| Do What | Want Here is an 8-bar blues shuffle in the key of F with a classic solo by GTT's bluesmasier Keith Wart, Keith is abic 10 draw on years of playing experience and the sualy of the eripdBvbluesmen to create a great sul0. chat has all the ‘ey Glee, Keith's tone is generated by a Marshall $0 watt head, Marsall 4 x 12 cabinet loaded! with 30 as, Yit- tage Celestons and an old Ferder tbe reverb which adds depth and warmth. The gua is eee nder Teleca.ter on the bridge pickup. Keith plays loud enough to distortthe tone a bit which gives a nasty biues character ro the sound. partes lazing and there is no question that he “eame to pay. nd response type solo where his first idea is sated then ied phrase combines the first two ideas and he eom- Plates the chorus with a cliché te turnaround. The maturity of this chorus is Best =xem Uri by te fact hac gives te listener feeling that tis a whole and complete musical Statement with a beginning, 2 middie, and an end sith cones out with be Forhis frst chorus t= stated with slight Keith begias to build 5 at che second chorus by playing triplet double stops which ‘Rl Sock sncrgy and unve since the shuttle feel is based on sriplets, The triplets are played tring all dowastrokes co achieve strong, even artack. He locks into the groove of she wns by rockiag back and forth in time to the music, This enables him to play in time Wats ives te momentum fo both the third and fourth chorus. Pay atention to Keith's wipro fotes hich is in time ro the musi and sounds relaxed. He uses hoth the F major pentatonic scale and the F blues scale interchangeably w cress Ai ceand’ Notice how he takes a note in measures 3 and 4 of the fourth chorus and bends —taeo am difcreatoizhes before ‘turning ito its original pitch. This is reminiscent of Alber: King,F Major Pentatonic Patterns Pattern 4 Pattern 5 F Blues Scale Patterns Pattern 4 Pattern 51 Do What | Want (Lead Sheet) 2228 8 2 By STEVE TROVATO ‘and PAUL FARNEN Suggested Voicings: Moderately 4 = 104 on 8 wn JoeSSE) 1 Do What | Want: Guitar Solo nao: ar Solo by KEITH WYATT Moderately 4 = 104 (59 = J 2) ca = Ger. wide, FE Hors 9yy ff = Amom uy on ul aul sf wu wil