in itself. Price, §3.00, in
boards, morocco bac*; §4.00, half-bound, in Turkey morocco; same, full gilt, §5.00.
Hone's Son;s of Scotland, containing about 175 of the Gems of Caledonia's
Songs and Billads, including songs of Affection, Sentimental, Patriotic, Historical,
Military, Political, Comic, and Miscellaneous. Arranged tor tiie Piano-Forte or
Melodeon. Price, $3.00.
Howe'9 Songs of Ireland, containing about 175 of the eems of Hibernia's Songs
and Ballads, including songs of Affection, Sentimental, Patriot c, Historical, Mili-
tary, Political, Comic, and Miscellaneous. Arranged for the Piano-Forte or Melo-
deon. Price, 83.00.
Howe's Tiano and Violin or Flnte Duetts, containing a very choice collection
of Music, arranged for Piano and Violiu, or Piano and Flute. Price, 50 cents.
Conservatory Instructor for the Piano- Forte, containing the Studies, Lessons,
and Exercises adopted and in use at the principal Conservatories i.f Music, with one
hundred pieces of Music suited to all grades of players; 'eluding Opera Melodies,
i Cornet, Clarionet, He.
Beethoven's and other Sonatas, Songs without words, (our-h ni'l pieces, &c., with
the fingering m irked expressly for this instrument. Price, §2.00.
Conservatory Instructor for the Melodeon, containing Studies, Lessons, and
Exercises, adopted and in use at the pr ncipal Conservatories ot Music, with one
hundred pieces of Music suited to all grades of pi ayers; includin : Op«ra Melodies,
Beethoven's and other Sonat is, Songs without words, four-h ind pieces, &c, with
the lingering marked expressly lor this instrument. Price, §2.00.
Conservatory Instructor for the Cabinet Organ containing
. the Studies, Les-
*>n«. and Exercises, adopted and in use at the urincipal Conservatories of Music,
with one hundred pieces of Music suite 1 to all grades of pi ivers, including Opera
Melodies, B ethoven's and other Sonat is. Songs without words, four-hand pieces,
&c. with tiie fingering marked cxDrcssly for this instrument. Price S2.00.
Howe's Cabinet Organ without a .Master, with very easy and simple, but com-
plete rubs and exerci«es, and fifty easy pieces of Music, with all the Sneering
marked; to which is added fifty popular Polkas, Waltzes, Marches, Songs, &c.
Pi ice, 50 cents.
BOSTON.
Howe's New Piano without a Master, with very easy and simple, but very
complete Rules and Exercises, and about 100 pieces of popular and fashionable
Music; Songs, Waltzes. Polkas, &c. Price, 50 cents.
Howe's New Melodeon without a Master, with very easy and simple Rules and
Exercises, with about 100 pieces of popular Music. Price, 50 cents.
Burrow's Piano Prim?r, being a new and improved edition of this popular work.
Price, in boatds, 30 cents.
VIOLIN, FLUTE, CLARIONET, FIFE, &c.
Quadruple Musician's Omnibus, containing 3,300 pieces of Music; two hundred
Duetts for two Violins, two lutes, etc.; 120 s.ts of Quadrilles, fair hundred Fancy
1-
and Contra Dances with Calls, eighty full sets of Waltzes, three hundred single
Waltzes, three hundred Opera Melodies, three hundred Scotch and three hundred
Irish Airs; Galops, Polkas, Polka Kedowas, Polka M.zurkas, Strathspeys, Schot-
tisches, Hornpipes, Rec's, Jigs, Marches, Qu el' steps, Songs, &c, &c. containing the
largest, best, and most complete collection ever published in this couutry or any
other, being a Musical Library in itself. Prl;f-, #4. 03.
Tiiple Musician's Omnibus, containing 2,oD0 pieces of Music; 200 Duetts for two
Violins, two Flutes, etc.; eighty sets Quadrilles; 300 German Waltzes; 300 Fancy and
Contra Dances, with ('alls; 300 i/pcra Mil' lies; 300 Scotch and Irish Airs; Polkas,
1
Schottisches, Galops, Waltzes, Strathspeys, Hornpipes, Reels, Jigs, Mirches, Quick-
steps, Mazurkns, Songs, etc. Fertile Violin, Flute, Fife, Cornet, Clarionet, Flageo-
let, or any Treble instrument. Price, §3 03.
Musician'* Omnibus, complete, 1.51)0 pieces of Music, 1"0 Duetts, fiftv sets
Quadrilles, 200 Contra and l ancy Dances, with calls and figures, 200 Opera Melo-
dies, 25JS .Mitch, and 250 Irish airs; Polkas, Scottischcs, Mazurkas, Galops, Jigs,
Wnltzes, Reels, Hornpipes, Marches, Quicksteps, Songs, etc. etc For the Violin,
,
Flute, Fife, Cornet, CWionet, Flageolet, or any Treble instrument. Price §2.00.
Mnsici aii's Omnibus, No. I, Containing 750 pieces of Music, consisting of forty
sets ot Qmdriiles (including Waltz, Polka, and Schottische,) 100 Contra and Fancy
Dances, with t ills, and an immense collection of Polkas, Schottisidies, Wa'tses,
Mm hes, Quicksteps, Hornp'pes, Contra Dances, Sjngs, &c. For the Violin, Flute,
Price, §1.C0
Musician's Omnibus, No. 2, containing 850 pieces of Music, consisting of 100
Duetis, for two Flutes, two Violins, etc., 230 Scotch Airs, 20J Irish Airs; Qaadnlles,
Fancy aud Contra Dances, with the c ills and figures, Polkas, Schottisches, Waltzes,
Quicksteps, Marches, Hornpipes, Songs, etc. For the Violin, Flute, Clariouet, Fife,
Flageolet, &o. Price, § l. on.
Musi ian's Omnibus, No 3, containing 1,030 pieces of Musio; consisting of 100
Duetts, for two Flu'cs, two Violins, etc.; thirty sets of Quadrilles, with calls and fig-
ures; '/JO German Waltzes, 300 Scotch and Irish Airs, Contra nnd Fancy Dances,
Polk is, Mazurkas, Hornpipes, Minuettes, Kedowas. Schottisches, Varsovienna«,
Mirches, Quicksteps. Songs, eta For the Violin, Flute. Clarionet. Fife, Cornet,
Flageolet, etc. Price, §1.00.
M^-ician's Omnibus, No. 4, eight hundred pieces of Music, fify full sets of
Waltzes, foity sets of Quadrilles, Galops, Polkas, Polka Kedowas Polka Mazurkns,
Schottisches, Fancy Dances, Marches, Quicksteps, Songs, &c, &c. ; contamijujlhe Vsf \\.
latest and best compositions of Strauss, Gung'l, C. Faust, Go Ifrey. &c. TofV
lin, Flute, Fife, Clarionet, Cornet, Flageolet, or any trebl instrument.
; Pri