Bass {to Me masse Music and Lyrics by Dolly Parton Book by Patricia Resnick Based on the 20th Century Fox Picture Originally produced on Broadway by Robert Greenblatt, April 2009 NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft black lead pencil only. NOT FOR SALE This book is rented for the period specified in your contract, It remains the property of AM PLEASE RETURN ALL MATERIALS TO: MT! MUSIC LIBRARY 31A INDUSTRIAL PARK ROAD a ae eee NEW HARTFORD, CT 06057 421 Wiest Sah Sreot New York, NY 10019 (212) 541.4684 © Copyright. All Rights Reserved.9TO5 Bass (Electric, Acoustic) Act One D940 5 vesssee Ja. Into the Bullpen. 2. Around Here...... 2a. Back to Work! 3. Here For You 3a. Here For You (Reprise) ..... 3b. Into the Xerox Room .... 4. [Just Might .. 4a. Punchin’ In...... 5. Backwoods Barbie...... 5a. Enright’s the Man 6, Heart to Hart 6a. Violet's Pissed .... 6b. Maui Wowie .... 7. Dance of Death 8. Cowgirl’s Revenge . 9. Potion Notion 10. Joy to the Girls.... 10a. Oh My God! 10b. Out of the Bathroom 10c. To the Hospital . 11. I Killed the Boss ... 11a. The Search for the Coffee Cup . 12. Shine Like The Sun...9TO5 Bass (Electric, Acoustic) Act Two 13. Entr‘acte.... 55 14. One of the Boys... . 56 Ia. One of the Boys Playoff... 61 15.5to9. 16. Change It... 16a. Ain’t it Great? 16b. A Better Day 17. Let Love Grow .. 17a. Goodnight, Mr. Hatt ..... 17b. Stay Here, Dick 18, Get Out and Stay Out ... 18a. No She Didn't (Slacks). 18b, Hail to the Tinsworthy . 19. Finale ... 20. Bows... 21. Exit MusicElectric Bass moderate 80's 4 J= 100 9to5Bass 9to5 Electric (four)| 1 9TO5 (OPEN 3 PAGES Music & Lyrics by Dolly Partor Orchestrasions by Bruce Coughlin ‘Additional Orchestrations by Alex Lacamoire & Stephen Oremu. Moderate 80's 4 7 3x Vamp = "9105" P (Goon) 72 IT bp 8 “4 E "Tumble outa bed" Sub p 20 2 22 a 5 B E A ‘Workin’Bass (Elee.) 2.9705 9105 "9105" (Tour) 7 2 AT Cimile nf a 33 Av 7 B wal OF 47e a - 476" F Bb F 3 F "Workin'™ sso 02 /09-8-TBass (Elee.) 3.9705 90s "9105" (Tour, %] giz Fe? a, simile 87 a? : 5A “esa “sub. p” "They let you dream" s a Simite c eBass (Elec.) 4.9705 9105 "905" (Tour) 5 an Zs 7, CZcountry mf erese. poco a poco Gj, Em ‘Am? Dgses 93 Slightly relaxed "Dreams and plans..." Ae Aig Dbsus? A Eb sub. p 95 96 7 97a 978 970) 370 ove (1098) sn 2 /08-8-75.9TO5 fe (Tour Bass (Elee.) A tempo = ‘9105 al ob 103" 104" a ey B Cim? 0° 20 Ds AT simile 114 1 nag crese. poco a poco Bm? Alcs e Pio: = 1265 ~ Bier me StBass 9to5 Electric (Tour) INTO THE BULLPEN 1A Ala“9To5” Bs G-6305/802/10-T -6-Bass 9to5 (Tour) AROUND HERE VS. >>>Bass 9to5 (Tour) AROUND HERE Bustling Vamp (vocal last x) SLECTRIC] fs FS Bip 5695 /802/09-6-7 2Bass, 3. AROUND HERE 9s =) as Gig cs (Tour Gong) Big cé (Wialoguey 48 FS BS 52 53 54 55 (057) ‘Vamp (out any bar) a FS 65 66 er (072 VS.Bass 4, AROUND HERE 9105 Je (Tour) Vamp GS DS (long) d d d d 72 sub.p wo f sub p os D, (long) - 10% A H0S#95 (802 /09-8-T -10-Bass AROUND HERE, 9108 (Tour A Alg Digg FMaj” Ale E7us ‘gm? BBass 9to5 Electric (Tour) | 2A BACK TO WORK! 0 a 7 sz (Vocal) = A Alg Digg FMaj7 -12- -1599/802/10-7Bass 9to5 Acoustic (Tour)| 3 Electric HERE FOR YOU ACOUSTIC Smarmy Honky Tonk 4Xs Solo (As is) ; mf 2 we Vamp (vocal last x) a? (Asis) ooo. ee ar ELEC) 9 $Gur.2 _ “aa2 49 50 31 2Bass (Elee.) 2. HERE FOR YOU 95 ELECTRIC (Tour) is] 7 a7 mp Az G D7 = bv 67a 678 erc, +68 Pp Half-Time Honky Tonk/Gospel Feel St 69 a7 D7 aif, eu = D A A Bm7 Ao A 66960802 09-867 -14-Bass (Elec.) 3. HERE FOR YOU 9tof (Tour Ab Abr Ebigh Bh 102 103 108 104A 7088 (to 108 mp 107 a PF sub, 708] mute 109 110 mm 112 13 mp Poco rit. 2 14-115 6 7 a5Bass ‘Toer) | 3A lectric Te " HERE FOR YOU (Reprise) "” ELECTRIC| Moderato 2x &b7 * [3] (vocaty Ab? as | (Half-time feel) Ab eb - =e eb7 Ab Ao7 S sub. p Colla Voce (Gir, - fill) ES nf —— p* 25 =) Atempo 7 28 28 sft Applause Segue 6-6960/802/00-8-T -16-Bass 9to5 Electric (Tour) | 3B INTO THE XEROX ROOM Moderato D G D G A Os Bm Fim G Amg Gin BMaj? CMaj7 Fig mfBass 2. INTO THE XEROX ROOM 905 (Tour) Le >>> 6-6305/902/0%8-1 -18-Ba: 9to5 Electric (Tour) | 4 I JUST MIGHT (9/17/10 Insert 52B-S2E) ELECTRIC pe Ie)a Gently Dbsus? Ab Elsus = Ab Gently Dri Dbsus? Fm Db Ebsus 34 35 3 (under dialogue) a DSSE SSS 39-46Bass (Elec.) 2.1JUST MIGHT (9/17/10 Insert 52B-52B) 9105 (Tour) Absus? Fm? Dbsus? Eb aD 7 8 49 50 5t 82 ‘528 P cA cy 70 71 7273 74 = Vamp (jump out any time) A Dsus2 E E Dsus? _ A Esus E A ‘ce a G-6960/802/08-B-T -20-Bass (Elec.) 3. JUST MIGHT pe 5 four) 97 sim 98 Dsus? A 29 100 101 102 molto rall. AK Esus E Ct oy Crese aie 108 (a A tempo 70 Dsus? Ftm E D 1 138 a A tempo "might." a 122 A Fem D E A segue aBass 9to5 (Tour) 4A PUNCHIN' Electric Hurried and vigorous! Ds. ELECTRIC dim. -22- (G-5305/02/00-8-7Bass 9to5 Acoustic (Tour) | 5 Electric BACKWOODS BARBIE [ACOUSTIC Sweetly, colla voce (dictated) 1 "Now I've" 7 Piano "country girl's idea of...” Dae —— VS.Bass ACOUSTIC 2. BACKWOODS BARBIE 905 commer Vamp (vocal last x) (Tour) 16] a B Eley : mp 7 18 "grew up" 8) 5 22 33 34 7 "just a backwoods Barbie” E mf 38 39 40 6-6960 802 (08.8: -24-Bass 3, BACKWOODS BARBIE 90s (Tour, "just a backwoods Barbie" Ba : B 7 5 72 73 74 poco rit. (to ELEC - fast) A 7578 5Bass 4. BACKWOODS BARBIE 9105 (Tour) cy Sweetly, colla voce (dictated) 2 79-60 "...get their feelings" ELECTRIC] g E E e ft P ‘A tempo Segue Bass 9to5 Electric (Tour) | 5A ENRIGHT'S THE MAN 6-660 /802/08-B-T -26-Bass Electric HEART TO HART ELECTRIC (5) Sweetly 7 Colla voce 9to5 (Tour) | 6 awws) 743 2 "dear Hart" 3 138 Rit. = 130-13F 136 014) VS. (Play)Bass 2. HEART TO HART 9105 (Tour) ELECTRIC Molto rall. ~ A "Heart to Hart" 14 P crese. 8 f Slow and Bluesy accel. poco a poco E igh A 8B . lat A (long) sweetly za Sweetly elgg A Fim? gasus E Gp 22-23 24 25 ic P iof A B Boig A a simile (6-6305/602/00.8-7 —28-Bass 3. HEART TO HART 905 (Tour) Jab Bb N.C. 7 F Ia Bb c F 43] F In Bb c NC. FoI, Bb mf’ (ong) Molto rit. mf c 52 Pp . . 53 = "Love you" aD SegueBass Petre VIOLET'S PISSED ELECTRIC Ala "9 to 5" Aggressive, angry (6305 /802/09-B -T -30- 9to5 (Tour)Bass 9to5 6 (Tour) MAUI WOWIE B Moderato Cheech and Chong NC. stoner bass slide ELECTRIC y Sf 4 simile a4Bass 9to5 DANCE OF DEATH (Tour) ) 7 (rev. 9/13/10) [ACOUSTIC (Swing) — rere [c] Easy blues (Swing 8ths) Straight 8th's Pare) tote bg heesed “Lier. Sultry Swin; A7/o, AS a7? ams c7#9 m7(11) “aye SUEY SWIRB g big ‘Ab G7 fom ee Gir) 3 Cem? Cig Agm7s ag Fim Fam ym Dim?S APS 3 = mp —= De BLAS Em7a79 4 Dm? Dmg | BbMaj A*7 Dm Dmig i uf Be 7 Dm Gm7 & Dm Dm%q BiMaj? A7°9 arco 18 19 = a Poco meno mosso (Straight 8th's) Rit. (dictated) [22] Dm? Dm%_ — BbMaj7 A>? Gm§ Bm? Alcy zs 24 2 2 ‘#0 92) 93/802 0-8-7 -32-Bass 2. DANCE OF DEATH (rev. 9/13/10) 9tof Frantic Minuet (straight 8ths) Cour 52] picz.2 Alce Sig Dig aa) Straight 8th's ‘Ages 5 7 66 or P crese. ; Molto rit. A/c, Emlp ae Agsus AGig Ai A 7 3 ! ° 3 3 3 ar, 30 70 71 7a Sultry Swing Ein? cb A7 chmaj'9, Bi*7 Elm Ebmip, Bim Aumpy7 Em? S nae — 7 Em? Em? Slower Allegro "Time for arco Am® “hier Son Bi Ask yout die." a Pp ry 7 af = = a as (to 82) Straight 8th's Rit. March funebre Rit, + GET NC. yA” 4 Fim Dic Fim Dig otal fe w % ram Sos f— S of pesame Ebmd? om aBass 3. DANCE OF DEATH (rev. 9/13/10) 9105 (Tour) VS. >>> Hss9s an2/0%-8- ~34-Bass 9to5 Acoustic (Tour) 8 COWGIRL'S REVENGE ACOUSTIC. Moderato rit. Very free, quasi spoken Big and quick arco es + fF oO a P f Freely accel. Up-Tempo Country (arco) 5 a mp 3 eres. A tempo (dialogue) 36] PIR. pl Gb a a7 38 2 Db o> Sha, Ab 40 at 42 3 Db a pb?Bass (Acoustic) 2. COWGIRL'S REVE! 9t05 (Tour) Vamp (out any beat) "Mrs. Rhodes, I'm not 3 that kind of boy!" x — i aE wes =o bp” 4 2 60 61-62 68 (10 65a) 5A arco 3 650 3 esp = (to97) G-6960 802 /08-8-T -36-Bass (Acoustic) 3. COWGIRL'S REVENGE Ios (TourBass (Acoustic) 4, COWGIRL'S REVENGE 905 - (Tour) 2 pice 322P-4220) 12h) mp (o*4%) arco -38- 6-6960/902/08.-TBass 9to5 (Tour) | 9 POTION NOTION [ACOUSTIC om Moderato mp of ° = hp MP nf — 29-32 (035)Bass 2, POTION NOTION 905 (Tour) x Rall. ; Rall. a a2 f 43 mp a4 Ip Poco rubato Poco rit. G-6960 /802/09-B-T -40-Bass 9to5 L407 Acoustic T JOY TO THE GIRLS ee ACOUSTIC] Allegro Molto rall. piss, Sp crese a ~ = ~ ‘ Majestic 5 5 (to, Rall. Slower A) ELEC.Bass Electric On Cue Moderate (Ton. gliss.) 9to5 (Tour) | 1OA OH MY GOD! Dictated Moderate R+R. GP) pretty Gorais/a02/10 -42-Bass 9to5 Electric (Tour) | 10B OUT OF BATHROOM aa ELECTRIC Frantic j = = = Ff 5 - e= 7 eo = Ala Heart to Hart (Swing 16ths) Rit. sub. p Bass ne 5 10C Electric TO THE HOSPITAL “oun |EL. BASS. Ala"9To5"VS. >>> -44- 7709434/802/10Bass 9to5 Electric (Tour)) 11 Acoustic I KILLED THE BOSS Allegro ELECTRIC (To UPRIGHT Bs.) [2] Dialogue (C1. solo) 4 Vamp On cue (Ton. solo) 1247 1822 23] (Ki:pizz) (Cl. solo) = VampBass (Cl.) 2.1 KILLED THE BOSS 9to5 Tempo! (Tour) ma fe 30 f 3t Sp Vamp (1st x only) arco f [=] (Cl, Gur. solo) 5 70-71 72 ™F = 7 rs) 5 (Tpts.) 2 ‘ 76-80 81-82 (Cl. solo) 8 Vamp a -46- c-o73is/a02/ 10-7Bass (Cl.) 3. 1 KILLED THE BOSS 9wF [=] Slower (Tour fone eee ° (to 101 Opt. 8vb __ Rall. Go" Quick Cut-off Anytime a 102 103 (to 106 a ai, (op) sb 2 =Bass (Cl) 4. [KILLED THE BOSS 9t05 (Tour) Slower Tempo IT (FL. solo) ~ 08 sub. ff 109) 113 14" ake Bae ¥ a_i KP Attacea Bass 9to5 Acoustic (Tour) | 11A THE SEARCH FOR THE COFFEE CUP [ACOUSTIC Liistesso tempo -f sub “p crese | Slower, spooky ize. 8 10 1 P corsa /sa2/i0 —48-Bass 9to5 Electric (Tour) | 12 SHINE LIKE THE SUN ELECTRIC - Came colla voce Fe Ip mpBass . 2. SHINE LIKE THE SUN 9105 Moderato, in tempo (Tour) think...” Bsus? Esus® Ffsus 9 mp 10 ——— 2 Bsus? Esus? Ftsus at Fticg rit. 13 “ue 15 16 Atempo Thunder Road-esque FE B B4ax —, —_. 35| B Bsus B Bsus B Bsus B E (6-630 802 (09-87 -50-Bass 3. SHINE LIKE THE SUN 910 (Tour B Ft ES B a 43 9 50 A Flat Fdsus 68 B Bsus B E B Bsus B A Eiag Ffsus B E/g Fig Gm E (B)Bass 4. SHINE LIKE THE SUN 9105 (Tour) A (Half-Time Feel) cy drive it Qo a Pi tf 108 Were, 108 A D A G Ory E 6305 /802/08-8-T -52-Bass 5. SHINE LIKE THE SUN 9tos cresc. poco a poco (Tour Dsus? Esus A — D Alice "EL 118° a5 9 Sub. p 120 eresc. poco a poco Fe E Biog Esus? mp = fous Bing Esus? Fm? Dictated ike the sun” 8 A ~~ ‘like the — sun’ m~ a A 135 P 136 137 138, F IS feBass 6. SHINE LIKE THE SUN 905 (Tour) VS. >>> G-6305 / 802 /09-B-T -54-Bass 9to5 Electric ' (Tour) | 13 ENTR'ACTE ELEC. "3.4" Moderate 80's in 4 re ... 2... F Gm GRT Fin Biv @7 iC) Dm? Ee Cie, 3) oF Fin Bb F Fla Bb Cm? = : : g ovr (062 ez Faster Pocorit. die Slo ceBass 9to5 Acoustic (Tour) | 14 ONE OF THE BOYS ACOUSTIC BASS Cool 4 6 F9, 6 5GPI 13 e ‘a be m7 Be C7" close Ext.) Fé Bb Bo7 cos —i-—= “never come" at mp 22 Bs —— o Holiywood 4 even 8th) Diy Amp Bmp Ep, OW 25 Fig PM Bm? Elia Dbia, be f uf 105893 /802/09-T -56-Bass (Acoustic) 2. ONE OF THE BOYS Ito! (Tour 30 Gis ChMaj7—_cb6 Ablig COT = at 2 = Sip, Sip, i7sus abba Am? Gy Digsus 36 ie air GiS Gi? Cimaj? Alig AbT_,_Gle 39° - ae 4 Ghig, a7 as7susD) [a4 LiftBass (Acoustic) 3. ONE OF THE BOYS. 905 Medium Swing (faster ; sus (Tour) 7 B (Faster) te Fm? GM pm7 Aly BON p7ts —B7sus Fm f iB) ; 46 47 8 oF 3% E713 Ege Fim7s (asis) = eS e mp 52 5 Ne. B913 Seve 38 E6 E713 As 64] (as is) Cheesy Latin E 67 E D E Oo F E713 D713 E713 "Violet!" mf 7 78 bs, , Fre D:7°9 Gem? Gim7Ca7/S CHS E718 E713 FETT 105893 802 /09-T -58-Bass (Acoustic) 4. ONE OF THE BOYS, 9tos (Tour 64] Fe Fer Be Dp? (lead in). (as is) 88 7 69 90 2 ot 92) Bmadd9 D497 Em Dims Emé ¢ FYO7 FYT Bmadd9FY7 Bmadds Bm? Em® Dim Ems "Violet's one of the boys’ Bm Blip, Gots 96 7 98 8 fz Ld 0 a913 Fo 103-106 VS.Bass (Acoustic) 5. ONE OF THE BOYS 905 (Tour) Cim #75 F#m LB! B713 E713 A713 107 _, 108 D7 pe? o7 D°7 Eb? D7 Eb? NC. (as is) = = S = 7 12 113 118 16 16 Ab a? ai Av A? G7 a aT Ay7I3 Gy G7 AT ANT a? Gi AT | " Maestoso: ALT cb A> cb (asis) cr rd : a = 124 mp _125 8 . BbMaj? Rall. Sock'em swing 7 6 ° 9 Pee ve] ee? BbMaj7 B° Feo C cr Fe C7 oon) pitta mp 128 129 130 131 Fas) Freely aco (aSis) F, In 139 194 136 P Sp Hot Swing again (in 2) a * BbMaj/g ce BIC 138)F6 BL 6 137 cf 138 FS Bi NC. A "One of the” anj9-t - 60-Bass (Acoustic) 6. ONE OF THE BOYS. 90! (Tour F713 Eb713 F713 Cm? F713 E1713 F713 cm? 144 445, = 446 = 447 = F713 Eb713 F713 cm? 148, = 149 = 450 151 f= Applau segue Bass ‘Ton n 14 Acoustic ONE OF THE BOYS PLAYOFF (Tour) | 14A Hot and Swingin’ (Big Band Drums - solo) 3] as ce @m7s cms Cm? —— bp» z —— 4 5 6 (015) js Sf walk, ad lib Nc. (Drums lead-in)9to5 (Tour) | 15 5TO9 ELECTRIC Gentle, soft pop-ballad Rit. A tempo (Vocal) Gig Lead-in ) 39 10 ag Dado os pp Applause Segue 66905 802 /08-B-T -62-Bass 9to5 Electric (Tour) | 16 CHANGE IT — [ELECTRIC Ala"9to5" bb a Ab Bbm Dip Gb Abm7 NC. Bright Optimistic 4 BeCHANGE IT 905 (Tour) Bass (vocal) = A Dsus2~ a a7 nf > Dsus ~ = a7c, 470 476-471 (10 48) Elsus?_ Ebous?_ Bbsus? Bhsus2/¢ Blip i Ebsus? 56 (long) Govsisyso2/ 10-7Bass 3. CHANGE IT 9t0f (Tour Essus? Gm7 FS A Bb Am7>S Gm? >7 id Bb Absus? Blip Ebsus Eb Bb Absus? Bbin Ebsus Eb Cm? Bip Bhp, 03-86 VS.Bass 4. CHANGE IT 905 (Tour) 7 Sp eres mf Applause Segue G-07318 802 /10-T -66-Bass 9to5 Electric (Tour) | 16A AIN'T IT GREAT? — [ELECTRIC Bright jp. ——— dim 7 *p ° Bass 9to5 Electric (Tour) A BETTER DAY A La "Change It" ro) 87 Bs 5 224 ND Am? Fig, Ebsus2 a 8 10 1VS. >>> -68- asis4/s02/10Bass 9to5 Electric (Tour) | 17 LET LOVE GROW Freely aAaB “co mf 0 (05) 2 (Vocal) aBs. (Elec.) 2. LET LOVE GROW 90s A tempo 7 "Let love grow. \¢ ym \¢ As Ab ehaceehace® eb bf ab Abigh Bb co Ft Applause segue ooe2 /802/09-8-T -70-Bass Electric ELECTRIC Allegro GOOD NIGHT, MR. HART ” 9to5 (Tour) 17ABass 9to5 7B lectric Te 8 AY HERE DICK a (Rev. 9/17/10) Allegro Ro ELECTRIC 3 < i ‘mf crese tos) 12 Vamp (Ring thru) 10434 /802/09-6-7 -72-Bass 9to5 Electric (Tour) | 18 ELECTRIC. Reflective, cola voce ab , Kbd. cue o a D a cs With motion a Ab ob mp 7 8 Delicately Db Ebgsus : aN 16 Driving Rock, hushed - in 2 Ab Ey With intensity AbBass (Elec.) 2.GET OUT AND STAY OUT 9t0f (Tour 2 Gb 40-41 2 Ab Ab7sus Gh Oe eb Ab Dbsus Db Ab Gb bie ebrsus te t EJ Ab Db a : : a = mf simile Ab Db G-6305/802/09-8-1 -74-Bass (Elec.) 3. GET OUT AND STAY OUT ees (Tour Ab ob ab Obie ebsus 75 Ab Db Gb Doig eb Half-time feel Ab Db 89) half-time feet Dreams and plas ae inthe mt king Ebsus? o 99 100 101 102 VSBass (Elec.) 4. GET OUT AND STAY OUT 905 (Tour) Bbsus? F7sus Bbsus? 104 10aF 1086 18H 1041 Toa F7sus F¥7sus (to m.105) = “nf 105 16 Half-time feel 8 half-time feel ~ - Esus 721 i 123 Molto rall, B A Eigp FEE Fray A 125 126 127 S28 157, Applause segue G-6305 /802/09-B- -76-Bass 9to5 (Tour) 18A NO SHE DIDN'T (SLACKS) [ELECTRIC Moderato ¢=112 D> Chsus? Doe Gisus Gb » f Bb Absus? Boip &b F G ‘3 Csus? Em Gig Cus?Bass 9to5 Electric (Tour) | 18B HAIL TO THE TINSWORTHY March (Drs, Pere.) 3 [ELECTRIC Opt. 8vb—) mf Ha ee Opt. 8vb1® oe areas Opt. 8vb4 Opt. 8vb4 As cs Dm BiMaj” N.C. 72 10 Zo" = = (to 13) Dialogue 3 ps A (G6305/802/09-B-T ~78-Bass 9to5 Electric (Tour) | 19 FINALE (ELECTRIC) Moderato ae > Lo A little faster D a (17) Faster, still B 3820 mf VS 70Bass 2. FINALE 905 (Tour) Db eb Safety we. E Vamp (Ist.x only) 298 to 30) (0056) Vamp of wf sub. p nse, 02/10Bass 3, FINALE 9t05 Vamp (Tour) os 72 wes (074) sub. p ‘Vamp pre 9D mt 74 75 sub. f co 7 = Vamp (out any time) GP. wl 81 sub. p te) ed orBass 9to5 Electric (Tour) | 20 BOWS (9/12/10 Insert 2A - 2D) Allegro, 4 la “Around Here” ELECTRIC ———— 2A 2B f 2 3] G c? ‘simile [21 Crear G Gig D c NC. FA Bb Faster 103434 /802/10-7 -82-Bass 2. BOWS 905 (Tour Majestie Rock (1/2 Time Feel) 3 A D eS D ete 35 36 t- : ET Ag ee 45 3 op EE ESBass 3. BOWS 905 (Tour) B Gem7 Asus? NC. 58 Bip Esus? Slower, 8 la “9 to 5” 60 et : ca St 63 FE B FE Ce mf 7” *Simile " moo Te Sieh ae ae cone 83 ae ane ee ae eameied Vamp (tie first x only) A ALA A crese “roa34/an2/10-7 -84-Bass Electric J EXIT VS. >>> er 9to5 (Tour) [2 |Bass 9to5 Electric (Tour) | 21 EXIT Moderato, a la “9 to 5” 70] Bh F7 12 13 Bi? G Am7 Be Gig 3] Bi? F? Biv G am? BP Gig 7-03434/802/09-8-7 —86-Bass 3. EXIT 90S (Tour) crese.