29999 INT ES Piano Conductor Score ae mi ar ALTERNATE ORCHESTRATION Music by Lyrics by Elton John Tim Rice Book by Linda Woolverton ana Robert Falls and David Henry Hwang Originally Directed on Broadway by Robert Falls Originally Produced by Disney Theatrical Productions NOTICE: DO NOT DEFACE! * Should you find ic necessiry to» mask ‘us oF cuts, use a soft black lead. pencil * This book is rented for the period specified in your contract. It remains the property of Music Theatre International 421 Wese Sth Steet New York, NY 10019 (212) 541-468 worw.MTIShows.com [Music Tearae Ivreewarionas| © DisneyA. vertu seen | 1a, Brery Stony Ts A Love Story 4 2, Fortune Favors The Brave 9 2a, Fortune Favors Playout a 3. The Past Is Another Land. 2 ‘3a. The Past Bs Another Land (End). 28 4, Another Pyramid 29 4a, After Pyramid. As 5. How I Know You. 46 7. Bast Indian Dance. 7a. Phatoah - Wedding Announcement 7 ‘7, Fortune Favors The Brave - Reprise 39 8, Enchantment Passing Through a 9, Steongest Suit ~ Reprise. 101 10, Pve Got A Headache 104 11, Dance OF The Robe. 1a, Afiee Dance. 12, Baskeshends 13, Nor Me 14, Elaborate Lives. 14a. Afer Elaborate Lives. 15. The Gods Love Nubia 16, EnePacte. 17. AStep Too Fat 17a, A Seep Too Far - Payot 18, Bay As Life 18a, Over Easy 19, Like Father Like Som 19a, Like Father Like Son Playoff. 20, Radames Lette 20a, Dance OF The Robe Reprise 21. How I Know You - Reprise 22, Witeen In The Sess 23. 1 Know The Teuth 24, Wedding. 2a, The Fight. 2Ab, Poor Moreh’ Dead. 249 2fe. Well 1 Knew You S.C. 251 24d. Judgement. 252 ‘ie, Elaborate Lives - Reprise a a4 25, Finale Ac IL. 265 26. Bows 274 27. Bat. an O ©) oO O oO O oO O O oO oO eoPIANO/CONDUCTOR 1 “Aida” Overture {F 9/00} Orchestration: Steve Margoshes = 88-92 E Zz (+ Super Chimes") P (6 "Sustained strings”) euosicer1) : F fF =Pie 18> “overture tr 9100) ozs) SE (ye Teen utr BB Ole alk Ind f _ SI ote = (Hare) Baty (590) eePIC + In2 ng. 20) iano &*Dulcimer”) imp ("Hi stgs") ““Overtare” Ir 900]PIANO/CONDUCTOR Amneris 1A “Aida” Every Story Js,A Love Story Orchestration: Steve Margoshes (Cue: [Girls hold hands, cross to center] 2) {Start bar 2] Ind 3 4 5 (ator) 5 2 Mage Bp") <> aa a ©) oO ) oO @) ee O (@) (@) O (© ©) O () (©) O (@ Se O (©) ©) oO @ oO oO e oO O 2) Oo oO @) oO O O oO oO O oO oO o) oO (©) QOQO O () () Pie 2 “very StorylLove Story” (9/00) Tempo ¢ = 82 (shaker) continues > (routes) mp (Piano & Pas) Voices”) ©: mp eb rT pr Pp r pF TP 16 Waesordy ——_ nx. eo be. (Crotty a — PoyPic * “Beery Story/Love Story” 19100] Wether me oe feo poe hap - pen ~ stance— Wu) —$———__ su, Nw. co (oat) gh anes S196") Cr Fie Fe . Wheth-er sweeping through the ag - es Gast-ing cen-tu-ries a ~ side, (any Sie") aPic “Every Story/Love Story” (900) 95, Or bared brefse eel, fasta ey min-otride e us com af (piss) $—_ cuzin Wheth-er bright or imel-an-chol-y Rough and read-y, finely spun,— (Sunrise Voies") Freus mf rere poco a poco ol) oll oll = oe Wheth-er with a thou-sand play-ers. Ora lone-ly cast of one, 2 me , ary O 2 : re 3 chadas p Dbadas 5 ?——_T} be (6) bo 2) llsPic s “Every Story/Lave Story” (9/00) ] “ =e Seer Heteene oe am 2? oe Weslo) = Gags) 2 wee 8 nfs Dulcimer") B coxnd pyramid All are tales of | hu-man fall ~ ing > xsi) Vea) Il are tales of at heart, (Sparkie Bet”) gt) gp ae poco rit. a ce Eb Suythm on) PP vtouch of portPIANO/CONDUCTOR Amneris 2 Radames Soldiers “aida” Fortune Favors The Brave Orchestration: Steve Margoshes Quasi Recitative Amneris: 7 a This is the sto-ry of a love that flour-ished ina time of hate, (Djembe) ‘(Kbis) «om G5 ee we of lov-ers no tyr-an-ny could sep-ar-ate Love set in-to motion onthe Nile shore PUU A (@jembe) aa of (4612 “pick lightly”)Pic Destin -y nme) SYP S84 — (tert) heart and soul__ (@ertDes hts) “Fortune/Brave" 9100) Atempo (Gtr “Lite 0.0) as its ver - y (Gtr seas) Sourceof life for all Djerbe)(oDes groove)Pic * “Fortune Brave” (9/00) That on-ly E-gypt could con-trol — De-strucstion (on yo 3 south-em neigh = bor Nu-bi-a_ exploit-ed, left — with tit-tle_ more than pride — olene 4 “tortie tony ay] Fasterd =148 FOR- TUNE FA-VORS__THEBRAVE— () 2 dota . Chie") I Oo choir") FOR-TUNE FA- VORS__ THE BRAVE — OPic = “Fortune(Brave" 100) Wehave swept to glo = 1, E-gypt's master - iF 20. “FortunefBrave" (100) FOR- TUNEPIANO/CONDUCTOR = eo) ®) eo} Pp 2A _ “Aida” O Fortune Favors~Playout r) {F 9/00] ) Orchestration: Steve Mau O [Cue] Radames:*T havea beter plan for ber™ =) aT > = s CO ou lio)PIANO/CONDUCTOR 3 Aida “Aida” The Past Is Another Land {r 9/00] Orchestration: Steve Ma [Start bar 5] Colla voce a] mass You know noth-ing a-bout me and care e-ven less. How could you un-der-stand our (in/stgs) iano) #8 Fee Em (Onc hit”) (Timp) emp - ti-ness ‘You phun-dered our wis-dom, our know-ledge, our wealth 2Ic 2 “Another Lan” [900] 2 You long for our spir-it you will nev-er bleed -ing us dry [4] tor [9] IS NOW AN - OTH-ER LAND far beyond my— (Hany continues) o in ~ sid-iousae So “Another Lana” 9100) for-cign speech Where the time - less joys (atv Fate) child ~ hood = ken on the beach. Gorn 218 a1c 310 Ste ‘mp dolce (Alty Fate : a Eng Hn.) E mf [6s Oo Oo oO @) Oo O @) O O O Oo ©) i) O () (2) O (@) (2) oO O ie ‘© ie} eo ) ie) oO (©) ie) () (S) (e) (2) Oo (© ( O O Oo OPic + “Another Land” (r 9100) (ato Fate) (*sigs") Pe pres = ent is an emp = ty space Be tween the good and bad apKAT “Chote") LUCY mo-ment lead - ing Too point - less to be sad. of7/08 > VEE EEE E EEL EELPic * “Another Land” [91001 time e-nough to _—_lay_ to waste ory cer = tain-ty Thad (tgs harmonics Alt FI) to Fate ("5490") E50 aie » amat — est poco louder alle 91 {9 [=] cotta voce Atempo so barren world from which I can't re = tun Piano) ES Wesoto) 26.Pic + “Another Land” (00) heart - less and— mater - i - al wretch - ed spoils not my con - cern ote ——~ | charg Ffoues FH ? childhood reas - ures burn Shin ing like “an Ate Fate) ®) >; e-vil sun As my om % 7 = 7 o | org Colla voce oa st only) os Cu Shin-ing like an e-vil sun As my _child-hood treas ures 21.PIANO/CONDUCTOR 3A “Aida” The Past Is Another Land (End) Orchestration: Steve Margoshes cup) ; o > A.rirDatciner) PS, ai) Finger cyme) P eSegs"/Hp"Ve) 28-PIANO/CONDUCTOR 4 Zoser Ministers “Aida” Another Pyramid {r 9/00] ‘ Orchestration: Steve Margoshes [Cue] Zoser: “You cam!” Reggae- swing 8ths [Cue to continue] Zoser: “Pharaob is not.coben you lef.” 2 Wocal last x) = 144 Vamp [eue to continue can come on either bar] : 04h) While you'e Rhodes" + Geet) gm SatR onty ass, 800) been a - way ci-vort - ing— Mat - ters here have moved a-pace— (owr2) ( "Reggae" Gir comp) eb 29.Pic need you home sup - port all this means your wed-ding way that Pha-raoh's head-ing Organ wf ele") 2 “Pyramia” (79100) = ing All the plans T've pu in place First of. You'll re - call your fa ture bride Time's—no —_long-er on—our— side Ac-cord-ing to the (+ Organ iss) Pano) DOOC 220 O86 7922000 < nRAARTD O000c00d OPic * “Pyramid” (79100) Hawk God Hor - us our most (Gtr2w) overdrive) Organ") J ) ) ) ) D . ) > ) (+ y2,Tamb) (tostow) Bb that much long-er for us Build AN - OTH-ER PYR-A-MID!___ # Vamp [cue to continue can come on either bar], (Vocal last x) (+ Tiobales ete)Pic + “Pyramia (900) who'll be tear-ful leader fades— ("Rise pad”) (4 *Sig Tats") archi - tects are cheer- ful And— each dog must have— its day (6 Gtrharmonies) Zing’) coun-try ist flour - ‘Then my son must take the lead Be our, (Gr) Mute —— (“Panch)Pic JY se in-spi-ra mon-arch (o2) (Synth pad) E-gypt's a “Pyramid” (9100) tion, nour - ish All our hopes, our dreams, our creed Soon our_— (onrfas) ( Organ guise) (unc) will have— filled a tomb— just like his fath Sum-mon 6 Tamb) be BbiD greatest build er re) A - NOTH-ER- PYR-A-MID— (on) (© "Clavinet”)Pic © “Pyramid (r 9100) 54 5a Zoser ‘There will Ministers Build ft Build tt PYR Bl inisters Hala! @ time— for moun - ing— But for now put plans on hold. For I (own) (Hd sate —— (480g Tas") (+ Timbates, ete) (Filter open reverse sound”)OOCCCVSCS VIE IIS cececoocecooceegs Oren Pic give the ma - tion wam - ing (own 7 ears co) FF tend fair—E-gypt’s pow (ass, 500) our fin = est hour ass loco) ali] I fa “Pyramid” (79100) Ministers: Cala! That be - fore the corpse— is cold rT E-gype's (orn, ele eee et SF (Finger Cys) 3 —Pic [3] aster know too much and what you say better eff un-known— sige) T'm— just a shave like you Our lives. are not our own nev = er have a-ban = doned And nor I think could (emg) “Know You" (8100)») ) ) ») ) ) ) (5.8 6 6 8 550) CECCELOCECCCECEeeeeeeY Pic + “Kexow You" (81001 86 Aida: spark of hope for free = dom » can sub-due eng te) on = ly hope is si nev-er seen my fice - Stes") = evotceeritay PPI oo poco eee you re-main a prin-cess Tn an-y time or place. np gH)Pic know me (rung 1) lag asob) J —— itm) Daftar cre) peril Dalimer”) "Know You" [180]C ( ( ( ( ( (- ( C ( ( OQ O O 2) O © O O O O O O O O O O 2 a ok us “Know You" (8100) Music out on “gift his Princes.” wovienxy | A 7 aPIANO/CONDUCTOR 5A “Aida” Steam {r 9/00) Orchestration: Steve Margoshes (iter tse) (PACE coniae ads) 2 (Ky “Pad” a (4 "Steam EEX") ("Filter pad”) (&y 1"Deley”) e oe ==) Grn) gy? (oFlutey S 3 v (+ "16th note ltr sweep") (+ "Evolution pad”) ctr, ——Steam” [900] ‘Vamp and fade until cut RR AR FAR RAAAPL ARADO RAADAAAMAAAAAADAAIAADIDIDIIADIDNADAD am ) IND )PIANO/CONUCTOR 6 oO Amneris oO Palace Women eae oO My Strongest Suit/ Fashion Show oO [r 8/00) ‘Orchestration: Steve Margoshes oO {Cue} Amneris: "Let's polish this gem!” : 2 O ~~ oO In life onehastoface ahugeas - sort-ment_____ Of _nau-se-ating fads andgood ad- (Ha) ae ——., (Betsy py ate") Dbaddo oO - oe © health and fi-ness, di-et andde - port - ment, And _oth-er point-lessforms of sac-ri- oO cues = oODa / seat) Conversation? Wit? lama doubt-er.— Mamers? Charm? Theyrenowayto impress. tary") s Bbruab|t G27 Sofor - get the in-ner me, ob-servethe out = er. (+ Hnve) cb ab . ebmiab O 6 a Atempo Vamp (vocal last x) Iam what | wear ahd how dress. C) (+ Drums) (ool) © abPie * 20 22 — believe in look - ing tke my time onearth__ is cook - Ing cw Db + ted, striped, ore ven_._checked OAT embonrine oft) Db lam-our guar - won & Piano”) ("Organ sustain") “SuitiFashion” [9100] Wheth-ertJ) Pic + “SuitfFashion” fr 900] played to quite re-mark = - a= ble of - From your cra-dle vi-a tous - to your death - bed you're on view—— so Palace Women: i (“Invisible Synth Glassy Voices") (Gte1 continues) I ~ Il a ~— al =I ~y =“SuitiFaskion” [9100] =I! <1 “aI aI! ; <1 =IPic + “SuitfFashion” [900] MY STRONG - EST [5] swing nae Rok Ainict"REB Hom’) (+ Tamb) DbPIC — or hitting town - my (Gis continue, sim.) (am, continags) Db ” *SuitiFashion” [9100] Staying in. and work-ing— down = wards: Fromthetop aniPie sure that eve - ry sith is stitched in time. I stitched —— in time 6. “SuitiFaskion”[r 9100)Pic ». *SuitFashion” [9100 70 7 strut your stuff out - ra-geous = ly's——a crime ‘And the Such a orimel (S1s/"Motown Glock") (Gir pny Tomyward - robe are de-light ("Organ corr)Pic a0. “SuitfFashion” [9101 (i oe ‘wandethrough —my things — © find en— route We're wan-der-Ing through your things —fan y-thing but nor - O-verwear, un-deravear, an-y-time, an-y-where O-verwearundenvear, us) EX ge (tam. 8th) (+ HafREB Brass”) Db (Gtrscontinue, sim.) ways been “SuitiFashion” (910) My STRONG - EST an-y-time, an y-where N etPic an “SultfFaskion”[r 9100] fa I saidan’- y-time Cverweariitdewoar, ary-time, atrywhere Overwear, underwear, an=y-time, Ne zfs z 96 ally fin = my di-vin - est di-vin = aur-nenasee estMost arrest = ing Most heart - stop-ping ing most ex - “Suitiashion” (910) Pens - ive Most eed stop-ping (StgeP oto Glock”) a Most free -Pic ea most eye - popping Mostar - rest-ing “Suit/Fashion”[r 9100] mostheart - stopping yeah 2 ‘2 “e © = verwear,— iyReB Br") > ao > Dresshas al - waysbeen_MY STRONG-EST SUIT A, — Dresshas al - ways been Drosshas al - waysbeen. (am, 1688) (Funky, Overdrive gts) Dbr+s Org) g@ —<$—$—— Bbm7/ab MY STRONG - EST_Pic as Younowthat 1 ostow) Dress has al - ways been MY STRONG EST STRONG - EST 10. a sl ia a “SuitiFashion”f 9100]Pic 6. “sultfFaskion”[r 9100) a.) (+ Fusky, Overdrive gtrs) (+ “Organ lis”) (Clavinet”) Gtt) ("Organ") (assiGte2) Db13,Pic a7 (our) Clavie") Ong) (+ Congas) (Gtrs continue, sim.) v (COrgan") PINT le Tower of Power ass) “SuitiFaskion” [9100]PIC a8 “Suit/Fashion” [900] Yvevvuysd Piano") (Gtr 2.0 oventive) Pe GEL E YEE EEUU EIS (Bam. 16ths) Organ”)Pic abr (Slap base soto) e-Clavinet") ab (Congas) he “SuitiFashion” [9100]20. “SuitiFashion” [9101 (ou2) (amd, continues) eb7+9 (Bass/Gtr1) 6 “Organ gtss") 144 Db7+9 + Coubells) aan RoPie ae “SuitFashion’ (900) (Bass drum) ( Congas) (otr2) (Ctavinet”) 6 "Fater Sweep")(Gtrs continue sim.) (Rise EF”) (RE Brass”) “suitfEaskion”[r 9100]Pic coe “SuitfFashion” (9/00) Funk feel 16th’s é 195 196 197 allmy fin - est Most au - da-cious my di-vin- ost Most. re-veal - Oh my fi - nest ene bas) Organ”) (+ Gtr funky picking! Gtr 2 funky comps) io Bbm (Slap bass) Most ar-rest- ing most ex - pens - ve Most ar-rest~ sigs) 18Pic me “SuitiFashion”(r 9100) ing mostheart - stop-ping Most free - flow-ing most eye - Most free - flow ing eye ~ pop-ping Fe Dresshas al-ways been___MY STRONG - EST SUIT My STRONG Dresshasal -" ways been. (“Organ sustain”) (Camb 16th) Db7+9Pie 2 “*SuitfFashion” [9100] Youknowthat Dresshasal - waysbeen MY STRONG- EST © MY STRONG- EST My STRONG- EST Dresshasal - waysbeen MY STRONG- EST SUIT. Stylin)) y 2) 2) oy 2) ) 2) Pie My STRONG- EST MY STRONG- EST MY STRONG. EST MY STRONG- EST “SuitfFaskion” [900] 221 My STRONG. EST MY STRONG- EST (+ "Esplosion”)PIANO/CONDUCTOR : “Aida” East Indian Dance {r 9/00] Orchestration: Steve Margoshes er a soto 3 =~ ("Zing") sitar”) — Sts) (Tambure) @ 0 (Drone) oo 5 (Sara Bete Toe) e 7_ (Sea BelteBett Te) . (abla continue) <> (WindSwilEfe") SS a aeOne = indian Dae” (va) 2) = Vas) OQ Gel (ley Postudus) contain Tiler 2X ft) (Sarong & Sater’ Sere poco a poco be 7 o Zing’) 19, sige) > 20Pic * “Endian Dance” (900) za] OHV) (lab) (Tam Tam) CEeyptg) timp) 27 > on JT tee > E Gil JT oo) 6 |PIC Stately + “Ebudian Dance” (900) Ba] dey) cot. im. > PA) = (Ras) [2 Arad Voie Pat) 43 4 45 (engi) (ot ee (Peve) Geers CeuYe be or, = um Tarn) im C @Ves0b) ig (Mystic Drone”) 85.pie + “Endian Dance” [7900] ‘Vamp (cut on cue on either 2-bar phrase) Ake Bettas) ‘mp (as) (Eng. Ha/"Warm Reedy”) SE (Wav) "Sontar 6 Sarma)PIANO/CONDUCTOR 7A “Nida” Pharoah- Wedding Announcement Ir Orchestration: Steve Margoshes [Fade out on cue] ry) mt 1 Dy eee > = > cua) oN TA] Dames LL rE * conti. > ("POE some) ped (ster) mf (elie 80a-col gro) (Bs) = —— = 7 = a = 7 = o . PP RP PF RF RP F Fade out [on cue]88. “weding Announce” 100] [Attacca]) ) ) > PIANO/CONDUCTOR ) Radames 7B ) oo _ Fortune Favors The Brave~Reprise [r 8/00) Orchestration: Steve Margoshes ‘ue: [Zoserl Cue to proceed: [Zoser] C) Cue: [Zoserl "A toast. Vamp 2) 4 Cy (crotais) mp (Crotales) O 80" a e P OJ coms || oinoara Baad | cingard noses |} PMO — Bespgaed | Cingdeed (roars 7 _ hr —OCis w. 7 ow. QO (4Bs 2nd x) ———————_ 3 OE] aaa Noth-ing— is an ac-ci-dent Wearefree_tohave- it all__ Wearewhat wowant tobe I's © (n03rd)/D D (noara) Bp{nosrayo 4 ad a adPic a “Fortune Rey” 80) in our-selves to rise—or fall This iseasy to_bedieve— When distant plac - es call. to me It's @) For-tune fa - vors hard - er from— the the free, pal-ace yard jen) a ee (rob) Eb(nosrd) © (nord) Ab(no3rd) — Bb(noard) Fz C(n03rd) au 90.PIANO/CONDUCTOR Radames 8 Aida a Enchantment Passing Through (rao) Orchestration: Steve Margoshes Cue: [Aida] Tidal “es Nubia.” Stat par of ny cant.” & : Radames: m2! a 1 To sail a-way____ to half’ dis-cov-ered mp Pn") (ae. see the secrets so few eyes have seenPic 2 “Enchantment” (900) ‘mo-ments of en-chant - menton our fa~ ces ‘The —mo-ments when we smile—— and those be- (Wn Rhodes") Ebreust Ebinoaay | | Ob2 8190) T could leave- this place— then Pd go sail- ing To cor-ners of my land where— there would ingen Com) aim) (Ae. Gt) S19" pads) ee a mp all ali Pie.pre * “Euchantment” [7 900) ap a: south-ern winds of lib-er-ty so ma-jes - tic and so free VEG ueeee EYL [Dialogue] (A. Fresolod (A.Fi-solo) We flowing)Pic + “Enchantment” {¢ 9100] There'd [a1 be no ties of time and space to bind me And no ho-ri = zon I could not pur- (Dnums) Bag. solo) mp) Giestict) 94.() rie = “Enchantment” (79100) ‘Alda: Radamest Td leave the world’ mis-for-tunes far— be - hind me— im = Colla voce , Atempo put my faith and trust in some-thing new should T (°Stg" pads) (4E, Gtr-ctean) E (03rd) tell you this— ‘A strang-erT've— just met A wo-man whom hardyknowat all And tint)should for-get— Ajourney we—— can on - ly dream of. 0) through Andhow is ie I say these things So ess i-ly og. toto) z= nf “Eachantoent” (9/00) En-chant-ment pass - ing to you SO Wtesot0) 33¢ @ Oo Oo ie oO ‘@ [e oO oO ©) oO O O oO O Oo Oo oO oO Oo Qe (e O oO 1) Oo () ©) Qo @ oO oO OQ oO O O oO O Oo oOPic ” “Bachantonent” [9100] [Dialogue] xi) Tot gy {oer 91.Pic * “Enchantment” [9100] AaioyCR AICHE 4, Vamp Radames: Cue to continue: [Radames] “Stop! I command you to stop!”PIC s ‘Bachantment™ [900] o why did Tell her this? Astang-er Dye just met GeDrestrong) CStg0°) ‘si 9 a = = z 2) a) _ whom I ard-lyknowat all and will for-get Arsiéa-7: meme and good tn-mtd =i > aaa £ £8 tin , =) 7 D = 5 re tgs) UO Emin A 7jacts11) = se En-chant-ment pass - through And all ve done— is tell her things BIvin? yyy EH) “ded | mpPic 0. “Enchantment” (7 900) She al-read-y knew vias) She knew. ia continues) am) > a 2 She Out on: [Drop to floor] em knew — 9) A ee ont -100-PIANO/CONDUCTOR 9 Amneris Aida “Aida” Strongest Suit-Reprise {F 9/00) Orchestration: Steve Margoshes Cue [Aida human” Start Bar? ‘Quasi recit. “Amnets I may leave a great im - pres-sion As I race through a suc ~ ces-sion OF the (Ky Lute”) Solo (Kye "Srings”) Foard Bb jo. oe -101-~ ter when be 2 + gull = tag Find that 13 fash ~ ion keeps me sule-Rep” 900) Amnoeti:Pic * *SuiteRep” [r9}00) You must be - lieve That one day & Ky? Se) [Cue out: R, enters} 3A a ++ Ame a strong - erPIANO/CONDUCTOR I've Got A Headache {r-8/00] Orchestration: Steve Ma (yt: “Plano"/Ky2:“Harp"IKy3: “Strings") shes 10 “Alda” Attaca2) 2) VEEYELELYEELUUUY CLL PIANO/CONDUCTOR Tour] uu Aida Nubians “aida” Dance Of The Robe [r4/01], Orchestration: Steve Margoshes (Cue: M. “Tbe Nubians want their princes.” @ 2) Dictated, tnt 1 Alda: Tes know-ingwhat theywantof me thatscaresme Jes know-ing hav-ing fol-lowed I must lead Its + Kyat") yt Piano") [PF Dmin know-ing that each per-son there com-pares me To those in our past whom I now suc-ceed But 108.PIC fowl 2 “Dancelobe'tr 01) Oo oO a In2 5 be e-nough: eeenoez (+ Diaz Stes"Dry Harp”) (Tam), All we ask "36 | you Harp” continues) 8bPIC frou * “DancelRobe"(r 01) life-time of serv-ice, wis-dom, —cour-age would be self-ish But eee moeZ earn O} -107-Pic ttow! + "DancelRobe" 4/011 Nehebla: gy A * Your robe should be gold-en your robe should be per-fect In (+ Piss Stgal"Dry Harp”) HO») imecneep aPIC Hou} + “Dance|Robe'(r 401] 33, a4 stead of this rag-ged con - coc-tion of thread But may you be moved by its des - per-ate beau-ty To. wee sez : = * Ss give us new life for we'd sith-er be dead Than live in the squal-or and shame of the slave To the Ss) — (4 Kye “Ware Swell) rnd C CeUePic row} ca “Daneel Rober 01) 44 ines (+ Plz Sigs"Dry Harp”) All we ask — of | you bgh, All we ask Isa (+ Ky2: Muted is")PIC tow a “Dance/Robe"tr 401] 48. life-time of service, wis-dom, cour- age To ask more would be self-ish But bg g bgp, eaenceZ (+ Ky "Marcato Stgs") (+n) Dbmapbb csusepencez PIC Tow! + @) JJ “Dance!Robe"te 401) Da! (voce Pat (Plano & Dutciner) =~) (FIO) We mp Eb(no3) chinosyeb Dbinosyeb Eb(no3) [Stops] (poco erese, Eb(n03) E(no3yeb Dbinos veb <2.Pie tow! a “Dance Robe"tr ot] (Gtr wf oventive) = —~ © ceDjemiey (Kya “Clgn Djembe! Chany Cao") Ebino3) chinosyeb ebino3) (rst) dIl¢) al l9) 4119) a I0) (iba Whoop") i = s — E(no3 eb obino3yeb ehino3) 119) al i9) a1 i9 a1 i9) — — 7 wa fils §£6 Fi fil £ (Gir cnt) S— ebino3) chinosyeb Dbinoayeb Eb(no3) 113Pic Efow worn eh(n09) ore @eretDr sto) Eb(n03) 3 so" 0 “DancelRobe'tr 401) iba oop" i eee FU (nos ye> pbinosyebPIC ftour) ora “DancelRobe'tr 01] on. en (Djembe oto”? UU qyt LELLLELUCLLYL -1S-epeecez epenoeZ PIC frou} ] (orn P Sf ge (Drom sigs) Bb7sus Abie “116 “Dance/Robe"tr 011 AbrebPic frou) a3. “DancelRobe"r 01] ry on ) (rtutey d (+ Tamb) nisi) UE Sitar) [2] Repeatand fade (Cuton cue) (a Hib, se this sate) = cPIANO/CONDUCTOR Radames Mereb Alda Amneris Not Me {r 9/00] Orchestration: Steve Margoshes (Cue: [Mereb] “Your betrothed?” (beat) Sep") (Minimoog”) 3 lao ead’) || T once knew— all the _an-swers— T stood on cer = tain ground— 13 “Aida” (i cose) (Sus. Com) (sus. Cy.) see") 126.4 A pic-ture of true hap-pi - ness Con-fi-dence 30 bright - er could be found — (Vel*Stge") 127 “Not Me” (9100) effort lessPic * “Not Me" (19100) (Radames) 3 7 2 Param! I nev-er asked the ques - tions ‘That trou-ble— me to - day—— (Sus, Cym) (Sus Cym) 5 A FIEtoctg") P Eb (Sty pads) yo Love worn lightly, put on show My 128.Pic + “Not Me" (9100) a €Radames) is ~ play— er) T cant be- lieve hes chang ») ) Gver*stge") uC who'd have thought my con - fi-dence— could die? (choir) (Gtr “Power Sta") ary (sigs) oa ("Tambo 8)-> ab ab "bb Gvel"stg6") CUEeCeCUeCCUCOUUUU UL Fr PTE FPP EVP ep bE Tee {>to £5>050 0005Pie Oh (stestge") ab (Vel"Stgs") 130. That all I took— "Not Me" 1900),Pic a 9 £17 d etftf Litt bsg") guessed I'd throw my world a-way— (hoch sigs) fi i 7 + 2 be with some-one 'm a~fraid _ ail) Dbveb CLL ry 2 FE ebreb ia" “4 eb will say Not me “Not Me" (900) ‘This can nev pr i VyPabe “132 who'll be changed. “Not Me” (9/00)Pic + “Not Me" (910), Safety vocal lst v Aa 57 58 50 T shall not en-wy Tor they share (sus. ym) ‘suscm) VY YEE Eye Ee EEUU J out) 609 | _Amnerst An empty roomis mer = 133.Pic a “Not Me” [9/00] Amneri) i os « a Aida+Amners: need some com - — And (eves) who'd have thought our love could be— 0 good? (om) fd. (°Pxo+Pad”) cup) a gently bred 5 i ae a _¢VeEeeeevyvoeleUUU wee eee 10. Not Me’ [91001 And show me things I - der ~ stood (Com) (ProtPad”) ‘AbiED we) exp nd x only) wns a 5 FSS. sho eb ono") ab (ean sony (cms rk Te) fd. endsonly) a pho Eb | (Pro) —rie ar “Not Me” 9/00) ‘Who'd have guessed he'd throw his world a-way— to be with some-one till his dy. ~ (Boch ts) ey abe ve sgs°) Bein) ing day— Not — me—— eursige") 5, corimp) “136PIC 2 And (AidavAmneris) And Foi, FRREEEEE Ea a (Aida+Amneris) “Not Me* [900] into = who'd have thought who'd have thought SF abPic ea oo “Not Me™ 900), (Radames) a %0 9 — : My se ~ crets and. My - sions un = derstood — (AtdasAmnerio) = —= My 2 crets and My sions un ~~ derstood. ae 2 Fhe Not me Not me Who'd have guessed I'd throw my =~, Who'd have guessed he'd throw his teste) BbIF Inf. cnn Pye 138.ae “Not Me” (900), oO (adames) a Te world a-way— To be with some-one —ill_-my dy (Aida Amners) —=——. world a-way— be with some-one till his dy jing day— WH + AgPic a6 “Not Me" 91001 (shater) contnnes> icy 107, 108 100 (shaker) (i) (To 10) sug Safety (Shaker) Eng fin) > cup" cstgs") ast me p ee Et last x [Attacea “Elaborate Lives]PIANO/CONDUCTOR Radames Aida Elaborate Lives [9/00] Orchestration: Steve Margoshes [Cue] Radames: “Aids..GO” yh Syn") Kyts “Plano” Pyab 14 “Aida”Pic i] (voea a . “Lives” (8/00) Wild am- ‘our sights How an af-fir— of the heart sur-vives DaysPic + “Lives” F800), Seems quite liev-a-ble'to me Tdon’t want to live like that Seems quite un-be~ ai al | e) liev-a-ble to me I don’t want to love like that Tyust want our time to be—Pic + Lives" 8/00) Slo-wer and gen-tles, dil¢) Olle 510) gs (ore “Balafor) Gb (Ky Votes") ail in extravagant times. Play-ing t 6 Ky Warm Pad”) aw wi (ease) 14O O O ©) O O () * Lives" tr 8100) wwe can't all win Take some out— Tm so tired of all.Pic + we're go-ing through T__don’twant to (ste) Tuo») (Gtr 120/ Chorus) “Lives” (81001 live like that Tm so tired of allwe'rego-ing through. Tdon'twant to love like that Tjustwantto be withyou— - Now and (AIO) (Triangle) for - ever,2) ) > Se EE EY EEE BYE SE YS PE YE BY SS ES SB US SS SS Vee exy2"51907) -— ” “Lives” [8001 ‘This may not be the (a-ttap") (G12) e to tell you face to face But I could wait for- Forch| Cb b " * Socb] cb 147.Pic + “Lives” [8100] Radames: py -R, 76 % 74 —Bee,> for the perfect time and place. tempo . . such E-LAB-O-RATE LIVES. ——~_ such E-LAB-O-RATE LIVES ——_____ We don't (+ Ky °5H607) (+ Pere: “Balafow") “148Pic » “Lives” 18/0] whose words a Strang ~ ers, - bands, wives Hard to lov-ers, -149-Pic 0. “Lives” 18/00) who's lov ~ ing. who's lov - ing who ‘Too man-y choie-es Abmich o ‘Teo man-y choie-es tear us a-part Tdon't want to live like that tg6) «F08) -150-Pic tear—us a - part (Triangle) ( WindsiStgs) Ce Ky2s "Votees") dil¢) T don't want to love like that ‘May this con = fes- sion. “Isl ol! “Lives” [80] ‘just wanetotoueh your heart— = Dbadds olla] {To 10)start —= stare oun, -152- = 113 “Lives” (8/00) a 2) oO O oO oO oO O Oo oO oO (@) O oO (@) O Oo @) O () (@) Oo (6) (@) O (© ie Oo ie) O (©) ©) O () (=) oO () ) O () O Sy oO O e @See evuUueUuUL PIANO/CONDUCTOR 144A “Aida” After Elaborate Lives Orchestration: Steve Margoshes (Plano + Rhodes") . (Kya) ge Ut @(caitoy ow = a S Ole = = Call Fade on cue iS SSeS > Segue “The Gods Love Nubia” 153PIANO/CONDUCTOR 15 Aida Mereb Nehebka “eee The Gods Love Nubia fr 9/00) Orchestration: Steve Margoshes “Aida” Cue: Radames exits/Scene Change 2 (Susteto-tarp") > (Hn “tamentosordoloroso”) pp (Dalcimer’) 5A 58 soy Aids: = —— = Take me no oA Re st 154 on L sAereprerRaAronNo- my dreams re = cur-ring. ‘more taste of freedom Cheer fal ‘One more 1S5- “GodsiNubie” [9100] as a child-hood dance long ~ ing back-ward lance (Solo Hat)Pic * “"GodsINubia™ [91001 SS} T shall newer newer unvder~ stand Let me sway of sourber_mus-ie Nubian ‘Mem Nabi 3 esig6") © sieakin \o P slip in in-to the sweet-et cho-mus of that oth-er and Mmm———— Nubian mp. Mom —— Mom = Mmm (stots) -156-“GodsiNubie” fr 9100) gods love Nu-bi-a, the beau-ti-ful, the gold - en The ra-di-ant, the fer - tile, the np Niblans —— Hmm ia mp Faso) gen-tle and the blessed The pain of | Nu-bi-a is on-ly of the ma - ment The —_ 2 z * Hmm = Hmm Hmm “157“ " Oo 5 ) >: ON Ne ee the beawti-ful, the gold - The the beautiful, the gold - en the gold - en ‘gods love Nu-bi-a, the fbcawsi-ful, ‘¢ £ £ = The gods love- -Nu-hi-a, thebeaw-ti-ful, the gold - en (tnd 204) tnisige) & (chow) -165- “CodsiNabia” +900) radiant, the fer-dle, the radiant, the fer- tile, the ravdican, the fer tle, the ‘The radi-ant, the fer- tle,Pie a. and the blessed The pain of | Nu-bi-a “GodsiNubia (7 9100] is. on-ly of the mo ~ ment The SSS gen-tle and the blessed ‘The pain of | Nu-bi-a and the blessed the gen-tle sige) _ 2 a -166- and the blessed ‘The pain. of Nu-bi-a wow FT 2 is on-ly of the mo ~ ment on-ly of the mo - ment 2 ‘The The is only. of — the mo-ment £ (e (e ( C C c C G e C C C ¢Pic “GodsiNubie” [9100] the suf - fer-ing, the plun-dered, the op = pressed the suf - fer-ing, the plun-dered, the suf - fering, the) plun-dered, ‘The des-o-late, the suf - fer ~ ing, the plundered, the oppressed. The PT) TE TEEN EVEN ENS SAO OAS VUSVECIVOOIVI0090I5 VUOUT oN NS ee Nee 167.Pic gods love Nu- bi- gods love Nu-bi-a, gods love Nu - bi-a, gods love Nu-bi-a re out) F e have to keep be-liey ~ have to keep be-liev - have to keep becliev ~ have to keep be-liev - -168- seat-tered seat-tered scat-tered seat-tered GodslNubia” [7 9100) di-vid ~Pic a6 “Gods!Nubia” (900) we are still its heart Nu- bi-a, e- phem-er-al and fleet ~ ing we are still its heart The = phem-er-al and fleet - ing wwe are still its heart The} fall of | Nu-bi-a, e-|phem-er-al and leet — ing wwe are still its heart fall of | Nu-bi-a, - phem-er-al and fleet ~ ing ca WrFn Fl as. ("0h0ir) ers) | eam 169.Pic a 70 spir-it al-ways burn-ing though the flesh is corn — spir-ie always burn-ing though. the flesh is. torn spirvital-ways bur-ing though the flesh is tom tg '* s3 DS a spirit always bur-ing though. che flesh is tom a-part 9) E EGE Am oa ‘The _spir-it The spir-it The | spirit “Gods(Nubia” (9100) al-ways bum-ing though the al-ways bum-ing though. the al-ways burn-ing though. the] te 's sas ‘The spir-it al-ways burn-ing though. the ay E71GR Amte ree ee ei ee Pic a8. ‘Take me ‘Take me bg ¢ Orns) — “7. "GodsNubia” (9/00) in my dreams re- in ‘my dreams re in my dreams re- (Dr time) ig pads)20. “GodsiNubia” 91001, Pic Dictated n a A 7 0 One more long - ing back-ward glam One more long ~ ing back-ward cor-ring One more | long - ing back-ward £ cur-ring ‘One more , long ~ ing back-ward End Act “IT Cc ec ie Ic C C C C c c C ie ¢VE SEE ESE YEE ELEY EEE YE EE EYEE YE YEE YY YES PIANO/CONDUCTOR ’ Entr'acte (rao) Orchestration: Steve Margoshes “173 16 “Aida”PIC eons“ Strings) + “Entr‘acte”[r 8100) a A 2 3 2 e 2! D2 (+ Crotae/sus Cym) tle Cy rao") (Solo Hom) mf ‘Mp onely, desolate) Attacea “A Step Too Far” “4.tC) O O () PIANO/CONDUCTOR 17 C) Amneris fea “Aida” f A Step Too Far OQ {r 9/00) ( Orchestration: Steve Margoshes ( C ( (Stg0) He Fake min mcog) xy: “Plano"Gte 1) eb (Wocal 2nd X) $ z 8 Amnetis: o rie oe Bbsus BbIe 2 Step To Far” br 900), he doesn't show. = fection than he needs imer"> ) ys) woman yd ‘e) Ne-ver takes ro= man-tie Tends times— when I imag = ine— Pim not al ways on his mindthink ing Al-ways half AL ways half @ step be - hind eUEHstgs) o (4 Timbale, Brazilian style) (&y2: Pad continues) (Ky) “Step Too Far” (9/00) step be hindPic ev - ery kind of tou (Gera) 7“, stati, halt de-ject ble ef can’t you All in all tell just look at_me Pm all at sea “Step Too Far” [9/00] Radames: ueny ~ Eaegy terms— oOPIC = “Step Too Far” [91001 T thought 1 wan ted — Fill me now. with ehil-ling dread. You could— ne - ver ‘know the cha- 0s tumed_on_its_head turned on its headPic a “Step Too Far” [r 9100) Radames:_65_\~]_} =e oe a . oo ——e winasisie) ~~ Ky) ll 41! aii il = . be bo 62 tain that 1 love. him, but a Tove—can be— mis paved, — ioe minmoog") (+ Kya: Dulcimer”)Pic ” “Step Too Far” [00] 66 6 oa ‘com-pro-mised— my peo ple—— in my pa = sion and my haste— 1 could be oe {UNI aH all, 6 n his life com-pan = ion — An-y where. ‘but where we are—— 6 8tge) Ky “Min moog" continues) Dit I ke A STEP TOO FAl VOLE YVEVYUUEUEE EE VEE YOY EY Se YY BE YY YY SY YM YY YY YY 2) =) -181-Pie 8 “Step Too Far r9/00) Amnerie: A STEP TOO FAR? Ws so strange [7a] Moreat - fee - ton than he needs Al-most Aida: Tam cer tin that 1 ove him, but a Radames: - Pm in ev = arykind— of trou - ble can't you tell just look at me (8"Duleimer") 2 (+ Timbale) Db $ ror. FOF 182VEEL EEEEee ee eee Ye yy YY YY Sv YY 2) ) Ll for- mal, love—canbe— mis- placed, — times when ~~ sion and my be too respect = ful— * “Step Too Far” tr 9100) Newertakes—__ro- manticleads compromised — my peo ple hal deject - ed_— Al inal Vmall at sea 1) = stati, ways on his mind his Tite com -Pic ren think - ing what T'm, but where we are—— —— with ehil-ing. ‘You could = yer know OF a Mie “184. “Step Too Far” tr 9100) Al-ways ~ the cha - os —ae “Step Too Far’ (r 9100) 78 788 ret half a stepbehind a take ASTEP TOO FAR? Did Tike. — A STEP TOO_FAR?, (OF a life —tuemedon its head. ee a Aidstgy_ ~——— Radames: °. (+ Tambourine/timbate) (exhPic a2 “Step Too Far” [r9(00) Aida: [Amn Radas (27) a Ameri 186.Pic a “Step Too Far” [r 90], Amer: yvyv-wys es ‘Aida: YyeyyvyY Use vevvevyvYyvyyy LeU VoEVUEeY 2) o (Timp) -187-PIANO/CONDUCTOR 17A “Aida” A Step Too Far - Playoff (9/00) Orchestration: Steve Margoshes [Start bar 96] Sp _ M92 Fake Mii Moog”) 9 ( Fuetinlstge) G (ots) mfg (Kt: Piano”) yg") ys "5195" -188-Pie 2 “AStep Too Far- Playoff” (r9(00) 108, 109 110 a Voeve see e Uy se UY YY se [ne ) JU CUBVCLUUEUY COCOCOCCOCOCUCEUL -189-PIANO/CONDUCTOR 18 Aida Easy As Li 7 asy As Life Orchestration: Steve Margoshes Slow, colla voce z ‘Alda: mp This is the mom - eat when the Gods ex - pect me beg for help, But I won't e-ven ty I want noth-ing in the world but my - cp") mp cohPie 2 to pro-tect_ me, And I won't lie down, oy ) ) - ) ee & Ohm sige") VIS all Mp © Me-PpolDulcimer") i . , All I have to do is for-get_how much I "Easy As Life (8100) roll o- ver and 4. QC RO AON NO Oem Ream OCCCCCCCO0OCTOCROCLPie + “Easy As Life 8100) AIL T have wo do is put my longing w one side. Hy") Tell my - self that love's an e~ ver-chang - ing Faad®ia FIA Pas - sion would have cooled and all the mag - ie would havePic ey "Easy As Life” (8100) oS 8 ee ee (Piss Se") vu eS (Mare Sige") mf cm povoagitato eyo ec | cele eee | eee AIT have to do Mare sige") c (eBsDr) x0 Pea) © af “193 .Pic = “Easy As Life” (8/00) On those ver-y rare oc-ca - sions when he steals in-to my heart. ee bet-ter to have lost him oss) when the ties were bare-ly bind (tty "sigs" sob) mf -— —E- =Pie * Easy As Life 8/00) 8 40 50 Rer-ter the contempt of the fam-il - jar can-not start, ——— Gust crese. Un - tl 1 think a-bout him estes") af Pn") onl Co Cf fe ¥ eorob (Mare tgs") a r (ne) Be 7 -195-Pie ” “asy As Life 8/00) he was when I last touched him. U0¥Isi) af were I to be with him to day don't let up. They keep on sbaviob BePie + "Easy As Lif” (8100) ev-et want ~ ed 8g Bon) “197Pie x “Basy As Life 18/00) of life (PUOWnISe) Lf om abc Abmavic * csctretonisy ("Chimes") os V see the fae - es of a worn, deefeat-ed peop - Ie, Cones (sm) ahs tg om? f TT GeDrfi) Fn? (are ier)Vvyyyye yyw eUSYIYY Pie 0. Easy As Life" [i00) who won't let a cow-ard run — twin) = Ts this how the Gods ward the faith - fal through the owvies p Fore-ing us to proveaL “Easy As Life (8/00) that all the hard-est things we've done. though [ll think a-boot him (ii) (ete “Power Ste") IB, a7ausdl emu) till theearth draws in a - round— me, u08isige)2) =) ) d YoououveIudy ys FILS GFIG FAVE VGY CUCOU0D YONT FY FAL TE GK OG. J-UCLCOCCUCCU a “Easy As Life" (8100) though I choose to leave him for a-noth-er kind of this is no de-ni - al, no be-tray-al, but re = demp re - deemed in my own eyesPic a “Easy As Lif” (8/00) and in the pan-the-on. a) 7 labora! (Phas) (=Timp) erchines”)Pic ae “Easy As Life" 18/00) iol! ee eevoEitnsigs) GTeust Getimp) Dictated ‘molto ral. ous! (eve)PIANO/CONDUCTOR 18A “Aida” shes ‘Mf (aniky2: toms") @ass/ Getting) 7 c c ‘eee PEULELLULEYLEEULEUYUE EYE UYL PIANO/CONDUCTOR Zoser 19 Radames Priests “Aida” Like Father Like Son Cue: [Radames] *..never will be.” Wocals 2nd x only) (owruves oa)" a> elvis a) (Rep) eb ("Onktie) (Bs)Pic 2 “Father/Son"(r9(00) 12. dosers Don't ob (lavinet”) come on so cock - sure, boy You can’t es-cape your genes— No point in. feel - ing pure, — -206-Pic * “Father/Son”[r 9100) a Your back-ground inter - venes Listen good and— lis - (Analog Synth) wuive) Yusy af VE VEE EGE EEN EEUU Eye Ye YEE SY SY ten straight You're not the mas-ter your fate 29 2 3 eS To this you must be— re fath ~ You'll al-ways be yourers child — do= ing just what Td have done. ‘At times ac-claimed,— at times -208- an