me ee ——HMLEE PRESS READING STUDIES FOR Mid a(EADING STUDIES FOR isitions One Through Seven and Multi-Position Studies in All Keys William Leavitt herklee pressJose B. Domador (s005,{EBGHOTMAL.COM Jose B. Domador Tall: 0426,256.48.52 803 LeSqHOTHAIL.CO® INTRODUCTION These studies have been designed to aid in the development and maintenance of the ability to sight read on the guitar. To receive maximum benefit from them you should observe the following: First, set and maintain a reasonable tempo for each study...speed is unimportant. Second, DO NOT STOP (for any reason) before the completion of the Study. (Example; even if you play every note of measure 4 incorrectly, get the first note of measure §...right, and on time.) Last (and certainly not least) DO NOT practice any study until it approaches memorization. This will completely defeat the purpose of this book. Keep moving on ‘through the studies even though some have been played poorly...and when you have reached the point of total failure, go back to the beginning and start again. Each time through, you will progress a little farther. dn.6, Leourf — Jose B. Domailor ‘alt: 0424.256.48.82 (s008_Les@HoTAIL.comFIRST (OR OPEN) POSITION SCALES AND FINGERINGS chromatic Scale (Play as single lines, Nor as octaves) m4 Fs TAO I, EF, TS, € major A minor (Relative Harmonie Minor) Re F major D minor G major 32 minor Se, Fo Fz =, Fs Fee Bb major _ ¢ minor 442 oF SS Fo a = + : > major B inor we Fee Bb major € minor ge = ameta 2 Eb minor Fi FH major cb major Ab minor = RE + Diminished 2 See, Fs BM =, APs ;— ri z = ee—————S Sa ore aedSenay aSECOND POSTTION SCALES AND FINGERING: (i) bee a2 be! a THe ere ea Rie, minor (Relative Harmonie Miner) a sat eat Ratt Fee F major D minor a 5a ee mF Bb major r+ D major A major 4 FH minor ee as RE a = 6S rstie a eal 2 “3 I % = 2 uw 7E major cH minor Db major B major r+ s ce major = ese Fe ° FH major FRAT ct major Whole tone 5% pee Diminishedas SES Deereas[See yrr +Alsa play SJ as J228play L0 as JPTHIRD POSTIION SCALES AND FINGERINGS Chromatic, Whole Tone and Diminished scales have been omitted, as they are identical in all (elosed) positions. yh minor (Relative Harmonic Minor) © major he eri ——— SaaS | G major £ minor Se Bb major bpiat minor ag t+ ol D major B minor Eb major c minor bia 2 F# minor ios Db major Bb minor ma GH minor al ob mejor 4 gt Eb minor In view of the fect that all scales and closed position (novable) fingerings have been shown in positions If and TIT; (Easy and difficult fingerings in easy and difficult keys) no nore pages such ag these will appear in thia book. Tt is lp to the student to learn these patterns well enough to be able to function in all keys over the rest of the fingerboard. sees Remember: Sane Key, new position = new pattern. 33= - =es =a weeeeats ‘FE pee rs = =~, ‘ oat. +~ . easter! a= = FP, 3+3637Rt404314433 — ama aie = qn49play Sd as JPé Be SS = L Spey TE gettea eae58PIPTH POSITION‘Dic. al fineRt — 67== eS = 69n%1516Also play OU as oy + pa eee + oees P= y Sere eS Et Sage +34 €E , == SS Erie tye +e CoS 2. a1SIXTH POSITION86878990SEVENTH POSITION99100‘D.C. al cop4 Foxe er tier t i pil erareeerserh105beta? =e iss Fees —- —_ 108as _ jttae & == pee ria ep SSPE ie eet isso pecan108reat Guitar (olan | | Led | ee Books ang DVDs STN ad (ooN kes) Instant Guitar Bptomo fu, Isbu ospecst7 | soos | BOOKED S195 yr nay te Be Berklee Practice Method: By Lay Bacne and te Be The ea an psn Ol yuo ya ind ‘one sndoctane he guar ayer eyo and oc tar ‘A Modem Method for Guitar: 4123 Complete fy Wwilsm ten ‘A Modern Method for Guitar Volume 1: Beginner By Wiliam teat ‘A Modern Method for Guitar Volume 2: Intermediate oy ilar taest TS 09760-0165 | HL SMR BOQKIED 95 ISDE Om8-0159 | He SMASH BOOKOMD S435 ‘A Madem Method for Guitar Volume 3: Advanced) Wises asst ‘smc owympamn> a suncy | SODY 1498 Berklee Basic Guitar: Phase 1 and Phase 2 9) vir Lest ISBu GHR6350E4 HL SOIT) Bok Paw? 5738 Sis fresh ines trees oe trp canara iced Reading Studies for Guitar ‘Sep ourhohege arg sie rewaxe ade 0 om Studies for ick-Style Guitar Melodic Rhythms for Guitar yes tat Reading Studies for Guitar 8y wlan Lani Jim Kelly's Guitar Workshop 8) rly Now omasosr| 0Mssm8 BOOUCD $1.95 ing ose nahn ore Jim Kellys More Guitar Worksho ase P Iron yr orn, i ar, 8 po ne Voice Leading for Guitar by it Thomas ‘The Guitarists Guide to Composing ‘and improvising 8) sn Saran Chop Builder for Rock Guitar Featang "Seed Loa Joe Stamp Tenasarchoyou gee romana wat ee Jazz Guitar Techniques: Modal Voicings Festung fick Peek fog ten cigars ens Jim Kelly's Guitar Workshop Bm KabySe Od ee ee ee er ren eee ccna ad ee eee Rac Rea Jee each te ieee TC Beton ee oe rer MU Cuee rds, and a variety of rhythms and time cs Cece Cm Ce es Dee eee ee a Geese coo Mma Sete en Se ea cy mn