Observing how people express their emotions through physical contact
inspired me to explore the idea of touch and hands. Throughout my life, I have always observed the way people react to others when they are physically touched and how at a time of overwhelming emotions such as these, those feelings can be expressed in unexpected ways. For example, sometimes people think that they can hide their emotions, but are often betrayed by their instinctual gestures that convey what they are genuinely feeling. Throughout our lives, our actions reveal how we think and feel at that single moment. Our emotional connections to others influence how we choose to express ourselves to friends as opposed to a lover or a stranger. In Desmond Morris’s Manwatching: A Field Guide to Human Behavior, it says that our body language can reveal much about “what kind of personalities we possess and what mood we are in at the time.” We must remember that our physical actions are just as important as the words we say in expressing our feelings and who we are. In my drawings, I depict commonly used hand gestures using charcoal, graphite, watercolors, inks, and pastels. The dynamic between emotion and physical gesture are expressed through the use of line quality and other formal elements in the work. Lines depicting the hands carry the viewer’s eye around the composition as it fades and becomes part of the background. Layering of the watercolor and inks on the hands represents the flow of emotions, revealing a person's true nature. Additionally, the vibrant emotive color scheme draws the viewer in for a closer look at the translucent hands. Details are what make us unique and who we are as individuals, and whether they are perceived as good or bad we should learn to accept them as they are. The cardboard hands reaching up as if to accept or support the three panels are reminiscent of an altar, thus completing the idea.