MELODIES = SECTION III
To be used-with Section III of all other chapters
Chromatic alterations are used with increasing sity of rhythms, intervals, phrase structures, and
frequency in melodies of this section. Some indicate musical styles.
modulation; some are factors in secondary dom- ‘The material of Section III can readily be corre-
inant harmonies; others are melodic embellishments. lated with the study of chromatic harmony.
Within these melodies there is.an increasing diver- 1
SS -@%_ W Skips larger than one octave are found in the next fout melodies.
234. Allegro
f Poof P fo
235, Allegro moderato
f 3
236. Andante con moto =~
237. Allegro deciso
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3 C3350 Chapter One_/ Melodies
238. Allegro con brio 5
2 Spt
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239. Andante edtespressivo ;
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240. Largo emesto
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241. Lively y
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Section I 51
242. Larghetto
243. Mit Kraft
Ff * = = tor
244, Allegro gioviale
mf
245. Valse (in one)
POF)
246. Allegro grazioso52 Chapter * Melodies
Nf Z%_W Skips to chromatic notes are introduced in the next five melodies.
247. Allegro moderato
tf
248. Andante mosso
249. Tempo di valse
P
7
251. Moderato
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53
252. Gavotte
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255. Allegretto54
256.
257.
258.
259.
Chapter One / Melodies
Andante con moto
Fast
Sostenuto ed espressivo
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Allegretto
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usSection I 55
260. Schnell und frohlich
cresc,
261. Largo
263. Etwas langsam und zart56
264. Allegro deciso
265. Briskly
‘af’ staccato
cresc. poco a poco
Sf
& @ ® Secondary dominants are outlined in the next five melodies.
266. Energetic
f
267. Andante con moto
Chapter One / Melodies
PU ew Se UO We DO FUSection I 57
268. Allegro
S
s 4
269. Sehr rasch '
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- mf P
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272. Valse
273. Ziemlich bewegt 1
274, Allegretto
SS @ S&S Themeters] andj are introduced in the next five melodies.
275. Allegro
f
276. Andantino ~
~
mf f
Chapter One / Melodies
DUES
I
VOOGVSWV OE DEG YOU PE DIOUV IW IU I OU PE IUYUIU IE IUSection I 59
277. Allegro
eq EE LS
278, Slowly and simply .
279. Moderate
280. Lento
mf espressivo f60 Chapter One / Melodies
281. Presto 5
SP
282. Lilting
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283. Andantino amabile
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Section It 61
286. Animé et trés expressif
a 0 Fey pam DOO
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288. Presto alla Tarantella
P detached
290. Assez lent
291. Medium bounce
crese. poco a poco
Chapter One / Melodies
CIWS’ OG OS VOG OG OSG COG IG VI OUD IU VOU IGIGVIVUG DEY
SOUS77H
Section II. 63
292. Andante espressivo
mf
all. a tempo
293, Rather slowly
294, Vifet léger
P
cresc.
295. Modéré et doucement64 Chapter One _/ Melodies
8 BW ® Thenext fourmelodies, in the major mode, include the flatted sixth scale degree. >
4
296. - Andante 5
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f P f >
3
297. Andantino 1 >
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mf P mf 5
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298. Waltz 3
2
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mf
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299. Andante semplice
ROBO ECR OROR EOE VRC LC WETICE RORG
Dee UO’
&tf i ea eis FA Ss OR OR OE LE OR OY
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Section II 65
301. Allegro giocoso
303. Alla Tarantella
tf - PP P
rede. foe f
304. Allegro gioviale
f
305. Andante ben ritmico
SSeS
mmf pesante f
a Pie ime EX66 Chapter One_/ Melodies
88 @ SS The dominant ninth chord, in both major and minor, is outlined in the next four melodies.
306.- Andante
308. Andantino
P
309. Adagio ed espressivo
sb
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310. Largo
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Section IIL 67
S11. Allegretto scherzoso
Sf Ns
312. Largo
——
313. vif
314. Lebiaft
UPSOC OS VE TOE DEMOS OC AO BONO AIOX OSC DODO 9O9O VAMC HD
4
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Chapter One _/ Melodies
318. Lento assai
315. Ballando
316. Allegretto e leggiero
317. Galop
68Section IT 69
319. Fast
320. Allegretto
: cresc. mf dim, P
321. Il pitt presto possibile70 Chapter One / Melodies
323, Alla marcia x
7 ae ]
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325. Allegro molto
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Section I
327.
328.
329.
Allegretto
mp
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Lively =
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TS72 Chapter One / Melodies
330. Etwas langsans und zart ———
331. In jig time oo. 1
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332, Allegro assai
SF staccato
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COCOSCVOL GE YOO UU YY Ee EESection I 73
333. Maissig und ausdrucksvoll
334, Allegro noi troppo
336. Energetic -74 Chapter One / Melodies
337. Largo con affetto
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