Compositor:

La olvidada Atahualpa Yupanqui

Arreglo:
Para mi amigo querido "Fede" Peludero Esteban Escobar Córdoba

                              
Intro
 = 150



Trombón

     
     
        
Bombardino

                         
        
Trombón

Trombón
                         

 
                      
 
Bombardino

      

9

                  

 
Tbn.

        
 

   
Bo.

Tbn.
           

Tbn.
                 

  
      
       
Bo.
            
          
        
15

      
Tbn.

                    

 
    
Bo.

         
Tbn. 

             
Tbn.


Bo.             
    
                
        
  
Estrofa
21

                     
Tbn.

         
      
Bo.

 
       
      

      
Tbn.

  
Tbn.
                 

     
Bo.
            
                

              
Interludio


27


  
Tbn.

    

          
   
Bo.

               

Tbn.

                            
Tbn.    

              
         
Bo.

2
                  
         
       

33

 
Tbn.

         
 

          
  
Bo.

        
 
          
Tbn.

           
Tbn.

  
               
 
Estrofa 2                
Bo.

      
           
39

    
      
Tbn.

                    
          
Bo.

         
   
       
Tbn.

      
Tbn.
               

     
Bo.                  
         
     

46
Interludio

                     
Tbn.


           
     
   
Bo.

                


Tbn.

                     
Tbn.    

             
          
Bo.

3
   
        
52

                   
Tbn.


              
 
         
  
Bo.

           
 
         
Tbn.

               
Tbn.

  
               
  
Bo.

    
            
             
 
Estrofa 3


58

              
Tbn.

                   
    
      
Bo.

       
     
 
      
Tbn.

   
        

 
Tbn.
 
     
               
  
Bo.

                 Estribillo 

       
65

                    
      
Tbn.

 
   
  
Bo.

       
         

       
Tbn.

              
Tbn.   
    
Bo.                

4
                      
     
   
71

                   
Tbn.

    
   
  
             
Bo.

           

               
Tbn.

Tbn.              

    
Bo.              


          
      
      
77

     

Tbn.

                   

  
Bo.

Tbn.


               

                   
Tbn.
  
     
    
           
   
Bo.

       
    
84

                    
           
Tbn.



 
Bo.

Tbn.
                

Tbn.
                   

    
          

Bo.

5
           
              
     
89

                            
Tbn.

    


 
Bo.

              
Tbn. 

Tbn.
                   

    
       
      
Bo.

  
          
  
95

Tbn.

            
 
Bo.


Tbn.
   

   
Tbn. 

 
      
Bo.

6
 Compositor:
Trombón 1 La olvidada Atahualpa Yupanqui
Arreglo:

        
Para mi amigo querido "Fede" Peludero


Esteban Escobar Córdoba

                                
Intro
 = 150

               
                         
Estrofa
18

                      
        
     
Interludio


26

                          
     
          

33

                          
                    
Estrofa 2


40

     
                
             
Interludio Estrofa 3


49

  
                 Estribillo
        
                
64

                                 
       
72

                    
       
 
        
 
79

                     
     

93
 Compositor:
Bombardino 1 La olvidada Atahualpa Yupanqui
Arreglo:

         
Para mi amigo querido "Fede" Peludero

           
Esteban Escobar Córdoba

   
  
Intro

      
 = 150

            
                      
     
Estrofa

 
14

     
                         
   

    
Interludio
23

          
                           
Estrofa 2


38

                      
          
     
Interludio

 
46

                          
     
          

53

                         
           
Estrofa 3
60

                                  
Estribillo
   

68

                     
                 

75

              
             
          
85

          
                         
 
91
 Compositor:
Trombón 2 La olvidada Atahualpa Yupanqui
Arreglo:
Para mi amigo querido "Fede" Peludero

      
Esteban Escobar Córdoba


Intro

                                      
 = 150

                  
                             
Estrofa
12

 
        
                
                     
Interludio


25

              Estrofa 2 
        
                            
36

               
    
          
           
       
Interludio


47

      Estrofa 3
        Estribillo 
                
          
             

58

                       

                     

70


                                    
   
84
 Compositor:
Trombón 3 La olvidada Atahualpa Yupanqui
Arreglo:
Para mi amigo querido "Fede" Peludero

      
Esteban Escobar Córdoba


                                         
Intro
 = 150

   
                                         
      
12
Estrofa

   
                                               
   
Interludio

 
25

       
                               
        
Estrofa 2

 
36

          
                                         
   
Interludio

 
47

      
                          

        
             
58
Estrofa 3 Estribillo


                                                   
       
70


                                             
    
84
 Compositor:
Bombardino 2 La olvidada Atahualpa Yupanqui
Arreglo:
Para mi amigo querido "Fede" Peludero Esteban Escobar Córdoba

   
                  
Intro

   
 = 150

   

 
                         
Estrofa

              
15

            
                                    
28
Interludio


                       
      
Estrofa 2 Interludio

               
40

      
            
Estrofa 3

                     
52

                                      

Estribillo

     
65


                           
           
79

  
          
  
92