IL TROVATORE, Iw FOUR ACTS, BY VERDI. (WITH ITALIAN AND ENGLISH WORDS.) EDITED BY ARTHUR SULLIVAN. BOOSEY AND CO., LONDON AND NEW YORK.KENNY & 00, TYPOGRAPHICAL MUSIC, STEAM MACHINE, AND GENERAL PRIN 25, CAMDEN ROAD, CAMDEN TOWN, LONDON, N.WVi \SO2 No. 1.—INTRODUZIONE « CORO No. 2—CAVATINA No. 3.—STRETTA DELL’ INTROD. No, 4.—CAVATINA Ne, 5.—ROMANZA No, 6,—TERZETTO No. 7.—CORO.. No. 8,—CANZONE No, 9.—CORO.. No, 10.—ROCCONTO . No. 11.—DUETTO No, 12.—ARIA » CORO No, 13.—FINALE No, 14—SEGUITO DEL FINALE No, 15.—PEZZO CONCERTATO No, 16.—INTRODUZIONE » CORO, . No. 17.—TERZETTO CON CORO No. 18.—ARIA .. fire No, 19.; MISERERE l ARTA No, 20.—DUETTO No, 21.—DUETTINO No. 22.—TERZETTO No, 23,—FINALE 18 2Trol? Ys Abbietta zingara” S2a847 INDEX. ACT Ist. © All’ erta”” Came rouse ye! (avco, There was a swarthy witch “Brevi e tristi giorni visse”.. + Not lng did he lve in sadue —— oo The night was extn. “ Deserto sulla terra” Now on the earth 0 lonely. , “Tnfida” Wo OLE Unjachju ACT 2nd. “ Vedi! le fosehe”” See low the darkness yO tecteat O “Stride la vampa” “7! Fierce now the flames glow, <7 “ Mesta 2 la tua canzon’s You sing a dismal strain. 4 « Condotta ell’ era” Dhuy brought her they deagg'd her. « Mal reggendo” On hin jiercely. «Il balen” Bright her smile * Ah! se l’error” AL! should the world’s. “ Degg’ io volgermi a Quei”. Now ante Heaven L turn “< deggio” w) wieing Or do my eyes my sense deci ACT 3rd. © Or eo’ dadi” We jnst now these dice “Giorni poveri vivea” ( A2t Cte < Scere with til my Wife giving, “An si, bon mio” 6. ap * Yes, now ; thou are my spouse. ACT 4th. “D'amor sul’ ali” Boruc on the rosy wings. ore To vedrai Thou shalt sev “ Qual voce !” What hear 1? “Ai nostri monti” Once more returning. « Parlar non vuoi?” . Wile thou not say? “Ti seosta!”.. Hence hie thee! Ce Pace. 10 18 380 82 of 98 101 uz 128 141IL TROVATORE. DRAMATIS PERSON. Txoxons ce es ea = Soprano. Inez - ca on vs Soprano, AnvceNs ca ve = Contralto, Tenore, Tenore. Ge a» Baritono. Fennaxpo cn cp Basso. Revi and burnt alive for ha woman is seized sar is the mainspring of the action of IU Trovatore. An old gi ing bewitched the Count di Luna’s infant son, AzuceNa, the daughter of the gipsy, to be revenged, steals the Count’s son and burns him, as she fancies, on the same pile with her mother. She is horrified, however, at finding she has thrown her own child by mistake into the flames. The desire for vengeance becomes the sole object of her life. ‘The Count’s child is brought up as her own under the name of Manrico, As he advances in years, he distinguishes himself in the wars, and carries off the prize at a tournament, where he is crowned by Leonora, with whom he falls in love, and who loves him in return, The reign ing Count pr Luna, elder brother of the stolen child, is also in love with Leonora, who rejects him for Manrico, which fires the Count’s jealousy. A. report of Manrico’s death reaches Leonora, who resolves to pass her days in a convent. ‘The Count attempts to carry her off, when Manrico interposes and prevents him. The castle in which the lovers find shelter is stormed by the Count and taken, and Manvico, being made prisoner, is condemned to dic. Azucena is apprehended, and, being recognised as the gipsy who burnt the Count’s brother, is adjudged to be burnt alive. In exchange for her lover’s pardon, Leonora promises her hand to the Count, but, to prevent the marriage, takes poison, She flies to the prison to liberate Manrico, who, suspecting the terms by which his freedom is secured, rejects her offer. ‘Too late he discovers she has sacrificed herself for him. The Count, infuriated by the deceit practised upon him, orders Manvico to instant execution, and leads Azucena to behold her son’s decapitation, His exultation is converted into horror when told that the victim is his own brother, and the gipsy is avenged for her mother’s murder. The scene is Inid in Biscay, and Arragon.No. 1. INTRODUZIONE. gp Alero ex soto, aa =—_ | g ; 2 on a * =< . = Ee <= = E A’ er- tal AW otal Game rouse ye! cme roe ye! ‘Tho Royal Edition — 11 Provatore,"—() »Tl Con-to mn’ d’uopo at = ten = = -der vi - gi - The Goont comes, and ce must watch for: Bis ap = = Ian-do; ed o-gli ta-lor pressoi ye~ ro-ni del-la sun ca-ra, in - te-1 pas-sa le = prouch ing! Ye know that oft-tines Teeneath the winsdoe of Wit fair la dy, he Respoeth ‘a tone-ly eu ne gE = << ——= — Seng lee si- a le fio - vo scr- pi gliavvon-ta in Cono, Tinow "that Bis breast” tron fie whth “a flamay he te a tee ——— Ot ¢ = —e = ———— ———— £ si- a Ie fie = re ser - pi gliavven-ta in ot - to? Wel we Jnow "dlet He ust” fron fre with Sa fey he 8 Jar tou, cho dai giar-di- ni move notturno il canto, Wun ri- va-le a drit-to ei who in he gar= den she at nighttime, he fears Kim, he has good cause fear that ‘Pho Royal Baifion—"H Trovatore."—(2)Moderato, Dal-legra vi pal-pe~ bre il sonnoa di-seao~ Bromouraje ds wud dom moun his wehdraaay xtching 7 ee 2». ie Dalle gra-vi_pal- pe - bre H sonnoe di-scac~ From our eye = tds weigh d own with drow ay watching is 5 —— es = 2 Sa en = pet > cia, Jn vom sto-rin ci narra di Gar-ai = a) ger = mano alnostro Con = = care, Chaenaw their slep es Sony gf the Gar = the "brother of our mae ~~ poe h bs 2 sto-ria et narra di Gar slap wath tonry of the Se ger - manoalnostro Con - - Monaro ean Se 5 tr ve -ni-tein-torno a me— close noo t= round and hear’ i = Noi pu-re— Cono pr Sorpar, “We Mat! me = di- te u- di- te Felis = ter, we is = tom Cono pr Servi. a U - di- te, We te > tet, = < ‘The Royal Bdltion.—“N. Trovatore."—(3)Andante mos, —__———_ — . 3 Ferrayno, Di due fi- gli vi-vea, padre be-a-to.. ilbuoneon-te di Lu 3 SS aa ~ List ‘the Count ‘de Lana,” x happy fa~ ther, With boo tone in sheep may i Po tape a 2 younger “a gud nurse wa = tic del se-con-do ma- to.... dor-minpres-so le ca -—==— ma Sul Feel The while “he chit woe slap = ing One 3 sep yomperdell au-roraunbelmat - ti-no el-ln di-schiude i rai, imorming when the etrydaenies breshng, what ght nosh there? SS i coan-to a quel bam- fonts — === Soy what ono wher what thee? egret AUN eS = Tafa vee— OW? okt mal? Absit te sie, rE — : — ez i ae ao =f Chi?—Fa- vel-la— Chi? chi mai? reas = ae — Gin ge- vai sim -bo-li Hier Syms tole e liar - da! Soa. od, ‘The Royal Eiliion.--" Lt Truvatore,’"4 4) xi cal, on ther dress ~~> = ci = gno, star «oy a pea 7 eom-pre-sa 8 Ja au mph = trick = tt ec = &, in me - no cho ‘seit - a by fur than ‘the lab - bro tale ieee, ~ vals came round her, Then they on” terd quick = i ser-viae~dor-ro-n0, ‘Tue Reyat Buition,—* 31 De vatorec"—(5)= sete spe = - oo rages mae - €0, i, per - Bo, ene dees me 7 oe FF { = S pasa: St ae site» 0s. Ry See cos = se, 8 fre mi dan = get, Then by their = nag = ce, ur-lie per ‘irik = ing, and threats of se la rea di - soac-ci gen, The gip = sy no chentrarei o ~ was ex-pelld the hag. = se wise te 5 te = Fete Pee | TSS SS oS — Tye aes Ke ae ia pe =e = SSS ~— oe 1 b ee eres: ; 2 fF oe 2. 2. - e+ 6 # » 1a. oa — ee ee eae eee Tab la yeu, Ia Fou dl- oto = clo-no diveazarvio = ab Ta reo, Is tun dl ecao = ca-no ah'eatmarvio + in te ata Son pata” Ghee Wh ig se "sw table flay tea” Sit Regu 2i etek st o + — tt oa Royal Beton "1 romra"<8) $a 4 Se eel eet Giusto quei pot=ti edegno com-mos = 20; T'in-fa-me _veechia lo pro-vo - od. Gono. “pa'jurie The hat eur thar” an ger Truly te ‘uch had chr Bis grace eee fe, eee 2 oe a * 7 2. == b= Cr = Sa Giusto quel pet-ti sdegno eom- ‘fame veechia To pro-vo - cd. yee toe ent Te wleh had tec Oi pra ze e inci SELEEL sip pay Pe ee feel eal ¥ ce Joe | teAndante mosso come prima, Femranpo, a 3 & ee : Sa 04542 2 1 ere eae aa ca + a Se ert o> "As -se - ni cho ti-rardelfaneiul-li- no— To-ro-sco-po vo -le - - - a— Bugiardal Sheer “eusemade that shewas ony hat -ingion Te predict hechiis for > > = tunel Deveb-er! iat he ene om 5 Len-ta feb-bre del me-schi-no., la sa-lu-testrug- ee > al Co-ver-to di - ten te Retne Ql men aes ih aleve Se ww eee Se paws thts a — = Pep ee et Tan-guido, af-franto eitrema - vala se-ra, il di tra-e-va in la-mente-vol ceo ee, ad dy, ieee eee) ae eet eee ~ | athe Eau € avai 5 les ae = 0 0 fo Alegre come priv 9 amma -a-to eal” bra-gie; Twas the of-fect of ma = = gic! Then was” the fe wele” hay tremolo e a = ee, oe ae tra sie = fa presa, eal ro - go fw if goant Fund” he tate see her ‘con = dem — ‘The Royal Edition —" It Provatore."—(7)Be no = a dough > ter, s eeige” “her ~~ fim = do ec = eo = go! cate It oe” Ge oY Ate Ea = pia pre tse Pitece, arin - ear tale — The Wesal Edition. #11 Provatore."=(8sempre -Hipete_y tee pea | mez = 70, bri-eia-to a mez 0, bru-cin-to a + sum + ing Pherethe bones Wook — stain’, were stil eon ~ sa - me bru -cia-to ‘ones there were tll” co a 20, fu-man-te ane fing ea urneing zo, fu-man-te an-cor bru-cia - to ig, and Burning sti in =yes-te o-dioed or-ror! Torro and anguish llr nn igulsh ra ta! oh donna in ocman (thy deeds ae = pa B= SS [eee pe ee fe Fx ‘Whe Royal Eaitwm.— "1 Trevatere."10)No, 3. SEGUITO E STRETTA DELL’ INTRODUZIONE. Frarranno. Adapo. Bre-vie tri-sti gior-ni vie-se: pu-rei-gno- to del cor pre-sen- ti - ‘Not lng did he five ix adsnes Tu Meare he then daepy cher -id Cono pt Servi. El pa- dro? tis Jes tert Andante, Adagio, lie s-9 9 6-695 ae eee ee Ef =men-to gli i= ce-vachespentonon o-rail fi-gli range fon ies in Se ere his hy hethougAthad not peribd And whowhe diet Ke made our master ro-mise that SSS SS as fe = e =a pe? ed a mosir vi ~ ci - no bramdcheilsi-gnor eae a p< ee eee no-stro a Tui gin~ ras a9 di non cos-ear Ie in- da - gi fe would not give “up “to'~ pinysdut ne er cance 10 sect the child; Bt ow vainly! 7 = = —— = Cono pr Sonpart. E di co- And did you = . : Al eet ‘poco pitt mosso b by —— 5 be toate = =e = eet lee i ‘The Royal Haition — 11 Trovatore,"—(10)Sg. ~ . ep ee Spat eH ee ep Nul-In con-tez-za! Oh! da-to mi fos-so rin-tracciarla un Weve dad mo thedinge! I hope ow day may tee her face a ~ — pet SRN = a = “Tei non s‘eb-be con-tez-2a mai? nacr “so. more 7 er? a SS —- ~ fel non sebsbe cou-tey-aa mal? hear “na more of fer? _ ee ~- a (ee = z yaad di! Cal-co - lan-do gli an - ni tra- _ an Suiscgui ter he, Sayfa” "hae pe +N == —— \s == oes + le Ee i" “a Cono ‘Ma ray-vi-aar- In po- tre - Mi? lor Savi, And if you met would gow” know her? Cate = ‘Ma rav-vi-sar- Ja po tre - xd if you met would you Inow = =—— — — Allin fer-no? tutte forza, To the ‘dest >> = oF SSS SS sssesss= Ste Cono —_Sa-reb-be tem-po pres- so la madre all’ in - fer - no spe ~ dir-la, prSoupatt, Then i the time to make her” jim her smother in incfer=nal re-gions Sa-reb-be tem-po pres- so la madre all in- er - nospe - dir-la. Then is the tine Yo Male her jam her. mother in inofor-nal Fe-gions ‘The Royal Eiition,— 11 Trovatore."—(11)e__¢_¢_¢_¢_, =e et 2 _@_¢_¢ 6 ¢¢ Se re HE cwe-den-a che di- mo-rian-cor uel mon- do Va - ni = ma per = Of, “tes ‘suit, she_wan ders _iike a ure = el Ger earth, un Set + we ne =o 3m va-tie chang ing, When the shy 7 Ta. Se Tenor, Sypvt 8 Soupatr, ze a © quan - doil ce - lod dail em-pia She Eomet — in shapes aft The impo Z D: care for - me al-trai si mo-stri J end ee her Ts du- tal in <= pro leat ae) glues fa = ates ere: Tha ve = du= tal in R= pro cor the hws ee, tetas lof Pe — = = ~— = Ne St te sitees Ee re aa ‘The Royal Editon, I! Trovatore."—(12)stri- ge te - iol that the Satee eas] stri- ge ta - lo- ra si ‘ul thit the" watch-er a mu - ta! > "Gono'br Sunvt SF a4 x oo 2 y In cor-vo tal’ yes-soin cit ke ce od ag — = zafacteapaiea brat F- Ss - Tn cor-vo tal’ al-tra; pid spessoin ci - Or peas & ore, and gs See ws the Femranno. —, as —— a Mo-~n di pa- The 7 Gant hat Te lightning, She fli sath “iS = Rae = eS ae + xot = ta, sull’ al = be fag > genoto al par, di ga ~ et > Tat Sar from the da ct to's ear «iy Brighning f. [Pee of eee one = 2 4 I aC rhlrC re ——_i™_OCOCOCO™ONONCOC*séN Frrrr—s—=—s—r—=————s—Se—OS=C== ss tea gre oo fy = u-ra un ger vo del con-te,chea - vea del-la zin-gnra per - cos - sa Ia servant, wha fly tag be ~ fore her, struck ut’ “atthe witch's 8 re tind deal ofthe = ome St a aS bbb ve wee oD ‘The Roya! Eaition.—e 1) Bwsatore."(13)