IT UP

A LITTLE

BY DRITON BEJTA
 Chord symbols
&
Most commOn chords used in jazz

DRITON BEJTA

Major

C Cmaj7 = Cma7= C^7 Cmaj9 C6 C%

" !! # #
# #
#
# ## #
#
# # #
# #
# #
# #
#

Dominant
6 C7 C9 C7¨9 = C7 - 9 C7#9 = C7û 9 C7¨5 = C7 - 5 C7#5= C7+ = C7û 5= C7aug

" $#
# $#
#
# $$ #
#
# $%#
#
# $$ #
# %$ #
#
#
# #
# #
# #
# #
# #
#

Altered (shkurt Alt.) nenkupton qe dominanta perbmban kombinime te: ¨5 , ¨9 , #5 , #9 , #11 dhe ¨13
Disa shembuj te: C7alt

12
#
#
C11
#
C13
C7sus4 C7#5#9 C7¨5¨9 C7¨5#9 C7¨5#5#9
%#
C7¨5¨9#11

" $#
# $#
#
# $# $%%#
# $$$ #
# $$%#
# %#
$$% # $$$ #
#
#
# #
# ##
# #
#
# #
#
# #
#
# ##
#
# #
#
#

Minor

20 C‹ = Cm = Cmi = C Œ†’ = C - C‹7 = Cmi7 = C!7 = C Œ†’ 7 Cm7b5 = C±

" $#
#
# $$ #
#
#
# $$$ #
#
#
#

23 C dim = Cº C‹ Œ„"7 Cm9 Cm6 Cm%

" $$ ## # $#
# # ##
#
# $#
#
# $#
#
# $#
#
# $#
#
#
 II-V-I
3 voice chords

!
Prof. Driton Bejta
Dm7 G9 Cmaj7 Cm7 F9 B¨maj7 B¨m7 E¨9 A¨maj7

" !! #
# #
# 97 #
# # $# # # $#
# 375 #3 # $$ #
# #
# #
# $$ #
# # $#
#
5

Piano
3
7 # #
%! # # #
! # # $# $# $# $#

!
10 A¨m7 D¨9 G¨maj7 F#m7 B9 Emaj7 Em7 A9 Dmaj7

" $# &#
# &#
# # # # #
$##
$#
# $$ #
# # &# &&#
# #
# #
&# && #
#
Pno. # #
% $#
$# $# &# # # # # #

!
19 C#m7 F#9 Bmaj7 Bm7 E9 Amaj7 Am7 D9 Gmaj7

" &#
# &# &&& # &# &#
Pno.
# & #
# #
# #
# #
& #
#
&& #
#
#
#
#
#
#
&#
#
&#
#
% &# # # #
&# # # # #

!
28 Gm7 C9 Fmaj7 Fm7 B¨9 E¨maj7 E¨m7 A¨9 D¨maj7
# $# $# $$$ # $$ #
" #
$# &#
# #
# $$ #
# #
# #
# #
# #
#
$#
#
#
Pno. # # #
% # $#
# # # $# $# $# $#

II m7 V9 I maj7

5 ' 9 1 ! 5

3 ' 7 1/2! 3

7 1/2 ! 3 ' 7
 II-V-I
4 voice chords

!
Prof. Driton Bejta
Dm9 G13 Cmaj9 Cm9 F13 B¨maj9 B¨m9 E¨13 A¨maj9

" !! # 9 $#
# ## #
# # ## $#
# # # $#
# $#
# #
# $$ #
#
# $#
# $#
#
#
#
# 735 ## 397
# #
#
# 735
13 9
Piano
%! # # # $# $# $#
! # # $#

!
10 A¨m9 D¨13 G¨maj9 F#m9 B13 Emaj9 Em9 A13 Dmaj9

" $$$ #
#
# $$ #
## $#
$$ #
# && #
# &&& # &&& # &# && # &#
Pno.
# # # #
# ##
# #
#
# #
#
# ##
# #
& #
#
% $# &# # # #
$# $# # #

!
19 C#m9 F#13 Bmaj9 Bm9 E13 Amaj9 Am9 D13 Gmaj9

" &# &&#

#
# &&&#
##
# #
&& #
#
#
#
# &#
##
# &#
#
& #
#
# &&& #
##
# &#
&&& #
#
# # # #
#
Pno. #
% &# # # # #
&# # # #

!
28 Gm9 C13 Fmaj9 Fm9 B¨13 E¨maj9 E¨m9 A¨13 D¨maj9

" # ## # $# ##
$#
#
# &#
#
#
#
#
#
$#
# $#
# $#
#
#
# $$$ #
#
#
#
##
$$ #
#
$#
$##
#
Pno.
% # $# $#
# # # $# $# $#

II m9 V 13 I maj9

9 ' 13 1 ! 9

7 1/2 ! 3 ' 7

'
5 9 1 ! 5

3 ' 7 1/2 ! 3
 "Best sounding"
3 & 4 Voice Chords

!
Driton Bejta

Dm7 G9 Cmaj7 Cm7 F9 B¨maj7 B¨m7 E¨9 A¨maj7

!
"! # ## # $# # # $#
#
#
# #
#
#
#
# $$ #
# #
# #
# $$ #
# #
#
$#
#
#
Piano #
%! # # #
! # # $# $# $# $#

!
10 A¨m7 D¨9 G¨maj7 F#m9 B13 Emaj9 Em9 A13 Dmaj9

" $# &# &&& # & &# &#

$##
$#
#
# $$ #
#
# & #
#
# ##
# #
& #
#
#
#
# && #
##
# #
&& #
#
#
Pno.
% $# #
$# $# &# # # # #

!
19 C#m7 F#9 Bmaj7 Bm7 E9 Amaj7 Am7 D9 Gmaj7

" &#
# &#
# &&& #
# &#
# &#
# # # # #
Pno.
# & # # # & # && #
# #
# #
&# &#
#
% &# #
&# # # # # # #

!
28 Gm7 C9 Fmaj7 Fm9 B¨13 E¨maj9 E¨m9 A¨13 D¨maj9

" # # ##
$#
# &#
# #
# $$ #
#
# $#
# $#
#
#
# $$$ #
#
#
#
##
$$ #
# $$ #
#
#
#
Pno. # #
% # $# $#
# # # $# $# $#
 Basic jazz comping Patterns

&
ii-v-i Prof. Driton Bejta

! ! ## $
q = 130

" ##! #
Dm7 G7 Cmaj7 Cmaj7
$$ # $$ # $$ # $$
$ $ $ $
% ##! & ##
pat. 1

" ! & & & %

&
!# ## $
Dm7 G7 Cmaj7 Cmaj7

" ##
5
$$ # $$ # $$ # $$
$ $ $ $
% ## $ # ' ( ##
( $#
' ( $#
* *
pat. 2

" $# %
' ( ' *
)

&
! ## $
" ## #
9 Dm7 G7 Cmaj7 Cmaj7

$$ + (( $$ # $$ + (( $$
$ ( $ $ ( $
% ## $ # $# ' ( $#
* ##
pat. 3

" ' (
) $# ( ( %

&
! ## $
" ## #
13 Dm7 G7 Cmaj7 Cmaj7
$$ # $$ # $$ # $$
$ $ $ $
% ## $ # ' ,(* $ # ##
( $#
pat. 4

" ,( $ # %
' * ' * ,(

&
! ## $
" ## (# +#
Dm7 G7 Cmaj7 Cmaj7

(( ##
17
* * * *
(( ## (( $$
( $ (( ##
(# (( $$
( $
(( $$
( $ (#
(( $$
( $
% ## $ # $# ( ,( ## %
pat. 5

" ,( $# ( ( $ +

&
! ## $
" ## '
Dm7 G7 Cmaj7 Cmaj7

(( ##
21
* ' ((* + $$ ' (* + $ *
(( + $$
(#
( $ (( $$ (( $$
pat. 6 ( $ ( $
% ## ( ##
walking

" ( ( ,( ( ( ,( ( ( ( ( ( ( ( ,( %
bass 1
(

&
! ## $
" ## ' (( + $$
Dm7 G7 Cmaj7 Cmaj7

(( ##
25
* ' ((* + ' (* + ' (* + *
(#
(( $$ (( (( $$
pat. 7 ( $ ( $ ( $
% ## ##
Walking

" ( ( ( ( ( ( %
bass 2
,( ( ( (
( ( ,( ( ( -(
 Autumn Leaves
q=130 Combine jazz comping patterns

$
Music by Joseph Kosma
arr. Driton Bejta

!
iq swing feel

" # ! $ % % % ## &
A
Cm7 F7 B¨maj7 E¨Maj7
#! & & &
'' '' '' '''
' ' ' '
#
"#*
Pat. 1.....
( ## ! ) * *
! *

$
6 Am7¨5 D7 Gm7 Gm6
#
"# & ''
&
' '' %%
+
%%
-
%% % % %
' # '' ' % ,% %
(# * )
# *

$
*
A 10 Cm7 F7 B¨maj7 E¨Maj7
#
"# & '' & '' & '' & ''
' ' ' ''
( # '# + %- ' #
% '#
+ %-
Pat. 2.....
%
'#
+ -

$
#
14 Am7¨5 D7 Gm7
#
"# & '' $ % '' '' %%
+
%%
-
'' .% %
' # %% ' ' % ,% '
'#
Pat. 3 4.....
# '#
(# + % )

$
/ #% *
B 18 Am7¨5 D7 Gm7 Gm7
#
" # % ## %- & % ##
-
%% & - & - &
%% # %% # %% # % %% ##
%# %%
% %% ##
%# %%
%
# '#
( # Pat. 5..... % '# '# '# ,%

$
#% %
22 Cm7 F7 B¨maj7 E¨Maj7
# - + %%- $ + %%- $ + %- $
A

" # + %% $ '' '' %%

& '''
% ' % % ' '
Pat. 6.....
(#% %
# % % .% % ,% % % ,% % % % %

$
% %
Am7¨5 D7 Gm7 C7 Fm7 B¨7

%%% ###
26
# -
"# & & -
%% ## #%#
'' ' %# %% '' %%% '''
' # '' ,% ' % '
# '# '# - -
%#
(# + % % '
/ #% %# % '

$
## %
30 E¨maj7 Am7¨5 D7 Gm7 Gm6 Gm7 G7
## -
%% ##
" *
* '' ' '' '' %#
*
* ' # '' ' , %% '''
%
,'
(#' ##
&
# ' ' %
.% * *
 Basic Bossa Nova Patterns
Two bar Patterns Applied in II-V-I
Driton Bejta
q = 120

&
Pattern

! ## $
" ##!! # # $ #% $
Dm7 G7 Cmaj7 Cmaj7
% % %
### ### ### ## $ ## $ ## ## ## ## ##
$ %$
## ##
% $ %$
##
%
## ## ##
## ## ## ## ## ## ## ## ## ## ## ## ##
& ##! ##
Pat. 1

" !' ' ' ' ' ' %

&
' '
! ## $
" ## ( ## $ ##% $
5 Dm7 G7 Cmaj7 Cmaj7
% $ %$ %( ( $ %$ % $ %$ %(
## ## ### ### ### ### ### ### ### ### ### ###
# # # # # # # # # #
& ## ##
Pat. 1a

" ' ' ' ' ' ' %

&
' '
! ## $
" ## ( # $ #% $
9 Dm7 G7 Cmaj7 Cmaj7
% %
### ### ## ## ## $ ## ( ## ( ## $ ###
%$
###
%
### ###
$ %(
### ###
## ## ## ## ## ## # # # # # #
& ## ##
Pat. 1b

" ' ' ' ' ' ' %

&
' '
! ## $
Dm7

" ## ( # $ #% $
13 G7 Cmaj7 Cmaj7
% %
### ### ## $ ## ## ## ## ## ##
$ %$
## ##
% $ %
## ## ## ##
## ## ## ## ## ## ## ## ## ## ## ## ##
& ## ##
Pat. 2

" ' ' ' ' ' ' %

&
' '
! ## $
Dm7

" ## ( ## ## ## ##
17 G7 Cmaj7 Cmaj7
$ %$ %$ % $ %$ %$ %
## ## ## ## ### ### ### ### ### ## ## ## ## ## ## ## ## ## ##
# # # # # ## ## ## ## ## ## ## ## ## ##
& ## ##
Pat. 3

" ' %
' '
' ' '

&
' '
! ## $
Dm7

" ## $ ##% $
21 G7
% % %
## ## ## $ ## ## ##$ ## ## ## $ ##% $ %
### ### ###
$ %
### ### ###
$ %
### ### ###
## ## ## ## ## ## ## ## ## ## ## # # # # # # # # #
& ## ##
Pat. 4

" ' ' ' ' ' ' %

&
' '
!# ## $
Two chords per bar
Dm7 G7 Cmaj7 A7 Dm7 G7 Cmaj7

" ##
25
$ %$ % $ %$ %( $ %$ % $ %$ %
## ### ### ### ## ## ) ### ### ### ### ### ## ## ## ##
# # # # ## ## # # # # # ## ## ## ##
& ## ##
Pat. 1

" ' ' ' '

'
' ' %
'
 Black Orpheus

$
Combined Bossa Nova Patterns Luis Bonfa
q = 120

! !
Arr. Driton Bejta

" ##! ## ## $ ##% $

A Am7 Bm7¨5 E7¨9 Am7 Bm7¨5 E7¨9
% $ %$ % $ %$ % $ %$ %
## ## ## ## ## ## ## ## ## ## ## ## ##
# # # # # # &# # # # # # # # &# #
' ##!
Pat. 1
(
" !(
( ( (

$
( ( (
5 Am7 Dm7 G7 Cmaj7 Cmaj7 C#07

" ) # $ #% $ #% $ #% $ #% ) # ) # $ %$ % $ %$ %)
### ### ### ### && ###
## ## ## ### ### ### ###
Pat. 1a # # # # #
' (
(

$
( ( (
( ( &(
9 Dm7 G7 Cmaj7 Fmaj7

" ) # $ #% $ #% $ %)
### ###
)
###
$ %$
### ### ### ###
%
### ###
$ %)
### ###
### ### ### # # # #
Pat. 1b # #
' ( (

$
( ( ( ( (
(
13 Bm7¨5 E7¨9 Am7 Bm7¨5 E7¨9

" ) ## ## ## ## ## $ ##% $ ##% $ ##% ## # # $ #% $ % % %

## $ ## $ ## ## ##
Pat. 3 # # # # # & # # # # ## ## ## # # # &# #
' ( ( (
Pat. 1
( (

$
( ( (
b 17 Am7 Bm7¨5 E7¨9 Am7 Bm7¨5 E7¨9
% % % $ % $ #% $ #% # #
" ) ## $ ##% $ ##% ) ## $ ## $ ## ## ## $ ## ## ## ## # #
Pat. 1a # # # # & # # # # Pat. 1 # # &# #
first bar
' ( ( ( ( ( (

$
twice
( (
21 Em7¨5 A7¨9 Dm7

" $ ##% $ %
#### #### ####
$ %
#### *& #### ####
$ %
### ### ### ### ###
$ %$
### ###
% $ %$
###
%
### ### ###
* ## # # # # #
Pat. 4 Pat. 1 # # # # # #
' ( ( ( (

$
*( ( ( (
25 Dm7 Dm7/C Bm7¨5 E7¨9 Am7 Fmaj7

" ) # $ #% $ #% $ % % ) # $ #% $ #% $ #% $ #% ) #
### ### ### ## $ ## ) ## ## ## ## ### ### ###
Pat. 1a
# # &#
' ( ( ( (
( (

$
( (

## %
29 Bm7¨5 E7¨9 Am7 Bm7¨5 E7¨9

" ) ## $ ##% $ ##% $ ##% ## ## ## )

##
$ %$ % $
## ##
%
## ## ## ##
# # # &# # # # # # # # # &# #
##
Pat. 2
' ( (
&
( ( ( ( (
(
 Basic jazz comping patterns
Swing feel
in 3/4 or 6/8
q = 130 Driton Bejta

Dm7 G7 Cmaj7 Cmaj7 Dm7 G7 Cmaj7 Cmaj7

                       
         

   
pat. 1

 

 


Dm7 G7 Cmaj7 Cmaj7 Dm7 G7 Cmaj7 Cmaj7

         
9
     
   
   
  
pat. 2
    
  
       
     

17 Dm7 G7 Cmaj7 Cmaj7 Dm7 G7 Cmaj7 Cmaj7

 
                          
  
     
pat. 3
    
       


 
q = 140
25 Dm7 G7 Cmaj7 Cmaj7 Dm7 G7 Cmaj7 Cmaj7

        
              
      
   
      
  
     
pat. 4
                   
              
q = 170

          
Dm7 G7 Cmaj7 Cmaj7 Dm7 G7 Cmaj7 Cmaj7

      
33
            
        
  

       
pat. 5
   
          
           
        

q = 120

  
           
Dm7 G7 Cmaj7 Cmaj7 Dm7 G7 Cmaj7 Cmaj7
           
   
41
 
pat. 6         
 
   
Walking

    
             
 
bass
    
 JAZZ RHYTHMS

Copyright © 2000 Jamey Aebersold Jazz, Inc. • http://www..com

 shuffle Blues
K Boogie Woogie
iq = q e


Variation 1 Prof. Driton Bejta
q = 120 C7 C7 C7 C7

 
                                 
     
 
Piano

      

     


F7 F7 C7 C7
5

                                  
 
Pno.
  
                               


G7 F7 C7 G7
 
             
9
   
                     
 
              
Pno.
   
  
 


Variation 2


C7 £ £ £

   

13
           
         
 
Pno.

    

   


F7 £ C7 £
17

     

 
 
    
 
 
 
 
   
 
Pno.
  
                               


 
G7 F7 C7 C7 G7
 
21
           
             


Pno.
  
                             
     
 
2 MINOR BLUES SCALE ( Minor Pentatonic + Blue note b5 ) MAJOR BLUES SCALE ( Major Pentatonic + Blue note b3)
25

            
 

Pno.
 


27 TYPICAL FOR 7th CHORD ( Major Blues scale with 4 and 7 / Mixolydian + Blue note b3)

       
 
Pno.
  


Variation 3 C7 £ £ £
    
   
29

           
            
  
3 3
 
Pno.

      
 
    


       
F7 £ C7 £
33  
                        

        
3 3
Pno.
        
          


G7 F7 £ [G7]


C7
        
  
37
              
            

Pno. 3 3
   

 
          


LEFT HAND VRIATIONS
41 C7

    
Pno.

                 


                   
45

    
Pno.

          


q = 60
               
49

    
Pno.  

                       
     
 New Oreleans Blues
Straight 8th's Prof. Driton Bejta


q = 90
C7 £ £ £
   
                 

   
  
   
Piano    
        

           


£
5 F7  £  C7  
        
        
  
  
Pno.    
           
               



G7
9   F7   C7 £ 
       
    
   
         
  

Pno.
   
 
                     
    

Lazy Blues


iq = q e


      
13
       
           
  
Pno.

  


17

             
           
Pno.
    


21

              
    
Pno.
   
   