Die Stunde der Gitarre I

L'heure du guitariste


diverse

                   
       
Walzer Küffner
3
1 1
1 2 2

               
      
      
9

4 1 4 4 1
2 0 2


                           
     
Walzer (I) Aguado


m p
i
1 3 3
2 2 4
4
4

                   
                  
9


i m p 4
1
2
3

          
3                  
Walzer Carulli

       
3 2
0 1
1

                        
      
   
9

     
                      
    
   
   
17 4 3 4 3

 
1
0 2 1 0
0

                           
      
Melodie (I) Sor
4 1
3 3
4 2 1 0 2

             
 
       
     
   
10
4

Die Stunde der Gitarre I diverse 1 / 13

               
                   

22


3 2 3
0

               
      
33
4
4 4

    
        
                 
p p p p 3 1 4 2 3

 
Git 2 ad lib

 
 
                   

        
13


p

 
i p m 2 4 0 4 2 1 2 1 3 2 4

  
m
i


   
p

  
      
27 m

       

i

 
0 4 m i

  
m 3

 
m 4 2 0 2
i

  3
 
p

                     
  
     
Melodie (II) Sor


3 3 4
3 0 3
5 1
2
1

         
        
       
9


4 1
4 4
2
3 3 2
0
2
3

                
                 
 
Git 2 ad lib

      
  
        
10

            
    

      
  
                               
  
Andante (I) Sor

   
4 1 m
4 4 4 4 m m
2 i m i
6 0
2 i i
3
3 p 2 p p

Die Stunde der Gitarre I diverse 2 / 13

              
 
                            
        
      
11 4
m m 4 4
1 m i m i

   
i i

          
p p
p 3 p

                              
2


2 p
3

      
22


4 4 4

4
3

      
 Studie         
            
                     


  
Tempo ad lib. Sor
i i 0 1
7 1 4 1 4
0

              
2 2


0


3 3


0 2 0

                       
2 p p 2 3

                   
 
5


4

             
3

                                
                 
10
4 0 4 4 1
2 4 2 3

            
3 2

  
3

 
1 1


                                 
0 3

                    
 
15 rit. a tempo
1
0

        
0

                                    
2

                


20

                   
  
     
Allegretto

  
Küffner

   
1
4
8

     
  
                     
 


       
rit.

     
9

   
4
1 4 4 1
0 2 4

                      
3 3
3 3 3

            
17

  
Die Stunde der Gitarre I diverse 3 / 13
    
    
 
 
 
   
     
  
Thema mit Variation

 
Moderato

      
     
  




     
10

                   
                        
       
Variation a
m a m m
m m
1 4 4
3 0 3 0
2


3


2 p i

    
i

     
p i p i p i

 
p i i

          
p

      
11


4

                              
10        
Ecossaise

   
(um 1835)


i m m

    
i


4 3 1 0 0
2 2 2
3 1
p 1

   
p p


                   
              


  
  
10

 
1 0 1 0 1 1 2


4 3 2
0 0


3 1

                         Fine
              
Ecossaise Guiliani

          
11


           
                               
10 D.C. al Fine

                  
11     
Allegretto Volkslied - Chant populair Guiliani

      
 
0 2
2 2 3 2
1 1 1

Die Stunde der Gitarre I diverse 4 / 13

                  
               
       
9

    
4 4
1
3 2 1


                               
           
Alter Tanz - Danse ancienne
Hünten

     
4

 
0
4 4 2
13 1
1

                              
          
   
10 2 4 1
1

   
2 0 1
2 2
1 3

 
                          
14           
Andante Arietta

  
Küffner

       
2 2 2 2 0
2 3 3 2 3 2 3 2
1 1 1 1 2

 
 

            
                         
   
  
9

  
2 2
3 3




                 

15                 
 
Andante con moto


Küffner

        
4 3 1 0 3 2

 
                          
 

 
      

a tempo

   
rit.

   
10

  
2 4
4 4 3
30 0

              





         
   
   
18

   

Die Stunde der Gitarre I diverse 5 / 13

                                
          
Galopp

  
Carcassi

          
1

  
2 0 2 3 0 2 3 0
2 3
16

                
                     
10

     
2 4
3
1 3 0

                                


     
    
17

   

  

                      
       
            
Fandango
(aus dem Pfennig-Magazin)

       
4 3
17


                               
                 
    
9

  
4 4
2 2
3 3

    

                
            
Walzer (I) Guiliani

        
4 4 2 1 1
4
18
2

                
3

                
       

7

   
1 4 1 4
0 2
1 4
2

              
                         
14


4
4 1
2 2 2

                        
                       
Walzer (II) Guiliani

             
1 4 0
2 1 4 2 2 1
3 3
19 0 2

1 3

Die Stunde der Gitarre I diverse 6 / 13

                     
  
                                     
   
10

    
4

 
3

 
                                    
Walzer

    
Meissonnier

       
1 4

 
1 2 3 3

20 1

                              
         
              
4

     
10 2 4 2
1

      
1 3 1 4
1
2
1

                         
   
 
          
      
        
19


1 4

   
3

     
                                  
21                           
             
Thema

      
Küffner

      
1

  
4


3

  
1 0


2


3


4

                               



       
3

                
                     
10
3

   
4 1 4


1
2 2
2

                               
22                           
Marsch

      
3 Küffner


0 2 0 1

  
2 2

 
2 3 2 0 2 2 2 0 4 3
1 1 1

               

          
                         
                   
 
6 4 2 4
4

      
0 3 3
1 3 1
3
1

                                 
     
2 1 2

        
              
    
12

  
4
4
1

Die Stunde der Gitarre I diverse 7 / 13

                               
                        
Andantino Guiliani

23

              
 
           
     
15

   
 
                          
        
22

           
             
            
28

  

                 
   
             
Allegro a

   
i
Guiliani
m i


i m i
4 1
i i
24 2 2 2

             
1 3

   
3

 
1

   
                                 
 p

     
p p


3
1 4

                      
3 2


2 0


                                
6

 
3 1
3 0 1

                 
2

          
2

   
    
9

   
cresc. 

                  
       
Schottisch (I)

25   
Diabelli


    
  
3 4 3 4
2 1 1
3

 
2 2 1

  
                     
 

         
    
9

   
4 4
4
2 1
3 0 3
1


Die Stunde der Gitarre I diverse 8 / 13

  Schottisch
       
                

              
             
(II)

   
Diabelli

   
4 1 1 4 4 1 2
1 0 2 2 4
26


1 2 2


0


             


       
2


                    
3


3

      
 
12

     
1 3
3 0 4 1

  

 Menuett 1.  2.  Diabelli
     
                             

27   
           
    
Fine

   
Moderato 3 4 1
1 1 1 1 1
1 4 2 1 4

      
2

  
3

 
3 2 2
3

                
2

           
3

     
1 2


3

      
       
7 D.C. al Fine


4
1 4
0

2
2
3

              
                
               
Ländler Diabelli

 
3 4

 
2 4 3 4
1 4
4
28 2 1
3

       
3 2

                  
 2
3
2


                    
         
8

   
4

   


   



2

       
      
16

 

    Andantino   
              
   
                    
  
     
 
Horetzky

   
4

  
2 4 1
29 2 2 0 2

 
3

          
1 1 1

           
1 2


                      
               
7

 
4 4 4 2 4
1 4


1 2 2
4 2 1
2 3 3 3
3
2

Die Stunde der Gitarre I diverse 9 / 13

   
                    
              
        

14
2 1


4 4
4 3 2
1 1


1 2 3
2 3 2 1
2 3


                  
30                        
Walzer (II) Aguado

        
 
4 4 4


3
2 2

                     
2

       
        
            
12
3

 
1


4 3 4 2
0


         
4

    
2 2


1

    
           
4

       
 
3

   
23
4



0

 
                         
31        
Aguado

         
Walzer (III)

        
 

                

  
    
      
         
   
11 1. 2.

   

  
  
                 
 
31   
                   
Allegretto
Sor

   
4 1
4 4


4
2

     
3 3

                        Fine
3 3 0

  
                             

11


4 1 0 4 4 1
4 4 4 4


1 2 1
2

    
3


p p p p p p

   
           
        
p

 
                
   

21

      
4 4
1


1 2 0 3 1
3
p 1
2
p
p

Die Stunde der Gitarre I diverse 10 / 13

      
             
  
     
      
   
D.C. al Fine

  
30


4


1 4
1


2 2 3
3 2 2
3
4

  
                    
Andantino (I)

33  
                      
Sor

    
1 4 1 4


4 4 4

   
0


2

 
4
3 3

               
3

    
 
2 2

                 
 
       
12


4 4


2 0

       
     
      
       

23


4


4


1
4


0
3
2

                

            
Allegro Etude Sor

   
1 4
1 4 4 4 4 1
2 0 3
1
34 2

                 

2


               
    
8

 
2

                          
4

 
              
  
Fine

   
15
2

  
3 2
0
4 3 2 3 0
3
2

                                    
      
 
22 4 3 1

     
3 0 2 3 0
2 0 0 3
4 1 0 1 2 2
1 2 1

                              
          
 
29

   
1
3
0 2
4

                          
      
D.C. al Fine

 
36 4

 
1

 
2 2
1
1

Die Stunde der Gitarre I diverse 11 / 13

      
                    
   

           
Andantino (II) Sor

 
2
4 1 1 2 1 2
1 2 1
3
35 2 3

 1.     2.     
1
3

                              
2 4

  
 
8 1
1 1 2 0 1 2 1 1
2 1 0
2


2

  
1 0 4

 
4 3 4 3

          
3


  
  
 
15 2


2 3 1
1 3 2 2
4

2 1

             
36     
   
   
      
   
  
  
               
Andante (II) Sor



                             
                                 
         
10

       
          
     
  
19

   
             
            
Andantino

37       
Carulli

        
  
4


4

                

     
2

       
   
 
  
    
6

  
4


4

   
1
3 2
3 3

              
2 1

            
    
   
11

     
4 4
4

    
                    
         
             
15 Fine

     
Die Stunde der Gitarre I diverse 12 / 13
            

           
20



        
  
                          
   
  
25

            
      
              
  
31





    
  
36 D.C. al Fine

Die Stunde der Gitarre I diverse 13 / 13