28.10.

2020 Orpheus - Interpretation - Greek mythology

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ORPHEUS Greek myths
interpretation
Genealogical
The myth of Orpheus, because of its relationship with the mystical power or mystery cult known as Orphism,
diagrams
is perhaps the one from Greek mythology which has generated the most studies and debatesILION
among experts,
Miscellaneous
who even take care to distinguish between legend and myth. The myth of Orpheus and Eurydice, in its latest
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version, describes a descent into the physical unconscious to find “the right way to act”.

To fully understand this web page, it is recommended to follow the progression given in the tab Greek myths
interpretation. This progression follows the spiritual journey.
The method to navigate in the site is given in the Home tab.

Orpheus among the Thracians – Metropolitan Museum of Arts

We will first examine the different stages of spiritual growth

that the evolutions of the myth reveal; then we will study,
without going into detail, the myth of the dismembering of
Dionysus specific to Orphism.
We will not study the Orphic cosmogonies, nor the rites and
beliefs attached to this particular religion. The latter seems to have been reserved for followers of a yoga of
knowledge associated with a deep desire for purification. It is probably the same spirit which led the Cathars
of France, from the Greek Katharoi “the pure ones”, in an altogether different context.

If we consider that only very great heroes such as Ulysses or Heracles were able to venture into Hades, then
Orpheus should be regarded as their precursor, maybe their initiator, or even as a hero of the same stature.
Let’s remember that a “descent” into Hades is a dive into the physical unconscious, which requires prior
mental and vital liberation. Theseus and his friend Pirithoos who had not acquired the corresponding stature
remained prisoners. We will see in a later chapter that Euripides is the first to have mentioned the deliverance
of Theseus by Heracles, but that in all likelihood, the ancient versions mentioned irreversible punishment.
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However, no primitive myth makes Orpheus the hero of a great epic, even if he seems to have been famous
throughout the Greek world as early as the 6th century BC.
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Other examples of heroes who were able to return from the kingdom of Hades, such as Sisyphus and
Greek Alceste,
myths
interpretation
did not enter there voluntarily and could only be “released” with the permission of Persephone or Hades or
after the intervention of Heracles. Genealogical
diagrams
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The initiating function of Orpheus had to be developed over time until the myth could coverMiscellaneous
the initiations
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into small as well as great Mysteries. In the small mysteries, the role of Orpheus was only the one of a
musician and a poet (bard), while the most advanced initiations of the great Mysteries were related to the
voluntary descent of the hero into the underworld.
This is the reason why, in the quest of the Golden Fleece by Jason, the descent of Orpheus into the kingdom
of Hades is not mentioned, an incursion which must have been well known by the poet. That quest belongs to
the beginning of the path, and the Orpheus of the Argonautica of Apollonius has no other role than singing
and keeping the beat, together with initiating the Argonauts to the mysteries of Samothrace.
It is most likely because of this role of initiator that Orpheus got his reputation of transmitter of the story of
the dismemberment of Dionysus, which is the basis of the Orphic beliefs about immortality of the soul.

Orpheus as initiator of the first phase of the path

Neither Homer nor Hesiod mention Orpheus. Also, he does not seem to appear in archaic art. The most
ancient vases where he is represented date from the first half of the 5th century BC.
Some ancient authors who considered Orpheus a historical character ranked him among the mythical poets
who preceded Homer for several generations and made him a son of Apollo.
Among these mythical poets were also Eumolpos and Philammon.
Eumolpos “who sings and dances well” or “a noble song that sounds right” is therefore the symbol of a just
and true harmony in acts as in their expression. The late authors make him a son of Poseidon and the father
of Museum. He was considered the founder of the Eleusian mysteries and the first priest of Demeter and
Dionysus.
Philammon “who loves the consecration, self-giving (or who likes the sun god Ammon)” is son of Apollo “the
god of the manifestation of the light of truth in the mental consciousness” and Chione “evolution of the
focusing of consciousness” and was the father of Thamyris. In some traditions, he was the half-brother of
Autolycus “who is for himself his own light” or “what radiates its own light”.
According to Pherecydes, it is Philammon and not Orpheus, who was with the Argonauts. In this variant, the
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author’s stress is on consecration, the manifestation of the psychic light and the focusing of consciousness,
while Orpheus emphasizes the work of incarnation, purification and the opening of consciousness.
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So, if Orpheus does not appear in the older texts, he is, however, mentioned as early as the 6th century BC in
interpretation
the works of Ibycos as a great musician, poet and singer, belonging to the Argonaut clan. Genealogical
diagrams
He is also found in Delphi in the building of the same period known as the Sicyonian Monopteros on which he
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appears unambiguously as an Argonaut. At the end of the same century, the poet Simonides attributed
Miscellaneous
supernatural gifts to Orpheus: birds surrounded him and fish jumped out of the water to the rhythm of his
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music. Apollonius, Bacchylides and Euripides went on in this “magical” vein, some even in an exaggerated way
by involving trees and rocks in the procession.
Pindar, at the beginning of the 6th century BC., mentions him also as one of the Argonauts. He makes him a
messenger of Apollo, and as such, the father of music.

The initial myth can be summarized thus:

The father of Orpheus was Oeagrus considered by some as the king of Thrace. His mother was the muse
Kalliope (Calliope) daughter of Zeus and Mnemosyne. Orpheus was famous for his wisdom, his talents as a
singer and musician. He played beautifully on the lyre and zither whose invention was sometimes attributed
to him; it was even said that he knew how to play tunes so sweet that wild beasts followed him.
He took part in the quest for the Golden Fleece organized under the leadership of Jason, where the
Argonauts avoided succumbing to the sirens by his chants. Another time he appeased the raging waves.
Being the only “initiate” of the group, he was not rowing, but set the pace. As such, he initiated his travelling
companions, the Argonauts, in the mysteries of Samothrace.

In this myth, he fulfils the role defined by the symbolism of his name obtained with the structuring letters
ΡΦ: “the right action of consciousness in man”. From this true movement a “radiance” is brought forth.
(Cf. the words formed on the root Φα, Φη, Φω, Φυ, “to shine”. With the Rho in the sense of inversion, we also
get words like ορφνη “darkness, obscurity” and ορφανος “he who is without parents or children. Some parts
of the myth could be interpreted on this basis: Orpheus, losing faith, turning away from the light.)

This is the only characteristic acknowledged by Apollonius (in the 3rd century BC.) who described him as the
spiritual guide of the group. He can cover with his voice the song of the sirens and thus fight against the most
dangerous forms of seduction related to “idealizations”, or to the expression of a strong desire to find again a
true knowledge or a harmonized state of consciousness now lost. (See what has been said about the sirens in 
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the study of the myth of the Golden Fleece.)

Embodying a double capacity of receptivity and transmission, Orpheus represents at this stage of the path
the highest harmony the seeker can demonstrate in the quest for the state where each thingHOME is in its proper
place (the non-mixture or purity). Greek myths
interpretation
Genealogical
Beating time and exempted from rowing, he marks the right moment of each act for its beginning, diagramsmiddle
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and end. So, the Truth is revealed to us by our growing ability to harmonize accurately with the movement of
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creation, in small as in large things. Obedience to the law of rhythm is in fact the true mastery.Contact

We are also told that he can appease the raging waves; the waves here being the symbol of the vital world
(passions, emotions and feelings), it also represents the ability of the seeker to use his higher consciousness
to control his vital movements.
Having received the initiation into the mysteries of Samothrace, he encourages the Argonauts to get initiated
as well: “the same night, on the order of Orpheus, they came to the island of Atlantis Electra to learn, by
strange initiations, secret rites that would allow them to sail safely on the frightening sea.”

The scholars associate the island of Atlantis Electra with the island of Samothrace located south of Thrace,
not far from the Trojan coast. The initiations that were performed there concerned the lower planes of the
mind up to the illumined mind (Electra is the fifth Pleiades, daughter of Atlas). Indeed, although very few
details about the secret rites have survived, we will rely on the story of Apollonius in order to situate this
episode at the beginning of the quest. We then can assume that this is only the first level of “the initiation into
the mysteries” or “muesis” which gave the rank of mystes (word composed on the verbe μυω “to be silent” –
which was an imperative demand made to the candidates -, or “to close the eyes” in the sense of an inner
reversal). The second and highest degree of initiation “the epopteia” or “contemplation” gave access to the
rank of epopte. Although some authors claim that the two degrees could be obtained at Samothrace, it is
more likely that the second initiation could be obtained only in Eleusis. In this sanctuary, the rite of “the ear of
wheat” was associated with him; he symbolized the perfection of the work of Demeter “the mother of the
union” and thus the completion of the purification-liberation process.
The faculties that characterize Orpheus as a “priest” of the Argonauts are emotional control and the first
initiatory skills leading to spiritual discernment, accuracy and harmony.

Orpheus is a native of Thrace, the province of asceticism. Apollonius gives him a human father Oeagrus
(Oiagros) “work on consciousness” and a divine father, Apollo. 
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According to other authors, Oeagrus is either the son of Ares “the god who ensures the right renewal of
forms”, or the son of Pieros “abundance, opulence”, or the son of the king of Thrace Charops “with bright
gaze”, or, for the mythographers, a river god, that is, a movement of evolution of consciousness.HOME For
Asclepiades, Orpheus is only the son of Apollo). Greek myths
interpretation
Genealogical
diagrams
By his divine father Apollo, he is related to the first luminous manifestations of the psychic being.
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His mother was Calliope “a beautiful voice” (perhaps also “a beautiful vision”). Hesiod presents her as being by
Miscellaneous
far the most noble of the nine muses, daughters of Zeus and Mnemosyne. Indeed, her “beautiful voice” is a
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sign of the true word and therefore creative. She represents the necessary condition for the birth of Orpheus.
The Muses being the daughters of Mnemosyne, it is more about finding the true word than inventing it.
There are two groups of Muses: those which are related to Zeus and who live close to Olympus and those
related to Apollo. Calliope belongs to the first of these groups.
The place of his birth is Mount Pimpleia, the place of the aspiration “which fulfills”.
As the king of Thrace, he represents what directs the quest at this point of the path.

Apollonius also takes the pretext for the presentation of Orpheus to do a brief review of the history of
evolution: initially, he tells us, the great snake Ophion and his wife Eurynome ruled, symbols of the
penetration of consciousness in humans and evolution where everything was going according to the “right
order”, where everything was in its place. Then, when the time came for the development of purely human
consciousness, Kronos drove them into the Ocean (in the water of evolution of consciousness) and that was
the reign of the Golden Age and the childhood of Zeus, the period of human vital evolution. Then came the
rise of Zeus and his coming to power as in the traditional cosmogony.

The second phase of the path: Orpheus and Eurydice or the descent into
the physical unconscious
The story of Orpheus descending into the kingdom of Hades to bring back his wife appears at the beginning
of the 5th century. It illustrates an investigation of the physical unconscious by a “right movement of
evolution of consciousness”.
It is indeed between 550 and 450 BC., (the period of the Tragic poets Aeschylus, Sophocles and Euripides, and
also of Pindar, Herodotus, Bacchylides and Simonides) that the bases of the myth were laid, as it was reported
in all its details much later by Virgil and Ovid at the turn of the millennium.
As for the name of the wife of Orpheus, Eurydice, she is not mentioned before the 3rd century BC.
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From the moment it became clear that spiritual evolution, in the most advanced phases, involved an
exploration of the physical unconscious – long after the first experience with the Self or the psychic being –
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the character of Orpheus must have been connected in one way or another with the myth Greek of Demeter
mythsand
his daughter Persephone. It is indeed the latter who represented by her going and coming interpretation
between Hades
and the surface of the Earth, the flow of consciousness between the conscious and the physicalGenealogical
unconscious.
diagrams
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This evolution of the myth can be compared to the dismemberment of Dionysus in Orphism.Miscellaneous
The hero-god,
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first called Zagreus, there is the son of Zeus and Persephone, and therefore the symbol of an impulsion’s
work from the supraconscient to penetrate the unconscious.
Dionysus, as we have just seen, represents ‘the penetration of the Divine in the soul’, the mystic ecstasy on
the path of liberation and purification.
The Orphic myth of Dionysus-Zagreus dismembered by the Titans and then brought back to life by Zeus or
Apollo, may represent the main phases of the ultimate evolution of yoga, knowing that it begins at the point
where the young Zagreus has already reached the level of the Overmind (as from birth, he handles the
lightning of Zeus). Following his dismemberment by the Titans, the different parts of Zagreus’ body are boiled
and then burned; thus is set out the purification process to achieve the psychisation of the being and then
prepare the final stage of the supramental transformation. This requires that each part of the being, isolated
from the rest, is purified by water and fire to obtain immortality and eternal youth – unity in diversity and the
capacity to renew itself indefinitely – before the New Dionysus could be “born”.

The different approaches of the myth of Dionysus, from the simplest one considering him as the god of
drunkenness to the most elaborate ones, could therefore give rise over the centuries to various spiritual
movements and practices. Dionysian official religions developed with their own rites, bacchic religions, and
also a more mystical doctrine with its own theology, Orphism. The latter, which included many currents, was
close to the “paths of knowledge” and seems to have been reserved for a spiritual and intellectual elite who
sought a more effective and therefore stricter asceticism.
We are then in the presence of many sources that often mingle and deserve a special approach. Initially, we
will limit ourselves to the study of the refined myth without taking into account the many developments to
which it gave rise and excluding the purely Orphic elements.

Among the Tragic poets, Aeschylus evokes the extraordinary events surrounding Orpheus while Sophocles
ignores the hero. Regarding Euripides, he mentions his descent into the kingdom of Hades, his relation with
Dionysus, his stay in the forests of Olympus and he makes him the founder of the Mysteries. 
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In the Banquet of Plato, Orpheus managed to go down to the underworld Kingdom, but he found only a
“shadow” of his wife, who could not leave the place: he was driven out of Hades by the gods who HOME showed him
Greek myths
“a ghost of the woman for which he had come, but did not give her person because he seemed to have a
interpretation
weak soul, something fairly natural for a zither player; and he did not have the courage to dieGenealogical
for her love like
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Alcestis, but had instead used his talent to enter, alive, into Hades. And that’s certainly the reason why they
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imposed a penalty on him and made death come to him by women“.
Miscellaneous
It seems that Plato went on like this in his denigration of what he regarded as stories boundContact
to mislead the
mind.
The historian Pausanias, in the 2nd century AD., goes even further in the denial of the capacities of Orpheus,
transforming the descent into Hades into a simple divination: Orpheus went to consult an oracle who had the
art to conjure the dead and as he wanted to grasp the shadow of Eurydice, she escaped and he killed himself
in despair.

Eratosthenes in the 3rd century BC, according to what came to us indirectly, would have spoken of Orpheus
in these terms: “once he came down into Hades because of his wife, seeing what kinds of things were there,
he ceased to worship Dionysus thanks to whom he got his fame and felt that Helios was the greatest of the
gods, Helios whom he invoked under the name of Apollo“.
The author expresses a rejection not only of the exploration of the physical unconscious in the face of the
difficulties met at the roots of life, but also of the psychic realization. By the attitude of Orpheus, he confers
the primacy to the supramental light (Helios) that he confuses with the light of the psychic being (Apollo). It
seems obvious that the author was not an initiate and got only a glimpse of the deep meaning of the myth.
It is the poet Moschus at the 3rd century B.C. who was the first to mention the name of Eurydice.
Finally, the more elaborate versions of the myth have been transmitted to us by Virgil and Ovid at the
beginning of our era.

The more sober version is that of Ovid (The Metamorphoses, books 10 and 11):
Orpheus, in love with his wife Eurydice, lost her the day of the wedding when she was bitten in the heel by a
snake while she was walking in the fields. Inconsolable, he decided to search for her in the kingdom of
shadows. He charmed so well the dog Cerberus by his singing that he let him enter. Then he asked Hades and
Persephone to “undo the weft” of Eurydice’s fate. The deities could not resist the prayer of Orpheus, but
agreed under one condition: so long as the journey back to the light would last, he could not look back under
any circumstances.
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While he travelled on a steep trail, dark and shrouded in a thick fog, Orpheus, fearing that his beloved eluded
him and impatient to see her, turned around. Eurydice was immediately driven backwards and died a second
time. Orpheus could not make the guardians of the underworld yield despite his entreaties and had to return
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to the surface of the Earth, inconsolable. Greek myths
The word ‘”hell” derived from the Latin “infernus” and in this context means “place frominterpretation
below”. In the
Genealogical
Christian Greek scriptures, the word “Hades” is often used in its place. diagrams
The filiation of Orpheus has not changed since the primitive version. Oeagrus is his human father,
ILION Apollo, his
Miscellaneous
divine father. Some authors refer only to one of the two. His mother is most often Calliope, more rarely
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another Muse, Polymnia.
According to the letters of his name, this hero symbolizes the right movement of penetration of the higher
consciousness into the being (ΡΦ). By his descent, he expresses the work done for a “virginity of the
existence-consciousness” (Oeagrus) and/or the impetus given by the light of the psychic being (Apollo). This
work needs to be done for a “true expression” (Calliope) that should allow the seeker to “remember” his
primordial divine condition (Calliope is daughter of Mnemosyne).
He is king of Thrace and therefore a movement leading the practice in the quest.

In earlier versions, the name of Orpheus’ wife is not indicated. The wife of a hero being the symbol of the aim
he pursues, her disappearance implies the loss of vision or meaning of the path.
Generally, when the seeker meets the purifying “nights” accompanied by a loss of reference points, he tries to
stay in touch with his inner being until a “light” appears. For Orpheus, however, it’s not a descent into the
subconscious (the world of Poseidon), but a dive into the physical unconscious, the realm of Hades. This part
of the myth concerns the most advanced seekers who reached the level of the twelfth labour of Heracles.
In a sense, the myth of Orpheus would therefore cover the totality of the path, from the quest for the Golden
Fleece (or search for a refined sensitivity) to the descent into the physical consciousness.

From Moschus, the authors agree to name the intended purpose “Eurydice”, without linking this heroine to a
specific family tree, however.
The name Eurydice comes from the words Euru (Ευρυ) “vast, wide” and Dike (Δικη) “the imperative rule”
(and/or “how to be or act”). The union of Orpheus and Eurydice would therefore express that the seeker
follows the “mandatory rules” that govern evolution, that he aspires to a “right way to act”. There is
disagreement among the experts on the meaning of the word Δικη but in this study, both meanings are
possible insofar as the “right way” is associated with this moment of the path of obedience to rules.
But soon Eurydice was bitten in the heel by a snake. As in all traditions, the snake here symbolizes evolution.
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most importantly, it indicates the loss of contact with unity. This image can be compared with the text of
Genesis which expresses the exit from the “intuition” period: “And the Lord God said to the snake: because
you have done this, cursed you are more than all the cattle and more than all the beasts of the field. And
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upon your belly you shall go and dust you shall eat all the days of your life. I will set enmity between you and
the woman and between your posterity and her posterity: she will crush your head and you interpretation
will smite her
Genealogical
heel.” (Genesis 3.14) diagrams
Orpheus losing Eurydice, the adventurer of consciousness is deprived of the “mandatory laws”ILION which were his
guide up to this point. He must venture into the depths of physical consciousness, in the Miscellaneous
memories of
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evolution, looking for a new path. The name Eurydice would therefore confirm the symbolism of the loss of
the wife.
From the fact that the deities of the underworld ordered Orpheus not to turn around as long as he had not
come back to the light (the moment when he can contemplate his wife), we can deduce that during the
crossing in the physical yoga, the seeker should not dwell on the rules of the past, nor look for new ones as
long as they are not clearly communicated to his consciousness. Such would be the law imposed by the
power that ensures the spirit-matter union, Hades.

It seems that in some versions, Orpheus overcame the ordeal by “proving the teachings of Dionysus” i.e.
demonstrating the merits of both aspiration and surrender to the Divine which brings ecstatic joy.
But in the more well-known versions, he fails: the seeker does not retain an unshakable faith in the divine
power because he aspires to find again “great laws.” He cannot go beyond his belief in the so-called absolute
laws of the body. The Agenda of the Mother amply underlines this difficulty
Thus, the laws of transformation cannot be known until the work is done.

The version of Virgil

This author’s account deserves a closer look, because not only does he emphasize the fact that it is a very
advanced stage of the path, but especially he puts in opposition two destinies: the one of Orpheus who
succumbed due to lack of faith and then was dismembered by the women of Thrace, and the one of
Aristaeus who, having integrated the dramatic narrative of the error of Orpheus, made the necessary
sacrifices and regained his dear bees, symbols of the work towards non-duality.

Virgil introduced the story of Orpheus with a long digression on the breeding of bees.
In this introduction, the queen is a king and reproduction occurs because the bees “adopt hatched worms
from the bosom of the flowers”. Considering the symbolism of bees linked to the psychic being, this passage
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is interesting. Indeed, since bee-keeping was practiced from time immemorial, the Ancients could not have
misunderstood their mode of reproduction. Virgil also states that “the bee, helping the Corybantes, feeds the
young King of heaven (Zeus) in his crib” and with it, everything is put “in common”. HOME
Greek myths
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Then, having explained that the people whom the Nile floods the furrows was evidence of the power of the
Genealogical
art of bee-keeping, he explains how an innumerable swarm arose from the bowels of adiagrams
bull sacrificed
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according to specific rules.
Miscellaneous
He then continues with the story of Aristaeus, in these terms: Contact
Aristaeus had many bees which one day began to starve. He went to complain to his mother, the nymph
Cyrene who resided at the bottom of the river Peneus. She said that only Proteus, son of Poseidon, could
solve his torment because he “knew the past, the present and the future”. But Aristaeus had to be careful
because Proteus changed his shape constantly, taking in turn that of a furious tiger, a huge boar, a lion, fire or
a roaring torrent.
Aristaeus having overcome Proteus, the latter informed him that his misfortune was that he had once
pursued Eurydice and that she was bitten by a snake as she was running, causing the despair of Orpheus.
Virgil developed then the end of the story of Orpheus in a manner very similar to that of Ovid, as we have
studied above. Then he ends the story of Aristaeus thus:
When he had finished his story, Proteus disappeared into the sea.
Cyrene tells her son that he had to appease the anger of the nymphs, companions of Eurydice, by offering a
sacrifice of four bulls and four heifers. In addition, he had to sacrifice a black sheep to Orpheus and a heifer to
the manes of Eurydice.
Aristaeus did as recommended by his mother and swarms of bees came out from the flanks of the bulls.

The origin of Aristaeus is not mentioned by Virgil. We have seen in this chapter the one given by Pindar in the
study of the myth of Actaeon, the son he had from Autonoe. In this story Aristaeus “the best” is a son of “the
light of the psychic being” Apollo and the nymph Cyrene “sovereign authority”, herself daughter of the king of
the Lapithae, Hypseus “high”. He was fed with nectar and ambrosia, food and drink of the gods conferring
immortality (access to non-duality) and eternal youth (adaptation to the movement of becoming or the
presence in the moment). Having almost become a god, he was then called Agreus or Nomios, “order
according to consciousness” where each thing is in its place. This last name can be compared with Eurynome
“vast order”, a godhead who, in the Orphic tradition, ruled the universe with the great serpent Ophion before
the Titans seized power.
Aristaeus represents a seeker among the most advanced, one who is about to impose on its nature the
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He is somehow a clone of Orpheus, being also an offspring of Apollo and a nymph.

He excelled in all human activities: he knew the art of healing (the seeker possesses the knowledge of the
energies and understands how to use them), that of prophesy (he has a higher intuition) theHOME
arts of hunting
and leading of the herds (he knows how to orient his capacities towards the desired goal Greek
andmyths
masters
perfectly the disciplines of the way…) as well as the cultivation of olive trees (…and the interpretation
processes of
Genealogical
purification) and bee-keeping (and knows how to develop the psychic being). diagrams
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Miscellaneous
Indeed, bees produce honey which is the symbol of immortality, of non-duality. This is why Contact
there are many
symbols revolving around honey: purification, resurrection, inspiration coming from the beyond, etc. (It
seems that the priests and priestesses of Eleusis, the operative intermediaries of the path towards non-
duality, were called “bees”.)

Virgil declared that the Egyptians (people whose land is flooded by the Nile) demonstrated the transforming
power of the psychic being and knew the yoga that favoured its development (he confirmed the power of the
art of bee-keeping). In particular, he mastered the consecration – with no concern for the result – of creative
capacities of the luminous mind (an innumerable swarm arose from the bowels of a bull sacrificed according
to certain rules).

And while Aristaeus saw his bees die of hunger, the seeker loses the means to develop his psychic being
because he aspires to follow “the right way to act” or rather “an imperative rule”, a valid evolutionary law for
everybody (indeed, his misfortune came because he had one day pursued Eurydice). Because he is still a
prisoner of a tendency to follow known rules while the evolution of the psychic being eludes them.
In other words, we can progress on the path of a certain perfection (holiness and wisdom) while “starving”
one’s psychic being. That’s why Aristaeus went to ask the cause of his bewilderment to his mother Cyrene,
daughter of the river Peneus (who holds the “sovereign authority” in the flow of consciousness “which leads
to mastery”). At this point, it’s no longer mastery, so she could not advise him and sent him to Proteus.

For Homer, who named him “Proteus the Egyptian”, the latter is an “old man of the sea” just like Nereus. He is
also a servant of Poseidon who keeps the herds of seals of the god (of whom he is sometimes considered the
son). He’s “immortal” according to Homer and “knows the abysses of all the seas”.
He represents in the subconscious the force that devised the plan of Nereus in the development of the vital,
i.e. the one who inspired the emergence of life out of matter. That is why he watched over herds of seals,
symbols of a change of environment. Like Nereus, he belongs to the non-dual plane of life (he is immortal). 
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Let’s recall that the appearance of life as well as the mind are the combined results of the Divine acting
through the higher planes of the Mind and that of the Divine involved in matter expressing himself in the
form of a powerful aspiration of the lower planes. (The process is the same for the installation HOME of the
Greek mythsor a
Supermind by awakening the aspiration in the cells. In fact, Mother says that it is a sensitisation
“permeabilisation” of matter to the supramental forces that are always there.) interpretation
Genealogical
The name Proteus (Pro+Τ) means “the setting in motion of the higher consciousness” from the deepest
diagrams
subconscious (the abysses of the seas). It is at these depths, at the root of life in non-duality,ILION
that the seeker
can contact what in him has full knowledge of his soul’s evolution (Proteus knows the past, Miscellaneous
present and
Contact
future) and can show him the mistake on the path.
However, in those areas where life emerged from matter and where the body retains the memory, the
powers contacted are constantly in motion and can be terrifying for those who have not reached a sufficient
equanimity.
The attribution by Homer of the epithet “Egyptian” to the name of Proteus would suggest that some initiates
among these people reached that level of consciousness. What we have already noted with Apollonius of
Rhodes, stating that ‘these people kept, set in stone, the instructions for the path’.

After having integrated the story of Orpheus, Aristaeus recovered swarms of bees after offering bulls and
heifers in sacrifice (the seeker overcoming the error which is to rely on reference points, finds ways to
develop his psychic being if he dedicates his realizations and luminous powers of the mind to the truth).
We can consider that the story of Aristaeus, who himself does not descend into Hades, prepares the descent
of Orpheus, the one into the body where there is no more path.

The end of life of Orpheus

Back to the surface of the Earth, Orpheus avoided all trade of love with women although many wanted to
unite with him. The Maenads, feeling scorned, stoned and dismembered him. And the shadow of Orpheus
joined that of Eurydice.
According to other versions, having founded the Mysteries of Eleusis with Dionysus, he was killed by Thracian
women who felt they were scorned, because he kept them away from the Mysteries he founded, or because
he persuaded their husbands to follow him in his wandering.
As another source would have it, he had been struck by Zeus who was irritated by the revelations he made
about the Mysteries. According to yet another source, he was struck down because of the resentment of
Aphrodite towards his mother Calliope.

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The end of Orpheus’ life does not appear to have been described before Ovid and Virgil.
The different versions of Orpheus’ death suggest different ideas about the evolution of the quest.
HOME
His refusal of any alliance with women, after failing to bring back Eurydice, could express aGreek
refusal by the
myths
seeker of any new attempt of transformation of matter (he doesn’t set a goal anymore). interpretation
His dismemberment by the Maenads (which here seems a resumption of the fate of Dionysus Genealogical
in the Orphic
diagrams
myth) would suggest that the seeker refuses the path of possession of the soul by the Divine (individual
ILION
mystic ecstasy) and must therefore undergo a deep purification before any new evolutionary breakthrough.
Miscellaneous
The variant in which Orpheus is killed by the Thracian women would rather suggest an innerContact
conflict. On the
one hand, his participation in the foundation of the Eleusinian Mysteries along with Dionysus indicates an
adherence to the search for ecstasy as a way of consecration and aspiration which must lead to spiritual
transformation. His participation in the establishment of the Mysteries is indeed coherent, for the minor
Mysteries by initiating the Argonauts, as well as for the great Mysteries related to the latest labours of
Heracles and the descent into the body. But his dismemberment by the Thracian women shows that the
seeker is not yet ready to give up the ascetic paths even if a part of him “despises them.”

The death of Orpheus could have different meanings: either the end of a lack of faith and the arrival of a new
light, or the stoppage of “the right infusion of consciousness into the being” pending a more complete
purification.

The Orphic myth of Zagreus-Dionysus

The myth of Zagreus-Dionysus is one of the most confusing for those who study it. Because of the multiple
variants, it is difficult to reconstruct what was the core, as it developed over more than a millennium. Some
attribute a Phrygian or Cretan origin. It is said that it was included into Orphism by Onomacrite in the 6th
century BC., and that it quickly took a prominent place.

As we have avoided in this study the Orphic cosmogonies, we will likewise leave aside the aspect of the myth
that raises man out of the soot of the charred remains of the Titans (struck by Zeus for having killed and
dismembered Dionysus Zagreus, the divine child born of Zeus and Persephone) because it seems to be rather
a late theology (or belief).
But it seems worth mentioning here the Dionysia, an epic of forty-eight songs that the poet Nonnos (5th
century A.D.) left us. It’s a complex poem that contains a very large number of accounts of the primitive

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mythology, but adds different stories, including the conquest of India by Dionysus. It deserves a detailed
study, but we restrict ourselves here to his evocation of three successive Dionysus.
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Greek myths
One day, Zeus, changed into a snake, unites with Persephone. From this union was born Zagreus. (According
interpretation
to some, he was destined to be the “very last king among the gods” and receive fromGenealogical his father the
domination of the universe.) diagrams
ILION
Having horns, he went up immediately without help on the throne of Zeus and brandished the thunderbolt.
Miscellaneous
Then Zeus entrusted him to Apollo and the Curetes. Hera, jealous, stirred up the Titans againstContact
the young god,
who by cunning applied gypsum powder on his face. While he contemplated his reflected and denatured
features in a mirror they killed him and butchered him. (Another translation indicates that it is the face of the
Titans which was covered with gypsum. Other sources report that they entertained him with toys in order to
accomplish their plan: a pine cone, a spinning top, articulated dolls, beautiful golden apples from the garden
of the Hesperides and sometimes also a bullroarer, a mirror and ossicles.)
He immediately reappeared in the form of Dionysus, and then took successively the forms of Zeus, Cronos,
and various terrible animals to get away from the Titans. Then Hera screamed in anger and the last form of
Dionysus, a bull, collapsed. The Titans butchered this bull-Dionysus and then boiled and burned the limbs.
(With many other authors, the myth ends here, Dionysus having regained life after his limbs have been put
together by Demeter, Rhea or even Apollo.)
Zeus, having understood the cunning of the Titans, became furious and locked them up in Tartarus, also
throwing his lightning on their mother, Gaia the Earth. Burning everywhere, the Earth was suffering terribly.
Finally, Zeus took pity on her and sent a flood.

Then Zeus fell in love with Semele, and from their love was born the second Dionysus who we discussed
previously.
The poet adds here the long history of the conquest of India whose King is Deriades (“the one who fights”).
But Hera was quickly angered by the fame of Dionysus and asked Persephone to send the Erinyes to make
him crazy.
Finally, Gaia asked the Giants to kill Dionysus, but they were massacred. While the nymph Aura competed
with Artemis in a beauty contest, the latter asked Nemesis to make Dionysus fall in love with Aura. Dionysus
raped the nymph in her sleep. She gave birth to twins that she tried to get eaten by a lion, but they were
saved. Aura was transformed into a spring. One of the children, named Iacchus, was given to Athena.
Dionysus was finally allowed on Olympus.

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So, Nonnos evokes three Dionysus – or rather two and his son Iacchus – respectively born from the union of
Zeus with Persephone (Zagreus) and Semele (Bacchus), and from unions of Dionysus with Aura (Iacchus).
HOME
This last Iacchus-Dionysus seems to have already existed in ancient times. Greek myths
interpretation
Genealogical
The first Dionysus, Zagreus, represents a phase of yoga in which the seeker would already have had access to
diagrams
the Overmind (with horns, he immediately went up without help on the throne of Zeus andILION brandished the
thunderbolt) and tries to descend into the depths of the body consciousness. This Zagreus isMiscellaneous
indeed a son of
Contact
Zeus and Persephone. It is then the work of the adventurers of consciousness to establish the Spirit-Matter
unity.
But the powers at the origin of this creation are much too powerful for the seeker at this point of time,
regardless of the angle chosen to tackle the work, including the power of realization of the luminous mind
(the bull).
(The authors who describe Zagreus as the successor of Zeus – he must be ‘the very last king among the gods’
and ‘receive from his father the domination of the universe’ probably identify him with the second child who
will be born from Metis “supreme intelligence”.)
The variant in which Zeus turns into a snake to unite with Persephone, according to some by raping her,
confirms that it is a movement that seeks to accelerate evolution, even by “force”.
Zagreus, it’s Agreus + Ζ, “the divine hunter” (or perhaps also Zeus + agros, the work of the highest
consciousness). Some make him “a great night hunter of wild beasts” to indicate a work of yoga on the vital of
the depths.
Despite the growth of the light of the psychic being (under the watch of Apollo and the Curetes), this first
attempt will fail, due to lack of purification.
Of course, Hera who watches over the right process according to the law of nature is opposed to this
evolutionary breakthrough, but she is not able to oppose it alone (which was not the case previously with the
other lovers or sons of Zeus, such as Io, Heracles, etc.). To “satisfy her hatred”, she must seek the help of
greater powers than the gods, the Titans. These are the forces of the world of creation which set and govern
the laws, and no longer forces of the world of forms (the gods of Olympus).
In the first version in which it is the face of Zagreus which is coated with plaster (white face, therefore pure),
we can deduce that the Titanic forces do not allow him to see “the truth” or make him believe that he
reached the goal.
In the other translation in which it is the Titans who have a plastered face, the forces they represent don’t
seem to be able to directly oppose Zagreus without being recognized and therefore potentially inhibited.

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That’s why they progress masked, to avoid alerting the vigilance of the adventurer (maybe they want to make
him believe in a right direction if we consider the whiteness of the coat of plaster on their face).
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Greek myths
Other authors explain the diversion of consciousness by the “toys” that represent certain paths of yoga under
interpretation
various symbols: Genealogical
– The pineapple for occult knowledge (likely the symbol of the bullroarer). diagrams
ILION
– The articulated dolls for logical knowledge.
Miscellaneous
– The golden apples from the garden of the Hesperides for the highest intuitive knowledge, that of the
Contact
Overmind.
– The mirror for total knowledge of the self.
It is said that in memory of these toys, the initiation rites included ball, spinning top, bullroarer, ossicles,
apples, wheel and mirror.

In most versions, his limbs are boiled, then roasted, which was interpreted as a rite of immortality and
rejuvenation, i.e. purification of nature’s elements after separating them, in order to prepare non-duality, and
on the other hand, adaptation to the movement of becoming (life in the present moment). Then one of the
gods “gathers” the pieces to access the next phase.
It is then essentially the body undergoing the purification constraints (the Earth is burning) until the divine
moderates “His ardor”, Zeus sending a flood. According to some exegetes this flood was associated by mistake
with the flood of Deucalion. “Nonnos notes that The abode of the Sun was shining on the back of the Lion,
(that the soul was dominant in the personality), that Venus stayed with the Bull of Olympus (that love was
“cohabiting” with the power of realization of the luminous mind at the Overmind level), etc.”

Nonnos introduces at this stage the “second” Dionysus who represents the right process of purification and
growth in the power of the spirit (in Zeus) before the seeker can endure without flinching the penetration of
the divine powers in him, which leads to some experiences of ecstasies.
This second Dionysus, Bacchus, by its structuring letters (Β + ΚΧ) points to an incarnation of the extension of
consciousness at the centre (the psychisation of the being).

The seeker violates the evolutionary process in order to bring a “new air” (Dionysos rapes Aura). Then appears
the last Dionysus, Iacchus, symbol of a seeker who can then approach the work in the body, hence his
nickname “Dionysus Chtonien”. The name Iacchus (Ι + ΚΧ) suggests an opening that happens in the body
consciousness. 
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