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PURER e PROMETHEUS SCRIPT ART coors LETTERING COVER ART PART EIGHT OF SEVENTEEN OF This story takes place approximately forty-three years after the events in the motion picture Aliens (and just over a year after the events in the Fire and Stone story cycle) A squad of Colonial Marines and two outlaw prospectors believed they were escaping a battle on the planet Tartarus (LV-797) when they commandeered a spaceship of unknown origin. But they discovered their mistake when the pilot of the craft—one of the godlike alien entities known as Engineers—regained control of the ship and brought it to LV-223 Once on the new planet, the humans escaped the ship and encountered the survivors of a previous mission— and their Predator companion, “Ahab.” Their hope was that the marine commander would follow the alien ship’s course and rescue them, but when they discover that the Engineer has awakened another one of his kind, they realize that waiting is not an option and make plans to steal the Engineer's ship PUBLISHER MIKE RICHARDSON EDITOR RANDY STRADLEY ASSISTANT EDITORS KEVIN BURKHALTER No FREDDYE MILLER DESIGNER SANDY TANAKA DIGITAL ART TECHNICIAN CONLEY SMITH Special thanks to Josh Izzo and Nicole Spiegel at Twentieth Century Fox. DarkHorse.com Facebook.corn/DarkHorseComics Twitter.com/DarkHorseComics Advertising Sales (503) 905-2237 | International Licensing (503) 905-2377 | Comic Shop Locator Service (888) 266-4226 PROMETHEUS: LIFE AND DEATH #4, September 2016, Published by Dark Horse Comics, Inc, 10958 SE Main Street, Milwaukie, Oregon 97222 Prometheus™ & © 2012, 2016 Twentieth Century Fox Film Corporation. All rights reserved. ™ represents trademark of Twentieth Century Fox Film Corporation, Dark Horse Comies® and the Dark Horse logo are trademarks of Dark Horse Comics, Ine, registered in various categories and countries. Al rights reserved. No portion of ths publication may be reproduced or transmit, in any form or by ary means, without the express ‘writen permission of Dark Horse Comics, Inc. Names, characters, places, and incidents featured inthis publeation either are the product of the author's imagination or are used fititiously Any resemblance to actual persons [living or deal, events, institutions, or locales, without stiri intent, ‘Scoinedental Printed in Canada, e ne EVERYTHING, we gust Take EACH OTHER, RIGHT? =r gust Wis THe Way Our WASN'T SCARY AS HELL. Po you NOT GET 7 GIRL? eur HE'S FADING. IF We Ger Hint EREEBODY KEEPS HER GUN, TLL CARRY SHALIL. LIEE |g SACRED, mR. GALBO. YOU DONT LEAVE A MAN TO DIE JUST BECAUSE HE'S INCONVENIENT. your FUNERAL, MELVILLE, EREEBODY WAS EXPLAINING HOW We WERENT GOING 70 Leave SHALIL ‘BEHIND, AND GALSO WAS EXPLAINING HOW WE WOLLON'T KNOW ETHICS Ie THEY BIT His As: WON'T cuances ' OF us MAKIN THIS WOE RAS HE you e WORK ARE SLIM TO. WITH HIM? Mi a2 You Wanna BORDERS ON THE . “eee SOCIOPATHIE- you THINK THIS IS. GONNA WORK, ROTH? THAT'S, Nor THE SAME THING. ‘SINGER? BUT THE: CAN, p Ps Lous ; ENGINEERS. FLY AGAIN. THE PRINCIPLES ARE REMARKABLY ‘STRAIGHT FORWARD. Tears a ‘COMING ON THE POINT TOO. AND HE THREE. GRolrs. alco W main croup AND AHAB RUN "BRINGS THE THE DIVERSION. CASUALTY AND THE, ‘SUPPLIES. we're once THE EITHER DOING SHIP'S ABILITY THIS O8 WE'RE Bassessen, we NOT. REGROUP AND SET ABOARD. Tye Keer My PEOPLE ALIVE IN THIS HELL FOR ALONG “We, ROTH. 15 NOT IDEAL, ‘BUT WE KNOW HOW, IrWoRKs, TM NOT GETTING THEM INTO ANY ALTERNATIVE UNTIL TVE CHECKED IF OUT PERSONALLY. ‘Ear Aaa

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