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E G1on G1Xon FX-list PDF
E G1on G1Xon FX-list PDF
Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate
sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
Effect explanation overview
Contents
DYNAMICS / FILTER • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
3
OVERDRIVE / DISTORTION • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
5
AMP SIMULATOR • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
7
MODULATION / SFX • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
11
DELAY / REVERB • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
14
PEDAL ( Only) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
17
Additional tables • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
18
2
DYNAMICS / FILTER
SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.
Parameter1 Parameter2 Parameter3
Time 1–50 P Curve 0–10 P Level 0–150 P
Page01 Set the curve of volume change during
Adjusts the attack time. Adjusts the output level.
attack.
Page02
ZNR ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.
Parameter1 Parameter2 Parameter3
THRSH 1–25 P DETCT GtrIn, EfxIn Level 0–150 P
Page01
Adjusts the effect sensitivity. Sets control signal detection level. Adjusts the output level.
Page02
NoiseGate This is a noise gate that cuts the sound during playing pauses.
Parameter1 Parameter2 Parameter3
THRSH 1–25 P Level 0–150 P
Page01
Adjusts the effect sensitivity. Adjusts the output level.
Page02
3
DYNAMICS / FILTER
Page02
M-Filter This envelope filter has the flavor of a MOOG MF-101 Low Pass Filter and can be set in a wide range.
Parameter1 Parameter2 Parameter3
Freq 0–100 P Sense 0–10 Reso 0–10 P
Page01 Sets minimum frequency of envelope Adjusts the intensity of the resonance
Sets effect sensitivity.
filter. sound.
Type HPF, BPF, LPF Chara 2Pole, 4Pole VLCTY Fast, Slow
Page02
Sets filter type. Adjusts amount of filter applied. Sets speed of filter action.
Bal 0–100 P Level 0–150 P
Page03 Adjusts the balance between original
Adjusts the output level.
and effect sounds.
4
OVERDRIVE / DISTORTION
Booster The booster increases signal gain to make the sound more powerful.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tone 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts the tone. Adjusts the output level.
Page02
Simulation of the BOSS OD-1, the compact effect box that was the first to take the
OverDrive
“overdrive” title.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tone 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts the tone. Adjusts the output level.
Page02
Simulation of the Ibanez TS808, which is loved by many guitarists as a booster and has
T Scream
inspired numerous clones.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tone 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts the tone. Adjusts the output level.
Page02
Page02
Dist+ Simulation of the MXR distortion+ effect that made distortion popular worldwide.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tone 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts the tone. Adjusts the output level.
Page02
Squeak Simulation of the popular Pro Co RAT famous for its edgy distortion sound.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tone 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts the tone. Adjusts the output level.
Page02
Simulation of the Fuzz Face, which has made rock history with its humorous panel design
FuzzSmile
and smashing sound.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tone 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts the tone. Adjusts the output level.
Page02
5
OVERDRIVE / DISTORTION
Simulation of the Electro-Harmonix Big Muff, which is loved by famous artists around the
GreatMuff
world for its fat, sweet fuzz sound.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tone 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts the tone. Adjusts the output level.
Page02
Page02
Page02
ExtremeDS This distortion effect boasts the highest gain in the world.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tone 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts the tone. Adjusts the output level.
Page02
Aco.Sim This effect changes the tone of an electric guitar to make it sound like an acoustic guitar.
Parameter1 Parameter2 Parameter3
Top 0–100 P Body 0–100 Level 0–150 P
Page01 Adjusts the unique string tone of Adjusts the body resonance of acoustic
Adjusts the output level.
acoustic guitars. guitars.
Page02
6
AMP SIMULATOR
FD COMBO Modeled sound of a Fender Twin Reverb ('65), which is loved by guitarists in various genres.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
DELUXE-R This models the sound of a Fender Deluxe Reverb made in 1965.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
VX COMBO Modeled sound of a British combo amplifier representing the 1960s Liverpool sound.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
VX JMI This simulates the sound of an early model of a class-A British combo amp.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
7
AMP SIMULATOR
MATCH 30 Modeled sound of a DC-30 (channel 1), the Matchless flagship combo amp.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
CAR DRIVE This models the sound of a Carr Mercury high-end small combo amp.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
This crunch sound uses the drive channel of a Two Rock Emerald 50, an American
TW ROCK
boutique amplifier.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
TONE CITY This models the sound of a Sound City 50 Plus Mark 2, a legendary British amplifier.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
HW STACK Modeled sound of the legendary Hiwatt Custom 100 all-tube amplifier from the UK.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
8
AMP SIMULATOR
TANGERINE This models the Orange Graphic 120 with its unique design and sound.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
B-BREAKER This models the sound of a Marshall 1962 Bluesbreaker combo amp.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
MS CRUNCH The crunch sound of the Marshall 1959 that has given birth to many legends.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
MS 1959 This models the sound of a Marshall 1959 Plexi made in 1969.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
BGN DRIVE This simulates the lead sound from channel 3 of a Bogner Ecstasy.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
9
AMP SIMULATOR
BG DRIVE The high gain sound of the Mesa Boogie Dual Rectifier red channel (Vintage mode).
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
The 3-channel high gain sound of a Diezel Herbert, which is a handmade German guitar
DZ DRIVE
amplifier that allows control of three independent channels.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
ALIEN This simulates the high-gain sound of the Engl Invader, which features a powerful low-end.
Parameter1 Parameter2 Parameter3
Gain 0–100 P Tube 0–100 Level 0–150 P
Page01
Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.
Trebl 0–100 Middl 0–100 Bass 0–100
Page02
Adjusts volume of high frequencies. Adjusts volume of middle frequencies. Adjusts volume of low frequencies.
Prese 0–100 CAB See Table 1 OUT See Table 2
Page03
Adjusts volume of super-high frequencies. Selects cabinet. Selects type of connected device.
10
MODULATION / SFX
Slicer This effect creates a rhythmical sound by continuously slicing the input.
Parameter1 Parameter2 Parameter3
PTTRN 1–20 Speed 1–50 P Bal 0–100 P
Page01 Adjusts the balance between original
Sets effect pattern. Sets modulation speed.
and effect sounds.
THRSH 0–50 Level 0–150 P
Page02
Adjusts effect threshold. Adjusts the output level.
Page02
By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect
Detune
type has a chorus effect without much sense of modulation.
Parameter1 Parameter2 Parameter3
Cent -25–25 PreD 0–50 Mix 0–100 P
Page01 Adjusts the detuning in cents, which Sets the pre-delay time of the effect Adjusts the amount of effected sound
are fine increments of 1/100-semitone. sound. that is mixed with the original sound.
Tone 0–10 Level 0–150 P
Page02
Adjusts the tone. Adjusts the output level.
11
MODULATION / SFX
Octave This effect adds sound one octave and two octaves below the original sound.
Parameter1 Parameter2 Parameter3
Oct1 0–100 P Oct2 0–100 P Dry 0–100 P
Page01 Adjusts the level of the sound one Adjusts the level of the sound two Adjusts the volume of the unaffected
octave below the effect sound. octaves below the effect sound. sound.
Chara 0–100 Tone 0–10 Level 0–150 P
Page02
Adjusts effect character. Adjusts the tone. Adjusts the output level.
MonoPitch This is a pitch shifter with little sound variance for monophonic (single note) playing.
Parameter1 Parameter2 Parameter3
Shift -12 – 12 , 24 Tone 0–10 Bal 0–100 P
Page01 Adjusts the pitch shift amount in semitones. Adjusts the balance between original
Adjusts the tone.
Selecting “0” gives a detuning effect. and effect sounds.
Fine -25 – 25 Level 0–150 P
Page02 Allows fine adjustment of pitch shift
Adjusts the output level.
amount in Cent (1/100 semitone) steps.
12
MODULATION / SFX
HPS This intelligent pitch shifter outputs the effect sound with the pitch shifted according to scale and key settings.
Parameter1 Parameter2 Parameter3
-6, -5, -4, -3, -m, m, C, C#, D, D#, E,
Scale 3, 4, 5, 6 Key F, F#, G, G#, A, Mix 0–100 P
Page01 (See Table 3) A#, B
Sets the pitch of the pitch-shifted Sets the tonic (root) of the scale used Adjusts the amount of effected sound
sound added to the original sound. for pitch shifting. that is mixed with the original sound.
Tone 0–10 Level 0–150 P
Page02
Adjusts the tone. Adjusts the output level.
This effect produces a metallic ringing sound. Adjusting the “Freq” parameter results in a
RingMod
drastic change of sound character.
Parameter1 Parameter2 Parameter3
Freq 1–50 P Tone 0–10 Bal 0–100 P
Page01 Adjusts the balance between original
Sets the frequency of the modulation. Adjusts the tone.
and effect sounds.
Level 0–150 P
Page02
Adjusts the output level.
13
DELAY/REVERB
CarbonDly This analog delay sound is a model of the MXR Carbon Copy.
Parameter1 Parameter2 Parameter3
DELAY 19 – 581 P REGEN 0 –100 P MIX 0 –100 P
Page01 Sets the delay time. Adjusts the amount of effected
The DELAY setting has no effect if Adjusts the feedback amount. sound that is mixed with the original
Sync is not set to OFF. sound.
MOD OFF/ON WIDTH 0 – 50 SPEED 0 – 50 P
Page02
Turns modulation ON or OFF. Adjusts the width of the modulation. Sets modulation speed.
Tail OFF/ON Sync OFF, – x8
When ON, effect sound continues
Page03 even after effect is turned off. When
Activates tempo sync.
OFF, effect sound stops right when
effect is turned off.
TapeEcho This effect simulates a tape echo. Changing the “Time” parameter changes the pitch of the echoes.
Parameter1 Parameter2 Parameter3
Time 1–2000 P F.B 0–100 P Mix 0–100 P
Page01 Adjusts the amount of effected sound
Sets the delay time. Adjusts the feedback amount.
that is mixed with the original sound.
HiDMP 0–10 Level 0–150 P Tail OFF/ON
When ON, effect sound continues
Page02 Adjusts the treble attenuation of the even after effect is turned off. When
Adjusts the output level.
delay sound. OFF, effect sound stops right when
effect is turned off.
ReverseDL This reverse delay is a long delay with a maximum length of 2000 ms.
Parameter1 Parameter2 Parameter3
Time 10–2000 F.B 0–100 P Bal 0–100 P
Page01 Adjusts the balance between original
Sets the delay time. Adjusts the feedback amount.
and effect sounds.
HiDMP 0–10 Level 0–150 P Tail OFF/ON
When ON, effect sound continues
Page02 Adjusts the treble attenuation of the even after effect is turned off. When
Adjusts the output level.
delay sound. OFF, effect sound stops right when
effect is turned off.
14
DELAY/REVERB
StereoDly This stereo delay allows the left and right delay times to be set separately.
Parameter1 Parameter2 Parameter3
TimeL 1–2000 TimeR 1–2000 Mix 0–100 P
Page01 Adjusts delay time of left channel Adjusts delay time of right channel Adjusts the amount of effected sound
delay. delay. that is mixed with the original sound.
LchFB 0–100 P RchFB 0–100 P Level 0–150 P
Page02
Adjusts delay feedback of left channel. Adjusts delay feedback of right channel. Adjusts the output level.
LchLv 0–100 P RchLv 0–100 P Tail OFF/ON
When ON, effect sound continues
Page03 even after effect is turned off. When
Adjusts delay output of left channel. Adjusts delay output of right channel.
OFF, effect sound stops right when
effect is turned off.
15
DELAY/REVERB
Air This effect reproduces the ambience of a room, to create spatial depth.
Parameter1 Parameter2 Parameter3
Size 1–100 Tone 0–10 Mix 0–100 P
Page01 Adjusts the amount of effected sound
Sets the size of the space. Adjusts the tone.
that is mixed with the original sound.
Ref 0–10 P Level 0–150 P Tail OFF/ON
When ON, effect sound continues
Page02 Adjusts the amount of reflection even after effect is turned off. When
Adjusts the output level.
from the wall. OFF, effect sound stops right when
effect is turned off.
ParticleR This unique complex reverb effect models the LINE6 M9 Particle Verb.
Parameter1 Parameter2 Parameter3
STBL, CRTCL,
DWELL 0 – 100 P GAIN 0 – 100 P MODE
HZD
Page01
Adjusts the output gain of the reverb
Sets the duration of the reverberations. Sets how the reverb sound changes.
sound.
MIX 0 – 100 P MONO OFF/ON Tail OFF/ON
When ON, effect sound continues
Page02 Adjusts the amount of effected When OFF, the effect sound is output
even after effect is turned off. When
sound that is mixed with the original in stereo. When ON, the effect
OFF, effect sound stops right when
sound. sound is output as a mono mix.
effect is turned off.
16
PEDAL ( Only)
Page02
Page02
Page02
PDL Pitch Use an expression pedal to change the pitch in real time with this effect.
Parameter1 Parameter2 Parameter3
1–9
Color Tone 0–10 Bend 0–100 P
(See Table 4)
Page01
Sets the type of pitch change control
Adjusts the tone. Sets the amount of pitch shift.
with the expression pedal.
Mode Up, Down Level 0–150 P
Page02 Sets the direction of the pitch change
Adjusts the output level.
to Up or Down.
This is a pitch shifter specially for monophonic sound (single-note playing), which allows
PDL MnPit
the pitch to be shifted in real time with the expression pedal.
Parameter1 Parameter2 Parameter3
1–9
Color Tone 0–10 Bend 0–100 P
(See Table 4)
Page01
Sets the type of pitch change control
Adjusts the tone. Sets the amount of pitch shift.
with the expression pedal.
Mode Up, Down Level 0–150 P
Page02 Sets the direction of the pitch change
Adjusts the output level.
to Up or Down.
17
Additional tables