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  • Presto by G.B. Pescetti

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    ismailakmuradov
    234 views1 page
    This musical composition is written in the style of a fugue. It consists of a primary theme that is introduced in the beginning and is repeated throughout the piece in different voices and keys. The theme undergoes sequences where it is repeated at different pitch levels. Towards the end, the voices converge to conclude the fugue in a polyphonic texture with all voices playing variations of the main theme.

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    This musical composition is written in the style of a fugue. It consists of a primary theme that is introduced in the beginning and is repeated throughout the piece in different voices and keys. The theme undergoes sequences where it is repeated at different pitch levels. Towards the end, the voices converge to conclude the fugue in a polyphonic texture with all voices playing variations of the main theme.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    234 views1 page

    Presto by G.B. Pescetti

    Uploaded by

    ismailakmuradov
    This musical composition is written in the style of a fugue. It consists of a primary theme that is introduced in the beginning and is repeated throughout the piece in different voices and keys. The theme undergoes sequences where it is repeated at different pitch levels. Towards the end, the voices converge to conclude the fugue in a polyphonic texture with all voices playing variations of the main theme.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Presto

                                                
    G.B.Pescetti


     

            
    3 3 3 3 3 3 3 3 3 3

        
    3 3


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    3 3

     
    3 3

       
    10 3 3 3

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    3 3 3 3 3 3 3 3 3 3 3

                
    3 3

       
    3

       
    18 3


    3 3 3 3

                     
    3 3 3 3


    3


    3 3

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    27 3 3 3
    3 3 3

                
    3 3 3 3 3

           
    3


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    3 3


    3

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    36

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    3 3 3 3 3 3 3

      
    3 3 3 3 3

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    3 3

      
    3

          
    44

                 3    
    3 3 3 3 3 3 3 3 3

     
    3 3 3

       
    3

           


       3
    52
    3 3
    3 3 3

                    
    3 3 3

         3
       
                
    
    62 3 3 3
    3

     
    3 3 3 3


    3 3

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    3

    71
    3

    ismail akmuradov@2020

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