NeaIEIias

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Miscellaneous Folds - I
 Neal Elias's Miscellaneous Folds I
Edited by Dave Venables

Copyright 1990 Neal Elias and Dave Venables

First Published by The British Origami Society September 1990

BOS Booklet 34

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Dedicated to Hichelle and Nicole
Grandchildren of Neal and Betty Elias
for the joy they have so freely given

With thanks to ~Iax Hulme and Pete Ford for their help .

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No part of this publication may be reproduced, stored in a retrieval system, or transmitted in
any form or by means, electronic, mechanicul. photocopying. recording or otherwbe without
prior written permission of the British Origami Society and the copyright holders.
 Contents
--_._------

Introduction . . . . . . . . • . . . . . . . . . . . _ . . . . . . . . . i
Explanatory notes . . . . . . . . . . . . . . . . . . . . . . ii t.

George Rhoads Base . • . • • . . . . . . . . . . . . . . . . . . . 1

Baboon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Scottie . . . . . . . . . . . . . . . . . . . . . . . . . . '. . . . . . . . . . 3
George Washington . . . . . . . . . . . . . . . . . . . . . . . . 4 I

Adolfo Cerceda's Bear Base . . . . . . . . • . . • . . . . 5

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Tiger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Aunt Jemima ................................ . 8
The British are Coming! ................... 9
:I: Santa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Angel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Sleeping it Off . . . . . . . • . • . . . . . . . . • . . . . . . . 12
Sleeping it Off 2 . . . . . . . . . . . . . . " . . . . . . . . 13
Elephant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Buddha . . . . . . . • . I •• , • I I ••••••••••••••••••• 15
Mary and Child - 2 . . . . . . . . . . . . . . . . . . . . . . . 16
Grand Pi ana . . . . . . . . . ,. I , •••••••••••••••••17
Beethoven Plays Beethoven ..... ---- - - .... . 19
Beethoven Plays Beethoven 2 . . . . . . . . . . . . . . 20
Upright Piano . . . . . . . . . . . . . . . . . . . . . . 22
I •••••

Love Seat . . . . . . . . . . . . . . . . . . . . . I 24
••••••••••

Rodins Thinker 2 . . . . . . . . . . . . . . . . . . . . . . . . . 26
Horse . . . . . . . . . • . • • . . • . . . . . . . . . . . . . . . • • . 27 I I

Dromedary . . . . . . . • . . . . . - .... - - . . . . . . . . . . . . 28
Mag i . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Giraffe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Elephant Rev ised . . . . • . . . . . . . . . . . . . . . . . . . . 33
Be ar . . . . . . . . . . . . . . . . . . . . . • . . . . . . . . . . . . . . . 35
L ion . . . . . . . . . . • • . . . . . . . . . . . . . . . . • . . . . . . . • 36
Lady Godiva . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 37
Alligator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Bird man (Babylonian Mythology) . . . . . . . . . . 40
J.C.Superstar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Mare and Col t . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Horse 3 .................................. 46
Horse . . . . . . . . . . . . . . . . . . . . . . . . . . . . • . . . . . . . 47

Index ...................................... 49
BOS Publications ......................... 50

* by Fred Rohm
 Introduction

This booklel is the first of three selections taken from the complete works of
Neal Elias.

I would strongly advise that for the advanced models you use a large piece
of paper and pre-erease into squares as indicated in the top right of the
diagram. Odd shaped rectangles are best formed by creasing into squares then
removing rows of squares to give the final dimensions e.g. for a rectangle
requiring a 8 x 18 precreased grid you should start with a 3 x 1 rectang1",

•
divide into eighths along its width and 24 (3 x 8) along its length. Finally
remove 6 columns of creased squares to finish with the desired rectangle .

Paper laminated foil is the material favoured by Neal and for some models is
almost essential. I obtain my stocks either through the BOS Supplies or in
rolls sold as gift wrap. I have found Christmas to be the best time for
obtaining rolls with large card shops being the most likely source but bewar.,
some papers marked as being foil may turn out to be lacquered paper or even
worse thin illuminised plastic. Neither of these papers are suitable for the
work here and with the plastic it is even difficult to wrap a gift due to its
spring!

Neal's diagrams are recorded in simple notebooks and were only ever intended
as a personal record and not for publication. I think you'll agree however
that the diag,·aming standard is excellent and, rarely inaccurate. A sort of
diagraming shorthand is employed condensing the steps down to a minimum,
often cross referencing and even showing several stages in one drawing. In
the later models Neal abandons the traditional valley and mountain symbols in
preference for dots to represent valley and dashes for mountain folds, the

•
notation otherwise is fairly standard. All this may take a little getting used
to but be assured that the necessary information is there. Consider it a
challenge and you'll find the deciphering to be as much fun as the folding.

NeaJ still retains an interest in Origami although his creative talents have
been turned towards computers (Sinclair and l.B.M.). He is still waiting for
that 'spark' which will inspire him. Dave Brill came close with his two piece
ship in a bottle and Neal visualised a goldfish in a bowl, a ship in a bottle, a
bird in a cage - all folded from a single piece made up from acetate attached
to foil. This led to a few experiments but, alas, was not quite enough to get
him started again.

I am already working on a facsimile of the complete works of Neal Elias to be

published by the British Origami Society in 1991/92. It will contain over 600
models, span a massive 700+ pages and will include a full biography and
SOUrce refe.·ence. Contained in three hardback volumes the work will be a
numbered limited edition signed by Neal himself. A treat is in store.

Dave Vensbles
July 1990
 Explanatory Notes

.............................. = Valley fold in later models

= ~lountai fold in later models

Dollar Bill = Rectangle proportioned 3 x 7

Title a.nd initials.

Grand Piano NE 12/67 = Grand Piano by Neal Elias - Created December 1967

• Initials found at the bottom corner of many of the diagrams indicate to whom
models were sent.

AC Adolfo Cerceda
AG . . . . Alice Gray
Dr B . . . . . . . unknown
DV Dave Venables
E'l Emanuel Nooser
F~1cN Francis McNaul
FR Fred Rohm
HI;' ... Harry Weiss
Ill' Iris Walker
IN John Nordquist
JS Jessie Seto
,TS . . . . John S.Smith

•
LM Ligia Nontoya
LO Lillian Oppenheimer
MK . . . . . . . . . . . . . unknown
NI. .. Nathen Lissak
NS ... ~ocl Stanton
PR . . . . . . .. unknown
RH . Robert Harbin
RNcL .. . . Ra:,mond NcLa i n
RT . . . . . f{ i c ha rd T rewe ,.
SR S'lmuel Randlett
H1 . . . . Thelma Mason
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Page 47
 Index

Adolfo Cerceda's Bear Base .•••.•••...•.... 5

Alligator. '" . • . • . . . . . '" . . . . • . • . • . . . • . . . 38
Angel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Aunt .lemima . . . . . • . . • . . . • . . . • . . . • . • . . . . . . . • 8
Baboon . . . . . . . . . . . . . . . . . . . . . . . . . . . . .I • • • • 2 • ••

Bear . • . . . . . • . • . • . . . • . . . . . . . . • • . • • • • . • • . . . 35

•
Beethoven Plays Beethoven •••••••••.•••.. , 19
Beethoven Plays Beethoven 2 .•••••••••..•• 20
Bird man (Babylonian Mythology) ••••••...• 40
Buddha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Dromedary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Elephant • . . . . . . • . . • • . . . . . . . • • • • . • • • • • • . • . 14
Elephant Revised . . . . . . . . . . . . . . . . . . . . . . . . . 33
George Rhoads Base . . . . . . • . • • . • • . • . . • • . • • . . 1
George Washington . . . . . . . . . . . . . . . . . . . . . . . . . 4
Giraffe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Grand Piano ..•••..•...••••..•••••..•..•.. 17
Horse ............... , ••••••••••••••••••• 27 I •

Horse 47
Horse 3 . . . . . • . . . . . . . . • . . . . . . . • . • . • • • . • . . . 46
J .C.Superstar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Lady Godiva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Lion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Love Seat • . • . . . . • . . . • . . • . . . • . . . • • • • • • . . • . 24
Magi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

•
Mare and Col t . . • . . • • . . . . • . • • . . • . • • • . • . . . . 44
Mary and Child - 2 ••...••••...•••.•••.••. 16
Rodins Thinker 2 . . . . . . . . . . . . . . . . . . . . ~ .. .. 26
* Santa . . • • • . . . . . . • , . . . . • • . . . • • . . • • " ••. ,. 10
Scottie . . . . . . I •••••••••••••••••••••••••••• 3
Sleeping it Ofr . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Sleeping it Off 2 . . . . . . . . . . . . . . . . . . . . . . . . 13
The British are Coming! . . . . . . . . . . . . . . . . . . . 9
Tiger . . . . • . . . . . . • . . . . . . . . . . • . . . • . . • . • • . . . • 6
Upright Piano . • . • . . • • . . . . . . • . . . • . . • . . . . . • 22

* by Fred Rohm