‘THE MEMORY IMAGE Roger Shattuck Proust's Binoculars, 1964//030 Mattin Jay The Crisis of the Ancien Scopic Régime, 1993//041 Siegtried Kracauer Memory Images, 1927//045 Maurice Halbwachs Space and the Collective Memory, 1925//047 Hal Foster Outmoded Spaces, 1993//049 Gaston Bachelard House and Universe, 1968//059 Piorre Nora Realms of Memory, 1984//061 Paul Ricoeur Memories gna Images, 2004//066 Briony Fer The Infinite Line, 2004/7071 — Olivier Dyens The Sadness of the Machine, 2001//075 PAST PRESENT Joseph Comell Garden Center 44, 1944-72//082 Georges Perec Places (Notes on a Work in Progress), 1974//084 Michael Sheringham Perec: Uncovering the Intra- Ordinary, 2006//086 Robert Morris In Conversation with WT. Mitchell, 1994//092 Francis Hodgson Idris Khan, 2010//094 ‘Nicolas Bourriaud The Journey Form (3): Temporal \_Biturcations, 2009//096 Héléne Cixous Clatice Lispector The Approach, 1979//102 ‘Margaret Sundell Ute Barth, 2000//104 Margaret Iversen Resistance to Replication, 2007//105 Michael Newman Analogue, Chance and Memory, 011/109 Poggy Pholan The Ontology of Performance: Representation without Reproduction, 1993//112 Roger Malbert Apparition, 2003//114 Tom Burr AddictLove, 2008//115 Lauren Sedotsky Portrait of an Image: A Portfolio. ‘by Roni Horn, 2005//118 TIME LAPSE Dan Graham Past Future/Split Attention, 1972//122 Anne Rorimer Subject as Object, 2001//123 Richard Hamilton On Kent State (1970), 1972//125 jomard Stiogler The Industriaization of Memory, \Civ96yi26 ‘Tom MeDonought Piere Huyghe: The Third Memory 0999), 2007//129, Oksrui Enwezor Documents into Monuments Archives {as Meditations on Time, 2008/13, Daniel Bimbaum Crystals, 2008/7137 J “Mogan Ratner Kota Ezawa: Lennon Sontag Beuys (2004), 2008//144 Jan Verwosrt Living with Ghosts: From Appropriation to Invocation in Contemporary Art, 2007//146 Pil & Galia Kolloctiv Retzo/Necto: From Beyond the Grave of the Politics of Re-enactment, 2007//155 ‘Abigail Levine Marina Abramovic's Time, 2010//164 Johanna Burton One-Person Protests: Notes about Going Gack) There, 2008//168 WORKING THROUGH Victor Burgin Strange Temporalities, 1994//176 Rabih Mrous Make Me Stop Smoking, 2006//184 Rabih Mroué Lost in Narration: In Conversation with ‘Anthony Downey, 2012/7184 _ (om McDonough The Anarchive, 2008//187 ‘Tisa'Saltzman Negative Images, 2006//192 Hans Rudolf Reust In the Dark Regions of the World, 2000//199heaton eine mae‘lnerable and thee ht ono dea emia edo ai ofp Pierre Nore: Realms of Memory//1964 theSea vig memory has eee. orem emeryty hstor ‘ree ene ace Nor/eamsat esoyt3arrow out ous Broa, panoramic ews aren long: amis; we echew seo mince Nore t MamePaul Ricoeur Memories and Images//2004 [ea Maw are we texplsinthat memories tui te frm of mages na that in ahs way comes to tke onfrms that eae heroy menor mcr Po nt in‘oF Khan that be should be ale to make 3 minitre gis wa pr of 2 ‘etlecion on pligrimage ‘Nicolas Bourriaud ‘The Journey-Form (3): Temporal Bifurcations//2009 thee years ater =desert ona moped whose engie aks wate Neuse, wateclour af ets Tabs Deer R, 208), oupase asset en Jorn omvena maser imy/Cance pec he ApeBornant Stiegler The Industriclization of Memory//1996 Conjaing e‘Tom MeDoneugh lore Huyghe: The Third Memory (1999)//2007 esenougtyemeaygh ees Many 20Okwai Enwozor Documents into Monuments: Archives ‘as Meditations on Time//2008 long with a whe ctesory of peopl ent Be net any by ‘nes Doumantine Monanany183apmoenaaeInaimos chronlpial reise thephotgaphs arated as movingpees by hw dah Nothing much Rapens the apart om Sis one, ‘of ued grey and ghmess a he images unepodl na horona ‘exposed. stge fe, athe eens aston of private memory onthe space a ‘colecne piece Ihe nd le ede ee areca Daniel Bimbaum Ccrystais/2005, ‘The pasts esentSometing as happened andthe echoes arti esoating in my bead Ty te ot becoming more icles: tthe echoes ate becoming ices adap tescape, Te pastingesen ery ‘eveeaein toes: An xa: teenage iit sherblend bas towing ‘Tull azan a wal an sobbing aly na Bedroom nearby: seny he yung own man sr a edery woman The agente Sane etic reports upon the aces, Dut imuaneouty weave 2 dese web ‘uestons energy elasnshps, personal en sexalty and deat. “The pasts preset. Something has happened: an acide a atsphe 2 trai ven The work unos a proceso Sesing and wooing HOUzh but wht sen ha ake place? There fa rcurng temporal tat Anis ad instalation which al eem to depend onthe ation of the Secret that ngs inthe pat Ae viewers we ae plunge into 2 ston that peers f we do ot tke the echoes ‘econstuctons detered ang remain proms that snot be uly Kept The ‘wounds nd the mstigng atures nthe past realn mae suongy Nato writes eras the iar existed coeetely and indy. as mpmany/Cray/S7bean te pas would mat 50 hoe of he fate" This would ‘he pas andthe tut in at styl ation paying agent dea mote fomtotht which been and to ur ep oe A comparable ay seems tocate ima about the pas ie path ve presen. Ayia etre Today's the speed and nevouses with ever reve Hee sarereating ogi retur acer toler hat ava een etn sch way hat aol celebration of hat which a been? “he dea ol man appears in he ecalectans fhe yun man in pan He meses ut ofthe dans, wang on 2 rad that ns though forest The ‘res cast shadows acs he rnd, producing promeral atern ody. nd he gone whats aeady happened We rove oa ssp with black shadow. tres, Sudden ane o ase shader Sod up. That image of man ying doen te, pling i Ns ems and ‘anh inodarnes an mage which time se to ‘of memory. yt es ery much ther preparing himst often etn as present futur ia the aka an ee, A's works ae ful of ence and temprally complex images. nis Book on hee image, Dlere anaes i ind Deseuze conceives of tmp tie ty of the ines ‘eclleon nou consul, Huser! woud say we ar costiauusy split ecween several eck f ahareness: we Ive Inthe pecepeul presence — hich but up by impression ‘well as nee ecaleced pac. In aban to tis, other orm waenes, ‘ch aempthy and imagination, make the machinery of cnscosnes venacount of pays: And concerning hetroe Aree ante aoe ann Snag Sermental tobe msundesond Downy ded, sat of withraval of understanding pling the viewer othe audience it a pesto wee they rot ceme ay wth ‘prope who ae smecmesin the dark del wt {ater than one mass of People. nd ths ome we don peat ft each the aden ore potion where we have ‘he bowled othe power o ay what roe or untie We need ove ese And this what alway yt do post ‘Tom McDonough ‘The Anarenive//2008, ‘Thefsxworksonemeetsattheeay ot Ache Fever: Okweimvezorsambtious survey ofthe varius uses to which he phogapic document has been pst Ceotemecay aft ae a coal 160s shaenen by Andy Watol ad ling cy Rate Mars frm he 80. mone Irena Cente of Poop German potorapet Thomas Rul, dept technology whose ue remains ater a mstry tthe ewe The ages cn enseles be acd tone gone eure they ae ase on gs gates rode y 3 efinct carman chine andl corp nthe 1990s and 90 for pbc bechres: RT fas scanned, ropped cleared and eng te maps rom the ator peccty at tans the pers Tose af rhs the dering gestures othe chive simultaneously embraced and nto explore of memory and thi cn nok Ma arc, trnsted int Engl a Archie Fever ough psssteed by those In enol daw 9 ciren fom poppin Mexican revonipers: and Sel a goup of mes Known 3 Te Vicor Weep [ghanstrt (1557) allows rates of mujahideen abel kiled by Sovet aspmomans ove race, ethnic an peer In United (gus who coming nner) 200), wh, ing her stereoyica roles as housed ext spectae heterosra eboney The Anret/89archive and nara ac bred beyond recognition, ‘Theta phot album prime acai for sich Buti space here ‘vides inn a ait Dea' estes (2000)stdstopposngpoes fhe engage he family phot alum as ative Seen er oni noe sll Four back toes or fom, andar’ werk el the sory os ng porta pzogagh of ‘mem of the Sheri ay wth iso he name ech int the ss cover Of he Box In conas, Dea’ wa crs of fam spats that she has tole fo es mares in Europe a America and ana fn display boards in oni cod the event Thats We ate perhaps ‘meanto compre these ront pages tom Eope, rm the USA from the ile Ent and eater, reading into ther contesting hse and messages nig how ley this anhneableevnt wae being concroted ino istrumena ares, famed mean nate peise ways. Bu ald be eater sib. ané in any cate the character concep ‘rdcng oft paper tends o courage such 3 tpi ean. se Father that ellmann 0. thinking abst archive fever about the ats posed bal projets of conservation. aclu the us newspaper. ht ephemeral objec, 3 format fo emerance; about aradoicaljoapasicon of te ostensiby permanent ower imposing, tory newsprint. preserved indeintely under gas: abot the Presntatlon, $/12 on Page roaches questions the exibition ang athe centre of any eet he athe i conkmporary ar remining os tht remembrance ‘One ofthe signals a Ae nate use fhe ni reflecting on the sae of sep, i be reed In this concent a 3 pie