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Themes - Theme Analysis
Themes - Theme Analysis
In this novel man vs. nature is a bit more complex than the
typical man vs. nature theme, which usually entails men battling
the forces of nature. In this case, which is typical of science-
fiction, man is trying to overcome nature; man is trying to defy
nature. Captain Nemo tries to create an alternate nature, which
at the time of this novel was a foreign as living in outer space
(which Nemo says, himself).
Revenge
Captain Nemo repeatedly mentions that he is seeking revenge
for injustices he incurred while on land. Interestingly, the reader
must consider that while Nemo’s violence seems senseless
and evil, he is not necessarily different from a nation state. For
example, Nemo has declared himself sovereign; he has his
own laws; he claims he has a wealth that rivals France; and he
has his own military. At least in the cases of the Abraham
Lincoln and the final warship, Nemo was attacked first. He is
not entirely evil--he makes large donations to people in need of
them and comes to the aid of those he believes worthy. The
world in the 19th century was not quite the same as it is today.
While the nature of warfare was certainly changing, as it always
is, nations still engaged in battle over issues that would not be
considered legitimate today, such as colonization.
Liberty
Liberty is another theme that pervades this novel. The world is
seeking to liberate itself of the “creature,” the Nautilus. Nemo
seeks liberty from society and from the land itself. Aronnax,
Conseil and Land seek liberty from Nemo. Yet no one is truly
free.
If the world became free from the terrors of the Nautilus it was
only through the will of Nemo, who apparently committed
suicide. However, much like any scientific progress, they are
not free from the technology to produce another submarine
capable of the same evil. Aronnax has survived. He knows the
mechanical secrets of the ship and he is preparing to publish
them
POINT OF VIEW
This story is told in the first person-limited point of view. This
means it is told through the experience of the narrator, Pierre
Aronnax. He is not privy to the ideas and feelings of the other
characters. He can only tell us what he observes.