Professional Documents
Culture Documents
Rubank Elementary Method Flute or Piccolo PDF
Rubank Elementary Method Flute or Piccolo PDF
» »»»« » » »»»
Music
f
MT
345
P47
Ml
c.2
MUSIC LIBRARY
CONNECTICUT
UNIVERSITY OF
STO^RS, CONNECTICUT
Digitized by the Internet Archive
in 2013
http://archive.org/details/rubankelementaryOOpete
REVISED EDITION
f
for
3vr
FLUTE Pn
hi
or PICCOLO
A. C. PETERSE
MIAMI, FLORIDA
LESSON 1
Whole Notes -Whole Rests
A. C. PETERSEN
© © © © © ©
E -o-
Spaces Lines
331 ~&- -o-
im Tu
ZQI
FACE "Tr-
-o-
E G
-o-
B D F
Attack each Note with the syllable
"Thu"
not
A
£ H
I ZEE ZEE ZEE
1
B
3 e o -o- -^~ -o-
I
^ ZEE -O- ZEE
-O-
-»-
ZEE
-©- ZEE
E ZEE
-O-
-©-
-©- ZSZE -O-
-»- ZEE
Jr 1
/L * ** *> f* **
9 fn
vja;
f
\; o
*j t> <> *3
1
1
1
¥ NOTE: Lessons 1 to 14
The each lesson is a review of old problems and the introduction of new ones. Each one of
first line of
these lines should be thoroughly gone through before proceeding with the lesson proper. The new problems
should be clearly explained by the teacher, and the review problems clearly explained by the pupil.The pupil
should be able to distinguish the review from the new.
© © © © © © ©
3X1
P 1
Half Half
Note Rest
1
m ZZ. -o-
#
XE 3 -»- i
*Tount 1-2-3-4 1-2 3-4
n -»- 3X a:
I -o- 22
a: ^ — (S»-
a a 22 tS 1
«$>
I t5> <S»
a a <C7
P PP Z£
3 33 *, fJ rz
'j a -<s* t5? <S>-
32 (5> ^
4 jMj_^.
I a: ^ & i <s? — <s* a i
s
6
^
te
a:
£
^
i
a:
^
£
a:
*>
f
Melody
^
d?— —
-iS* ^ P
H
i zz:
^
Hd
i
^
22
—— 1—
— i— —^h-r^J —
I
h-i 1 1 1
Counting- Study
^Sl ^ a:
8
% 22 r5>- 3 -o-
© © © © © © ©
3E is:
m 331
33: 35^ LL &
f-TM-*
3?
1 3EE <S»-
i
Count 3 '4
* -&- ~ZZ
3ZE
I
3X
2
*
=fesS=^ ^=^
Melody
3 3^ s: r5»-
i 3 33:
^ 12 3
?
4
i mi
4 ^
* zz:
1-2 3
?
4
? ? s: zz:
^^^ ? 3X
In Waltz Time
*
*J 1 2
^
3
r 1-2 3
m
Waltz Melody
*
6 <?-
¥
^^ tS»-
3 J
nt ' ?
^
r
jS^-
I
J J j 1 j J j n
Rubank Elem. Meth. for Flute 47
LESSON 4
New Notes - Rhythmic Studies
© © © © © © © ©
O
-»- -O-
-O-
G
33C
m 33:
IE Z2L
Tie
P^ Dotted Half
1-2-3
¥
1 2-3 - 4
Interval Study
First play slowly; then increase speed.
I E
P I
Extending- the Range
E
_o_ -o- n -©- ~cr -^- zo: -©-
I _Ql_
D
_o_ -»-
-O- 3Z XE
-O- 3X
i
First Duet
First Part Exchange parts on repeat
v I
&' P^~
2. ? ?
6 Second Part
£ tS>-
P ±?
T^
s: zz
^
Lightly Row
K0"—
-jfc^--l"— * ff
'
1
p r r 1
— =£=^ z— ^-rf-^T-i*—Ff-— — r
' ' ! 1 1 1 1
*
f—
Study in Thirds
^
Rubauk Elem. Meth. for Flute 47 -PL
LESSON 5
Development
© ©0©©®© 3E
© ©
-©-
-©-
1 ^s
fe zz
^ Z2I 1^
&-
F^
^ 22:
ts>-
zz: r^
# ^
fe £S IE U ? *EEeE^E^? ^
Melody
^ zz:
zz:
m -& •
i J j
p
1
p r^
i5»-
^-^
?
* -42_ /2_
zz: (5»-
zz:
g
Melody in %
-P-T— ZZ z±
J ? P
Z2Z
m
fe^
zz:
?
tS1- :zz:
^
Good Night, Ladies
College Song
6
W zz:
zz: zz ^:
zz:
zz: t$^-
I
Rubank Elem. Meth
zz:
for Flute 47
£ £
zz:
^
LESSON 6
if
©©©©
m i
r
High Note Study
3
©
E
©
zz:
P
©
-4i-
XX ±t
G A B C
A B
42. 42. -0- -&-
# (2 <2
:£
\
C Major Chord
fe
42.
zz:
^ n
C Major Chord
42- 42-
3 ^S zz:
zz: zz:
XE
C Major Scale
-•
2 1$ ,
&-^ 42- 4^ T^ -f
-
4 3^
I P
^>- zz:
J £
^ ^ f^ "f
2 -
-f
2 "^ 42- -1^ zz: zz: «$>-
J illl
C Major in Thirds
g
3^ zz: zz:
42.
§ £c
5
i •42.
^
yQ.
^ 42 42-
zz:
£
zz:
zz:
&- T2L
6
in ¥
zz:
zz:
r r 1
r m i
Chord Study
t9-'
7 3^
fe zz:
I ¥ P %
F Major Studies
© © © © © © © © © © @
E
=3=
fe .. » " =* ' 1 o 1
r 1
^ c^fi Loud
t „..j F E
Flat Sharp Natural Soft
.--Key signature
§HJ
ill 3L
»
f Y Bb
XE 22 XE
F Major Chord
2 fc> V 22
3 zz * 7Z-
22
22
m 3
3 dU e ^ ZZ
-*&*-
zz
^ 22
F Major Scale
^
Remember
m B zz
i
zc
a a r$>-
zz ^
I J
P
22
22 I
Remember-
Melody in F Major
iR^^
5
I ^
*
42-
I ¥
Duet in F Major
F#
zz: zz: zz:
HE 27"
6
6 /
HE zzz t5>-
^ ?P #
22
Ft
?
I
8
LESSON 8
©00® ® © © ©8) (?
g=g
Eighth Notes
^=T
Eighth
Rests
L- f>i>
3
zzfe
Accent
— ~*-^
2
4
fci> <•
U
1 & 2 3 & 4
-&-
^ m
Long- Long Ago- Key of C
^mm JZ.
s
Long Long Ago- Key
zz:
of F
zz:
SI
—
#^# 42-
£
g »5^
?
T»»„ f ^ #^ «S^-
H
.
^P §H
Folk Song
^^ Technical Study
&-
rrrffrr §§£§£
6
k* i
I ^ J H§
§ £2_
ff£ &-
i
Rubank Elem. Meth. for Flute 47
LESSON 9
Dotted Quarter Notes
© © © © ©
£L
© © '
8
©
Tf
-7— y-
El>
Dotted 1-2-3 1-2
Quarter
i ^s^e
w '
i
r r '
rr pn
B!> Major Scale
a) 2- 2 -&-
V -f -
-f
2
iill h: fif iT zz:
1-2
1-2 & 3 4
America in Bt
6
IS
t
^^
_2>
^ ^ ^ 3
f ?
P
? i
r i/cr ir^ i tS>-
^ y 1-2
•
(r i
r M r g
zz:
IE ^ E
i2
k •
f f •
r F=?2
e
:
^
i
(Sp=P
8 ^ f v i r ^f#^ izz:
m ir m £—
Rubank Elem. Meth. for Flute 47- PL 10
LESSON 10
G Major Studies
© © © © © ® © ®
* £fc L> li 4
1-2-3-4
=£=
^^
G Major Chord
.
1
^JM* JJ 5s
(2
&
L
—
£ «$
6
— t$J
»
w m —
L
(2
—
— «5
(2
£
-ga
tt
JJ,lfrri^'f
—J_?
J [rr,lJ,rlff Mrj£ 1 1
» tfU.5 1 1
^=^^1 1
G Major Scale
> > > > > > 5 m m f m
fe
i
4 — «J J J — ^J J J — 1 1
— 1
X—
m zzz
m ^ IZZ -& m
America in G
ff
m
M=£ ••C
m a CL
%
f
%
* ;e tfZ.
^
America in F
^p j i
%
t E fe6 t
m
High Note Study
^z £
tE O-
¥
(2-
§ 42_
¥
i ^
>
|f g gg
ff: -^2.
:
^-
# /2_
j2. £E £e
?
^g £m £.
#
(2-
¥ 1
Rubank Elem. MetVi. for Flute 47 11
LESSON 11
Development
© © © © © © © © ©
' m ¥ i
3T
$ ?
1 & 2 &
4§^ i E
? £ #
1 & 2 & & 2 &
g
3
I/fob
3E
5 £ •7-7- * # 7 7
ft
E =F=? fcl -T-
£^1
1 & 2 &
Technical Studies
-tf. —
3^ £gi§? ?
4
I ? ff3E? ?
I P
"!$*-- —
¥
-<2. :_
E g^
-i^ -
2
Staccato Melody
6 2=E_^_
*^ iiifei fe*fc
¥
£ — - ^
m
:
±z=zt
Silent Night
FRANZ GRUBER
fe^EE
Andante
?£
§
— -- .a.- £-
m m^ iz*
p
k
fg^ p s S3
tf^- 77~ 22j
<5»-
1^1ggg Z2:
<* £
£ * i£ zz: i f b rg1
* J g 1
f'-'T^ i
i a ii ZZ2 1 Z£
m £ ¥
# Moderato
y
r
**£- f
f i
frff i f g
*
r rfrr
l c i i
i i
r-irr
#H f i
frff i
f rf ^^^ fe^s
4^
3
i
:fej||
Mod erato
p
^ i^£ r i
r rf |
frr|F^jfrr
French, 18th Century
rf fff ffr
$ i i
f i
r B r i
i r r.f i
zz:
D Major Studies
D Major Scale
* * *
I&
(I) <2_
i- z: tS>-
l7?
3 £
* *
*f
£ g <=• ^ -
s:
-<s>-
ffff
imp r .
Melody in D Major
Chord Studies
wgm Hn
^
s
S?
:- ^ -m- :~ 42.
is
P
g rf ^E^
^:
s:
£
-^- —
^2.
1n
?
i
Blue Bells of Scotland
Scotch Folk Song-
Andante moderato
a.
*& - -
- e
r fff rf
6
inf . .
^^
Rubank Elem. Meth.
§
for Flute 47
* e *»
frfm ^i rrf nrr ri
tS>-
PI
14
LESSON 14
Slurs
© © © © © © © © ©
m t b: zz:
Tie
P
Slur
i
Slow Slurs
Slur both groups of two ?
and gr oups of four notes.
fe
i^EB ¥ 1
m $ *
Fast Slurs
?
42-
I
42.
I
% £ ra=
Folk Melody
Slur both ways
i ffi #££
y ^ -">
?
F Major Scale
¥ J
^ 2
-f
"
y^ i=£
Rubank Elem. Meth.for Flute 47 15
LESSON 15
Rhythmic Studies
m ?
(2-
S
%^ ^^
I
i J £ J £5
mN* i ? ?
t5^-
5
Z21 •&-1 -
HH
M k
•nr rr >
N^ f^=e :e =E
I
*
^ F *
fc
Mr P r t
I ^^* ;e
?
^==^ i :*
-t^"-
5-
m
staccato
in ?
in £ -&*-
I
Rubank Elem. Meth. for Flute 47 16
LESSON 16
Counting Studies
3pi1&2&3&4 2
&
m ^ LTPM^F,
* i
2 fei 7
1
i
&
rr
2 &
7
3
11 r
& 4 &
i
7 f rr ? I cr i
7
111 g I H \ '
!
^
inn i
[ / ^r '
^ <1 g |
» 5 gEg E2 ii :i
t
1 2
£
3 & 4
^ 3=^
^
Duo Plaisir
Moderato
\h Tr f}\
i^^ • ^^
f m —w— P-
,
>^ .f~ :
£n
1
h 1 r
^r
'
1 f 1 P-
1
v
^. .- i
r r
t mmrf * s:
i t m i
£ fc .
-
Alia Breve
.Q. £L -0_
_o_ _Q_
* 11
1-2
X*. £k.
_Q_
^ ^ ^
*
I 1-2
I 1 2
42.
m 42.
i
1 2 & 1 2
A ^ P-P- t^ 2 -
-F^- * 1+ ^ 1+ 1+1+
y=j
-f
¥ i
r
f n '
m rrif n i
r r
|
r l
-49-*
m
t$J-
42.
4 ^!
# p
42:
?
<9-
42
1-2 &
Ties
&* -&--*-
^a *=42 421
42_
i
5
I 1 2 &
% 42:
J
Melody
0-1- ^ ^
6 <fat> ( z § E
42.
?
1-2 &
*m 42.
42.
P
-O-
i
Rubank Elem. Meth. for Flute 47 18
LESSON 18
A Minor Melodic
A Minor Harmonic
Triads
m Fundamental or 3^
^ 1st inversion or 4£
s 2nd inversion or 7^5
^m
m ++ l^l*^
22
Melody in A Minor
Andante
.^ — 42.
^S pr . ttr |* fft g- ^
9
%
^^F-£;
#
-&* 42.
%
<2_
1 i2.
'— — m -&
T^X^ -m-p-^^ -&'
u&a 42.
*
-(9-
% Rhythms
m Z2I
1 2
1-2-3 4-5-6
ZZL ZZ.
P
m 1
1-2-3 4-5-6
2
* * • — *
9 ^^ t T2L
mm ^m
im
m Melody
m
k*\ir
1
tn-
1-2-3
~2
4-5-6
\ \ i*mm t fe^l i
t^ rm\rn)rnf\rvT\T7T\T^r
\ \
rf" \ rl»i
5
i
feg jj
fe^l
\7 ±=t ^ 5L±
it
±=t £ 3=7:
r^77 Lz i
^=^=g
3=5 ^ *
3=7:
^ i
±± £ ±±
F Major Scale
i£ t± a
F
g 7 7 p
F
7 7 |
I I
6
§11 1 ±=5:
m
Rubank Elem. Meth. for Flute 47
IP ====
20
LESSON 20
m
(2-
f
22:
&-
^
El Major Scale
k
(\,)
&- TZ.
<2_ ^
E
%# &- 7Z.
232 ISZ
^ ^ 2 T^ __^
m
-
•f
<2
t
J
i r r i
r '
J J
3
^ M/ i-^^^- M LJ-J -^p-^^-g—
Major Chord
m
E!>
its I
HI ua l
*
t
edz
^
Melody in El> Major
Allegretto ~ -
6 M«
(<TT g l ^ g —
rirrrir 1
1 fg-Jrifrrirrrifrf|frrirrrrir?i
1
— 1
1
1
l—l 1
— a.
k=£ zz:
<2_ tS>-
zz:
% fcte
?
ti 1 rr i i-
r
nf r^ir r-jE^ i
Trrri rr n- 1
Rhythmic Stud ie s
US m TZL
m
2
m
ttm s m
• • p
•— L££ JJ ^ '
& r l
_ ,
r r |
f tf i^
i p- p r' m i
^#^
fc==£
E
it
§££ ^^ F=« S —J ———53
8
k
ffiB C
3
I ^
^^ a ^^
<a.
s
32-^2. **£ ft:=e
in £
Rubank Elem. Meth. for Flute 47 22
LESSON 22
Sixteenth Notes
1 & 2 a & a
m m ? zsm&
Melody
tar
I =e£ i
t
i
I
k iig£f# *
I it
Technical Study
6
^
ilg £ ?
ing £
^m 1
* Chord Study
m | pg g
P
* -^
*n
Study for Articulation
In rr,rrr;irrrf^
^m 'ntfrrmtfor l arrfrr i
tdjTj i
i u *J
i
l &
r r
2 &
i
:
§£
2 ^^ 5E
i mtflr L£f£JM^ i
1 & a 2 &
3 1£&
I
3t
i£ tS>-
i &-
i
1 & a 2 &
TI" <?-
^£P* i
4
I 1 - & a 2 &
4^ 3 jp
?
gj^Ps
^
£ £
y £f====2
Melody
#
k
P ? ^
Joy to the World
G. E HANDEL
=§ HM^f £
it
7
W ^MT^"
«/
#
Rubank Elem. Metli. for Flute 47-PL
£ £
£
tt; iPH
25
LESSON 25
Triplet Studies
Triplets
simile
Triplets
Trill Study
42-
<tr 9^
31
IEEE
721
? ?
2Z=
¥ a
42
a— 7211
tfr <tr
W -tS>-
i <tr <tr
$r 42-
-22L
4r
%
m
(2.
7211
I 721
ir *r <tr
q*r <# 4r & 4r IT < & 4r <tr
6
$« rr =i£i
Rubank Ei™. Meth. for Flute 47 26
LESSON 26
Syncopation
m
42. 42.
Q-
12 3 4 1 2-3 4
%
%
m
PT jT i fr V vv \
i
1 & 2 & 1 &-2 &
ill P I P I
fa V \^=¥ ^= 7
i ^r g i fr r gui
42.
^ fe=E
1
W
£ F |
ff f|ft f|irr ir^r Mrr ^^i
Melody
6 1-2-3 4 5 6
i *
ff ? S
i
jT itp- . f.ttp
£#•»•
£ ^
^
Rubank Elem.Meth.for Flute 47
S £
rnff^ir^ tt
e?
i £i
27
LESSON 27
Development of Reading-
~ 42-
j==£=B£=t
V* trtf *
I
^ 42.
rr vv
£2_
;e 2=2 *
$ « \
y
££
# ££^ ft 2: i£=i i e
*t £L
Ballet Scene
Duet
Waltz tempo
c/rp
i i bee «$>-
<2-
:e :e
j 2 =£ =Z
I £ tt
42.
iip? * P
zz:
?
:?te£:E
\h p ttr rTi m f tfrffi f f> fYff rFPffl ta—
(3
/ *-
2
— 51
r*
t
"
r T
5 *"
1*"
P
p >
iy rr r LU 1
f-
i =2 i 2:
S <S^=-
I g i£ £ £ 32
D Minor Studies
F Major
nr rr-TCTJ-l.l-1
D Minor Melodic
D Minor Harmonic
rrrrf^ ffrfrr.
i
faE-l-.-.
s
3 jR^=P
I
rrrf*f f*ff
,
im
4
^
-&£
J^
J i ^^
Etude in D Minor
5 ^^S I £ §=£ ^ j
y
t £ te i
I if
771. f
m m m m Am p
E^£ fei 1
*
ms^
Frrrr i
f n ^m t
£ *
i^ £ I
*$k P rrrr i
J
rr rri
,
Ji
rr '
'cr a-iU j
2jA
I
F|t
F|t
Minor Melodic
I2Z ssS
Minor Harmonic
(E#=F1,)
^ ^ffe £#£
« (ll H)
^
ftjfe 22 *fe r r'rrirrJj:iu n
I i
4 A
I
^*
Play with both three beats and one beat to the measure.
§
-^"
u . r f Ffr^n-^
I
i
pi
M
^ 42-
^i
^
&
f
$& £ i '
i
r r J ' ^ r 1
Melody
6
^
tf
y
^£# ^5 ^S
?
rn r irrff f f
Pi ?
'
i
**
i g £ fc
^ * - »
s
42- £ £
Articulations
4£
© 3 3
S r4-^
3 G)
KJ 3
o
3
m
3
*=»at
(J)
m-^-m-
i-im
Wr JJJJJJ^^
wT~m II
®5 5
-f#
**
— j
3
u nr-~F
3 3
Triplet Articulation
— r —™
simile
- —— —— —
L— ^J
r r~"
L«L«J
r
1—
rT
y cr-r mr i r 1
1-
n
£
i
in ^
tn
Articulation Study
*
sf
£, 1
pT>
s
ip^£g fc4 1
I &£? J
-ft
rtffffr ^ 7
— -&
i?
-1S>-
i ?=
# I
J»
F^#£ ^=g? s:
ip
Rubank Elem.Meth. for Flute 47
j ?
>*#
^
31
LESSON 31
te
m m^
3 3 3
£ •t *
»-
fe
3
£ .?
^p^ i
2 ^
fe £
.?
££
-5*
4 r
^ .?
#
Rhythmic Development
£
e
£ <?
s
1^
3 = fe£^
t
SIS *r
3
<?
ir £S rfrffr i
i CU" '
r i
4 #%
: I
.?
<?
,5*
i
,?
3
.^
s s **.£
ii £ Hi
3 3 s 3 3 3 3
, 3?, :frrrrrfffri^e§
3
3
'''(^ &
/<? '
T j^7
&< 5 ^
A /L_
1 -fe-iJ i*
+ T- <S> J <^ :!^i V
/*->
f*
f
f
u-,5, c^ ^i
fl^
&- g k SL 2
f2 *
F h k
flp
f .1
*r f f- f" ^ ?
9 '
' '
— —
-W—A
\>p>
f» - <g t>fg /^ ^
-x v & J
r rC J ^9 —tS
§
1
' -A '
<g Pig <sJ
tfe t-
I
k
1*^- I,
#fes
^
3^=^ tfj jjjg I
f fir P la J J#«
^^ t*H»#y
fiL
fc kj g U - I Af m fm p
\
k
I P
I fe ^fc*
I tS 1
Octave Study
4 zfed?
JP -J zz
22:
?
22:
i
J2.
&- ZZ /2_
I i IS.
*
^J rjf l
SI
Rubank Elem.Meth.for Flute 47
33
LESSON 33
Rhythm Studies
a (2- T- £ +•
-zz ?
Play both "in three" and "in one"
£ -m- e- 0- •&-
* i
? T ^^^
$ £ zz:
£
ff-
¥
-Q4
-jh*
-^
1
* J
h
m ~p • -
—
m—\ m P *—
*
f" P -1=U
m
*—*
h~=
• ,
— f——^
m m
F
'
1
42_ O-
t
I £ i I
Melody
y nr* a
m irrrJ- ir %
t- n girf
Etude for Counting*
^rr^ri *=?
Z2I
S
Rubank Elem.Meth.for Flute 47
34
LESSON 34
At Mcgor Studies
m A\>
!=
Major
S! ?
E
tf
£ e
(!>)
&-
4Z
2
42_
& &- - &
'— £_
— £
1
I* f fS>
I P 22
2 #
m.
bn)&( B a:
zz:
i &- (9- 221
IZ.
m
^
8F
At Major Etude
fe
flKH/n&f E
3
I 1=22 i <S>-
Tr tt rr if rr f r
¥
Iy\\>
u r
'
r r
'
r
\r
if
- \r
if
if
I
\f
ir i
if
i
1
=1 .
-^*
I & *
:£
m &=^ -f
2 - -»-
m^ a
P •0-
zz:
&~
rrr
2-
rr
*_r-J-
731
-&'
1
k £ i ¥
zz:
£1
%
fM^ -& — -&-•
I*
# m
Trill Studies
5
^
^hF
p
?fr
s
<rfr
*^p. tfr
££ ^z: ?2=
H
Rubank Elem.Meth.for Flute 47
35
LESSON 35
m J J r i
''r
J u j £
g- g :=
£-•
£
£ ?
fe
% £ P S
J
l P 3
g g
g 1»
t§ P
| rf f-
|
fff |
f f |
f ff|ff f ,fff f |
,f
|
I
2
^
^ =g is:
Syncopation
fe P &-2
1 &-3 &
£
4 &
I ^ £ £feP^
1^
?
Ffr i f I £ HeJ £
^ ^
Jtubank Elem.Meth. for Flute 47
c r i
fr r r rr^ £ i
rr r p"f j
36
LESSON 36
Petite Duet
h
1 M £ £££
m ^ % m? j
w
* i r?
tr m ^^
i
UN ^£ m
i
i an
^ A m J •
fN=^ pip
".—
f
•
li*
f^f ir ^
T —
ft
^^^fc •
-r^-r- p •
-p-=
* *
If TLJL
f H
p p ^ p tr
]
p [r f
p p p p
lr M^=^J
g
*2 ,jpi
£
%
A § 7SL
P 22
m -& j^
TZ.
e zz.
^
Chord Study
^
Vfjfif
I
^
^^
r^
- W_?
*
J-S
* •
£
^
fJ
-'r U
fJ
J
?-?
r i
r,
+
^
* J
* 'fJ
2:
-goiLz •— 1 =
* E
a& 7ZL
E s:
I
Eff.f
=$**
1
u
Melody
Andante
pi F
|§ F # F
i^jt-
V I
P B * i^
I
ftg
JL_£
*
£
#? » ttrf . f-^iT
£ *-» ^ * *
f ft f 7 r -p i
r g * *
e ^ p r "g 1 *
i
— —*
1 1 "
^ z % tm£ -^-H^
~» r tr nr e fr-fl-
e -
^ E £
Rubajjk Elem.Meth. for Flute 47 38
LESSON 38
Waltz Study
Scale Study
2 3^
I simile
fe £ S
m E
#iP-
^^>
simile
I
Octave Study
¥ J r j f
I
3 zBs£ | P
J r J j j
^ | i
-Zti
m
Ruhank Elem. Meth.for Flute 47
39
LESSON 39
Etude
Moderato
5 tte rff i
ci
*
mf
r f Effrr rf *£te
I %
areso.
i
i
f r f^rf
I
£
jt
r ,
I ,
f tftfr
j |
f f
n^r >
m*/
ina r ffju>,f I
^
^ gfeg^g^ g;
J
±^ifg^|' I
^<- J«J mm eie f
\±^
I ——
I
=b t
4 HI
\ 1 I i I '
I i
'
Ir^r * >'«'
1
J-
l 3^
* & &
WE rJ sz
zz. ZZ.
i
^ zz
Z2I
tS>-
s:
a:
<2_
ZZ EC
3 3»
I
ffrff Z2I
i zz:
v -
#1 22
3^ffi £ i ? £ =EQ
5
I
6
^ J >Urr*irr * £ £ m
^^
T^*
£
^ 2 2
rr i rw
8
££ l ,
l
|
JCTJ3J
^ _ ^ |
£ffi^
9
pi
10
^ 1^
£fe£ ±=t t
22:
11
1$
sc
£ zz
e£
12
& nrrrf
Rubank Elem.Meth.for Flute 47
i
crrr 1
41
Examination Lesson II
#- &-'
i --nJt
i^i
2
^ f - -#-
£2_ £2_ <2_ 42.
t Z2I
(5^
s: zz
EB J
3
I
ffi^
4 g
I a zz:
-«^ I
3
x
gk f frrrrrrrn
i
f
3
*3
6
inU P I M3 ^=g==£±^ £ ff-rft
feS
,?
trt i
*#* ££ffe £ ^
7 3M * i 1£
-ig-
8
fte## it
frrtrrfrfffr E4
io
y <•
* s; 1
i» ffrf .
m y^«
Z2I
i ^ rrifrrr
"!* -fS>-
yi^Ff
12
*
< JK' y »ti
f n-rf .rr i
Z2I s:
i
Rubank Elem.Meth. for Flute 47
42
Believe Me, If All Those Endearing- Young- Charms
MOORE
Dolce
1st
fe^ff rf ffff ff i i
ffe g
V
2nd
|a t ^ H
I \
™
V £
^ cresc.
i gg t t
*
m ¥£. 1 :— -£-
Mm^£ 771
If
£ £ F £
/T\
F
^ /T\.
^
771
ii
te £
Rock of Ag-es
THOMAS HASTINGS
Con spirit A • — • ^^»
m — P p5» :
^-^
__^»
— Lx—
1st
¥ 4 LJ
mp
J —— . .
^^
-01 •
2nd I
W % l*\ r T^T" ^
m—m\
1™
g r
-l .
-—' -*
j2. o
^n
ili f TTh if f LT [—«S»
: :=
tad
Rubaiik Elem.Meth.for Flute 47
• * p p
=F
-tS 1 »'
™ r
f
fti TTT r~ p f pj -f5>
y
•
43
Minuet from Orpheus
Tempo di Minuet
is**
1st
2d
3d
mi/?
P
IF^g zm ^^ ^^
^
7tt
£2_ ~ fa * -~
i 3:
^—
I oresc.
f a tempo
-Q-
-P- fe
rrrrr \
oresv.
f # tempo
^r
F^j* a -^~
2nd I
gpS
2nd
fe ^ f^P^
il r ff r r^ 1* —1*
^#^1
g .
w^ if ^ f F=i
1
i 1 ' '
V^ — =— r~~
—
^^ ^^e
-*-
f- T tS>-
£ £
ii
t
i i^ *
zz:
I
i
f>-i £ j^
£
•£*
^ i
t £2_
^ £« £ s:
i
=* i
I £fe
^ fc
i ^ a6
^ j
I*-
-
m ^ —
& &
m £ m -*-<+
i -&i
£
^ £ i2_
¥ £ if -tS* £
I mp
'rrrrKr i rrT^r'j'frr ja a I f
1 1
m
#^ g
H£
r^ s
f-'+tf-'- i*-
r»rrir»rr^
fe rffj-| r rjrg |
r£ff»r:r |
frr"r i
g t
*i THr r i
-fr i
rfi f«fr l
fr^' l
.rfff^f|^fff||
Rubaiik Elem.Meth. for Flute 47
46
Scarf Dance
CHAMINADE
Valse expressivo
4
1st!
I i EJ!|
7ft
ST
2nd fe -&-
m i p^m 36 i2_
»
<&>/*.
^
m &-
Z2I t5^-
fe£
il
r*i%r.. iM%f.. r
Solo
i i r i f g i r
y
rr =^^=
Solo
&
zz ^: e:
i di * i
¥f
kSS * bSk
±:=t
49-
* £ fylf pjfe
«/ r«£ //////.
^H> 3; *
s *
—
^ t
^y^ar tempo
m^.htP t t 4&-
m IZZ
A ,
Lively
1st
i/tt:t r 1
-f fr
-!
1
~* f- l
=d r rffTr 1 m m \
r f rr r i r r r tf
mf rit.
-0 ——
2nd --
|J
*"=
L)_
|(
g * " '
'
nr u r
'
f te £
Lullaby
Andante con moto BRAHMS
2nd
3rd
o /5>
p rit.
j2. <5>
Je
£
to/
^ 42.
t i 721
i £ zz. zz:
# S ^ e£e £ 4
6X
X (Opt.)
Cl)x Optional
Flute •-
c a b
only b •- * h »- r h It-
X b t fc
te tt
—h F^M^ te
;
:
h b :
, 1 Ll II J i»w
<t
\>f
'
I
ju y i
lltr f |
If f
.tst Fiiig'er 1 1 1 1 1 1 1 1 1 1 i 1
Ilium), X X X X x xt> X X X x xb X X X
2nd Fini;vi 2 2 2 2 2 2 2 2 2
3rd Finger 3 3 3 3 3 3 3 3 3 3
Gtt X X X X
4th Finger 4 4 4 4 4 4 4
5th Finger 5 5 5 5 5X
6th Finger 6 6 6 or 5* 6 6 or 5* 6 6 or 5*
-Djt X X X X X X X X X X X X X X X X
Cttx
Cl,x
Thumb on B\\ key The 6th finger is preferred; the 5th finger may be used in rapid passages to facilitate fingering.
2nd
1st
2nd<
3rd
Ruban