No. 100 F..MAZAS Op 36 SEVENTY-FIVE = MELODIOUS and PROGRESSIVE STUDIES VIOLIN Price 75 CentsCARL FISCHER'S MUSIC LIBRARY Nos.100,104,102 F.MAZAS Op.36 Seventy - five MELODIOUS AND PROGRESSIVE Studies for VIOLIN Published in three books Book | Special Studies Book | Brilliant Studies Book Ill Artists’ Studies Carl Fischer NEW YORK — BOSTON.As some of the exercises, beginning with N9 48. are in nearly every case too dif- ficult to be taken in succession by the pupil, I should advise to have them studied in the order as designated by the little numerals, below the original numbers. Daetliche der Etitden, beginnend mit W018, in fast jedem Fale su schwer sind, um vom Schiller der Reihe nach gespielt su werden, s0 michte ich rathen, sic in dervon mir mit kleinen Ziffern angedeutetén Folge studieren su lassen. Cortaines studes, commengant par le N9 48, étant, dans presque tous le cas,trop dif- ficiles pour étre prises par léléve dans leur ordre, je propose de les faire étudier dans Vordre désigné par los petits chiffres se trouvant en dessous de numéros originaux. Gustav Saenger. 875-1“ ART ” 3 Etudes spéciales: Y Up Bow. Hinaufstrich, Poussez. SES Revised and translated by G. Saenger, Exercise for Crescendo and Decrescendo as applied to Tone-production. Pause d’archet et sons filés. I Cebung fiir das Antacksen und Abnekmen des Tones. Ty { Strings. Saiten, Cordes. 1 Largo. F. Mazas, Op. 36. $f ae 5 tem 2. SSS Pe poe <> eres. =——. u 1. 5 a4 4 € SS PS SSS — aaeilal : 4" ba SS % erescal f] = | pee amp tm. fp f 3 s a? P Oe, 4975.40 Copyright 4897 by Carl Bischer, New Yorkms ae j? 4 Development of the Bow: Développement d’archet. Entwicklung des Bogens. Moderato. ‘Whole Bow. tout Farchet, ganser Bogen. a) Sareea. tnider reten manter, moitié darchet, s She aller Bogen, 4 anole Bow. $ ff Forcked ‘ Hog Bebe Basen 4n75-40Firmness of the Bow. 5 vith @kong, decided strokes, from the Middle to the Tip of the Bow, Fer tha) Withee lnrig otras, Rastigtet des Dagens = Lar ASG vient agit a aft ph der Mitt Bis ror Spite dys Bogens, et fs quilfer Za CAs tis Saite eu veciaesee? Allegro Woderato, asfb40, 6 Development of the Bow. Développement d’archet. Entwicklung des Bogens. Allegro moderato. | segue, : a BP nf 4975-40diminuendo. restez tnder Lage bleiben 4875.408 Detached strokes. The Bow not deaving the strings; executed with the Middie of the Bow, Du détaché soutenu, Abstossen mit liegenden Bogenstrichen. Du milien de Varchet Tn der Mitte des Bogens, Allegro non troppo. rDetached and decided bowing. 9 Du détaché. \ A plein jeu, du milion la pointes Afesro non troppo | & est Ses tse votes guar10 For acquiring a Singing Style. — Simplicité, Fiir gesangcollen Vortrag." la division de l’archet dans le chant. jetlung des Bogens bei Gesangstellen. x ; SS slat ot rallent.— DS.sinw al Fine 784012 March. March. 2 3sWith Martelé xy At une Tip of the Bow, ina very decided manzer. , De Ia pointe et avec force, Ny Kriflig mit der Spitze des Bogens im Martelé-Strich Alltgro non troppo, se75-4014 The strings to be jumped without lifting the Bow. 16-strokes, with upper half of Bow. Tri sez les cordes sans lever Varchet. Die Saiten iibersetst ohne den Bogen aufsuheben.\Obere Bogenkilfte im Martelé-Strick.) Allegro non troppo. a —_—_— — — — { —_— eee mo ot = ee =e + 1. = a a a aaa § as75.40The first note in a very decided and accented manner. Martelez la premiére note avec force. Die erste Note mit Kraft abzustoss Allegro moderato, 4875.4016 Preparatory exercise for the Trill. (snake. Préparation au trille. Vorbereitung zum Triller, Allegro. eee 1B (ete . = SS = ——> es ———_——_ 4, Beketetotototes 3 — ee ee — ponte let et eigeSeteteiee =r18 c The Trill,(snake) Du trille Der Triller. Allegro moderato. a tr asns.s0 ” %Allegro moderato. The Mordant. Grouppe remplagant le trille Der SMordent,(\Bifferent Varieties of Bowing, » Variété d'archet Stricharten.4875-402 Different Varie’ of Bowing. Variéte d’archet. Stricharten. Allegretto, 0 $424 Finger-Exercise, Exercise des doigts. Finger-Cebung. =|. Biot 2, 20208,8 Gt jeeeee eeeeee o Se = a Sea ae aes) —26 For the Changing of Positions. Substitution des doigts Lagenwechsel. to. 2 ee - = =: : Andantino, "1 “g—7—3 ; F A, eee tee 3 In changing the positions avoid i the wr Evitez de serrer le manehe en changeant de position Man vermerde Wi dem Weekseln dir Lagen das Handgelenk ansudriicken. gainst the neck eetreleette eFacility of the Wrist. aa To be executed at the Tip, and using very little Bow De la souplesse du poignet. Leichtigheit des Handgelenks. ‘An der Spize und mit wenig Bogen. De la pointe28 The same exercise in Triplets. Le méme étude en triolet. Diesclbe Uebung in Triolen sw73-4030 All at the Tip Short detached Strokes and Octaves, Du brisé et des Octaves. Kurs abgestossene Bogenstricke und Octaren de la pointe. da ders wptto quasi And’? « 2, sy ¢ ze sun5.s0 pre ===,meme pos. Jf tiene oe 487540u The Mordant. ~ Du Mordaat, Der Mordent. Allegretto grazioso. eee eee 24 = pret i = ze) o = SSf\ At the Nut of the Bow, 38 And raising the Bow after every note. Du talon en enlevant Parchet 4 chaque note. Am Frosch des Bogens, inden man den Bogen bei jeder Note aufhebt. Allegro moderato. " pes hal Fine“sa N ? POLONAISE. \ Allegro moderato. >? \pees wsasa0ae YY Andante. Cantabile-passages and Double-Stops. Du chant et de 1a double corde, Gesangstellen und Doppel -Griffe 27, ee 35.)a | Facility in Bowing. . oo i — ! Facilité @archet, “= Leichligheit der Bogenfilrung. Allegretto, 28, Ge f oT be exe — Between the middie and Tip of the Bows With ttle strokes t peu darchet 1 Spitze des Bogens, mit ay75-t0cf dimin sine nat ss75.40#0 The Chatter-box. La Bavarde. Die Schiviitzerin. Allegro. 29, (27) fs pe 4 oF Sitnoa leaving the string. on the finger-board. Sine duilier fa Corde,’ suria touche. Ge Balte nichts vertassen, anf dom Oriffrett, plus modiréy ‘Recith Z jpik moderato, Allegro non troppo. 4 ‘ P With the middleof the Bow. du milieu de Tarchet Mit der Mitte des Posen. 4975.40thant ralsing the Bow, sand waesteP ELIE = See ee Ue SseeaR The Pizzicato executed by the Left Hand. Du pizzicato de la main gauche. Vom Pizzicato der linken Hand. RONDE VILLAGEOISE. Allegro non troppo. , 7 me =o P On the fingerboard sur la touche. Auf dem Griff brett. ae Tambourin | Pt petit dovet, Hi small finger Hemet, Finger A wee ee a oe —— i 5 Foca PeARTHUN E. HARRIS (Fantanes)—Tae Back the Hert. art FIRST POSITION ONLY—tiiisal Composit HARE € RERNSCIEINAe te Lig ears B | BBSBEe: FIRST AND THIRD POSITION ABELL, folo-cernumetta Appartonste eo eee eck fe = i NERS ‘Dance’ sila’ Fisendel 2 EXER eats Peanlond rahoss 2 india Noche (Aviload s & PAUKE apne te Reve tate Sy Mischa Bisaai™| 00000. Sa 4 FoWIN CRASSE™ Song wont Wor 3 t CARL FISCHER BOSTON: 380-382 Boylston St. He Printed in Ge UA coorrR SQUARE NEW YORK 430.432 S. Wabash Ave, CHICAGO