PL BARB Musik unserer Zeit - Music of Our Time Musique de Notre Temps ROB Gyorgy Ligeti Konzert fiir Violine und Orchester Concerto for Violin and Orchestra (1990/92) ED 9170 ea SCHOTT ‘Mainz - London « Madrid » New York « Petis - Tokyo - Toronto, \, \ DfoScordatura for the solo violin and viola from the orchestra ‘The scordatura of the solo violin and soto viola is achieved with the help irom the soto double bass player, separately from the rest of the orchestra. 3) Scordetura for the solo violin ‘The solo double bass player — whose instrument is tuned normally ~ plays the seventh natural harmonic on the G-string: sounding: = played: ‘The violinist tunes the E-string up to che solo double bass player's f, which sounds 45 cents lower taen normal, end then tunes the other strings to the sharp E-string in perfect fifths: = SS (whereby BAF corresponds to the 7th natural harinonic on the double bass G-string.) 2) Scordatura for the solo viola The solo double bass player ~ whose instrument is tuned normally ~ plays the fiftt natural harmonic on the A-string; ‘The viole player tunes the D-string down to the solo double bass player's cH, which sounds 14 cents lower than normal, and then tunes the other strings to the flat D-string in perfect fifths: Es (whereby JERE corresponds to the Sth natural harmonic on the double F bass A-string.) To reduce deviations in intonation, both scordatura soloists play non vibrato throughout, and are careful not to adjust stopped nctes to the rest of orchestra. The two scordatura instruments are notated in the score as they sound, In the individual parts, they are notated transposed, as they are playedFlutes, Oboes, Clarinets, Bassoon ‘The oceasioal ferences in intonation (wiérolntervas) ae mitked by arrows polating up-ot downwards respectively and can be produced either with the embouchure or by fingering. The intonation is not exzet and represents a maximun deviation of a quarter-tone. Ocarinas These are to be played by the obvist (soprano ocarine ia C), by both clarinettists (soprano carina in high F and alto ocarina in G) and by the bassoonist (soprano ocarine in C). ‘Tne soprano ocerina C is readily available on the market. The alto ocarina in G is less common, but is available from the music publishers Schott Musik International, Mainz, Tne ocarines play simple melodies in the 2nd and 4th movements. The intonation can vary. In forte the intonation is sharper. The sharp pitch should not be corrected, the playing should remain forte, The alto ocatina in G should be pleyed standing up by the clarinettst, as it is softer than he other instruments, Hors ‘The 2nd and 3rd movements are to be played throughout in the menner of a natural horn. The correct valve positions are marked in the score (or parts respectively). I both these ‘movements the intonation should not be corrected with the right hand. ‘The arrows notated represent the deviations in pitch. The matural 3rd (harmonics 5 and 20) has no arrow as this laterval is only slightly flat. ‘The harmonics 7, 11, 13 and 14 are indicated. ‘Trumpet and Trombone In addition to the normal metal and cardboard mutes, harmon and cup mutes are needed, The trombone plays natural harmonics on several occasions: the intonation is always indicated. Percussion Both swance whistles must have a good strong tone, Instrumen's from the english firm ACME can be recommerded. Double Bass A four-stringed bass is preferable (the B-string is not used). ‘The bars and divisions between bar-line do not indicate accentuation, but serve to enable synchronization of the parts and as orientation. Accents are orly to be. played where marked, independently of the bars,Orchestra 2 Flutes (1 doubling Alto Flute and Treble Recorder, 2” doubling Piccolo and Descant Recorder) 1 Obve (doubling Soprano Ocarina in C) 2 Clarine:s in Bb (1st doubling Clarinet in Eb end Sopranino Ocarina in high F, 2ad doubling Bass Clarinet in Bb and Alto Ocarina in low G) 1 Bassoon (doubling Soprano Ocarina in C) 2 Horns in F A Trumpet in C 1 Tenore Trombone 3 Timpani Percussion (2 Players):2 suspenced Cymbals (n..) Crotaes ‘Tubular Bels Gong ‘Tart 2 Woodblecks (very /.) Tambourine Snare Drom Bass Drum Whip ‘2 Swares Whistles Glockenspil Xylophone Vibraphone Marinbaphore 1 Violin with seordatura 4 Violins 1 Viola with scordatura 2 Violas 2 Violoncelios 1 Double Bass Piccolo und Xylophone sound an octave higher, Crotales and Glockenspici sound two octaves, higher than notated ‘The Double Bass sounds an octave lower than notated (including the harmonics). The score is written inc. 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