The Photographer’s Playbook— em Sorah Hermanson Meister th emething of inl The jumble of stamps and peined On Close Inspection cponson the back of pints from a daily newspaper’ les can ‘Simona our ardctanding of «plu Sbnlecace Choose « photograph and spend some tie ith Tn en Gbnbstaned get pcar munbey merc em ve mistake the habit of reading wall abel al eng ‘emg ecalgue) can ab d the sim. And these deal can Tow of framed picture forthe deper ples of eeetag rlimthng sbout smart intent and an objects history work of art. Photography is particularly suzepble mis anndlesly gratifying way if we take time and pay attention, conflation of object an image. Dont just nk athe ‘hoo framed on a walhbut it doen, cleo what you can see. This ener than you might Maen fave study centers thar are open othe publ ate aly move works fom der fumes ad ples be Src of great photographs in thee plan les Waly {wear gloves if someon insists), open the mat (fies sel strt noticing, the deta the pine nme theme txge os there « border? What kind of pape ies! on Ist mounted? Ar there interesting mi nips stamps, of tetoiching? What does its condi lob where its been? Take notes if you dont tra me Ttis,of course, a teat to behold a Julia Mgt C0 orion its origina mount, with or wideataveza Cotnagh ind stamp. Her elegant letecingina pa ped in ink or the thin ged border that perf cones the deep purplish tons fer albumen serps 5 at you ae inthe presence of Art or at le soni, deserving your special tention, But one cabo the unique characteris of «found snaps wie ett elosy paper speaks of practical standards, wee heb the image and its border ar often telltale gs of lt ‘rand camera, or wher ahs inscribed pe, remind us of wnat we dont know IF yu lak loc at anything even small difeences begin fo gre {pri myself in being able to read Eugene Aig penciled inscriptions, which allows me to demie Sequence fora group of them. Even a single pts! ms ee ee