Ta Ts BEREDO THOSE WHO DIE a3 Ea TS 4 éLIFE AND DEATH Lt script DAN ABNETT art MORITAT co.ors RAIN BEREDO LETTERING MICHAEL HEISLER cover art DAVID PALUMBO PART NINE OF SEVENTEEN OF LIFE AND DEATH {see the previous miniseries Predator: Life and Death and Prometheus: Life and Death] This story takes place approximately forty-three years after the events in the motion picture Aliens (and just over a year after the events in the Fire and Stone story cyclel Trapped on LV-223 with hostile, godlike Engineers on one side and a ravenous xenomorph swarm on the other, a disparate group including Colonial Marines, outlaw prospectors, and the survivors of a previous ill-fated mission to the planet make a desperate bid to steal an Engineer ship and escape. But their plan goes wrong when one of the Engineers departs with the ship—with some of the humans inside Meanwhile, a run-in with a second Engineer ends in disaster for another part of the group, while the final team, bringing up the rear with a wounded companion, are intercepted by Aliens PUBLISHER MIKE RICHARDSON EDITOR RANDY STRADLEY ASSISTANT EDITORS KEVIN BURKHALTER AND FREDDYE MILLER DESIGNER SANDY TANAKA DIGITAL ART TECHNICIAN CONLEY SMITH Special thanks to Josh Izzo and Nicole Spiegel at Twentieth Century Fox. DarkHorse.com Facebook.com/DarkHorseComics Twitter.com/DarkHorseComics Advertising Sales (503) 905-2237 | International Licensing (503) 905-2377 | Comic Shop Locator Service [888] 266-4226 ALIENS; LIFE AND DEATH #1, September 2016. Published by Dark Horse Comics, In. 10956 ©1986, 2014 Twartieth Century Fox Film Cor All rights Dark Horse Comics the Dark Horse logo ar forse Comics Ine, registered in various categories and countries. Al right reserved. No portion o inany form or by any means, without the express written permission of Dark Horse Com his publeation either are the product ofthe author's imagination or are used fittiously vent, institutions, or locales, without satiric intent, is coincidental Printed in Canada.LIFE AnD DEAT H Lt script DAN ABNETT art MORITAT co.ors RAIN BEREDO LETTERING MICHAEL HEISLER cover art SACHIN TENG PART NINE OF SEVENTEEN OF LIFE AND DEATH {see the previous miniseries Predator: Life and Death and Prometheus: Life and Death] This story takes place approximately forty-three years after the events in the motion picture Aliens (and just over a year after the events in the Fire and Stone story cyclel Trapped on LV-223 with hostile, godlike Engineers on one side and a ravenous xenomorph swarm on the other a disparate group including Colonial Marines, outlaw prospectors, and the survivors of a previous ill-fated mission to the planet make a desperate bid to steal an Engineer ship and escape. But their plan goes wrong when one of the Engineers departs with the ship—with some of the humans inside Meanwhile, a run-in with a second Engineer ends in disaster for another part of the group, while the final team, bringing up the rear with a wounded companion, are intercepted by Aliens PUBLISHER MIKE RICHARDSON EDITOR RANDY STRADLEY ASSISTANT EDITORS KEVIN BURKHALTER AND FREDDYE MILLER DESIGNER SANDY TANAKA DIGITAL ART TECHNICIAN CONLEY SMITH Special thanks to Josh Izzo and Nicole Spiegel at Twentieth Century Fox. DarkHorse.com Facebook.com/DarkHorseComics Twitter.com/DarkHorseComi 37 | International Licensing (503) 905-2377 | Comic Shop Locator Service (888) 266-4226 Advertising Sales (503) 905- ALIENS, LIFE AND DEATH #1, Variant Edition, September 2014, Published by Dark Horse Comics, Inc, 10956 SE MainStreet, Mibwauki, Oregon 97222 ration. Al rights 5 trademark of Twentieth Century Fox Fim Corporation marks of Dark Hors us etego unt he express rtten permission ‘publication either are the product of the author's imeginaion or aWiens fe BEE WHERE 1/5. SHE? WHERE, (3 SHE? Loo aX 2 U ——— wr aFREEgODY?, WHATS YOUR ‘sit? YOU LEFT us HERE BLOWN ‘US OUT. We oT, JUMPED BY. Bus, Came FROM ALL OVER. FREEBODY, CAN YOU HOLD Your POSITION? T HAVE NO 192A. THEY'RE JUST GONE. wears YOUR SITUATION, FREEBODY? Oras NATCHED HER wile THev BIO Rucker EREEBODY,tetas eh Df ra AK, gy eee Se Cm yCHRIS cals gust WOULDN'T LEAVE Me. SHE JUST WOULDN'T, MELVILLE. ‘SHE WOLLEN'T LEAVE ME ALONE HERE. WITHOUT HER. SHE'S. COMING Back. Any MINOT SHE'S COMING SOME, BUT BACK. uP AGAIN. WELL, SHE'S DAD WeicHr AS it 1 THE SHlocK’s sist SCRAMBLED eR. rs Been Quire A DAY ALL ROUND.ue Last STAND. AIN'T GONNA BE MUCH OF A STAND. 11? ‘ONCE WE'VE) RESTED, We HEAD BACK FOR THE ‘SHELTER. THEY DIDNT HAVE ANY SERIOUS FigePOwere WITH THEM. THey'Re ON THat Sup WITH AN ENGINEER. ‘30.MELVILLE’S, RIGHT. BO Hear ‘SOMETHING... ig ir CHRIS? oH SAT 2 ‘ENGINEERS! IT's gorza Be THe DAMN ENGINEERS ~~,YOU WANT 70) APEIRMATIVE THAT, ROTHFE Arley Sedge i aa Se cotors RAIN BEREDO annem tala d eae) Lcd