The Humongous Guitar Songbook (Guitar Recorded Versions)

'\
All Apologies
Words and Music by Kurt Cobain
A
Drop D tuning, down 1/2 step; xo
-TFrlx
(low to high) Db-Ab-Db c' Bb-Eb taaa
TTl fl
t
1
IFI+N
Intro lll
Moderately i = 109
Gtr. 1 N_C_(D)
( acous. )
Gtr. I: w/ Riff A
End Riff A Riff B
nlp
let ring throughout
Verse
Gtr. l: s'/ Riff B (,1 times)
\c (D)
\\-har else should I be?

I wish I was like you.-
-
End Riff B
Gtr l
All - pol o-
eas - ly- a- mused.
@ 1993 EMI VIRGIN SONGS, lNC. and THE END OF MUSTC

All Rights Controlled and Administered by EMt VtRGtN SONGS, INC.
All Rights Reserved International Copyright Secured Used by permission
What else should I ry - one ls gay. _
Find my nest ry - thing is my fault.
-
What else
I'11 take
I don't have the right. What else should I

a qua sga - fbam shame. - Sun - burn. freez
o - gles. _
Chok - ing the ash - es of her
I
*Composlte ffiangement
----T- (Gtr. 2 cont. in slashes)
2nd time, Gtr. l: w/ Rhy. Fill I

o-_o ll
I tlltt / /
Outro
Gtr. l: w/ Riff A
Grr. 2: w/ Riff B
N.C.(D) *Gtrs. I & 2: w/tuffs A &B (4times)
All a - lone_ is
*Gtr. 2 fades out 4th time
mp-
all
-
I
Babe, I'm Gonna Leave You
Words and Music by Anne Bredon, Jimmy page and Robert plant
Moderately J = 134
Gt.iAm AmTsus4/G Am7/G DTEI
r r ( rr
r
Am7 Am7/G
Am7 AmTsus4/C Am7/G DTIFI
w/Rhy. Fig. I (2 times)

Am7 AmTsus4/G Am7/G
gon - na leave vou.
Am7 AmTsus4/G Am7/G D7lFI
- Dy, vou know
-
COPYTight @ 1969, '1975 UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. ANd SUPERHYPE PUBLISHING. INC.
Copyright Renewed
All Rights Reserved Used by permission
na leave _ you._
Ieave you _ when _ the sum- mer - time, _ leare vou *:re:i te sum - mer comes
AmllG
leave _ you when the sum - mer _ comes _

-
ilf
Am7 Dm(add9) Am7 Dm(add9)
a - long. _
Rhy. Fig, 2 _
I Am7 Dm(add9) Am7 Dm(add9) tend Rhv. Fig. I
AmTsus4/G
by, mm, ba- by I
Am7 AmTsus.liG .{m7lG DTIFT
wan - na leave you._ jok in' _ I've got

wom-an, to _
AmTsus4/C AmTlG DlIF)
oh, yeah. _
\r
10
wiFill I
AmTsus4/G D/F: . DTIF1
-1-
Ba - bv. ba I will leave vou. (I've) real - ly
!r
ram ble. _ I can hear it call - in' me _ the way ir

(PP:) (l can hear it
AmTsus4/G Am7/G
Dm(add9) Am7 Dm(add9t
Am7 Dm(add9) Am7 Dm(add9)
11
r A.n-add9 Dmt sus.i riA
AmTadd9 Dm(sus4)/A
AmTadd9 Dm(sus4)iA
Dm(sus4)/A
Am7/G D7lFT
Ba hv -.
Rhy. Fig .lA (Gtr. 3-elec.) I'm gon - na
(end Rhy. Fig.3A
Rhy. Fig. 3 (Grr. t)

(end Rhy. Fig. 31
*/Rh1. Figs. 3 & 3A (borh _t times)

Am AmTlG DTtpl
leave you
Am
--
Aml/G DTIFi
€
ba
know
Am
Am7/C
F
--1-
12
said don't you hear call -in' me the way it
(GtI. 3 out)
+Jta
7== =
w/Rhy. Fig. 2
Am Am7 Dm(add9) Am7 Dm(add9)
used to do?
Am Am7 Dm(add9) Am7 Dm(add9)
AmTsus4/G AmTlG
13
7,
Am7(sus4)/G Am7/G
D(add9)/Fl
I know I nev- er, nev - er, nev-er, nev- er, nev- er gon-na
DTIFi
3
leave you babe, _ go a-way from this place. _
14
Am7 Am(add6) FmajTlE E
got- ta quit you. _ ieah. _
--
Am
i?7
tl'l
w/Rhy. Figs, 3 & 3A (both 2 times;

Am Am7/G D7/FI
- -
a\
ba - by,_ ba by._
Am Am7/G D7/Fi
Don't you hear _ it call - in' me? _
Am7(sus4)/G Am7/G DIIFi F F,
15
Am(add6) D(add9)/Fl E
-3-
Wom - an. _ know
8t'a --------- ----N-'

AnA AAA,A
L3J
mp
full
/:l I full full full
Am7 Dtadd9t/F; FmajT E
-3-
good to have you back a- gain and i know that one day ba - by _ real - ly
G"-.-=-
16
Am7 Am(add6)
w/Rhy, Figs. 3 & 3A (both 2 times)
Am AmllG t-t.
Oh, my babe.
-3-
My' my, m).my, babe, I'm gon - na leave you,
Am Am7/G D7lF{
e
np
I
17
I
Am7 Am(add6) D(add9)lFl D/Fi
LJJ
full full
FmajT Am(add6)
So good, sweet ba b:. _
18
Dadci9'T:
It was real - ly, real - ly good. _
You made me hap- py ev-'ry _ single
*3) L3.: -3- 13- L3) -3- L3J

----r |!---.1 I l---l ll---<
I
I t---i I
r r ---{ I t---l
19
7
Am7(sus4)/G D]Ei
but now to go a-
(Gtr. 2 out)
,3
?t
tt a
t^
ml
-P
w/Rhy. Figs. 3 & 3,A (both 4 times)

Am An
AmTlG
Am7/G
Am7/G DlIFI
- -
20
E]
said that's when it's me back

-
:
€}
----/-
rC}
=- -
-{:}
BlmajT
(Gtr. 2 ou$
Am(add9)
21
Be All End AII
Words and Music by Joe Bellardini, Frank Bello, Charles Benante, Scott lan Rosenfeld and Dan Spitz
D5 Cs(tvpe
2)
B5 c5vrrr Bsvrl Ds(tvpe 3) Es(tYPe
3) C;5x Ff 5
FH+fi ffi'"ffi''' ffi* ffi"' ffi''' ffi'" ffi'*'m'"

Moderately Slow Rock J= 96
N.C.
Cello (arr. for gtr.)
t--___--l
s/.
s/. sl s/
pp<mp *pp<mp
PP-NP
+
Fade in w/vol control to simulate bowing, tflS'--_-----_--ll
Eb5 D5v Eb5 D5v c5
D5v F5 Esvrr I
F5
Gr,.W) ). .TTT
rGtr. II> >>>> J
>
Double - timeJ= 208

(Both E!
gtrs.)
5 D5 v Ebs D5v c5 D5v tbs D5v Eh5 D5v c5
I
/d.
>>
r
)).).)) d.
> )))
Eb5 Et5 D5v C5 D5\,

l
))) )
>
oth - er
a a-. -
'l
Copyright @ 1987 by NFP Music

All Rights in the U.S. Administered by Zomba Enterprises, lnc
22 lnternational Copyright Secured All Rights Reserved
Bbs As @ff""", @opcn @open
EF5'E5E
Bb5 A5 o, FsI E5 D5 E5
))))
>>>>
you'll know what to dr your face they
@onen
F5I E5 E F5I E5 D5 E5 Bb5 A5 Bb5 A5 G5 A5
Ftw.rTT
> s/. P.M.---- ------J
)))
>>> >
)
you.. . Take it. up their
@up"n @oepn
Bb5 45 G5A5 E F5'E5E F5I E5 D5 E5
>
) )
>
) >
)
gres - slon the screws.- Fight! Take your piece and
@onen @ "p.n ,(type 2) @open
rr
F5I E5 E
> s/. p.M.---
tT-.)D
F5I
)).))
>>>>
E5 D5 E5 G5E
,)//)
F5'
).4
C5 B5 E5E
hold it. Make your plece and
@open (type 2) @opeu @ op.n (type 2)

@open
G5E C5 E5E G5E F5' C5 85 E5

,Tn 85 E
,TT
F5r
> P.M.------J >

) E
> s/.
you know what it Wake
2)
(end Pre-chorus
@onen (type @up.n 3) l)
G5EFsIC585E5E Rhy. Fig I t P5r E5 F5I E5 D5(rype E5(tvpe
)
>
)
>
)
>
)
>
tlme to live your dreanrs. - Down law and they can't hold-
@ooen
F5I E5 p5(trce :) E5(rvpe 3) F5l E5 F5t E5 p5(trr3)85 (tvoe 3)
F5I E5 E
)
> >
I
,TD I ) )))
>>>
)r
> >
) >
) ))
>>
dic - tate and con - trol you. Hold on to your I
-F5r E5 F5I E5 D5
(type 3)
E5(type
3)
vlll B5vll
C5
o o
>
) )r
I
))
>>
))
> > >
de . Down law and no one owns-

@op"n
3)E5(type 3)
.w)
3)E5(tvee 3)F5l
E5 E F5I E5 D5(type E5 F5I E5 D5(type
)
> >
) ))) )r
I
) )
>
P.M.----------l
and all shit they've thrown- you
23
c5 vril
F5l G5 Bb5 A5 Br5 45
o
\>
bitch. Noth-ing's ev - er eas- y when you do it your-self._

-
lr
Bb5 A5
F5r G5 Bh5 A5 F5r G5 tsbs 45 Bbs A5
All you can do is try.- Life's not un - fair. life's- just li fe.
p1u. Chorus -
F5 I
G5 Bb5 45 Bb5 45 Fig.i ebs Dsv E'5 D5 C5 DsV
)).
>:>
.)
>
J. )) >>
lr
-€ €\ I
Death su I cid e
Be all, and you'll be' the end -
Er5 D5v Eb5 D5v c5 D5v Eb5 D5v Er5 D5V C5 D5V
)
>
!.
>
I I
) >
I
l
c.
I
)))
>>>
all. Life can real ball. State of mind.- Eu

-
,.. F5 E5 vil Eb5 D5v Er5 D5v C5 D5v
o o )!. rlll
/.///
> > > >>>>
pho n-a. Be all, and you'll be the end

Ebs D5v Eb5 Dsv D5v Eb5 D5v Eb5 Dsv C5 -
tt
C5 D5v
)
>
J.
>
lll
./lt/
>>>
))J. I )
>
Life of
ate of
State mind.-
2nd Verse
F {vtl
2nd tinte to Coda ;" w/Rhy. Fig. I @"pen
ril > Bb5 A5 Bbs A5 E G5 A5
Think_ your feet and
@own @oP"n @op"n

Bb5 45 Bb5 A5 E G5 A5 E F5I E5E E5 D5 E5
stay one step a
@upen
F5I E5 E D5 E5 Bb5 As
Take their mind and.. . Change at-tl
24
@,,1en @,,pcn
tst-s A-s G5 A5 t. Fsr F._5 l-_
Iikc you'd chilngr your sh orts. Right I In your ta cc thc)

-
@,,pcn (6)
@,,pc'r (type 2) "r.u
F5I E5 E F5I E-s E5 G5E F5r C5 85 E5 I:
scc rt. In thcir pace you. . Sta ntl up.

@,,pe n
(rrp('r) @"Pcn @,rpen (lt-pe 2) @,,p.n
G5 t. C585 E5 E G5 I: C5 B-s E5E
you knou, what it tI tln 5.

- Wakc Ilp.
@"1'tn (tl @"nen Coda F 5VII
tte 2 )
G5 E F5I C5 8.5 E5E D.S. al Coclu
+ $
\
tlDt c you r tlreanrs.-
c5 tss
N.C. Plut' J titrrcs G5 C5 85 N.C. (E5 )
ways wa)'s
't-
P.1\,t,- P.]!I
25
c5 85 (Es
C5 B5 N.C. (Es)
ways fak no way, no way,

> (Both gtrs.)
> Gtr.ll >
> >
P.M.- ---- ---- - ----- --l
FasterJ = 208
Guitar solo
L0)oPen @open
--E Dsv Esvrr-E
@up"n @rp"n
II- F5 P5v g5vti'E F5 p5v g5viip
.w
F5
Gtr.
Rhy.Fig.3 ,TT
> >> ,fm
P.M --^--J> P.M.
> >
P.M.--r
.rn.rrD
,.----) .t,o-.,
no way, no way_
>
@open @open @open

F5 E Dsv E5VIE F5 D5v E5vlI E F5 E D5v E5v[ E G5x
.TTN TTT
.-----, ) pu
.TTN )-TD .TTD
>
i...]__i;y;;., ''TT ",
A.!V\A^ A
>
A&\A.M
^
26
(end Rhy. Fie.3)
FiS w/Rhy. Fie. 3
: @open @open @ oPen
-\{&\{\\ F5
v\&\A -7 ' '
D5v Esvr@E"P"n F5 E D5v Esvrr E F5 D5v E5vtr E
>>>
@op"n @ open
F5 E
F5 D5v E5vu E >> >
2
Full Full p
\.\,t\\\^\!w^r/
F5I E5 D5 E5 FsI E5 FsI E5 D5 E5

.D'T P.M.----r =HP
I
tl
>>
I
tl
-P > I :=P3..
I
))
-H P-
) tlt'rJ
-_>P
: +-> r.e s/. >^
+.;
s/ )-
HP s1
c5vl
oF Full >o
B5 vrr
Full F:l
Fsi, P Es D5 purF5
,l*
Full
lr a
7 +
Full Full Full

HP
HP
*Overdubbed gir
Fs; Es @ ooen
E F5I PE5 D5 F5 F5' P E5
FsIHPE5
-1
t.
- s/.
P (2'::!^:::':^'!,L,, P HP
P P HP
P .s1.
c5vrii Full
Full B5vlt Fult Fr.rll Full I
( Both gtrs. ) /
->,'w
a* a
/* >
i +
l_
i=r' t-^ -r-rl
Full Full
27
@open
E tt,, ?t",,
D5 E5 F5I E5 F5I
Full
E5 D5
Full
E5
ir
P
i\
P
ir P
1\
P
---'._ A M4,!\ AAM
:>
Full
1\ P=P
let ring
Fûllp Full s
AA M MAtol PP
F5r E5 F5I E5 D5 E5
+T
B5vrt PH T PP TPP TPP T P TP P
AM il.,{ tx rJ{ lrH IrH T{ lrI,I}

sl t7u -J-
sI *TPH TP TPP TPP TPP TPP TPP TP H TPH TPH TPH
6
TP H TPH TPH TP
E5 .+<-c{
D5
;A {A:
E5
{ ri-I rJ-H -P H TP P TP P ,r-i

.- 5 66
lP H TPH TP TP TP H TPP TP TP TP H TP H TP H TP
-H\ -)
H H H P P
/-_\ H T
F5I E5 E5 D5 E5
-!=H rpH rp H r j--u r p H T.J-{ fr-!--! rA {. rt .-{.

)n.flr-\ai D..d-\l -tL -L4c ) rr
r r T,-{ rA PP
LA TP HT TP e---E_ T sl s/. A s/. !- slA
C5vlrl Bsvlr F5 E5vrr Esvn D5v E5vIl F5 Esvll tsdbl(.

8va---- ----------.1 Rhv. I
, I Pitch: Ff
)d.
r
Full Fie.5 ? ol.

'> :- 4 --Full >
I >-) >
>/
=-)IW loro
Jl' :-/
1"' a*,@ '/\Ary\^vv\ 4 i\A/\^
> > >>
-Jl
Ftll -rt--t...-...-.
A&\ AA AA.^,\ AAAAAAAAM
F5 E5vu D5v E5vn F5 E5vil F5 E5vil D5v E5vII G5x

) )
>Full >
)
>
)) .>.1. )
> >
)
>
0
>
= , Tuli :>
Full
> :> ,MÂÂ/\A A A^ >/_I Full
> >
0),rZ > I s/.
AAA AA\AAAAA
28
w/Rhy. Fig. 5 (2 times)
(end Rhy. Fig.5) p5 Esvrl F5 g5v[ DSv

-----
oh. oh. oh.

Full
- /W\&\^v\/\A AA\'\^/V\
Full
t
-
> ,/
oh.- oh.
Futl Full
oh.
Full A/W\A/\^yW\ A/\AÂ^

) /\AM/w\ /w\ /v\^w\ )
/VVVW\A/WWWV
65vrl D5v E5vlt Esvll D5v E5vu CSx
8va----
Full I 12 Full
A/W\^y\&W\/VV\Â
29
Chorus
wiRhy. Fig, 2
E b5 D5V
Be all. the end-

Ioco
s/. AA
E tr5 D5v c5 Dsv Eb5 D5v
Life can real State of mind.-

-
g5vlt Ebs D5v D5v c5 D5v
Be all, and you'll
E'5 D5v C5 D5V Eb5 D5v
State of mind.-
F5 E5VII
C5 D5
E5vrr
>
s o
> )
>
J.-----------
rit. -------1
Half-timeJ = 96
Cello (arr. for gtr.)
sI:;
s/.
*w=4f sl.
s/.
sl s/. sl.
*Fadc in w/vol. control to simulate bowing.
30
Betty Lou's Gettin' Out Tonight Words and Music by Bob Seger
Intro
Moderately fast ) =l7l
Gtr. 1 (slight {iist.) RhY. Fig. I
*Chord symbols reflect basic hdmony
Copyright @ 1980 Gear Publishing Co.

All Rights Reserved Used by Permission 31
I
Verse
Gtr. l: wi Rhy. Fig. 1 (2 times)
F
heard the news? It's al1 o - ver town. If you ain't heard it, boys, you
2. First heard the -ru - mor down on twelfth and Main. - The poor drug - gist, he was
Bb7
bet - ter sit dou n I gor the stor - \ here. it s hot off the press. _
go- in'in - sane. His \ruti is .ei - lin .r.rt like ne\ - er be fore.
-
Brace your - self, now, take a deep breath Grab a hold of some- thin'.
He fin' ly had to up and close the store. All the boys are get - tin'
hold on tight. j
- to Bet - ty Lou's- set - tin out- to - night.
read y fight. - j
-
32
Bet - ty Lou's get - tin out ro - night. Bet - ty Lou's- get - tin'
- - -
out ro - nighr. She was bad. Her ma - ma got _ mad,

- -
-
but now her ma - ma says All the boys are get - tin'
read-y and right. Bet - r\
Bet - ty Lou Bet - ty Lou.
"Gtr.2 Riff A
xHoms m. for gtr.
6,.. 1 Rhy, Fig.2

N.C.
Gtr. l: w/ Rhy. Fig. I (last 4 meas.)

C
, .1 ---
Shouted: What do you think a bout that, boys? _ Yeahl

-
End Riff-\
Guitar Solo
Gtr. 2 tacel
F
Gtr. iittrvr^ ns
5t,{>,[>
1
ebt
oh. _
loco
8va------- 2
Gr. 1: u/ Rny. Fig. 1 (last 8 meas.)

Bb:'
C
I
-- -------------->
)
Interlude
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 2: w/ Riff A Gtr. 3 tacet
F N.C.
Yes, it's tfue. _
Gtr. l: w/ Rhy. Fig. I (last ,+ meas.)

C
'--
Outro-Chorus
Gtr. 1: w/Rhy. Fig. I
F
our _ ro - night. _
36
but now her ma - ma says it's all - righL. All the bovs are
#-)
Bet - ty Lou's- get - tin
Gtr. 1: w/ Rhy. Fig. I (last 4 meas.)

C
Her ma - ma said that it would all right. Bet - ty Lou's- get - tin'
-
-
hold of some - thin'
Free time
Bet - ty Lou's
/
Black Velvet
Words and Music by David Tyson and Christopher Ward
,{5 Bi Em7 Am Faddg Csus2 Esus4 E7#gsus+
/_-a__-\ / /\ "ffi-"
a rx xo \ A
m.'ml''''
13 I 23
m,-
3111
iffi-'' iim".,'fffi'"ffi',,'
32141 312 333
Amtype 2 Dsus4 C C7
'ftrrlo #n vgo
ffiffi
231 1ll
ffi
"[TTT1'
LIAI
ff ff-n
ata
131,1
I
-l-
Moderate Rock . =92 (. . - ,.')
*Em
"!f '
xChord symbols reflect implied hamony.

** w/ad lib. whispering, next 3 meas.
3 --1.
-1<
U2
r- J- r -j--
Verse
N.C. (E5) rr-- Tr --__1^-j ,l.--{.---.....-:.
-J-
l. Mis - sis - sip - pi in the mid - dle of a dry gers on the

End Riff A
-
o 1e8e EMI BLAcKWooD.MV.Slc.^(9.AN4PA)_L]-D., DAVID rYSoN MUSIC, BLUEBEAR WALTZES and ZOMBA ENTERpR;SES, tNc.
All Rights for EMI BLACKWOpq
lvltlslg.(q4f4P4),lP-."nd DAVID rvsOtt wustb controtted ano nominisiereo ny rvr em6xwoob'Muslc
All Rights for BLUEBEAR WALTZES Controlled and Administered by ZOMBA fNffnpClSES, tttC.
rr..rc
38 All Rights Reserved lnternational Copyright Secured Used by permission

J---
-l- -J---t
Vic - tro - la up high. Ma-ma's danc in'- witha ba - by- on her shoul-der,
-
t=*=_--r
P.M. - l P.M.
rake I
I-.---3 -----. r3-

-J-
the sun mo - las - in the That

- how
is like ses sky. boy could sing, knew to
- -
- - Rhr. Fig.1
,-1._\
, J .
J
-J-
bFl--.Ir-:-tr
ev -'rv - thins. he'11 leaveyou long-ing for
End Rhy. Fig. 1
3 ?
Chorus
Am Dsus4
J--
and that vel with that

I Dsus4
rJ-
;--J-l^t_-:-.=_-
slow, South - em style, A new re bring you to your

-
B7
:--\-J-
-l-
black vel vet, you please.

!v!!vrt!!!t!
Verse
Em
Pre-Chorus
Gtr. 1: w/ Riy. Fig. 1
Bsus4
J--
-J- -J-
in the The way he moved 1\5 so sweet and trug. _
Chorus
Gsus4 Am rJr
+-C
-J- -i--
AI - rr a1 s want - ing more. :rril ion-s - ing for- black vel vet and that
lit - tle bov smile, black rel with that South-ern style,
-
Dsus4 D R7
-J-
F'l^r-:-- ,\
+2 ,.--------\"
-J-
A lig - ion- bring you to your knees. black vel if you
41
+-+-
-l-
please, -'ry 'ry

Ev word of ev - song
Gtr. 2 (elec.)
* Kybd. an. for gtr.
OHJ
that he sang- was for you,_ hoo
=^ )-lu----,
l-) L- 1)>
-a.-r
B
@s r,
o.
In a f'lash,, he was gone, _ it hap - pened so _ soon. _ What could vou
--€>
Guitar Solo
Gtr. 1: w/ Riff A (7 times)
n-l n^!,-_,
Esus4 E7#9sus4 E7#9sus4
='-..--_, n_^1,__
/:\^
Esus4
^) ;ê'-r I l-a--_l
Chorus
Gtr. 3 tacet
ETfgsusa Amtype 2
l-
/ /ô o Gtr.
Rhy. Fig.3
I O
-
.f,o.
:t
Rhy. Fill 1 End Rhy. Fitl 1

Gtr. I
Dsus4 F C
<> o o
43
;'r;^5--i-- J
A new re - lig - ion_ that-'ll bring you_ to your knees, black vel
'

Am Dsus4
J_
xz1\-
Black vel - vet and that smile.
.€-
_:
black vel
A new re - lig - ion_ that-'ll
Gtr. 2 tacel
Dsus4
!_-i-^>_-!=__-J ___ __----\ -,.1 :-..

r \-J-
-J--
brins
black vel
wL? ]
Outro Ctr. 3: u/Rhy. Fig.4 rJ timest
Esus4 E7#9sus4 gz#9sus4
n^l
Rhy. Fig.4 End Rhy. Fig.4
)
? l)-o
you please.
-
z---
-3-
>z---
E#9sus4
'-- Ii:
please.
\l-,,1 -
rJ-
-J-----
--_ /
-J-
hmm, hmm.
Begin Fade
hmm, - hmm, hmm.

fow
rir
fuw
Fade out
L-===_-J=l
P.M. -- --------- --l P.M.
rake I
Blaze of Glory
featured in the film YOUNG GUNS ll
Words and Music by Jon Bon Jovi
Dm
g
C G
ooo
F D
,!L
Dsus4
xxo
G5
xxx
D5
ffi
FFFFH
IEft]
FI+H]
32 1
H+H
++tN
2t3
JTTlzl
F&t?l-l
t++Hl
++H
++Hi
131
ffiffi
r-T--F
] rl
r--TT]
13,1
THii'u
H+FH
r33
Gtrs. 1, 2 & 3; open o rtl]",
O=o @=o
@=o @=o
@=o* @=o
Intro
ModeratelySlowJ =79
N.C. D
@
cr-:"T-
rdr:: nf
Gtr.2 (acous.) Riff \
(w/ wind & cymbals) rt ,r
TAAAAA'T )'+ ++
i'|l/t/i<!f+ ^ a^,t
{t Lg, {} e
*f w/ dist
tull
t,.l
^,f
aA,iA A't
Copyright O 1990 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, lNC. and BON JOVI PUBLISHING
All Rights Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING. INC
All Rights Reserverd Used by Permission 47
D
@
open
o
I've got an
W w/ oshde
God knows where I've been._

-
Gtr. 2: w/ Riff A, 2 times

ACDF D ACDF
@@@@ @ @@@@
open 3fi open 3fr open open 3fr open 3fr
)^) )^) o' __--_l )^) )^)

-- -
a can - dle in _ the wind.
letring- -l letring _____l

Yerse
Gtrs.1 &2tacet
D Dm C
@
open
ofto ,^:;o,".,J/ryp
/ / / /-
2. When you're brought ln to this world, they

ask a boutmy -
con - sience, and I
Gtr. 2: w/ Fill 1. 2nd time

Em G Dm
say you're bom in s1n. _ Well. at least they gave me some - thing, I did-n't have to
of fer you my soul. - You ask if I'11 grow to be- a q ise
- man. ask if I'll
Gtr. 2: wi Fill 2. 2nd tme

I)m F
steal, - or have - to win. Well. ther tell me that I'm want - ed, yeah,
grow o1d. You ask me if - I've known love. -and what it's like to
-
C G
) ) )
I'm a want ed man. _ I'm a colt in your sta-ble, I'mwhatCain was to A-ble, mis-ter,
sing songs in the rain. Well, I've seen love come, I've seen it shot down. I've
49
Chorus Gtr. 5: ul Rhr. Fill l. lnc iime
Dm
n)
G D
Rhy. Fig. 1
) ) D DA1
catch me if can. - I'm go-ing I
seen it die- - Shot down in a blaze of glo Take me
t
Gtr. 5 (elec.)
f w/ dist
Gtr. 2: w/ Fill 3. 2nd time
nD-.fm
G D Dsus4 D
)
'----
N^'T'T DD^N )
_,---,.-.--\
go-1ng out
I i,'
but know the truth.- u utu,.
'Cause. I'm go-ing down
50
Gtr. 2: w/ Fill 4, 2nd time
C
fnn^fTD /
Andlord, I nev-er drew first, but I drew first blood,l* l: Call me Young
-
End Rhy. Fig. 1A
It. llz
Grr. 2: w/ Riff A Gtr. 2: w/ Riff A, 2 times
Gtr. 4 tacet Gtr. 4 tacet
D D
@ @
open open
Gtr.3 O Gtr.3 o
51
Guitar Solo
crr. 5: w/ Rhy. Fig. 2, 3 rimes
Gtrs.2&3tacer
G D
ct..4
/
I
n-,rTT ) X
j ,
/-/ / /
i-
1) / cont'inite
fwl slide
i
' 'AAAAAI
Gtr. 5: wi Rhy. Fig. 3

F
aA'tÂÂa
+bar flutter
D5
.n-) ) 'D^)
52
Gtr. 2: s'/ Riff A. 2 times
Gtr. 4 tacet Gtr'. 6 tacet
G N,C.
8ia----------
iÂ,i,i,l|,.t a^,.t A Aa
d-:i k .a
)rQ
itlltll,lr,.lA,.l,.l,.lA
^^,!
!tÂAâA^'t
'---.+\---
Verse
4.Each night I go to bed, I pray the Lord my soul to keep.

- No, I ain't look-ing for for-give-ness, but be -
*Chords implied by kybd
fore I'm six feet deep. I got to ask a fa vor,
tived life to the ful-lest, let this boy- die like a man. Star-ing down a bul-1et, let me make-
Chorus
Gtr.4 & 5: w/Rhy. Figs. 1 & 1A
G
down in a blaze of glo Take me but know the ffuth.- I'm go-ing
-
:t \/ \'-
out in a blaze ofglo-ry. - Lord. I nev-er drew first, but I drew first blood, and I'm no one's son.- Call me Young
53
Grr. z tacet
D
I'm a young gun. Young

- Yeah.
Rhy. Fig.4A End Rhy. Fig.4A
Outro
ctrs. ,+ & 5: w/ Rhy. Figs. 4 & 44 Gtrs.4.5&6tacet
DC D
@
open
Gtr.3 o
Yeah,
- yeah,yeah._Young Gun
trtl l !a^
a-\ *ii
w/ slide
a
^^f
D
@
open
o-
t't^'
letring - - - - - - -..1
54
B.Y.O.B.
Words and Music by Daron Malakian, Serj Tankian and Casey Chmielinski
Drop D tuning, down l/2 step:

oow to high) D,At-Db-Gb-Bb-Eb
Intro
Fast Rock .l = 160
*D5
Gtr. I (dist.)
"Chord symbols reflect implied harmony
Double-time feel
Gtr. 1 tacet
E5 F5 G5 D5
\-ou I
I1-c-
\.-= = ..---
-:' :l:i lffangement
G5 F5 E5 D5 E5 F5 G5
End Rhy. Fig. I
+== T=
.++ \!
r i ;^:s rn beharf of sony/A?vpdiFi:?r?xi3?;lx{3lx Bi!%""i,'^"rn$Rff"r"3Hfi3:*i,i#i';ll-= ,,,.=,

lnlernational Copyright Secured All Rights Reservec 55
End double-time feel
Ctrs. 2 & 3: w/ Rliy. Fig. I
D5 E5 N.C.
Shouted: Why do they al - ways send the poor? _
Verse
Faster . = 203
D5 F5 E5
1. Bar - bar b'ras with
Rhy. Fig,2 End Rhy. Fi-e. l

Gtrs. 2 & 3
Gtrs. 2 & 3: w/ Rhy. Fig. 2
D5
to-rr-ous nes kneel fbr brand spank - in deals.
March rng hlp

Rhy. Fig.3
Gtrs. 2 & 3
-==
\J \=== ===--==
\_=- \_== \_== \===
===T=_===--==
\-== \_== =--T=
'-9= \_i !1
D5
A J
You de-pend ouf_ plo-tec
End Rhy. Fig.3
--+ -
\i \ \_. \J \-! \-. + -t
+\J
P.M.
E5 F5 G5 F5 E5 D5 E5 D.i C-<
-=:a=
-=T=
P.M
F5 E5 D5 G5 A.5 Bb5 .\,i ci F-<
---,' \j -J \--- \,,' \_'-

slight P.H.
1ll
ry - bod
++-
+++
r
G5 A.5 Bb5 45 G5 F5 G5 F5 E5
End Rhy. Fig.5
\,,' t\--l-\r,'
\,--\rr' \i
slight P.H.
tll
RI1-. Fill I
Gtrs. 2 & 3: w/ Rhy. Fig. 5 (1st 4 meas.)

D5
in' des - ert, sun
End half-time feel

G,s A.5 Bb5 A5 G5 F5 G5 F5 E5
\-.--
shine.
Rhy. Fig.6
End Rhy. Fig. 6
Gtrs. 2 & 3
-
+
=- ---*
slighr P.H
I
ft verse
D5
2., 3. Kneel
dry mouth.
58
Gtrs. 2 & 3
\J \. \r \J \.. \1 \ \-== \ \J
Gtrs. 2 & 3; w/ Rhy. Fig. 2 (2 times)
D5 F5 D5 G5 F5 E5
dripped free - dom
le - tion.
Interlude
Half-time feel
Gtrs. 2 & 3: w/ Rhy. Fig.4
F5 E5 D5 E5 F5 G5 F5 E5 D5 E5 D5 C5
ta - ble-cloth.
F5 E5 D5 G5 A5 Bb5 ,{5 G5 G5
La. Ia, la, 1a, la, la. la, la, la, 1a, oo.
59
Chorus
Gtr. 2: w/ Rhy. Fig. 5 (3 l/2 times)
lst time, Gtr. 3; w/ Rhy. Fig. 5 (3 1/2 times)
2nd time, Gtr. 3: w/ Riy. Fig. 5 (2 3/4 times)
D5
ty. have
G5 ,{5 Bb5 A5 G5 F5 G5 F5 E5
mg
G5 A5 Bb5 A5 G5 F5 G5 F5 E5
2nd time. Gtr. 3; w/ Rhy. Fi1l 1
G5 A5 Bb5 A5 G5 F5 G5 F5 E5
To Cotla $
znd time, Gtr. 3: w/ Rhy. Fig. 5 (1st 4 meas.)
srt, _ sun
End half-time feel

Gts. 2 & 3: w/ Rhy. Fig. 6
D5 C5 45 Bh5 A5 C5 F5 C5 F5 E5
shine.
60
Bridge
.l = 160
Double-time feel
G5 A'5 G5 A5 C5 A5 Bb5 A5 G5
T./+ +
=_
Gtrs. 2 & 3: w/ Rhy. Fig. 7 (21/2times)
G5 ,A.5 A5 Bb5 A.5 G5 A-5 G-< .{5 45 Bb5 45 G5
live in a-
G5 A5 C5 A5Bb5A5G5 A5 G5A5 C.< A.5 Bb5 A5 G5 A5 G5 A,5 C5 A5Bb5A,5G5 A5
Rlasl
G5 A5 C5 A5Bb5A5 G5 D5 A5
-----.....----_ \ --'---..-------_\
+-- -2 1- l J^J ))
-\
you? Where the luck are you?
(You. Where the tuck are you?
Rly. Fig.8 End Rhy. Fig,8
51
I Gtrs. 2 & 3: w/ Rhy. Fig. 8 (3 times)
D5 Bb5 D5 Poi
,-'----}--
J J_J I1
Where the fuck are you? Why don't pres - i - dents fight the war?_
Where the fuck are you?)
Why do they al - ways send the poorl _ Why don't pres- i-dents fight the war? _ Why do they al - ways send the poor? _
N.C.
Why do they al ways send the poor? Why do they al - ways send rhe poor? Shouted: Why do theyal-ways send the poor?_
Grs.2&3
*.1
= 203 at D.S
$coau
,=160
Double-time feel
Gtrs. 2 & 3: w/ Rhy. Fie. 8 (3 l/2 rjmes)
D5 Bbs
you? the fuck you?
- -
Why don't pres - i - dents fight the war? _ Why do they al - ways send the poor? _ Why don't pres- i - dents fight the war? -
62
Why do they al send the poor?
- whv do they al - ways the poor?
-
Riff A End Riff A
Gtrs. 2 & 3
! \J ==
End double-time feel
+Trem. pick in sixteenth

note pattem, while
sliding down.
Outro
Gtrs. 2 & 3: w/ RiffA (3 times)
A5
they al - ways send
al - ways send the ways send the poor?
Grs. I & -l
Cause We've Ended as Lovers
Words and Music by Stevie Wonder
g5 vItI
FmTlv Ablc Cadd9/Bb
add G @ l5fr. Abmaj7 add F @ lfr. add G @ 3fr. add Bb @ Orr.
w/R.H. (no 5th)
x
w/R.H.
xx ^."
w/R.H. Am7+5 fiR.H. Cm7 AbnajT FnrT
*fH*"'
ffi". iffi"* ffirzr,. ffiru. ffi'u
tlttil
2lr 'iliit tTEr I 442 ffi
Csus4 C C5 Cm9 GmajT Csus4( b6) D/C or DIC tsb7
ffirt.
ffi ffir" ffi," ffi"
[E] 8rr.
ffi'" ffi'" ffi
' lil'l
(2) ffi
Additional Chord Voicings
_ Cm7 Abmaj7 Fm7 _ Cm1 Fm7

@ffi'" C5
@ Grr..
AbmajT
Er6ar,. tfuro.
C5
ffi'' m'" ffi", H#

r 3l4r H+H
43111
Wit
fu;ror'.
FFI+H .LH'#
r+uti
Free tirne
c5vIII AbmajT(no 5th) FmTIv AblG Am7+5 Cadd9lBb
Fuli Full lY, Full
release
Intro
.{>\ -Jrow €
Pffi sim.
,ru(silent
attack) Full
Adagio J = 58 (Half-tirne feel)

Cm7 Abmaj7
Full
-A Full
------l
(slieht vib. ) llz
(Rm7)
^\.
(slisht vib)
@ 1974 (Renewed 2002) JOBETE MUSTC CO., tNC. and BLACK BULL MUSTC
c/o EMI APRIL MUSIC lNC.
(Cm7) AbmajT p
_3_
.1 Â-r
,s/.
(cs)
,s/.
(slisht vib.)
t
t "f
Abmaj7
t12
65
DIC Fm7
Full
(slisht vib.)
Csus4(b6)
Full
slow release
Full
66
Csus4
Full
I -- - * - -
/
/--,,-',,.---,-....-'- . --..-----------. -z---:
(slisht vib. )
Cm7(9) rp l2
---.-1 l-\
(AhmajT) Fm7
112
nyf Gnangepick-up)
Csus4
Full
r
112
rake
I
(8th fret) I
67
(Cm7) AbmajT
,-3- >
Sl'(rrr
ls/. 2nd fin. for sl.)
not
picked
I
f w
I
^t/.
Fm7 Bb7 Csus4(b6)

Full
slow release
Full
68
(c)
Full
-A sr
I
not
picked (slisht vib. )
lnurr Full
.r/. t- - *-
Full 97.
FnrT Bb7 Csus4

Full
non vib
Solo
Cm'7 v
H --^,* )
I ,S/. P
I
p
not
icked ff
AbmajT Fm7
ty,
Full F\|II tlon vib.
I
non vib.
I
69
(Fm7)
st;
Guitar I
Cm7
Guitar II tl2 l l1
(overdubbed)
/\ h
112 t12
(AbmajT) Fm7
ff..*
70
Guirar I
Gmaj-
A.H,
*tr(i)* (l5ma)
,s/
-- 0+
,
,S/.
e tr (b).,.- ,s/. A.H.

-.y!a ^^^^+^c ,
sounding
pitch: Bb ^S/.
Full
I s/. ,- 3.
AbmajT
Fm7
Full
Full Full
Yr1"' ./ '(2
(Fm7) GmajT
Full Full
71
I
Cm7 AbmajT
FulI non Yib.
nn-n---
slow release
Full
ff I ottn
uuu non vib. Full
(Atmal /)
t
-3-
HH
GmajT
(Cm7) Abmaj /
72
(AbmajT)
l% Full
sounding
pitch: E
PH
(one pick) (pass last fret)
Abmaj7
P
HP HP
/-...:\
J 13- *3-
v L3J
-J- -3- -3_
HP HP HP HP HP HP HP HP
-
73
(Fm7) GmajT
HP H 31- -J-
l--ba
-\---J./
,s/.
I
I
rl2
/-\
-/\
P
Full
(AbmajT)
Full
(one pick)
FuII FYI
C5 DIC
Ful
t-
^s/.
slow release
non vib.
P HP
74
(D/C)
Csus4(b 6)
R,*P
Csus4 C
Full
ty,
I
75
Fm7
.s/. ,s/.
=I
-3-
(slisht vtb.) ,rf
.t/, .t/. ,t/.* P
C5 cm/
8va- - -
Fuil Full-----r Full
Full
HP
,ffi'gf
Full
HP HP I
(Fm7)
/i
76
Cold Hard Bitch
Words and Music by Nic Cester, Chris Cester and Cameron Muncey
G
ttlt
J rT r-a
E11+
21 31
Intro
Moderate Rock .l = 126
A5
Gtr. 1 (dist.)
-€>-'--/
>=--
f-
DslA A5 T)i/A A5 D5/A

Rn1. Fig. 1 End Rhy. Fig. 1
Gtr. 1: w/ Rly. Fig. I (5 times)

*A.5 A6 A5 ,4.6 A1 A6 A5 A6 A'5 A7 A6 A5 A6 ,A'5 A.6
Gtr. 2 (dist.) PLay 3 times
nyf grad. cresc.
+Chord symbols refer to Gtr. 2 only
Copyright @ 2003 by Get Jet Music

All Rights Administered by Famous Music Corporation
International Copyright Secured All Rights Reserved 77
D5/A G
co.r1>'.-
,'-*'-.-
q+'
Yeah,
Rhy. Fig.3
'==-==
g-
+ ho-.--
r=-=
End Rhy. Fig. 2
icont. in s1ashes.l
^J_.-_ (cont. ln notatron l
.-\
78
A DslA A
v
lt2
ff v".r"
A N.C. G5 DIA
l. Got - ta leave town, got an - oth - er ap - point - ment

2. Gon-na check her out, she's my lat - est at - trac - tion.
Gtrs. I & 2: w/ Rhy. Fig. 5

N.C.
Spent all my rent, gir1, you know I en - joyed ll. )eah!

Gon-na hang a-round wan-na get a re - ac - rion. r eah I -
_son - na hang a - round ti11 there's no-bod-y danc - ing. I don't | .nn - nn hold hands and talk a-
Gon - na take her home 'cause she's o - ver ro - manc - ing. Don't )
79
G5/D D5 c5/D D5 G5, D D-i G-i D D5 G-< D
ro Coda S
me. Cold hard
End Rhv. Fig.6 Rhy, Fig.7
hips. well, that

-
End Rhy. Fig. :
D.S. al Coda
Grs. I & 2: w/ Rhy. Fig. 4
A
$coau Gtrs. I & 2: w/ Rhy. Fig. 6

A
she was sha-L- in hips. well, that was

-
Gtrs. I & 2: l/ Ri1. Fig. 7

A
-
wait - ing, give Cold hard bitch. Just a kiss on the lips and I was on my knees.
-
I
Yeah. I'm
End Rhy. Fig. E
Gtrs. I & 2: w/ Rhy. Fig. 8 (3 times)
G5 D5
Yeah,
-
Yeah. ['m \\ alt
A5 46 45 A1 A'5 A.6 A.5 A6 A7 A5 46 ,{5 A7 A6

Rhy. Fig.9 End Rhy. Fig. !
82
Ctr. 2: w/ Rhy. Fig. 9 (3 times)
A.5 A6 ,A5 46 A7 A'6 45 A.6 ,A5 A7 A.5 4.6 ,A5 4.6 A7 A.5 ,46 45 A7
Gr. 1: w/ t{h!.. Fig. l

,A5 ,46 ,{5 ,46 A7 A5 4.6 A5 A7 A.5 ,{6 ,A5 A6 A7
P.M. --1 P.M. --l
Gtr. 2: w/ Rhy. Fie. 3
\ eah:
-
.-/'-\
Chorus
Gtrs. I& 2: w/ Rhy. Fig. 6 (3 times)
A
Cold hard Just a kiss on the lips and I was on my knees. glve
-
G G5
Cold hard bitch, - she was shak-in' her hips,- we1l, that was all that I need. T'm wait - ing, give
Cold hard bitch. Just a kiss on the my knees. mg, glve

f-t
me
-
83
Gold Shot
Words and Music by Mike Kindred and Wesley Clark
Tune Down l/2 Step
@=er @=or
@=eu @=ar
@=cl @=Er
lntro
ModerateShuffle ) =120 tJ-J=J )l
N.C. (Am7)
Gtr. I V 5 V -v-j
(enter band)
picking cont. simile
Verse
N.C. (Am7)
r__J___r
1. Once was a sweet thing.

- ba - by, we held- our- love
2. Re-mem-ber the way_ that _ you loved me, you'd do- an- y-thing
)
P.M 2nd time
^f
Copyright @ 1984 Hard Case Music

All Rights Administered by Chrysalis Songs
84 All Rights Reserved Used by Permission
?._ Am N.C.
t- -l
-
And now- I to kiss your - my touch _ don't mean a thing._

And now_ I you out some - you won't give me the time of day._
ff cno*,
(Am7)
(Dm7.1
rJ--rr-J----r
And that's a cold shor. _ ba - by, ] eah.

-
that's a drag.
And thar's a cold shot, _ darl - in', )'eah. that's a drag.
ba - by, ) eah.
- that's a drag.
- 8ya - t ktco
t^ 3
â
Gtr. l: w/ Fill l, 2nd time only

(Dm7) E7#e
r-3---rr-J-r
--{=-J---r -l--4-
A cold shot, _ ba by, I let our love go

n' that's a cold shot, by,
n'that's a cold shot, -_
ba we've
- - let our love _ go
ba by, we've let our love _ go
- -
3
=>
85
l'.
To CodaS
Guitar Solo
N.C. (Am7)
)n
-J------
l3l
| ->n
-J----r
JI
*T 1/? zutt
4l't
'!
>n
lJl
(Am7)
-3-----r
U2
-)
86
N.C. (Am7)
-l
r/4
I/2
)
^CCCC C J
letring----I rake- -l
hold bend
tult
87
Verse
Am N.C. AmBm Am N.C. ;- j ____.1 Am Bm
r-J--r i-J---t ----\
3. I real-1y meant I was sor you paln.

-
Am N.C D.S. al Coda
You showed your pre- ci out an-y-way._ And that's a cold shor
88
shot.
-
E7l9
Spoken: Don't let our true love run cold.
Oncue: Oncue:
.,f,--^ l
89
Crawling
Words and Music by Rob Bourdon, Brad Delson, Joe Hahn, Mike Shinoda and Gharles Bennington
Drop D tuning down one 1/2 step:
@=ob @:ct
@=Ab @=Bb
@=ol O=Bl D5 Bb5 F5
ModeraterockJ=105
Intro:
Synth.
ffim* ffi ffi*m^1il lll lll
RitrA
nl
end RifrA
D5
Gtr.l (clean-tone w/chorus, reverb, &
*f
RifiB
Bbmajg c$1rr; D5
xg:{?;,
Rhy.Filll---------------------r D5 F5
)-)-=-J-)
-t Bbs
Gtt,Z ., I Rhy.Ifg.l
(w/dist.) ' o
*/.
end Riff B crawl mg- m my_ skin,-these wounds.- they_
Gtr.3 (w/dist.) Rhy. Flg.1A
*Volume swell.
Copyright @ 2000 by Zomba Songs, a division of Zomba Enterprises, lnc., Rob Bourdon Music, Nondisclosure Agreement Music,
Big Bad Mr. Hahn Music, Kenji Kobayashi Music and Zomba Enterprises, Inc.
All Rights for Rob Bourdon Music, Nondisclosure Agreement Music, Big Bad Mr. Hahn Music and Kenji Kobayashi Music in the U.S.
Administered by Zomba Songs, a division of Zomba Enterprises, lnc.
C5 A5 D5 To Coda&
end Rhy. Ftg.l
.,- )-)-----) J,.........-,,l---J-)---

he - al- Fear is how con - fus ing- what is-
endRhy.Fig.lA
Gtrs.2 & 3 tacet
ry/Rhy.Iin l(Gtr.2) To Next Strain

C9(11) (ToVerse:)
91
Verse:
all Gtrs. tacet
N.C. D5
l. There's some - thing in - side me that pulls be-neath the sur- face, con-sum - ing,_
2. Dis - com - fort end - less - ly has pulled it - self up - on D€, dis-fract - ing,_
(Wispered:) Dis -
c$(11) A5 D5 BbmajT
con - fus ing- This lack of self con - trol I fear is nev - er end - ing,
re - act ing.- A-gainst my will I stand be - side my own re - flect-tion.
t*rt-ing. (Whispered:) My own re
Pre-choirus:'
con - trol ling.- I

It's haunt- ing how- I to find my - self a - gain;-
flec ' tion, it's haunt-ing.
Dsus/C
With-out a sense of con - fi - dence- I'M

Dsus/C
way be - fore,- soln-se-

dFllt 1 (synth.)D'S'X al Coda
dRhy.Fill.3 (Gtn 3)
a-
Rhy. Ftll2 Rhy.FlIl3
92
0Coda dRhy.Itg.l (Gtr 2) 2 times
C5 A5 D5 Bbs
re - al. ing- in my_ skin,- these
,,....-
dRhy.Fig.1.A(Gt 3)
lv/Flll2 (Gt I)
c5
fall,- con - fus con - fus
93
Outro Chorus:
dRifrA (Gt I) 3 tbnes
dRhy. Fig.t (Gtr.2)
dRhy.Ilg.lA (Gtr.3)
D5
There's some- thing in - side me that pulls be-neath the sur - face, con - sum ing.-
dRhy. trtg.1 (Gtr 2) lst 3 bars only

w/Rhy. FIg. tA. (Gtr.3) lst 3 bars only
A5 D5
fus - ing- what
This lack- of self con - trol I fear is nev - er end - ing,
dRifrB (Gtr.1)
F5 c5 A5
/A
)\)-=-/ -
d.
/:\
Con - fus ing what real.
con- tol ling.-

Gtr.3
*dsound effects
(approx.7 secs.).
94
Dammit
Words and Music by Scott Raynor, Mark Hoppus and Tom De Longe
C Dsus4
/g-\
Csus4 C5
Intro
FastRock .=215
ffiffi
"g
32 1 3 I
ffi
43 I
FTTTI
hlFHI
+++ll
114
N.c.(c5) (cs) (Fs)

3["i,
Riff A

Gtr. f C5 G5 {5 F5
'
elec.) Rhy. Fig. r
End Rhy. Fig. 1
ffv..."
Gtr. 2 tacet
C5 F5
1. It's al right to tell me what you think a - bout- me.

2. The steps that I re - trace, the sad- look on your- face.
3. See Additional Lyrics
End Rhy. Fig.2
+
P.M. -- ----l P.M.--------------- l P.M. --------------l = P.M.---------------- l
O 1997 EMI APRIL MUSIC INC. and FUN WITH GOATS

All Rights Controlled and Administered by EMI APRIL MUSIC lNC.
All Rights Reserved lntemational Copyright Secured Used by Permission 95
I won't try to ar or hold- it you.
The tim -- ing and struc Did you hear? her.
-
Gtrs. I & 2: w/ Rhy. Fig. l, 2 tines
know- that you're leav - in', must have

day 1ate, a buck short writ - - ing
- -
your rea The sea son IS call

the re on los ing and fail
It.
Interlude
Ctr. 1: w/ Riff A, 2 times
Gtr. 2: w/ Rhy. Fig. 1,2 times
C5
your plc IUTES fall in'

When I mo\-e flai1 ing
-
lz
Chorus
Half-Time Feel
C5
And it's hap- pened galn, I',11 to

And it'1l hap - pen gain, you'11 to a
T-
6,.. , Rhy. Fig.3 End Rhy. Fig. -r
96
End Half-Time Feel
Gtr. 2: w/ Rhy. Fig. 3,3 times
lnend, some - one that un der - stands, SCCS
lriend, some - one that un der - stands, and sees
the mas - ter bod - y's

the mas - ter bod - y's
and I've been here for too

and you've been there for too
- -
-
97
End Half-Time Feel To Coda $
(cont. in slash,2nd time)
Gtr. l: w/ Riff A, 2 times

Gtr. 2: w/ Rhy. Fig. 1, 2 times
C5
D.S. al Coda
(take 2nd ending)
$coaa
Interlude
C
Rhy. Fig.4
Grr. I f <>-
nw
up.
Gtr. 3
(acous.)
Riff B
nw
let ring throughout
98
Gtr. 2 tacel
C Csus4 End Rhy. Fig. '1
to= 1o
End RiffB

Gtr. 3: w/ Riff B
Outro
Gtr. 2; w/ Rhy. Fig. 1,4 times
C5
\\:ell
Wel1, I grow ing
G5 A5 F5 C5
Gtrs.
1&2 o
Well,
Additional Lyrics
3. And maybe I'll see you at a movie sneak preview.

You'll show up and walk by on the arm of that guy.
And I'11 smile and you'll wave, we'll pretend it's okay,
The charade, it won't last. When he's gone I won't come back
99
Damn Right, I've Got the Blues
By Buddy Guy
Ctr.2 (wl Leslie effect)
copyright o 1991 by Zomba songs, a division of zomba Enterprises, lnc. and Mic-shau Music co"
All Rights Administered by Zomba songs, a division ol Zomba Enterprises, lnc.
hold bend
f"tf trtU
-=---
L-J-J
tutt) furf
End Rhy. Fig. t
101
x :lii,;ill;l#,''ff,,"
Verse Gtr. l: W Fill 2.2nd & 3rd rimes
A7
1.,3. damn right I've got the blues._ From my head _ down . to _ my shoes.
2. I stopped by my daugh-ter's house You know I just want to use _ the phone.
Gtr. l: w/ Fill I. znd rime

D7 . .A
You - I
right got the blues._ From my head
- want to- use- _ the
damn down to my
I stopped by my daugh - ter's house. - You know I just
Grr. l: w/ Fill 3, 2nd rime: w/ Fill 5. 3rd rime
I can't _ win
You know my new grand
-
102
ToCoda S
Crr. l: w/ Fill 4,2nd time & w/ Fill 6, 3rd rime
A'I
'cause I don't have a thing. to lose.

to the door and said, "Grand-dad-dy, you know no one at home."
AI'
103
Ctr. 2: w/ Rhy. Fig. I simile
Guitar Solo
A7
8vu.------.-----
r"tJ m) utj
D.S. al Coda
104
'l
<oi 2
A.- I t a" 2 2 :
105
I
fvttJ fut) aA full

^ ^'t
Ctr. 2: w/ Fill 7 to end
* 8 times and Fade
You're damn- right I've got the blues. -
* Gtrs, I & 2 utntinue in unison 5th time
106
Day of the Eagle
Words and Music by Robin Trower
Ir r r ll+
Intro
Moderate Rock )=87
* E-5 N.C.
Grr I (disr \
xChord symbols reflect implied harmony.
Cf sus+ c#s c#s

Rhy. Fig, I
**T = Thumb on sixth stdng
c#s ( -l c#s
End Rh1. Fig. 1 Rhr. Fig.2
cfs c#s Bm7

End Rhy. Fig.2 Rhy. Fig.3
Copyright @ 1974 Chrysalis Music Ltd.

Copyright Renewed
All Rights for the U.S. and Canada Administered by Chrysalis Music
cfis N.c.
End Rh1. Fig. -r
Gtr. l: w/ Rhy. Fig. I

Cf ,,.,s4 E c#s cfs
I.I
ff v".r.
lst time, Gtr. l: w/ Rhy. Fig. 2 (lst 2 meas.) (2 times)
2nd & 3rd tines, Gfi. 1: w/ Rhy. Fig. 1
2nd & 3rd times, Gt.. 2: w/ Fill I (4 times)
c#s E c#s
light just up a - head, but I could - n't seem up from my

wind that brings me down . Be-fore I move I'm on the
day' 'noth - er night,. Iwan-na 1ove, thev wan - na
Ctr. 1: w/ Riy. Fig. 2
cfis c#s E cils
bed. I'M not a - lone,- rhen I _ am, _ cause

ground. It's in my mind, it'' in m1 soul. It's
fight. I need the time. ['ve got to be a - lone I've
Gtr. l: u7 Rhy. Fig. 3

c#s L +15 Bm7
peo - ple seem to think I'm Su - per - man. _ But I walk far be - lou'.
tell - in' me the things I can't con - trol. It said. "What lor love?" -
got - ta be a lov-er on my own.- But - what for love?
-
L I'm lir - in' in a- day of the ea - gle, ea - gle, not the

-t t
2., l. Liv in' in a day of the ea - gle, ea - gle, not the
- -
Fill 1 -
Gtr. 2 (dist.)
108
2nd & 3rd tines, Gtr. 2: w/ Fill 1 (2 times)
C#sus4 E
It llz
To Coda $
Guitar Solo
Gtr. 2: w/ Fill I (4 times)
Ctsus4 E
w/br
"f
; t ah-* ah as tilter
109
cfs E
t/v!!!!!wvltf
c#s E
Gtr. l: w/ Rhy. Fig. 3
Bm7 L/) N,C
,---- ---a
I
)--"'-
D.S. al Coda
3. 'Noth -er
,^--\^
C#mj
N.C. (Cf m7l
t!!}lltl!l't
t\
it I tr:!:.r
"!f
ffi
Outro-Guitar Solo
N.C.(Cfim7)
t-\ r-:1,'--.
rJ-
.^T/}t /-=-. /s
^-
a
LJr
Fill 2
-,,. -'---l--
letring ---l
1
112
A ;c
^2 />r'\/'.-\
L_-J! L_-J.r
113
'
-_j
1t2 t/2
<-->
^j-t:-\ ,/-:-\/,^\
let ring l
tt*
114
,--:.,.,.............--. ,-'/1î^. /-s-:-\/-':-\
/\ f\./i
-+ :+
De Do Do Do, De Da Da Da
Music and Lyrics by Sting
D E D/G Aadd9 Eadd2 B/F.

x --\ x -f\ xo
tr-trfi4 5fr
u-H#
Ft+lt-l
T--TT-n
H+&H
IH+N
7 fr
ffi
r-r-++H
ffiil"'n
H+IN #
F&H#
ffi
I 3.1 l r 3.+ I 2 131 1312 I 2',\,1
Intro
ModerateRoctJ =t47
D Asus2
Gtrs. I & 2
d,i*,i*.
let rin&
E]/A
E]/A Esus2
End Rhy, Fig. I
Verse
Gtr. 2 tacet
N.C.(Asus2) 1Ff 7sus4.1 (Cf m7t
I Don't_ think me un kind.

2 Po - ets. pnests, pol i-ri -
cians
Rhy. Fig.2 End Rhy. Fig. i
@.1980 G.M. SUMNER

Administered by EMI MUSIC PUBLtSHtNc LtMtTED
Gtr. l: w/ Rhy. Fig. 2, 3 times
(Asus2)
hard to find.
thank for their pos-i-tions
-
-
1Asus2.1
They're on cheques I've left un

Words _ scream _
- for your sub-mis-sion.
-
-
from the banks of cha - os ln_ mv mind.

-
and no one's jam - ming their trans mis s iLrn. -
Pre-Chorus
D
Grll
/t
rlt
/lrl/t/ )t
/
:----->-
I
rrr,J I
And when their el-o quence CS

'cause when their el o quence CS
?nd time plat simile
DE
"l'
/ r r r , r, r , r, I. /r I v Jr I
up_ and
up_ and
117
fi cno.u,
Gtrs. I & 2: w/ Rhy. Fig. 1,4 times
Gtr. 3: tacet 1 st and 2nd tirrres
Gtr. 3: w/ Rhy. Fill I, 4 times, on D.S. only
say _ to
in-no cence will pull me through

-
Esus2 -
the mean - ins all that's tlue
-
Bridge
Baddl I D/G Aadd9
Gtr. I
î
a/ t)
al
^t
t)
.//
^f
Rhy. Fill I
Gtr. 3
118
Eadd2 B/E Baddl 1 D/G
Gtr. 1 cont. in notarion
)) ) )-t
Gtr. 2: w/ Riff A. 7 times D.S. al Codtt

4.6 A7sus4 A6 A7sus4 A6 D5
$ Coda
Gtr. 1: w/ Rhy. Fig. 2, till fade Plat 6 Tirnes and Fade
119
Dear Mr. Fantasy
words and Music by James capaldi, chris wood and Steve winvrood
Intro
Moderately slow .] = 80
*A r:
---€
^f
let ring tllroughoLtt
xChord symbols reflec1 implied harmony.

**w/ r'o1. pedal rolled back to produce clean tone.
,-\
Copyrighr @ 1968 UNTVERSAUISLAND MUSTC LTD. and F.S. MUSTC LTD.
Ar Rishts for uNTVERSAL/IsLAND r\4uslc.rr:.

UNtvERSAL _ soNGS oF i!t{'$L[a?T5t1i$sr.eg ]_n ffe
polycRAM trurennertorunl, unired srares and canada by
lt tC.
All Rights for F.s. MUSIc LTD. controlled and Administereo nv wnnrrteii-inl,reriinile puBLtsHtNG
coRp.
120 AII Rights Reserved Used by permission
y - thing, of this gloom. Sing song, *
- -
-
You are one _ make us all
- -"f
a-!
Please doi: was a straight mind
--
have known you all years. _

-
-
A
'r-----:--
:- 1511- -.'
-1
-,__-/ =
xT = Thumb on 6th sfing
P#*
/--.,.._\
T ---- l u4 T ,,0 1r4
ta - sy. play us
-
4
I
to make us all hap - py.
-
-
oul ol lhi: gloom.
-
xRoll up vol. pedal

to add dist.
Guitar Solo
A
;F.
r-"\
+^ bi .-'-> +
-/+
124
=3rd & 4th strings slip under 3rd finger
of left hand while bending 2nd string.
l+c!
^
=
-3_) +t;-
125
126
!)
--f
_T li f-l\
+
La,
-I
*Roll back vol.

pedal to produce
clean tone.
:. Dear Mis - ter
to make - us all py. _

-
127
out ol lhis gloom.
You are one _ make us all

-
128
a straight mind
iRoll up vol. pedal to add dist.
have known you all Please.- Mis-ter Fan-ta - sv.-

- -
DEf'
=
T
"f
;i ta* !ffi
+++
129
.{
I
+
++++=
= ===
J j LJJ LJI
r:l:::H
Double-time feel
A5
Begin fade
\2-
t/2
+-
T
131
Don't Close Your Eyes
Words and Music by Robert Sidney Halligan Jr., John Palumbo and Donald Keith Purnell
G5
rxxxxxxxx
Bbs Fs C5 D5 Ebmaj7 c5
lrfm ffi:rr ffi,,' #
ffiffiffi
raTtrn I'11 IEEhtr
134 134
[:.mbil
r34
ffi I 3,1
ffiffiffi
Gtr. 1: Drop D tuning:
(low to high) D-A-D-G B E
Intro
Moderately slow.] = 74
"- Gm Gm,T EbmajT C9(no3rd) F6
R-h1. Fig. 1 End Rl1. Fig. l
r, Gtr. I (clean) (Sound
eftects t 7 sec
U
mf
let riilg throughoul
* Kybd. ur. for gtr. x* Chord symbols retlect implied hamony
Verse
Gtr. 1: w/ Rhy. Fig. I (2 times)
Gm Ebmaj7
What ya do-ing there in the night time? Why d'ya call me on the
-
-
C9(no3rd)
-
phone? Your mama can't solve

- your prob lems.
E,bmajT C91no3rd.1
-
When's
- dad dy EV get home?
-
Cm/|F Gm/D
Copyright @ 1 988, 1989 by Careers-BMG Music Publishing, Zomba Songs, Cookie Music lnc.,
Famous Music Corporation, lan's Alley Music and Ellymax Music Co.
All Rights lor Cookie Music lnc. in the U.S. Administered by Zomba Songs
All Rights for lan's Alley Music Administered by Famous Music Corporation
ft Gtr.
cno.ot
l tacet lnd time. Gtrs. I & -3: *'/ Rhy. Fill 2
Bb Bb5/A Bb Gm
: ti _3 (dist.)
Rhr. Fig, 3
ro coda$
c,,. 1:w/R,'y. Fir r
Eb5
-)o.'_
Don't sing your la - by.

-
End Rhy. Fig.3
Rhy. Fill 2
Gtr.2
133
Verse
Gtr. l: w/ Rhy. Fig. I (2 times)
Gtr. 3 tacet
Gm EbmajT
C9(no3rd)
You live life up and down - ers,

-
'-*-= -
* g
Gtr. l: w/ Rhy. Fig. 2
EbmajT C9(no3rd) Cm
#
a,
your night- mares are your dreams.- I know it's lqge-ly.when ypir're hang-in
n--'--.-
EbmajT
Don't vou take it
134
Bridge
Grr .r
G5
<t
^f
Ebs
J J
F5
m) G5
J
Eb5
o/
l,_-----.-----.----_l
, =-_
{->
D5
o I
pra] the Lord - your soul to keep

EbmajT
C91no3rd1
EbmajT
D.S. at Cod;
rA lnr
(:)f i )
,J' LJ---r t-r l
___-_^_-.\ w/ btr-
I l,,-\
a^ aâ
-S coaa
rrr
G5
.fr',WWW)
F
@
8fr
136
Outro-Chorus
Gtr. ,1 tacet Gh. 4: w/ Fill 1
Bb Bb5/A Bbs Gm
eyes. _
Begin fade
C:r. 1: *'/ Rhy. Fill I (3 times) Gtr. 3 tacet
Ei5 Ebsus2
137
Duck and Run
Words and Music by Matt Roberts, Brad Arnold, Christopher Henderson and Robert Harrell
Acous. Gtr. I fune to Em tuning:
@=s @=c
@=n @=n
@=e @=r
Moderaterock J =86
Intro:
Acous. Gtr.l (dbld.)
*Elec. Gtrs. I & 2 (w/dist.) on repeat
vol. swell w/fdbk.
end Rhy. Fig. 1
------>
Copyright O 2000 SONGS OF UNIVERSAL, lNC. and ESCATAWPA SONGS

All Rights Controlled and Administered by SONGS OF UNTVERSAL, lNC.
Verse:
w/Rhy. Fig.l (Elec. Gtrs. I & 2) 4 times, simile
E5
1. To this world I am un - lm-por - tant- Just because I have - noth - ing to give.
-
2. All my work and end - less mea - sures nev er seem to get me -
ver -y far.
- -
So you call this your free coun - try?

Walk a mile just to move an inch now
Tell me why it costs - much to live.

- Tell - me so
why.
e - ven though I'm try so- damn hard.
- I'm try-in'
-hard-
Chorus:
-;E
EmG
c OOO
ffi
OOO
=1]{
:3324
ffi
Rhy. Fig.2
--
Etec-/. I ) / l^
Gtrs. 1 & 2
"::J,r bv Acous. Gtr. 2)-
This world can :uitl a-\r'ay,_

This world - can |.lr: a-way._
-
139
2) simile
G D/Fil C Bm C
xo
FFII.II
ffi ffi ffi,, ffi

-----;
yeah. Whoa, no. _ And I won't turn a-round-
And I won't duck and run. _ 'Cause I'm not built that way.
-
1.",
A5 E5 C5
frrrn 7 ir
-
H#N
Ft+i+l
ffi''' FEfH
P.M. single notes
E5 B5 C5 E5 C5 C5
'm'- m -ffi'n
x xxx
F$1+1 ffiffi ffi ffi
2.
Em C
o ooo
FFFFN
ral1-r'1
ffi 21
H+ti
When ev - 'ry thing

- is gone _ there's there to
G D/Ff C Bm C
x oo
ffi
ooo
FFFFF
ffi rih ffi

H++#
T I32
t+++]
t342t ffi
This world - can-not bring me down. No, 'cause I am al read - y
-
-
140
Bridge:
Em
xxx
G5 F#s 45
Tffi'U [fTrtr t0fr
+++N
t34Zll ffi m'" ffi''-
133 1133
read- y
Elec. Gtrs.
r&2 Rhy.Fig.3
Em A5
c^_..
FFFrll
H#"'
++H
i 3.{21
ffi
down
- on my knees. read-y here.
-
- -
end Rhy. Fig. 3
----..--;
w/Rhy. Fig.3 (Elec. Gtrs. I & 2) simile

Em G5 Ff5 A5
f.,,^-
a,ita/It
xxx
rfrrn l0 fi l.I].m9fr
m
I
=tt-lJ
-:-!:n
.j4ll
ilt
ffi
133
ffi ffi I
---\
['m
-
A5
xo xxx
EsF
LLLLII
H+rt
I
I must have told you thou - sand times

- I'm not run-nin' a - way.-
-
141
Elec.
t&2
Elec. Gtr. 3 (w/dist.)
nf
Elec. Gtr. 4 (w/dist.)
------
Elec. Gtrs. I &2 tacet
142
*Elec. Gtrs.3 & 4
\,
*Composite arrangemenl
Elec.Gtrs. l&2
*/Rhy. Fig. | (Elec. Gtrs. I & 2) 2 times, simile

tri
duck and I won't duck and run.

-
-
duck and run.- No'- and no, way.-
'* Rh). Fig.2 (EIec. Gtrs. I & 2 & Acous' Gtr. 2) 4 times' simile
G D/F#
g
T_
ffi T 132
This world- turn _ me down but I- \\Lrltt
143
Dir$ C C
xo L40
FFlttt
ffi ffi
F+TN l*iri
ffi
32 I 32 I
And I won't duck and 'Cause I'm not built _ that

- -
D/Ff C C
g x oo
ffi FEfI{
rFrlll
ffi
When ev thing is noth-ing there to _
- fear.
DlFf
g
ffi
This world _ can-not bring me down.- No, 'cause I am al - read - y here.
-
-
85 C5
FHiIi FEfIi
Elec.Gtrs. l&2
------_-;
P.M. single notes
Em A5 Em B5
xo xxx x
ffi
rH-ffi
TILLLI ffi
xxx
144
.-
l=.
l.lrpDTuning
@=o
Feel Like Makin' Love
AA
Words and Music by Paul Rodgers and Mick Ralphs
e-' QJ=e
!-: @=o
Intro
\Ioderately J = 86
:-D
= Ke,v signature denotes D Mixolydian.
&
t
trhen I thrnk a- bout vou think a - bour
il I think a- bout vou think a - bout
,d*
t
_: ihroughoul
1*
#.
.t
.,i repeat
: throughout
: :r mbols reUect basic tonality
End Rhy. F'ig. 1A
Copyright O 1975 Badco Music lnc.

Copyright Renewed
Gtrs. l&i: * l l:::rm;,:. simile
D C G5
D .: T don't live u irh - our _ you and your love

ii live wirh - our _ you, I live with-out love
st
/a)
Gt$. 2 & 3: w/ Rhy. Figs. I & 1A, I 3/4 tines, 3rd time. simile
DC G5
If I-(1.,3.)had those gol den of ilrl

And if I_ had the sun and and they \\ e::
ves - ter - day, would - wrap you in th-

(Yes - ter-day
shin 1ng. would - give you both night and l.
(Shin ing.)
Gtrs. 2 & 3: w/ Rhy. Fills I & lA, simile

G
heav-en real - 11' dy lng

- (Dy - ing- Iti _,I Feel like mak - in
- (Dy - ing)
love sa i"-- I
Chorus
D
mak - in love.
f
w/ dist. P.M._
P,M. ; P,M.* ; P.M
- -.r
P.M.* -r
* Two gts. an. for one
Rhy. Fill I Rhy. Fill lA

Gtr. 3
146
Gtr. 7: w/ Fill 1, 3rd time
D5
To Coda$
Gtr. 4: w/ Rhv. Fiil l. l:;::::
Cadd9 ca D:
P M. -.r
i:terlude
.:. I ! -r q/Rhy.Figs. I & lA,2times,simile
-: l ::ait
,C G5
Rhy. Fill 2
Gtr.4
full full full
147
$coaaGtr. .1: q/ Rhr'. Fig. 2. simile
D
a,-\
you. _ f'eel like mak - in' love-
Well, I feel like mak - in
fuli fu11 full

+..=---:
) )
148
Feel like in'- lore Lo- )ou. yeah.
Cadd9 G5
Wetl. I feel like mak-in love. r eeh Well, I leel like mak - in'
Well. I like mak-in
8r,a
d.
t
tull full full
-/-\,. )J
Gtr..4: w/ Rhy. Fill 2 Ctr. ,1: w/ Rhy. Fig. 2. similc

C D
in'- love
149
reel like mak - in' love Woo! Wel1. I feel like mak - r:
\ N-------\
Begin Fade
Gtr.4: wi Rhy. Fill 2 Gtr. ,1; w/ Rhy. Fig. 2, l st 4 meas., simile
C D
to_
Fade Out
Cadd9 G.5
Well. I feel like mak - in
1>. 1ia-.- 4
t/2 l/2 fuil full t'ull
) )) ))
150
Fight the Good Fight
Words and Music by Mike Levine, Gil Moore and Rik Emmett
ebc5A5A
Intro
ModerateRockJ =96
*Dm1add9;
l(t ring throughoLn
x Chord symbols reflect basic hannony
S) nth. ar. for gtr.
Copyright O 1981 by BMG Songs

J-::rnaticral Coovright Secured Ali Fictls Rese '.:: 151
Csus2
Gtrs. I &2tacet
lir- t Dm
(elec.)
Rhy. Fig. 1
mf
w/ clean tone
mf
w/ clean tone
* Two gtrs. arr. for one.
End Rir'. Fi; 1
152
Ctr. 3: w/ Rhy. Fig. 1
Dm
grow short er and the
Rnr, Fig. 2
- ::- -.jr.Fr-s!. 1&l(lstSneas.)

G5
_. : _ ,i:a:.:
153
-+eC-
be - tween the lines. Don't get dis - cour-aged.

- - -
Rhv. Fill I End Rhy. Fill I Rhy. Fig.3
Gtn.3 & 4 €>
B b addg
Verse
Gtrs.3 & 4: w/ Rhy. Figs. I & 2 (l 3/4 times)
Dm
2.The good book bet - ter to- glve than
Cadd9 G
do my best do- my_ part Noth-in' my pock - ets,
Gtrs. 3 & 4: w/ Rhv. Fill 1
Dm
my
- sleeve, keep my mag - lc ln_ my heart.
154
Interlude
Grrs. 3 &,1: w/ Rhy. Fig. 3
B b add9 B b add9
l.
Jl
Keep up your faith, am count - 1ng on
Bbaddg
)'ou. _ you- know whatyou've got
Chorus
D5
the good fight ment

Rhr. Fig.4 -
Bb-5
mln - ute ry_
Fight the sood fisht ev - 'ry lt's your- on - ly
155
Ctrs.3&-ltacer
Dm
* Set for one octave above
End RiffA
Bridge
CtI. 5: w/ Riff A (2 U2 times)
All your life you've been wait - ing for your- chance, where vou fit in the plan.-
But you're the mas - ter of your own _ des n-ny,-

-
ctr. 5
156
slr'e and the best
-
*.
J:r.5 tiicet
C5 D5 Dm
/o
R1lr. Fig. 5 .AAA 'i
t^^,!
Guitar Solo
-:::' I & -l: rv/ Rhy. Fig. 5
CiD5DmC Dm Bb5 C5DmCDmCBb
Rhy.Fig.6 a,1A,1
))))) t[1 )t 11 ] IDTITT r )1 )1 )11

-'it
=-
--
Gu. 6 1elec.1
f
w/ clist
11/2
grad. release
------
steady gliss.
Dm Bb
----'---:\-
157
G5 A
Rh' F:
L)
End r
/ )
l
/' )^)
,--ry2D /\
a' -:-.2 \../
Gtrs. 3 & 4: w/ Rhy. Fig. 6 (2 times)

DmC
':+ --J \/--'' -\t,
Dm C
C Dm DmC
.ti 8va---
:...-\
158
BbCGA5A
a\ -t /i .'.'IAA'O
1l
))
F5 G5
Gtr. 6 tacet
G/B G5
l. You think now your mon-ey can buy your - self some - days,
-
j
fh'
;
159
n' =----
,-' -t. -\
you'd bet-ter think some-thing else You're so a-fraid
------.-...-\
^ .h' --:-----
a' -4. \
hon - est with vour You het-tertake a look in your
Interlude
* Gtrs. 3 & 4: w/ Rhy. Fig. 3 (lst 5 rneas.)
B b addg
Noth - in'- noth - in good

* w/ clgan tone
B b addg B b addg
.b'
can tell vou where side your
160
Crdd9 B b addg
heart. There's adanc-er ln your heart
Chorus
::: -i & -i: w/ Rhy. Fig.4 (l 3/4 times)
t5 A5 Bb5
Fight the good - fight ev- ry ment. ev - 'ry m1n-ute. ev-rv
Bb5 G5 F5
day, light the good

- fight ev- ry
Gt$. 3 & 4r w/ Rhy. Fig. 4 ( I 3/,1 times)

D5 Bb5
make it worth - the price - we pay. At ev-'rv mo - ment of vour
ctr". RhY. Fill2 End Rhy. Fill 2
.---.-\ C5 G5
t-.\. ^ r^\
d;
tt"
a
t1me. _ ev - 'rv mln - ute 'ry da]
-
ir,, FiLl l
Bb5 Bb5 c-i Bb5 C5
a_ +f^ L''-.->-
+'' 'e'
d,"
t
le cood- f-rshi make rt q onh
- ihe ::r,': - P")
.l,,le i.n
@ *r
161
Ebsus4 Eb
End R}tr. Fq -
Gtrs. 3 & 4: w/ Rhy. Fig. 7 & Riff B (till tade)

Dm Dsus4 Dm C Eb sus4
-t
-t
l 1
4---_-_-- I
Ji
Dbaddg Db Ab sus4 A b
-k
)'t
_J
T-
162
Fly
Words and Music by William Maragh, Alan Shacklock, Mark McGrath, Rodney Sheppard,
Joseph Nichol, Stan Frazier and Murphy Karges
\11 gtrs. tuned down 1/2 step:

6):Er @:cb
@=At @:Bb
@=Db o:Eb
Moderately slow ska J : 100
Intro:
dRhy. Fig. I tGrr. 3) 8 times. simile
A *D/Ffi A D/Fil A D/Fil A D/F$
Gtr.l (EIec.)
D
slighr vib
Gtr.2 (Elec.)
:ll
!-JJ -l
-? grad. release ' slighr vib.
* Bass gtr. plays F$ each time D/F! is indicated (throughour).

..\ D/Ffi A D/F{ A D/Ffi A D/Ffl
RitrA 1 \ end RiffAl
2C Gtr. 1 out
-
grad. release L-J- l
I
+
r
*-
A-
E-
Riff A2 end RiffA2
t- Gtr. 2 out
LjJ-3 Ll
release
Rhy. Fig. I
* Gtr. 3 (Acotts.)
*Steel-string.
J::_,';^: 3 1997 by Zomba Enterpnses, Inc.. Wild Apache Music Publishing, Trio Music Company anc \','3 ','-s:
A B gl"l5 for Wild Apache Musc Publishing Administered by Zomba Enterprises. lnc.
l:ternaticnal Copvright Secured All Fights Reserved
--:-:a-:::a^.:e:'-^3r,f3xca^ bvAiarShacklock.Ol9T3ToneMusicLmtedandCa--',!-s-C,-:.
- a.^tl
163
lAll a round the crumble Who
Gtr.3 R-hy Frg.2
=
P.M
long- I've loved-

end Rhy. Fig.2
:],:.
dRhy. Fig.2lGtr.3) VRhy. Filll (Gtr 4)
Ev-'ry-where I go, peo-ple stop and they see. Twen- fy- five- years old,- my moth - er, God rest her soul.
Chorus:
dRhy. Fig.3 (Gtr 3) 4 times A D
at ;ll
I
;i +
- just wan-nafl
- y._ Put
Rhy. Fig.4
>
Rhy. Fill l Rhy. Fig.3

Gtr.4 (Elec.) Gtr.3
164
a - round_ me, ba by. Put your allns_ by.
dRiFAl (Gtr t) & Riff A2 (Gtr.2)

A D/Fil
a - round- Yeah.
f lerses2&3:
w/Rhy. Fig.2 (Ctr. 3) 2 times
,{ D/F$
)ance a lit-tle, stran where you've been.

.' See additional lyrics
A D/Fil D/F{
Love can make you hos - tage, wan- na do it a - gain.-

A D/F$ A D/Fil
to think- the end.-
155
dRhy. Fitll (Gtr. 4)
DFI A DrF$
\\ e'il find out, I'm told.- My moth er, she told me so._
Ckorus:
r/Rhy. Fig.3 (Gtr 3) 4 times
r/R-hy. Fig.4 (Gtr 4)
D A
.----\
;_- . 7 7_=_;
I_*-- just wan - na fly.- Put your arns_
by. Put your arms_ ft€, ba
--.G\ \ D
-
I
(r want,-
Gtr.4
dRhy. Fig.3 (Gtr 3) 2 times 1.3. 12.4.

A *Asus/D
I
A Asus/D A Asus/D To coda 0
*Bass gtr. plays D each time Asus/D is indicated (throughout).
166
Interlude:
A5
Gtr. 1
>>> >
'?
J w/dist. PM.
P.M.--- - ------l
Gtr.2
>> >
f w/disr. P.M.--r P.M.-1
PM. --r
'Gtr. 4
- w/chorus and compression (next 4 bars)
T
fi
,|.tr
]ts
T
fi
ts
167
* Freely
Atempo(J=100)
f Gtr.5 (Acons.t N.C.
Drum machine and Synth. effers
* w/Vocal ad lib.
f Sample of nylon-string acoustic recorded in standard tuning, arr. for guitar tuned down 1/2 step.
D.S.X al Coda
A
Gtr.3
Outro:
dRhy. Fig.3 (Gtr 3) dRhy. Fig.3 (Gn 3) 4 times
s rvlFill l (Gtr 4) ilRhy.Fie,4 (Gtr 4)
Coda AD
+++r-'+
r-l
'l-JI-v
I- justwant to fly.-
*ilRhy. Fig.3 (Gtr 3) 4 times Repeat and fade
AD
,T-
4-+C
I
l-l I tIfL..t fvfi v
l-J
I- just want to fly.-
* Gtr. 4 tacet.
Verse 3:
All around the world statues crumble for me.
Who knows how long I've loved you?
Everyone I know has been so good to me.
Tkenty-five years old,
My mother, God rest her soul.
(To Chorus:)
168
Fly to the Angels
Words and Music by Mark Slaughter and Dana Strum
*rd33_
G6tA o|$l?ra Asus2 G5 D5 A5
xo oo
' ':... B::i. rune 0own one whole
:=D@=F
srep: FFm5ir'
Htt+l ii#'" ffi FTFrlI
HH
23 ffi ffi ffi
3 =c @=,r
3 =c O=D
ModerateRockJ=120
N.C.
rnrro Rhy. Fig. I *(Gtr. IXacous. gtr.)
' -Transcription written as gtrs. arr. tor one (t

lf gtrs. were tuned normally.
(end Rhy. Fig. I)tG )--)
(Half-time feel) r fl2stgacous. s/.

lst, 2nd Verses
G6lA n#J?ra Asus2
)-j Jl-J ,h-J------------
L Pic - tures- of you,_ on_ my_ mind.-

2, See additional lyrics.
. Rhy. Fig. 2
let ring throughout
'Pick C when Rhy. Fig. 2

is repeated.
w/Rhy.Figs.2&2A
(end Rhy. Fi 2A)G6lA ofad$?rn
You had- the smile_ thatcould light- up- the world.

(end Rhy. Fig. 2)
Copyright @ 1990 Chrysalis Songs and Topless Music

All Rights Administered by Chrysalis Songs
w/Rhy. Fig.2(lst 3 bars only)
o?flP.Zn
it rains;- it seems the sun- er shines.

Pre-chorus *Dsus2 Fsus2
tt G
h
-
And- I'll drive- lone - ly, road.-

Gtrs. I & II
let ilng throughout
wlFill2
G
Fill I (clean elec.)
F'ill 2 (clean elec.)
170
.{sus 2
80.- 'Cause now you've got to fty.- the an -

(Ctr. II out) (Fly hich.)
Gtr. III Gtrs. I & III
(Cont. in notation)
Heav - en waits- your heart-

tlz GtI. I
bloom- in your name.- You've got to fly,-

putt (Gtr. III cont. in.,
slashes)
N.C.
(Cont. in notation)D5
J-
3-
Fly to
(Fly
171
stars- the night- your_
w/Fill4 (2nd time)

Asus2
Gtr.
r -l-:
2. You know it
---
ber 'Let last chord fsdc over
rtriking note. 2nd Vrrsc, next 2 brrs.
N.C.
Fill 3 (clean elec.) Fiil 4
172
r---- -- - - ------ -----{
rDoubled by Gtr. UI.

w/Rhy. Fie. 3 (Gtn. I & II)
GD6Em D6add4
Riff A (Gtr. III) (end Riff A)

t12
w/Rhy. Fig.3 (lst 2 bars only)

w/Riff A (lst 2 ban only) w/Riff B
G D6 Em D6add4 CmajT G/B N.C.
w/Rhy. Fis. 3 & Riff A

GD6Em D6add4 CmajT (end Rhy. Fig.4)
Rhy. Fig.4 (Gtr. IV)
Riff B (Gtrs. I & III)
173
w/Rhy. f,ie.4
w/Rhy. Fig. 3 (lst I bars c:.r1 r
w/Riff A (lst 2 ban onlr: w/Riff B

N.C.
(Gtn. II & IV out)

*'''Rhl'. Fig. 4 (lst 2 bars only) w/Fill5 (Gtr. I)
w'Rh-v. Fig. 3 (lst 2 bars only) Asus2
r* fuff A ( lst 2 bars only) Gtr.
G/B ur ?
rtt,
drir':-
Fill 5 (Gtr. I)
Fill 6 (clean elec.)
174
shine your _ name. Yeahl
-
-
w/Rhy.Fies3&4
& Riff A (all 2 times)
D6add4 Asus2
Em D5add4
Ooh.- Ooh, ooh,
{sus2 w/Rhy. Fie. 5
Gtr95
Jo O //--------*--\ (Gtr. I cont. in III S (Gtr. III cont. in
2(t L notation) notation)
Rhy. Fig. 5
175
N.C. Asus2
i=- l+
Ooh,
(Cont. in slashes)
\-7-
D5 w/F w/Rhy. Fie. I (Fade in)

A5
ctrs. ). h-) ). Jr', o*
I&lll --------------_ <-\ b+
gon - na miss- Miss you girl.

w/Fill7 4\
.o
/i
Fill 7 (clean elec.)
Additional Lyrics
2. You know it hurts me
Way deep inside.
When I turn and look
And find that you're not there.
I try to convince myself
That the pain, the pain,
It's still not gone. (To he-chorus)
176
Fun, Fun, Fun
Words and Music by Brian Wilson and Mike Love
Iv
E A B G#m FH 85 B6
G+ti rtiiiirr, ffi"rt.
ffi Iaa Ht-t-t-f
Fl+Hl
# ffi
Et-tTl
ffi
]
##
-t-FFt-1 t++Hl
E++l
231 ltl r333 L3 1,1
B7 E5 E6 E7 pfs p#o p#t

riiii-u if;iij'u ffi", '.t'....3 XXXX
{TTTTI lfr
XXXX
fT TTl )r,
ffiffiffi
a
ffi#?ft H+#
ffi
t_L.t_l_ll- I I t-"
Tune down 1/2 step:

HH rlff r]
tl
H+H
tfit-T-l
1-+
(low to high) Eb-Ab-Db-Gb-Bb-Et
Intro
Moderately fast .l = t68
_--=--__---=
Crr. I qacou'.y O-
nlI
O o*
'Conposite arrangemenl
D1 W) iTl
E
o IT,,
,,-) WW) W) n1 mW) D,

,L +2 :>
=j=
{
_l
Copyright @ 1964 IRVING MUSIC, lNC.

Copyright Renewed
Verse
Gtrs.2&3tacet
wmwD,
E
Rhy. Fig. I
she got her dad - dy's car and she cruised through the ham-burg - er
)TW) mW
E
W
Seems she for - got all the li
======a-.-.-.aa-- T
W) MMT,,,T) W,
briu - y like she told her old man, now. And with the
--Ti
-
wmw) mD,
cruis - in' just as fast as she
^l+
W) mW) mm^W)
E Gtim A B
End Rhy. Fig,1 Rhy. Fig.2
she'l l fun, fun till her dad - dy takes the T Bird way. _
(Fun. fun til] her dad - dy takes the T Bird way.)
(Fun, fun till her dad dr takes the Bird.
End Rhy. Fig. lA Rhy. Fig.2A
7+++
ff ve.se
Gtrs.1 &.1: w/Rhy.Figs. l & lA

2nd tine, Bkgd. Voc.: w/ Voc. Fig. 1
2nd time- Gtr. 2 tacet

E A (i*tm E
End Rhy. Fig.2
,rrrr-rrrr^rT,
l. Well the girls can't stand her cause she

3. See additionaL lyrics
till her dad dy takes the Bird a - way.)
End Rhy. Fig.2A
[-**
:.n.
t-
o,rki and drives like an ace, _ now. She makes the
(You walk like and ace. _ now. you walk like an ace. _
Voc. Fig. 1
179
In - dy Five Hun - dred look Ro- man char - i - ot race.- now.
Oo You look like an
lot - ta fo catch her leads them on

like an ace.
-
u
E (iHm
Rhy. Fig.3
'"""ozr|m
she'll have fun, fun, fun
(Fun, fun, fun
drive like drive like Fun, fun,
Rhy. Fig.3A.
Gtr.,1
-J --
m^w) mn,T^)T,
(r 7m F#
End Rht. Fis. -:
dad - dy takes the T - Bird a way.

dad - dy takes the T - Bird a way -
dad - d1 takes the T - Bird. fun,
+
1=
Guitar Solo
Gtr. I tacet
o.,mw) n1 n1 w) D1 mm1
85
P \,I
86 85 87 86 R5 86 85 87 86 85 E5 E6 E5 E7 E6 E5 E6 E5 E7 E6 E5
B5 86 85 R7 86 B5 B6 85 87 86 85 p#s riiorf p#z r#op#s

D.S. al Coda
T Dlil;r,
s B5
i-.T--
///////
P,M,
D1-.-m n
3. Well
OCoda
Gtrs. I &,1: w/ Rhy. Figs. 2 & 2,A
E G#m A B
tun fun, now that dad - dy took the T- Bird way.

r Fun- fun- now that dad - dy took the T- Bird way
-
now that dad - dv took the that
181
Gtrs. I & -1: $/ Rh\ Fi.ss. i & -lA
c#m E (^++
rttm
++
fun, fun now that dad - dy took the T-Bird : -

we'll fun, lun now that dad - dy took the T-Bird : -
lun, fun that dad dy took the
Outro
^++
tr fim F# B
.'?
v
now that dad dy took the T-Bird a way.)
Gtr.4
TT
PM
Repeat and .fa:.
W) D,
E A
//// l///tttttttl
oo, _
=-_
dad dy took the Bird no\\ that dad dy took the Bird a- \\'a\.-
+
PM -- l
Additional Lt'rics
Well, you knew all along

That your dad was gettin' wise to you, now.
(You shouldn't have lied, now, you shouldn't have lied.)
And since he took your set of keys
You've been thinkin' that your fun is all through, now.
(You shouldn't have lied, nowJ you shouldn't have lied.)
But you can come along with me
'Cause we got a lotta things to do now.
(You shouldn't have fied, now, you shouldn't have lied.)
And we'11..
182
Give a Little Bit
Words and Music by Rick Davies and Roger Hodgson
Intro
Moderately .J = 88
*A7 D
Oo, yeah.
---'
"!f
let ring throughout
-
1W
#g
And here we go a - gain Nay, nay.
*
a
Whoa. no. Ne. na. Hey hey Yeah. l. Gir e a lit - tle bit.
- 2. l'll gire a lit-tle bit.-
Copyright O 1977 ALMO MUSIC CORP. and DELICATE MUSIC

A I Bights Controiled and Admin stered by ALMO MUSIC CORP.
All F ohts Reserved Used by Per',.nrssion 183
lit - tle
lit - t1e
I'11 give a my love to you

oh, give a your time to me
-
-
Esus4
There'sso much _ that we need _ to

See the man with the lone ly
End Rhy. Fig. I Rhy. Fig.2
-
It
A7:H:[ A7:t:1 A7(no3rd)
send a smile and show you _ care,

take his hand. - you'll be- - sur - prised.
-
-
End Rhy. Fig.2
Sax Solo
urFill I ltime.
A7(no3rd) Pf- Bm/Cl BmTD Bn/E Brn/F#
Oo, take ir
-
I
w/ clean tone & heavy reverb ,t;= End Fill 61..4
tryvl^ /tt/i! .h
letring ------ l
ngf wl cleantone
P,M. ]
Bm C-
Yeah. ) eai. yeah, yeah

-
-
!>. !ttt!!vvw!!
!!vvl-r't!t/w
++
-
P.M. - - -l
\_-,
Yeah yeah, yeah, yeah.
(Ah -
Gtr.4
-
Riff A
Grr. 2
'Gtr. 3 to left of slash in rab
Gtr. l: w/ Rhy. Fig. 3 (2 times)

A7(no3rd) A7 iilii
End Rhy. Fig.3

A7(no3rd)
Verse
Gtr. 1: w/ Rhy. Fig. I
A7(no3rd) D
3. Give a bit,
+2+2
A'7
188
['ll gire a lit - tle biL. I'll gire a lit - tle bil of my life for you
- -
Bridge
Gtr. 1: w/ RIy. Fig. 2
Esusrl E
Now's the tlme thaf we share.

-
Gtr. l: w/ Riy. Fig. 3 (3 times)

Gtr. 2: w/ RilT A (3 times)
A7 A7:H:1 A7(no3rd) A7"d:[
t,'
r our - :elf. we re on our way _ back home go- 1n home,

i -
I
-
t
#'-'
rh-
t'
tf ii*
rth - j--
r*
A7(no3rd) A7:tit
i*-, '
don't rou need. don i rou need to teel _ Ji
189
Outro
A7(no3rd) ,\7:H:1 D
4
1eah. ue got-ta sing. YOU Ve -goi

Rhy. Fig.4
Gtr. I
--.
Cadd#4/D c/D GID Dsus4 D Dsus4 DDsusl
come a - long
End Rh). Fis. l
Gtr. i: w/ Rhy. Fig. 4 (3 times)

D G/D G/D D Dsus4 D Dsus2 CID Cadd#4/D C D
Yeah. come a - long too.
-
Dsus4 D Dsus4 DDsus2
Come a, come a. come a, oh. come a long.
Dsus4 D Dsus2 caaaf,+p c1o
Cha ka, do, cha - ka cha - ka
Dsus4 DDsus4 D Dsus2
yeah, come a - long too.
190
.-\ caaaf.+p c1o
Yeah. too. _
Gtr. l: w/ Rhy. Fig.,1 (last 2 meas.. 2 times)
GiD Dsus4 DDsus4 D Dsus2 CID caaaf"+p c1o
Sing,
-- T)
D Dsus4 D Dsus4 D Dsus2 Cadd9
&
]
Come a long What
\7sus4
We've come a long \\a\._ oh.
{'-
:n-
t ::v::_
+++++
-:
.f --a
_a
night. Oo, veah

,^
a
G
s'=i
t- f
e
t
;I
T
191
Hard to Handle
Words and Music by Allen Jones, Alvertis Bell and Otis Redding
B Bsus4 Pf S
J\
F?++N
116l
F+-++'l
L A
$ttl
Lr r
HJ+1]
1333
FHl#
133:1
HJ+N
134
r
::_ . :-::::
:. l-c-D G B-D
Intro
\IoderateP6sk ,=102
N.C.
(Drums) Gtr. I (s
,r!f
Verse
B B Bsus4
Rhy. Fig. 1A
.fil.: \ l)- \t-t

/
mf
|7 ) //
man on the scene.
+w/ slide on middle finger.
Bsus4 Bsus4
. t-T-1 ..) \ _
| ))-t r./
-t i-/tt'i '/tll
Copyright@ 1968 IRVING MUSIC, lNC.

Copyright Renewed
Bsus4
,
B
-T]
Bsus4
7 f lt I l) X/
L
/ I / t X
-
got some good old 1ov - in' and I got some more in store.
Bsus4
End Rh1. Fig. 1.{
,
7// \- //
on ya, you got to come back fbr more. _

- -
End Rhy. Fig, I
lt:rrLi
: -:
Rit Fig' 2
/ t t^t I I I I / / / / / / / l^/ I / I I I
h;\e things that come- the doz - en noth - in' but drug - store lov
LJ.....]
193
Hard to Handle
Words and Music by Allen Jones, Alvertis Bell and Otis Redding
Bsus4 p#s
tttl -s
t!tu
-Fttfl-l
I Atr
1334
ffi
Gtr. 1: Open G tuning:
(1ow to high) D-G-D-G-B-D
Intro
Moderate Rock )=roz
N.C.
(Drums) Gtr. I (slight dist.)
Verse
B Bsus4
Rhy. Fig. 1A
\
.:ii.:,
/ l7 t/-t t ))
-! ))
-!
"n'
+w/ slide on middle finger
B Bsus4 Bsus4
I
t-
I
//
\
l7
.t
/t/ x/
-!
/n7 F-
r./ /
CopyrightO 1968 IRVING MUSIC, lNC.

Copyright Renewed
B Bsus4 Bsus4
\--\
) t/// 7,: ltt I I I x/ I
-
got some got some more in store. _
-
Bsus4
End Rhv. Fig. 1A
, - \-
7li I I t^t / / I I /
uhen I get-through throw - in' it on_ ya, you got_ to come back for more.
-
End Rhy. Fig. I
1- hOrUS
i /-f
Rhr. Fig. 2
/ II I t^/ I I I
f__l f---T-----
I / I t I / t / /^t I / I / I
-
3 '. > have things that come - the doz - en. That ain't drug - store lov - in
f.-*
LJJ
193
B
End Rir. F.: l
\
/
your can dle'cause, uh, ma - ma, I'm to han - dle now.
-
-
Verse
Gtr. 2: w/ Rhy. Fig. 1A
B
194
know )ou got an - oth but T can love you bet - ter than him.
-
--- =
my hand, don t be a traid. I m gtrn na prove et - ry word I say. I'm -
-
ad - ver - tis - in' love for so you can place your ad with me.
- r:'ru
::: i: nr Rhr'. Fig.2
! ihar cone a - long dime

- by the doz - en. That ain't noth - in' bur
195
+
J
your can - dle'cause. uh. sure hard to han - dle nor,.
Yeah. Hard
-
, -_ii_\
-+\
-+
\-erse
Gtrs. 1 & 2: w/Rhy. Figs. I & lA
B Bsus4 Bsus4
by. here the man youl_ scene. can give you what you want but you got
-
Bsus4 B
lo come, uh, home with me I've a got some good_ old lov in and I got some more in store. _
\\'hen I get _ rhrough throw ln' rt on you, you gol - ta come a - run-nin'back for more.
Chorus
Gtr. 1: w/ Rhy. Fig.2
f-)
3.rr s -'ll run a - long dime

- bv the doz - en. in' but drug - store lov - in
lit - tle thing, let me light your can - dle'cause, uh ma - ma. I'm sure hard to han - dle now, yes, a - round
197
hard to han - ,n€ iur$
-
yeah,
End RhI. FE;l
Guitar Solo
Gt$. I & 2: dRhy. Figs. I & 1A
B
198
Bsus4 B
!>
-L
Nt
t ,Jrlr ii-
:I
Chorus
Gti. 1: w/ Rhy. Fig. 2
Gtr. 3 tacet
i- -)
Bo\s that run a - long, dirne the doz - en in' but
let me light your can - dle 'cause, uh, ma - ma, I'm sure hard to han - dle nou
199
hard to han-dle now
Outro-Guitar Solo
Gtrs. I & 2: w/ Rhy. Figs. 1 & 1A
/-^'-r--.i}r'
oh. good
-
-6-
'-::--l
got to
l1,s llltAf z----\-
200
Gtr. l: w/ Rhy. Fig. ,1 ( lst 3 meas.)
Gtr. 2: w/ Rhy. Fig. 3 (1st 3 meas.)
Yeah.
So hard
-
W
A^
Free time
Mm.- mm.
Heart Full of Soul
Words and Music by Graham Gouldman
Drrr A G
rri?fl
+?tr
ffi ffi
+t++]
++ffi
Intro 231 t23 21 3
Moderately fastRock J=140

Dm Rhy. Fig. I End Rlt1. Fi: I
crr. l
lacous.)
/i = / o ot'-'---- //
J'
Cr..2 (elec.) Riff A w End Ril I
l
J
l
icr nuq I
l t".tr"-
Dm
Rhy. Fig.2
/ (2nd time, cont. in notiiti!.:
ff ffv..'. Gtr 2 tacel

Dm G
-J-
heart and lone - 1y, deep in des palr. _

-
gone such a long long - er I- can
End Fill I
Rhv. Fig.3
O 1965 (Renewed 1993) MAN-KEN MUSIC LTD.

All Rights for the U.S. and Canada Controlled and Administered by EMI BLACKWOOD MUSIC lNC.
All Rights for the World excluding the U.S. and Canada Controlled and Administered by EMI MUSIC PUBLISHING LTD.
202 All Rights Reserved lnternational Copyright Secured Used by Permission
think - lng one thought on - ly.
bear But if she says she wants _ fi)e, _
(oh.
End Rhy. Fig.3
Where is she, rell me u herel) I

she says
tell her tlrat I'll - be there. I
oh
-.---/'
love me,
oh.)
glve her my mes -
of my_ plea. Anrl I know,

-
Rhy. Fill I End Rhy. Fill I
S '-.',,*,::-J rime. Ctr.3 tacer
4
a
we1l,
++++
e+++ T'
i-.-......--
would make
++
==
-5
2nd time,To Codn ) $

3rd time,To Coda ) fi
G Dm
o'i--.=_lt' //
Interlude
Gtr. i: w/ Rhy. Fig. I Gtr. 1: \\/ Rh1. Fig.2
ffi lt"""atara't
Guitar Solo
Gtr. 1: w/ Rtry. Fig. 3 (l 3/4 times)
Gtr. 2: w/ Fill I
Dm
Grr. 3 (elec.)
w/ slight dist.
204
D.S. al Coda I
And I know-
..
i
$coaa t
l,i Gtr. 1: w/Rhy. Fig. 1
D.S.S. al Coda 2
Gtr. 2: w/ Riff A (2 times) Gtr. 1: WRly. Fig.2
Dm
OCoda 2
Outro
Gtr. 1: w/ Rhy. Fig. 2 (3 times)
Dm
*tlltffi
letring ----- -- -l
lt"""tr....t
205
Heartbreaker
Words and Music by Cliff Wade and Geoff Gill
F5 ebs nbs nb c F5
rype2
E+EFI
l3
Eiiii* ffiifi*'mi*
t3 1312
l3
ffiii*
1342
HTii
l:r,1
lntro
\Ioderatelyfast.=156
\.c. eb A2
xctrs. l &2(dist.)
(Drums)
+'
+
+
xComposite anangemenl
nb
Gtr.3 (dist.)
==
Gtrs. I & 2
End R}tr. Fig. 1
q+ +-
++ +/
X v".r"
2nd time, Gtr. 3 taaet
F5
1. Your love is like a rid al wave _ sprn- nln VEI my head

2. Your love has set my soul on fi-re bum-ing of con - trol.
Gtrs. I & 2 Gtrs. I & 2
Gtr.3 r+/c1a
divisi
/
.1
COPyTighI O 1978, 980 GGA LIMITED and UNIVERSAUDICK JAMES MUSIc LIMITED
All Rights lor the United States and Canada Controlled and Administered by UNTVERSAL - SoNGS or polvcCAv tNTERNAT|ONAL. tNc.
Drown - in' me ln your prom IS bel - ler leti _ un
You taught_
- me the ways of now ir'. rxk - in' its
-
P \I.
Bbs
You're the right- kind of srn re - Iease
E?-i
MV sy. _ The ln - vln ci - ble win
--:
=:4-*=--
{.:- l
;-
:::. and you know_ that you _ born
--'=__----
_=:=a_____- -
I :.*
ulll-r--
T' +++++
+
-
i!
207
Ttt Coda $
Chorus
Half-time feel
\.C. F5
You're a heart - break
Rhy. Fig.2
+ae

F5
round with
Interlude
End half-time feel
Gtrs. I & 2: w/Rhy. Fig. I
F5
round, no. _
-
D.S. al Coda
Ab F
Gtr.3 +
^:
t---
heart - break - er.
dream mak - er. love trk - er. don't you
Interlude
End half-time feel
Gtr. li t\/ Rh\. Fii
CF5
a - round.
-
+++-C+++
+
Bridge
F5 N.C
Dbs N.c.
re - lease
ct=T
P.M, -
F5 N.C C5 Db5 N.C. Abs Bbs
ci - ble win and you know you _ were born
-
You're a heart - break-er-
tak - er round with You're a
drean mak - er.
a - round with me You're a heart break - er.

Gtr 1: sr Rhr. Fig. -1
F5
End Rhy. Fig.4
mak - heart - break
End Rhy. Fig.5

I
Outro - Guitar Solo

Gtrs. i & 2: w/ Rhy Fig. 5
F5 Abs Bb5 Db
Grr. 3 l5mal loco )5ma1 loco
f!!!!l!!!w m vs/vt!w!t!!!!wyt,t r/tv!!!! ivltw ww mtmw
P.H. P.H.
lwwt/! iw w w r/wlr!! iwt!\t !!tts tlltvw w ffi lyyyyti ltwvt! rywwif rw!!!! ffi
F5 A p-) Bb5
Rny. Fig.6
l5ma1
Ctrs. I & 2: w/ Rhy. Fig. 6

F5
End Rhy. Fig.6
,-

Db F5 ebs
.{ '48-\:?-Y
--
Pitches: D E DE
-J-
Free time
Db C ll ''-
Grrs I
r&2 x / Y. /- / o-
.jf,- -r
Heaven
Words and Music by Henry Garza, Joey Garza and Ringo Garza
Tune down 1/2 step:

rlow to high) Eb eb-ob-cb-eb-sb
Intro r;r r:r

ModerateRock .l =n(tffi
*G
= J-f-J-:)
It
"fw/
slapback delay
*Chord synbols rellect inplied hannony
Va-ma- nosl-
'#;
a
.irg l
,,
xr;
a
Gtr. I (clean) playedzr/
s-
215
G .A.sus-l Am
Gtr I
:l+ r-
rT
= Thumb on 6th string
G Gsus4 G
Am7 Am
from this help get a - way.
----------t
End Rhy. Fig. I
216
End Riff A
l: */ Riil A
Asus4 Am Am7 Asus4 Am Am7
lr you can save tiom this
Gsus4 G
P.M. ---- -l
End R}ty. Fig. 2
,a
f' f
[.
_a- 1
217
GsusJ G
my own and I'm get
Gtr. I : w/ Riff B (2 times)

G Gsus4 G
"Voc. Fig. I
End Voc. Fig. 1
And I
+
T
*Applies to upstemmed pilt only
Am(add9)
218
Bkgd. Voc.: w/ Voc. Fig. I
G Gsus4 G
Lord, can you tell me?
e+^+++ .1,
T -=_==-.j >
T
r- I
Interlude
.l Gsus4 G G Gsus4 G
let ring -
=T
Verse
Gtr. 2: w/ Rh)'. Fig. I (2 rimes)
G Gsus4 G Am7 Am
#';
I
been locked up way too long ln this cra zy world

-
{-
,iin
I
"!f
219
'.-.: G \nr- {m
Gtr. I: w/ Riff C (2 times)

Gsus4 G
Bkgd. Voc.: w/ Voc. Fig. I (3 times)

G Gsus4 G
Yeah. Lord, can vou tell me?
End Rhy. Fig. .:

-
+++^+++
+++_++++

G
220
/--:-
P.M. - - -l
r ------ --l
221
fi-'
L
T
T--- l
Gsus4 G
Bridge
Am
Td que es-tds- en - trad - o al ci - el-o.-
lrtring --------l
let ring I
222
Ctr. 2 tacet
N,C.
he cha - rnc tu ben ,1.'Cause I
Asus.l Anr Asus4 Am
know there's bet - ter than this place I'rn

Riff D
223
and just keep on g1\'
-
G Gsus4 G
G Gsus4 G
'Cause I just got to know how far, yeah. Yeah, Lord, can you tell
-
-
Gsus4 G Am
know
-
know how
224
Gsus4 G Am(add9) Am Asus4 Am
aa
l-
ttw ffi
Gsus4 G
letnttg -- l
Gsus4 G
225
ffi
.C^C i_.r^\
Begin fade
G Gsus4 G
226
Hurts So Good
Words and Music by John Mellencamp and George Green
A5 E6 E E5
tu
lfr-n TrTT-a 12 lr
ffi ffi 11
Intro
Moderately J = 126
A.7sus4A5 G5 E5 A7sus,lA5
-: EFfAs
@@
open 2fr
Rhy. Fig. 1A
Grr. 2
(slight dist.) -t rT-1/ô
Rhy. Fig. 1 .f' '
rGtrs. I & 3
(slight dist.)
d4
t
P.M.- -.1
*Composite anangement
E F#A5 EF$45
@@
open 2ft
@@
open 2fr
End Rhy. Fig. 1A
-/ -T-1Jô
' '
t ff)ô
End Rhy. Fig. 1
d
I
P.M.- -l P.\1. - -..1
O 1982 EMI FULL KEEL MUSIC

l i :':s tr.es:-,e: i^:e'ra: crai Qopyright Secured Used by Permission 227
\ erse
Ctr. I racet Gtr. I lacel
= E- \i E5 Ef
@@
::i: lir
,li^
"/o
-l
was a young boy,

have to be so - ex - cit
said put a-way those young boy ways Now that I'm
.lu st try - in' to give my - self a -lit - tle bit of fun, You al - wavs
for those young boy

AS you are
with a girl like you, _ with a like

Hey ba -- by, it's you. Come on now it's
Gtrs. I & 3
228
G:r. -l: u/ Rhv. FilL I
E5 E6
Lord knows, there are things we can do ba-by

Sink your teeth right througfl my bones ba-by
- -
-
just me and you come on and make iI up. Hurts so

-:t s see what we can do come on and make ir up.
-
- -
#-
Come on ba by, make it
229
should.- Youmake it hurt so good.
-
-
End Rhy. Fig.2
A9sus4
Bridge
D
(GtI. 3, cont. in slashes)

E7 E6 E5
, )^F) 1
)) )-[) vr ,lt
t
/-
day long Walk a
Gtr. l: g/ Rhr Frrl l

E6 E7 E6 E5 E6 E5 E6 E- E6 E.5 E6 E5
-/T'l o-t-rTi
) ) ' / ) ' /'^/ ) ) YI "l\
' /-/ / / //
- l\
' /^/ / / / r
- t -/ n
/'^
E'7 E6 E5
r) /-/ / / / / , , ,
#
n
,T
,t
231
-:i 6 meu.. lnd time)
E5 E6 E5 Ffm
Huns so good. _ by,make it hurt so good. Some-times_ love_ don't
A9sus4
12. Gtrs. 1,2 & 3: w/Rhy. Figs. 1 & 1A

XX
F.5 A9sus4 A ,{6 A9sus4 4.6 A5
ctrs \ t
t&3 / '
hurl so good. _
-
Outro
A5 E FfA5
@@
open 2fr
Rhy. Fig.3A.
End Rhy. Fig.3.\
Gtr.2 $
-t a-T-
I lÔ -'/'/ r-'l
Rhy. Fig.3
Gtrs. I & 3
End Rhy. Fig.3
Beginfade
Fade out
Gtrs. 1, 2 & 3: w/ R1iy. Figs. I & iA Gtrs. 1, 2 & 3: wi Rhy. Figs. 3 & 3,A
232
I Can't Explain
Words and Music by Peter Townshend
UptempoRoctJ =tlt Chorus
EDAE DAE DA ED
How I feel in - side, (Can't ex - plain.-

Rhy. !'ig. 1 - )
Gtr. I
--er- tain kind...- (Can't ex - plain. * ) I feel hot and cold._ rCan'r er - plain.- )hey, down my soul, yeah. (Can't ex - plain._)
ff v..r"
4t
I said... (Can'tex - plain._) I feel_ good now, yeah, but (Can'tex - plain._) 1. I'm diz-zy in the head,- and I _
2. Diz-zy in the head,- and I _
DA E
:e1 blue. _ The things you say, well may - be thel"re true I'm get-tin' fun-ny dreams a-gain- and a-gain.
;:l bad. - The things you said got me real mad I'm get-tin' fun-ny dreams a-gain- and a-gain.-
-
Bridge T., a. i. J
B E Cfm Asus4 A AsuszlA R
t-
Can't ex - plain, _ I think it's love._Try to say it to you_ uhen I :.-
,4* 1,
a
Copyright O 1965 FABULOUS MUSIC LTD

Copyright Renewed
I a :':s ^ :re \,Ves:err Hem sohere Control ed and Admrnislered by SONGS CF _',, :=SrL.,NC
A R 3ats Rese.,,ed USed bv perrniss,or 233
- plain.
- Yeah. hear what I'm say-m girl. Can't ex - p1ain.
- plain. _ Ooh. Can't - -
ex plain. _ )
1$ Gdtar Solo
\C,E (E) (E)
D.S. al Coda
@coaa
Gtr. l: w/Rhy. Fig. 1, 2 times
E
Can't ex plain. - give _

Please me one mole try now Can't ex - plain.
( Ooh. Can't ex nl ain. Ooh. Can't ex - plain. - )
2nd Guitar Solo -
N.C.(E) (D) (E) (E)
h*
* 12 str. electric
(E)
Said, I You drive me

( Ooh. my mind.
Ooh. -- plain. *
ED - ED E
Tell me got me, yeah. I said I - plain.

plain.
- - Ooh. - plain. -_ )
234
I Did tt
Words and Music by David J. Matthews and Glen Ballard
85 c#s Ffs E5
F##
m'" H+Il.'* ffi+li # 1l
'r'Gtrs. I & 2: Tune down 2 1/2 steps:

{low to high) B E-A-D-F* B
Intro
ModerateRockJ =f12
**
G'/
Gtr. I RiffA
3rrone gtrs. an. for standild gtrs. (nusic sounds a 4tit lower than indicated)
** Chord symbols reflect implied harmony.
i r I-St
-. l'm mix - ing upa bunch of mag - stuff. a mas-lc mush - room
: a nick-el ofa dime lor what done. The truth is that I -
-
tr - -
-
,d- [
p tr+
+
_f
apo tion that will rock, the boat will rock. _
For such a love - 1y crime, I'll do - rhe time. _
-
-:^ 1.: ."Clf ,. Un versal Music Corp. and Aerostation Corporation (ASCAP)
-:.=-,- ---tt-a.:^ C:-:'o ec a:d Aiministered by Universal Music Corp.
-::'-:::â l::,-:^: S::-.ec A l:rts F:se""eJ 235
Make a bomb love and blow
You bet - ler lock up, r'11 _- do it
-
Chorus
* N.c. D] D6 D Dsus4 D5 D6
-l
-'
Do vou think gone _
Gtr. 1 Rhy. Fig. I EndRh-v.Fqr.l
* Chord symbols reflect overall hmony
Gtr. 1: w/ RlIy. Fig. 1 (3 times)
N.C. D7 D6 D/Ff D6 N.C.
Guilt - y- as- charged. it. It was
D6 N.C. Dsus4/E D/F# D6
right- or- wrong. did 1t. Yeah.
ff n.iag"
o",w B5
I nev - er did a sin - gle thing that did a sin - gle thing to change - the ug - ly ways of the world.
rTT TTT)
I did - n't know it felt so side. I- did-n't know at all.
- -
236
WrTT)
I o-pen up the the lights flash and crawl.
-
wrT)
nw)
did I ju>t
did r1 I did ir for us all you know.
tir{:
. I times) Gtr. 2: u'/ Riff B (3 1/2 times)
trf
t!:
' .i
t
I ou peo - ple are _ the skew - ers of our dreams. that col - lared - me.
- -
]t t*
flt.
d
u har I got - ta say to you You go1 Turn
down. - it
tr
#'-
\\'e got a long $a!' to go, but you, you got - ta _ start _ some-where
237
\ erse
Grr. 1: $, Riif -\ r: rimesi
Grr. li \\ / Ritl' B (lnd mea\. ) Gtr..2: u/ Riff B {l l/2 times)
G7
4. Go door to door. spread the love

-
you got, - you got
-
the love You get what you $ant. -
mat-ter where you get it t'rom? for one don't tum _ my cheek for an - ) - one.
-
Chorus
Grr. l: w/ Rhy. Fig. I (8 times)
N.C. D] D6
Un - tum your cheek give your love, grow. _ did ir Do you

-
D6 N.C. Dsus4/E D/Ff D6
gone too
Guilt - y as charged.
- -
-
D5 D6
right oT s rong.
-
-
Dsus4/E D/Ff D6 Dsus4/E D/Ff D6
Yeah, yeah, yeah. d:id.

- -
-
-
Dsus4,{E DiFfl D6 N.C.
Guilt - y as charged
- -
D.S. al Fine
(take 2nd ending)
Dsus4/E D/Ff D6 Dsus4/E D,lF# D6
told you, I did. Yeah.
238
I'd Love to Change the World
Words and Music by Alvin Lee
Em
o-,.99 -ÂC -^ B
ffmsft ffiFl8rr TrlftTfr
ffi aa I
Ft+F FU+ aa I
E]]il
ll,12 r 1
Intro
Moderately tast )= 122
Em C
Riff A End Riff A
\ arse
:<
l. Ev ry - where is freaks - and hair- ies, d\ke\ _ and teir- 1.5 Tell me. where is
Rb. Fig. 1 End Rhy. Fig. I

jt
1=.
+
a t
T -T -7.--T
Riii \
B7
j -
ty'.t
feed the poor- 'trl there are no rich no more. _

-
-
if:
"iiq. C
,a*
Copyrlght O 1971 Chrysalis Music Ltd.

Copyright Renewed
I
: r :^:s - 1.3 U.S. and Canada Controlled and Administered by Chrysalis Music
I
A P :'r:s Rese.ved Used by Permission 239
I
I
i
Chorus
Gtr. 1: w/ Riff A (3 times)
Em
love to charqg the what drt"

-
-
Gr I reld l
,r(b>i)
f
w/ dist.
U2
C B7
2. ,/-:/\
(+)
Iet ring - I
Na - tion bleed - ing, still more
240
Gtr. 1: */ Riff A
Em
e-con-o
rlllwwwvtt\is
/-- -. .
,='E-)
-. (+)
Gr. 1: w/ Rhy. Fig. I

E5
Life is fun-ny. Skies are sun - ny. Bees make hon - ey Who needs mon -ey?
-
/t
r
*"_l
a
: R;tT A
:-
{-
fr-r .*-
I
lol- v
#.
fa
;-
:L i--i
i
I
:-
I. t
don't know what to
241
loco
C B7
4=}) -Gz>
Guitar Solo
Em B
Rhy. Fig.2 End Rir. Fig i
-)
Gfttl'' ll 7l^ll -rE ll7 l' // ,"/^// //' l' l/ ,"/^f I ll ll l'Il lll/l /
, ffi
-> [=2= z ,"'--^:*
242
Ern
'-+2
\!tt!t!
2 (+) /::-\
'-#&J+15rr1i 15 J rr*
ffi
-'i'^<, n bC) +. + 2 2-2+
n / Rhy. Fig. 2 (2 times)
[.
I
3. World- pol-lu - tion is no so-lu - tion. In-sti-tu-tion.
{', ;
f
rich or poor. Gov-er - nors. stop the war.
ffi
-
.a
{r -
243
Guitar Solo
Gtr. l: w/ Riff A (2 times)
Em
E ,â-rt^-----
att----,
B1
244
Outro-Chorus
Gtr. l: w/ Rilf A (3 times)
Em
world.
-
t hold bend
know what- to- do.-
----:-'.
C B1
B7
d**
;.i-
Whispered: What's go - ing on?
s*
t
Pitch: Gf
245
Jailbreak
Words and Music by Philip Parris Lynott
A5 F{5
Intro
E5
/i ):vz
*Gtrs. I & 2 / A5 E5 Fil5 A5 E5 F,5
*Ctr.3
ia^/i ^/ Gtr.3 tacet
XGrrs.t&2 Crr. 3: w/ Fill 2.znd time
Rhy. Fis. I
*All Gtrs. tuned down l/2 step
Es Ff5 F{s
A5
Gtr. 3: w/
E5
Fill l, lst
time
F$,<
W Fill 3.2nd time
Verse
A5 E5 Fi5 E5 Ff5 A5 E5 Ff -i
Gtrs. I & 2: wr Rhy. Fig. I (2 times) r-J-r r-J
-
To - night there's gon na be jail break some - where tn
To - night there'sgon na be trou ble. - Some of US
To - night there'sgon na be a break - out into the ty

End Rhy. Fig. I
-
CIr. 3 (with wah-wah pedal;

hold bend - - lzz\
n
Filt I
Fill 3
Ctr.3 (with wah-wah pedal) {r11A
ÂA'1
Copyright @ 1976 PIPPIN-THE-FRIENDLY-RANGER MUSIC CO. LTD.

Copyright Renewed
All Rights Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, lNC.
F,.5 Ffs As Fil5 A5 Ff5
See, me and the boys-we don't like it, _ so we're get-tin' up and go-in'
See, the boys and me mean business. Bust-in' out dead or a -
Don't you dare try to stop us, no one could for long
Ffs E5 Ff5 A5 Fil5
J
Hid - in' low, look - in' right to left.
-
If you see us com-in I think it's best
I can hear hound dogs on my trail.
- All hell breaks loose. -
alarm and sirens wail.
Search light on my trail. Tonight's the night, all svstems fail.
Es Ffs
AllGlrs. tacet I meas
JJ
to movea-way. Do you hear what I say, lrom un - der my breath?
Like a game, if you lose go to jaill
Good lookin' female come here.
Gtrs. I & 2
Chorus
B5
ght there's gon nabea jail - break some - where in the town. _
-
i:r Fig.2
247
round. .
Fil5
Gtr. l: I I
/ ^/,
lr
t-',-' r A5 Ffl5
// ) D^.,
,t
don you be a-round.
n.^-/1
{> ;2. C. ft
Gtrs, I & 2: w/ Rhy. Fig.2

B5
night there's gon - na be trou - ble. I'm gon - na find my - self

-
lPvu)- - - -
Sn
|},tVlt Aryt'tA ,.){}'i A
248
ToCodag NC tA5t
night there's gon be trou go home and stay with a friend

-
rEra)--------
t^ AAAA/i ryl,c i aA AA'A,iAA'|
3 ridge
\.c. (A5) (F$5)
You know it's safe now.
,iAAAAAAA'I
t A .i,tÂ|
(Ffs) (Ff s)
Break out!
IAAAAA/TA/|,I
iAAAAAAAA'|
*Ctr. 2: hit l,rw E simulrane, rusly
249
Grr.3 \ D.S. aI Codn
Gtrs. I& 2
dlvisl rttttntrn r,re,r,r
S codaN.c. (A)
stay _ with a friend.

Ff5
urr.r l/i
/-:/
crr.3 . A1 l AA.
^ ^ ^" ^
=---/ {}
tA^ AA illrÂ/t ,|||'trl'l
fl .A A AAAAAIT
TA AAAAAAAAI
250
Jane Says
words and Music by Perry Farrell, Dave Navarro, stephen perkins and Eric Avery
Intro
Slowly .J = 88
G5A G5 A
Rhy. Fig. I
"Gtr. I (acous.)
t +
Ietring ----- .l
letring----- -- l
"T!vo gtrs. an. for one
Verse
Gtr. l: w/ Rhy. Fig. I (6 times)
G5 A A
+n+
Jane says, "I'm done with Serg - i - o: _ he treat me like- a rag-

Jane says, "Have you seen my sig a - roundJ I f'eel na ked with - out
"Vocals doubled in unison throughout except s'here hannonies ue indicated
dol1." She hides

- her tel - e VI sr(}n
it." She knows they all want her to so.
Says,"I don't owe_ him noth lng.- But if he comes back _ a - gain,
But that's o - kay; man! she don't like them an - y way. Jane says, "I'm go - ing a - way to Spain _
him to rvait right here for me try a-gain_ to-mor row.

.i hen I get m) mon - ey saved. Gon - na start to - mor row.
-:: -:^: ; :5C L- I ' YOU BACK

.
MUSIC, EMBRYOTIC MUSIC, SWIZZLESTICK MUSIC ANd BUBBLY ORANGE STUFF MUSIC
- :-r-i ':'' -- - '-! =AL< l'1LSlC L'lUSlC and SWIZZLEST|CK MUS|C Controlled and Administered by tRVtNG MUS|C, tNC.
=l'IBRYOT|C
AR 9h:s Besen,ed Used bv Pef.nission 251
Interlude
Gtr. 1: w/ Rly. Fig. 2 Gtr. 1: w/ Rhy. Fig. I (2 times)
G5 G5AG5
I'm gon - na kick- to - mor row." _..-

I on-ly know- they want me."
Verse -
Gtr. 1: u/ Rhy. Fig. 1
G5
3.,5. She gets mad_ starts to clv.
252
d
lsr time, Gtr. l: Rly. Fig. I (2 times)
To Coda $
2nd time, Gtr. 1: w/ Rhy. Fig. 1 (2 1/2 times)
G5
mean no harm; - she just- don't- know- ti what else to do a bout

-
(Don't know, don't know.) -
I Verse
I
G5A
I
4. But Jane goes- to the store at eight; _ she *alks up on- St.-
An - drews- walts gets her din - ner

-
She pu1ls her din-ner lrom her pock - et. Jane says, "l ain't- nev-er been- in
-
D.S. al Coda
G5
I don't know what- is." She on - 1y knows - if some- one her.

-
Scoaa
G5 A
says... _
253
; :.:. ::: I I lme; i
Gsus2!11 G5 Gsus2fi11 ^ ^+.,

(rsusl1lll G5
Outro
Gtr. 1: w/ Rhy. Fig. 1 (4 1/2 times)
G5 A
Hoo, hoo, hoo,

-
hoo.
c5 csus2#11 csus2#11
Gtr. 1: w/Rhy. Fig. I
G5
254
Jeremy
Music by Jeff Ament
Lyric by Eddie Vedder
F Dm Dsus2
m'"ffiffiffiffi
G A5
ffi m'" ti
ModerateRockJ=104
Intro
ngf tclean tonel
'tef r*tdisrononl
harm, ---------
-::'-',,:=Sr--:^ /Gp^'|r'{ \ITERNATIONALPUBLISHING, lNC.,SCRIBINGC-MENTSONGSandINNOCENTBYSTANDER

-- 3l= i ''3 :-','-'.- Sa',:S :.--': =i:'o Alr n stered by UNIVEFSAL - POLYGRAM TNTERNATTONAL pUBLtSHING. tNC.
I : :-:S tess-.,e: USe: :,,, perTisston 255
\-erse
; R:i Fiil I (2nd time only)
- ing pic -tures

draw of moun- tain tops. with- him on-
And he hit me with a sur - prise,-- left my jaw left hurt - in.
w/Rhy. Fig. I
w/Rhy. Fill I (2nd time only)
Lem - on yel low sun: arTns- raised- in a V.

ooh dropped wide o - Den. Just like the day.
(end Rhy. Fig. 1)
A5 D5/A
The dead _ lav pools of ma -roon Dad-dy_ did - n't

like the day I Dad-dy- did - n't
- Rhy. Fig. /
Gtrs. 3 & 4
,;f (w/distortion)
Rhy. Fill I Gt . 1
256
w/RIy. Fill 2
glve at-ten - tion, oh, _ to the fact that mom - my _ did -

n't
give af-fec - tion. and the boy was some - thing that mom - my would - n't
(end Rhy. Fig. 2)
*'/Rhy. Fig. 2 w/Rhy. Fill 2

45 D5/A G5/A
care. King _ Jer- e- my_ the wick - ed _ oh ruled his world.

wear.- Kins Jer- e- my_ the wick - ed oh ruled his world.
*,G.iv. Fill 3 (3rd time only)

-
F Dm Dm A
il
(end Rhy. Fig. 3B)
Gr.5
-:r3Bl
-//d. - I
nlf
I
) ) I
{acoustic'1
Jer- e- my spoke class_ to - day.

Rhv, Fig. 3A
Gtr. 3 (end Rhy. Fig. 3A)
L\l. Fig.3 (end Rhy. Fig. 3)
i; ; -
Rhy. Fill 3
Ietnng------
257
tr/Rh)-. Fig. ,1 ( lst ,1 ban
r
*/Rh1 . Frll -1 (:nd & -1rd time i w1Rhy. Fill 5 (2nd & 3rd time) To Coda &
-F Dm Dsus2 C A wiRhy. Frll 6 (1st dme onll-.)
f-f b-l
))J. r
) ) 9 -
Jer - e - my spoke in _ day'

Gtrs. 3 & 4
* 2nd & 3rd times Rhy. Fill 4 implies F(add9)
w/Rhy. Fig. I (twice)

N.C.
2. Clew - ly re -mem on _ the boy, _ seemed a harm - less _
_ lit- tle fuck. Ooh but we un - leashed Gnashed
ll';*, rig,. r.:n a ,u
his teeth and bit the re - cess la - dies breast. How could I for Jer my spoke _ in
- --
Rhv. Fill 4
Rhv. Fill 6
- GrrI
258
w/Rhy. Fill 5
A
w/Rhy. Fig.4
ooh, ooh. Try to for - get this. Try

- - - (Try to for get
- this.
-
(end Rhy. Fig, 4)
-
w/Rhy. Fill 7 D.S. al Coda
this from the black

Try- to e - rase this,)
- i:lDA x,Rhy. Fig. 3. 3A & 38 w/Rhy. Fill 5

aF Dm Dsus2 A
to - day.
Gtrs. 3 & 4
259
w/Rhy, Fig. 3, 3A, & 38 tsubsrrrute C chord to:
w/Rhy. Fill 4 beat 4 of this rreasure i
F(add9) Dsus2 C
in, spoke in,
- -
w/Rhy. Fill 5 (simtle) Outro (Repeat 9 times simile, ad lib vocals)
l--ffi
A F
cr,.s
./a b I
bl ).fffi )\fTn ), ) LTTT)
260
w/bar
t) lZ -l,Z -VZ ' lZ -t2 -12

-lr -l) -l.j -lr
\Z \Z \Z\,, \7V . -tt
\Z\Z -tt
-l) -t/, -V,
V\Z .
V\Z\Z \Z\ZV V-12 \Z
-12 -12 -t2 -lZ -1.2 -12
V\Z \ZV\,2 V -1.2
- _:. ' tl -lz -t,2 -v, -y,

2 '._7 \,,'\Z \,,'\,,'\,,'\,,'
harm. -----------r
+-
261
Just Like Paradise
Words by David Lee Roth
Music by Brett Tuggle
GIA DIA A p#- L c r c#* B e.tcf.

'',l'G ;-i ]E -.F ., r.4rr ilE ffi11fr
drr$ .# -Hl+l t#J # ri#r .h;.L Ft*l r] -lTl
rh+r.
-
3211
mi#3t2l
rH
-i
lll
riirri +i#
134111 21 34
-ri-.ri-r iirii , ffi:il
-
231 13121 1333
Ft++N
l43l2l
Intro
Moderately fast . =136
GIA DIA
Rhv. Fis. 1
x *Gtr uQ o
Gtr. I (elec.)
"!f
xKey signature denotes A Mixolydian.

'r*Synth. an. for gtr

A ***G/A
o- End Rhy. Fig. 1
x**Chord svmbois reflect overall harmonv
Copyright O 1988 Diamond Dave Music and Tuggle Tunes

All Rights Administered by Chrysalis Music
"*w/ dist. & delay
I
-*Dclay set fbr quarter-note regencration w/ lwo repeats

Riff A
.9r,r----------- l
==7'-J7'17'7' 7=1=1====
P.\t. I
Gtr. -1: \\l RilT A
G/A DIA
,".oil.u o
,!f
o
/\
; e' ---.- -f r:ri 4
t:
-'=-\
..i t +î.-=-
I
:ir.
l
Yerse
End half-time feel
Gtrs.-1.5&6tacer
I)
1. Rock
8v
Hmn.
w/ bar
+
P.lt.------------
Pitch: A
*Harmonic located three tenths
the distance between 2nd & 3rd frets
Dsus4 D
dad - dy's she got the wirh the big gui - tars_ and that's all
8ra ---------- -----t loco
Harm.---- l
15ma----- -1
loco ,'):-\
P.M. - l
Pitch: El
got the itch and rest - less soul. She gone with the wind, gon - na
- -
P.M. Harm. -
Pitch: D
night, yeah. And that's.

- -
:-=
++
P.H.
w/ ba
P.M P.M. +l
Pre-Chorus
\sustl A P#m
Grof
Rhy. Fig.2
I I I I /
I
nD)
Girl, we've meant for this since
night.) -
Voc. Fig. I
e
-
(Ah,
-
P.M letring-- IP.M.
265
A
) nn) nn) G
La, la.
P.M. 1 P.M.--------- -------t
End Rhy. Fig.2
-1
t/ttt l--"1
tJttt l
ltt|/ I
1+!'
r-> .
/t^
a-\
4!\ r1-->
fore the stom.
(Oo,
- - End Voc. Fig. 1
End RiffA
2+ 1}*--
Chorus
Gtrs. 2 & 6: w/ Rhy. Fig. I (4 times)
GIA Dadd9/A
l--'l^
This must be just like

(Just like par - a- dise.
Rhv. Fig.3 End Rhy. Fig.3

-
-- '=-.
--'
Dadd9/A
I don't wan - na go home.

don't want her to
-
15ntdj
rr:laf*ffi 8ru1 |o,u
++i>
just like liv - in' in par-a-dise.
-\h par - a-dise.
Riff
267
wan - na go hon::
End Riff B Riff C -
8ta -----' ------:-- a loro
----- =
P.\ I
Hrru. I
Spoken: A- ga- di- ga-di- ga di- ga. 2. Suz - y, Suz - y, girl, ior
End Voc. Fig.2
End RilT C
-2
Ioco E
PM.
268
.-r\ - in' out loud.- You got all- the right moves,- you make- me eat my heart- out- night - ly.-
P.M. - -l
Gtr. 7 tacet
Dsus4
oh. _ Yeah I \o spe cial fa - vors, make it

(That's all right with me!)
- Gtr. 7 (elec.)
v\
== +
=
*rr,)/ P.M.
P.M. - l
Pitch: G
cash. We'lI spend it lat er, got make ro - mance 1ast,

-
Rva ------i
Uro *
P.M. --l Harm. ------l
Pitch: D FTDF}D
D
{:us-1 Asus2 A
and... Spoken.' That's it, that's it.
P.\1. - - l P.M. -- l
269
Pre-Cborus
Bi::.ir: , .i: i:
Gr ; 141,
G:. : ,i i-:. :: l
Fi:.'-'-
w/ clean tone & chorus

let ring thtoughout
Gtr. 7 tacet
ra1--).
Chorus
Ctr. 1: w/ Rhy. Fig. 3
270
Gtr. :1: w/ Riff B
Gtr. 5 tacet
G/A Dadd9/A
-J--
This must be jusl like liv - in par - a - dise.-

go - in' home. Just like,
-
15 ma 1 loco
llutter bar P.H

+ --_ /
P.\I
1/2
Pitch: cl
ttlttffi
+ ----.-..--\
Harm. -
rtt!!!!!t!t
Gtr. .l: ri/ Riff C

GtI. i tacet
GIA Dadd9/A A
.t! ) !J
-3- J.
and I don't wan - na go home.

just like par a- dise. Please no.
=
P.M
++
==-:l-l-t
Guitar Solo
Gtr. 1 tacel
c#m
oo.ro---o
)'1.
l5nt1
/ -^ ^
*w/ delay
xset for quilter note regeneration w/ 1 repeat.
B .\
C#m
crr.2Ô o- <'- -t' /^
-
oh yeah. Ah,
/--. t!tt!ll!
,/*
T T -e
.J
r,tGf' F#m B
ô' -/' \
/^
-A
-
yeah.
-
A n1c# p#''''
)_!'--J )_!''-_, )-- )
Whoa!)
Chorus
i:. -l tacet
:::. I & 6: w/ Rhy. Fig. I (till fade)
G.\
a - dise,
(This
-
=- -
Bkgd. Voc.: w/ Voc. Fig. 2
GIA Dadd9/A
wan - na go
a - dise, par - a - dise.- don't.
d(,/
to(o
,:_ it e,r-\ E.Y,+
,n---\ ,
--- L PM
273
Gtr. -1: \\/ RitT B tti]] iade I
Gtr.7 tacet
GIA Dadd9/A
I
This must be lust like liv - in' in

go. Liv - in' here. babe.
T--t--
-
+
P.M, letring -----1 P.\i
Dadd9lA
par-a dise, and wan - na go home. -

-
Oh, boy, go - in' home.
-
Voc. Fig.3
Jusr
8va t loco
'--/ =
P,M
Pitch: B
Gtr. 5
Hrm. -l
274
Bkgd. Voc: w/ Voc. Fig. 3 (l 3i -+ rlm.!
A G/A
This must
Whoa, Spoken: one-eight-hun - dred sing - it - ba - by. Whoa!
-
End Voc. Fig.3
dise.
-
-
Begin fade
Bkgd. Voc.: w/ Voc Fig.2 (1st 7 meas.)
l.:d9/A GIA Dadd9/A
i:t like liv - in' in par - a - dise,- I don't wan - na go home.

-
Just like par a - dise.
P.M.
+Except lead & bkgd. vocals
Fade out
Band tacel
N.C.
This must be just like 1iv-in' in par-a-dise.-

Whoa, _- hey, hey
- ba
w,a1 **w* A:1

+n+
275
Kid Charlemagne
Words and Music by Walter Becker and Donald Fagen
^\m G6 F8 Bb 13 ci Dm Dml Bm7b5 E7 FmajT Em7f5 B7b9
ffi ffi'u
lriln
ri-l-li
His
lli
# m''' m"'. m''' i+ffi''' ffi''' m'. ffino
tl33
ffi 2t3 3421 lr2l r 231 23t 213
iiiffi'"
+++# iTffi"'
H+Hl
B7
XX,^ 1il
t;:; D D6 D] Cmaj7 EmToP"n DIE Faddg G u,,''rlrt a-t":lt"
Tfr-' LII.- l2fr f-Tf-n 5fr
iiffii'n
I ttal
ffi
t21I
I
ffi Fl#l
H-++H
1333
m'* m''' m''''m''' iffi''. m'-
333 334 tt3 13121 11ll 314
H+.ll-l
3t2 ffi'" ffi
Intro
ModerateRockJ =98
C]
mf
xxT
let ring
+Kybd. ar. tbr gtr.

**T = Thumb on @
Verse
Gtr. I tacet
Am G6
I
1ffif,
Rhy. Fig.
Gtr2
rcrean'f
r
I 1 | X / i-i-]/ 11
) ) 1
x //
1. While the played - you worked - d1e - 1ight, -
E! Bb 13 Am
-
I I )) 1 ll.ll/ ) )t I I ))1 7tll.)))1 I I r- - i-
| //'
sim.
'mffiq
San Fran-cis - co nights, you were the best in town. - Just by chance
-
you cross the dia -
-
G6 r! Bb 13
End Rhy. Fig. 1
7 t' /tjtirfi tT, , t fi, ixil ffi, 'x fi' r:///ffi (cont. in notation)
mond with the pearl, - you turned it on - world, - that'S when you turred - the world- a - round.
-
Copyright O 1976 UNIVERSAL MUSIC CORP.
Copyright Renewed
'.\.c.(F) Am7 G6 F6
7-3------ t.--,t I ^
-3-----1
Did you I'eel like Je Did you re,al-ize- thatyouwere a cham-

End Rhy. Fig.2 Rhy. Fig.3
:::1red by bass
Gtr. I tacel
Am Fmaj9 EmTaddzl D c7
plon in their eyes?
End R}tr. Fig, -1 Gii l
\ erse
.: i: ii/ Rhy. Fig. 1, simile
Am
l. On the hill the stuff- was laced- uith ker-o - .rre.- bu1 yours was kitch-en clean. Ev-'ry-one
-
Bb 13
stare _ your tech - ni - col - or mo - tor-home Er - 'ry frame had your num -
-
G6 F3
on the wa1l. ve had ail. 1'ou'd go L.

-
- -
Gtr. 1: */ Rhl. Fig. I
Bb 13 N.C.(F)
on_ and you'd Could you last
G6 Dm7 G6 F6 Am Fmaj9 EmTadd4
C. u.J I 'u .;c thc de_r . could you feel your whole- world 1'all a - part- and fade, a-way?
-
277
Dm7 Em1 Dm7 Em7 F'
2+
get a - long,-Kid Char Kid Char-le-magne -
C]
ffi.ffi [Tlmffi,Ti_
G'7
3i:;? ) n)'
Verse
Gtr. 2: w/ Rhy. Fig. 1, simile
Am
3. Now your have all left )'ou in the red.
- -
Bb13
renl iriends - are dead, this life can be ver - v stranse. All those day freaks, who used
-
-
Bb l3
paint-the face, they've joined the hu Some things nev-er change.

- -
278
-::: lr */ Rhy. Fig. 2 Ctr. 2: w/ Rhy. Fig. 3
\.c.(F) c Dm7 c6 F6
Son, you are mis - tak en. You are ob so - letc.

aAA^,tAAA^â
-
iAAAA,nAAAAii/!
Chorus
Gtr. 2: w/ Rhy. Fig. ,1
Am Fmaj9 ErnTadd4 Dm7 Em7 Dm7 Em7
men on the street. get a - long- Kid Char - le-magne,

-
râaAAÂ /r/r aAA,,l
u^r\-n
.1
_T 2 2 ^ jbt >--
I.A'.AAÂA'
i,/}t^,flfat}ttt!
Gtr. 2: w/ Fill I
Dm7 Em7 C]
get a - long,- Kid Char-1e-uragne. -

t aA/lAA a tt A aa
^,f4tf
r.uitar Solo (Lary Carlton)
\.C. Em7b5 A7 N.C. Dm Dm7 Bm7b.5 E7 Am G6
"'/ \l/ r) / ll
I
- i ' i., i-i i-i r i., -l

Gtr.2 )o
/^/ 1t/ /1tt tt/ /1tt
/---
279
FmajT Em7$5 Dm7 BTbq 87 Em7
lr
,-- '/
-'-///'/l' /
}.A A AaAA a
^.i
{i
]E
tA AAAAi.l a :-1
t/2
^-
DD6D7D6 CmajT Em7

oP"n
DIE
1
frffifnfit z^Y.\a
1
D //'i-i - -
'
i-i i-i -
////, ) )
-a
ful l
t .t A/yt/r/t J-\,^
^
Am G6 F3
.r)
)) /t
)))t I ))
q)
/t )))E I ))1 1 l.l.))
\va-----------.
aA br:o 7: aAAA 'i'l
e2++-+cti ^
full
tâ
Bbl3 Fadd9 G Am G6
n ) )")
I
Gtr. 2: w/ Rhy. Fig. 3 Gtr. 2 tacet
Dm7 c6 F6 Am Fmaj9 EmTadd4 C]
(rlrlfF---!)
' / 1/'///11/',
u I u I u I I I d u ,l
/
l, .tfr
"- l'1)l)))l)'/ 7 /-iili,
)' )'lft]D1],
-- )'')'i/,///.//, / t)
W
2. - a^^ÂAAA^^Â
grud. rclea.se
:: :f,aet
: i .rr Rhy. Fig. 1, simile
.\m
Clean this mess- up else - we'll all end up

-
those test tubes and - the scale. just get 1t
-
)--7'::-\---\
6t
Is there sas in the car? Ye:. there's gas in the car. I think the peo -
281
Gtr. 2: w/ Rti1. Fig. 2
N.C.(F) G
ple down-the know who- you are. Cale - ful what you car ry, cause the man i.
a- AAii A /.1 /i.iA/iL aÂ^'at'lttta
Chorus
Gtr. 2: w/ Rhy. Fig.4
Voc.: w/ lead voc. ad Lib
Dm7 G6 F6 Am Fmaj9 EmTadd4 D Dm7 Em7 Dm'7 Em7
you are stiil an out eyes. _ long, - get a- long . Kid Chnr - le- magrr-
l,tm'flllwYvrql :-)
a AAA'ta/r,l
ÂA
tAAA^,t
Gtr . 2: w/ Fill 1, sinile

Dm7 Eml F1 C]
get a - long- Kid Char-le-magne
Outro
Fmaj7 -- -VTT
+Em7 "' Dm7 Cmaj7
IV
Em7 Fmaj7 Em7 Dm7
Rhy. Fig.5
, tEt,
crr.2 l^ I l^l^ I
/ /'//
-r /'/
l^ l-_
/ /'
| l^l
// rt't/t/t^/t/!
/'tt t^
i/.l ,a,a4lii -, r-:- /->-,-)-. r. iAAA'i,,I
f
full
!!!!!!ii! .AA,. 'I/I,.
t Use this voicing till tade

Gtr. 2: w/ Rhy. Fig. 5, till tade
Cmaj7 Em7 Fmaj7 Em7 Cmaj7 Eml Fir."
End Rhy. Fig.5
t-
-tl
1 / /^
Em7 FmajT Em'7 Dm7

rl iÂ /! 8va -
ÂA/.!
^ a A/.l,.lAA'! r/\
CmajT Em7 FmajT Eml CmajT Em7 Fmaj7
Em7 Dm7 CmajT FmajT Cmajl Em7 FmajT

,Em7
2
/>.-^-:--\
grad. reLease
U2 full
+
Fade Out
CmajT Em7 Fmaj7 Em'7 Dm7
283
Lick lt Up
Words and Music by Paul Stanley and Vincent Cusano
lntro
ModerateRockJ =120
N.C.
yeah.
Gtrs. I& 2
e
. P.M.
.f tdistotion)
Don't wan - na wait you know me bet - ter.
w/Rhy. Fill l, (2nd time only)

2. Don't need to wait an in vi ta - tion.
Let's just be for

You got - ta like
Rhy. Fill 1
Gtrs. I & 2
Copyright @ 1983 HORI PRODUCTIONS AMERICA, lNC. and STREET BEAT MUSIC
All Rights for HORI PRODUCTIONS AMERICA, lNC. Controlled and Administered by UNIVERSAL - POLYGBAM INTERNATIONAL PUBLISHING, lNC.
All Rishts for STREET BEAT MUSIC Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, lNC.
284 " All Rights Reserved Used by Permission
*Bass plays A
Life's such a treat and it's tlme

-
There's sone thing sweet you can't buy Lick-
There ain't no rea - son on

up Woa Lick It's aII you need so be -
-
P.M._ _ * _ -
t'Bass plays A
It ain't a crime good to lour - sell'.

-
285
D/A
Lick it up Lick right - now.
Rhy. Fig. I - End Rlty. Fig. 1
P.M----r
w/Rhy. Fig. 1,2 3/4 times w/Rhy. Fill 2, 2nd & 3rd time
D/A A N.C D/A N.C.
Lick it up Ooh, yeah.
w/Rhy. Fill 2, 2nd & 3rd time
N.C.
Come on, come on
To CodaS
wiRhy. Fill 3, 1st & 2nd times
w/Rhy. Fill 2, 3rd time
Lick it up. Lick

-
Rhy. Fill 2
Gtrs. 1 & 2
Rhy. Fill 3
Gtrs. 1 & 2
286
Bridge
D,F# c5
It's on - ly right_ now It's on - ly right now.

End Rhy. Fig.2
PM
G5D/Ffl G5 N.C. D/Ffi G5A
Ooh yeah, ooh yeah, ooh yeah, ooh yeah. Yeah. _ yeah.
Interlude - -
D/A N.C. A N.C. GIA D/A \.C. A N.C.
3::: plays A
G'_\ N.C. A N.C. E
let ring _ -1 let ring

--lf,g _ _ _ -l - -..1
- -
D.S. al Coda
N.C.
JJJJ
$ Coda
Chorus Fade etut
.,. Rn). FiS. l. lst 3 bars
D/A
Lick it up Yeah, yeah,

- yeah
-
287
Locomotive Breath
Words and Music by lan Anderson
(Am) (c) (c) (E) (D)

-r-r-
oo o-rnF-
oo
'fr1Tr' ITTT- i--r-
ffi
231
FJl++
IH+N
32 I
taltt
F:#
21 34
ffi ffi
23t 132
5 J
MD
w/ Imgers
lelnnp ---- -- f letrinp ----- l
xPiano arr. for gtr. *xChord symbols reflect basic harmony
lerring---------- ) letring l
Glr. I racet
Bbmaj7 B7sus4 B7(no3rd) A7(no3rd)

,'-
{),2+
"friilg - - - - - - - --------l
let
-kffi
J2+.
Copyright O 1971 Chrysalis Music Ltd.

Copyright Renewed
AII Rights for the U.S. and Canada Administered by Chrysalis Music
288 AII Rights Reserved Used by Permission
\Ioderatelyfast .= 152 l;=.: I
EmGD
Cuitar Solo
Em G
X+
+:l*
(cont. ad Ub. simile.

next I 6 meas.)
/': ---
Pitch: E
289
Interlude
Slower J =t20(l)=I)
Gtrs. | &2tacet
w) .w
(Am) (c) (c) (Am) (c) (c)
\
Gr.3
(acous.)
7
|7 ) ) 11 \.
// )
\-erse
nw nm
(Am) (c) (c) (Am)
Riy. Fig. I
\
.:: / l7 ) )
of the lo - co - mo - tive breath,

-
i*J
+--x'=
-xT-x
-
Hilm
(c)
t //// Y./
runs the all - time
=--x
-TTX
(E) (c) (.{m}
\
/ l7) I x///l/
feels the pis - ton scrap -
(Am)
/ I / t./ / /
(c)
o-rn 7
/m D)
n
(E)
) ttlttt
tT'-
293
(Am)
) X/
down.
-
w
(c) (c) (A*) (c) (c)

End Rhy. Fig.
'-T',l
1
\)._
//// t/// lt I tlt ///
\ erse
Gtrs. 3 & 4: w/ Rhy. Figs. I & 1A
-Em G
1{ml (c)
2. He sees his chil-dren jump ing off at sta - tions, - one by

-
-S] mbols in parentheses represent chord names respective to capoed guitil

Si mbols above reflect actual sounding chords.
G B
(c) (E)
His woman and his best- friend, in bed and hav lng fun. Oh. he's
-
-
G G D
Em
(c) (c) (G)
-{1lJ
:ra\\ I - rng down rhe cor - ri - dor on his hands, and

- - - -
Grrs.5&6: w/Fillsl&1,A
B D
(E) (G)
and the train. stop go - ing. No way
295
Em GD Em
(Amt (c) (c) (am)
Flute Solo
Gtrs. 3 & ,1: w/ Rhy. Figs. I & 1A
Em GD Em
(A-) (c) (c) (Am)
*Gtr.7
'
=,r1J
GD GD
(c) (c) (c) (c)
G
(c)
' , +2
B
(E)
,22a2-a:..-2 2
D
(c)
Verse
Gffs.3 & 4: w/Rhy. Figs. I & 1A (lst l2 meas.)
Gtr. 7 tacet
Em GD Em GD
(Am) (c) (c) (Am) (c) (c)
-J-
\-t
3. He hears the si-lence howl an - gels as they fall.
- -
G D B
(c) (c) (E)
And the all-time win has got him- by- the balls.- Oh. he
P.M. --l
G D
(c) (c)
:ks up Gid ons o-penat
izT
Hum.------------- l
:&6:w/Fillsl&1A
)il trIi .w /
(D) (E) (c)
//,)n1 )l , )m 7
)
he stole the han and the train. stop go-ing. No wav to

-
'F'
;i"!
I
Gtrs. 3 & 4: w/ Rh1. Figs. I& 1A (last 4 meas.)
Em GD
(Am) (c) (c)
\-,
down. - No No. way
-
-way
Outro
Gtrs. 3 & 4; w/ Rhy. Figs. 1 & 1,A. (lst 2 meas., till fade)
Em GDEm
(A-) (c) (c) (em)
\-/- \-/-
down. slow down.
- -
Begin fade
.--z
doq n.
-
w
,ât\r^\
Fade oul
GD Em
(c) (c) (Am)
\7
No- down.
I/VI!\ AAAAAN
London Calling
Words and Music by Joe Strummer, Mick Jones, Paul Simonon and Topper Headon
EmCG D
m'ffi'''
+$t] t-Ft+N m" Ft+l-H
Intro -j-
ModerateRockJ =r:l tf']=l ))
Em
Rhy. Fig.1 End Rhy. Fig. 1
Ctr. i: w/ Rhy. Fig. I, 4 tines

Err
,:t-l
mp qt aJ. (rrst
Verse
Em
Rhy. Fig.2
ctr,/- I iT'''j
/ / ', i I I
1. Lon
Gtrs. 2 & 3
I & -l racet
T) ,.D) ,.[T) ,.ff) ,.[T) ,.[T)

C Em
End Rhy. Fig.2
$. a\ to\\ ns. _ Now war is clared bat - tle
Copyright @ 1979 NINEDEN LTD.

: = :-:s':':-: - S e': Ca'aja Cor:rolled and Adrninistered by UNIVERSAL - POLYGRAIV INTERNATIONAL PUBLISHING, lNC.
A Q'ch:s Reserved Used by Permission 301
Lon - don call ing to the un - der - world. - Come out of the cup-board, and girls.
-
Em
r-3--r
-3---r
Lon - don now don't look to us. Pho-ny Beatle-man-i - a bit - ten the dust.
-
-
Rhy. Fig.3 End Rhy. Fig. -l
C
r-- J --_--r
Lon - don rng, see we no swlng, ex - cept for the of that trun-cheon
1cont. in slash.l
Chorus
Em
.[T] , .T) , .[T) , .[T)

Rhy. Fig.4
cr/l- / /'L
-
l J
-i -''l r-J_
rs com - lng, SUN S zoom-lns ex-pect-ed,
302
G Em G
tT'l
x// '/ .[T) '/ 1 .[T) '/
-J--------l
q heat is grow-ing thin En - gines stop run - nlng, no fear,
Em D
W) n ) fTT) fT)
End Rhy. Fig.4
I-on - don is drown-ing and er.

-
--
\ erse
Gtr. l: w/ Rby. Fig. 3, 2 times, simile
Em
2. To the im - i - ta - tion zone. For-get it, broth-er,

don call - ing.)
303
Grr I :r
En rJ---r
- -J-----r
to the zom-bies of death. - quit hold-ing out and draw an - oth-er breath. -
Gr. l: w/ Riy. Fig. 2, 2 times

Em
Lon - don cail ing, and I don't wan-na shout, but while we were talk - ing, saw vou nod-din'out.
Lon - don call ing, see we ain't got no highs, ex - cept for that one with the vel - low y eyes.
Chorus
Gtr. 1: w/ Rhy. Fig. ,l
Gtrs. 2 & 3i w/ Rhy. Fig.4,A, simile
Em
1Ce age rs com-1n9, the sun's zoom-ing in.- En-gines stop run-ning, the wheat is grow-ing thin.
nu- c1e EI but I har,e no fear. cos Lon - don is drown-ing and I-
-
cr. 1: s/ Rhl. Fig. 3. I times
D Em C Em
t- t_ , r-J-r .--
live bv the riv
r3rr-l'
pitch: Ff * Microphonic fdbk. not caused N* Flick toggle switch between ofI and on
by string vibration. positions in rhythm indicated.
304
C G
_ J ________r
l-J--------t
-J------r
"h. rh, ah, ah, ah, ah, oh! Ah, ah, ah, ah, ah, ah. lh,
I I j----J
+1/2
-j
fdbk.
Jade in
pitch: A + bend neck
Cuitar Solo
Grr. 1: w/ Rhy. Fig. 2, 2 times
EmC Em
--\ /\--\
^
ri;-> ^r
:, .,. .is. gtr. m. for gtr., next 10 meas
Chorus
+ + O * r----\-'ra-
L - - -- 1
'Jl 'J'
305
SUN S En-gines stop run-ning, the wheat is _ grow-ing thin.
r-J____r
I have no fear. 'cos Lon-don is drown-ing and live by the riv

= -
---\ :
Interlude
Gtr. 1: w/ Rhy. Fig. 1. 4 times
Gtr. 3 tacet Gtr. 2 tacet
Em C Em C
r_J____,_
-3_--
Oh. oh, oh, ohl Oh, oh, oh!

--==
-
pitch: Ff
* Microphonic fdbk., not caused by string vibration
306
Verse
Gtr. 1r w/ Rhy. Fig. 3, 3 times
Em
Now gel this. 3. Lon don call lng yes was there too. An'you
-
G Em C
r 1\\ \!hat thev said? We1l. some of it was true! _ Lon - don call the top of the dial.
-
"i - ter all this. won t you glve me a smile?-

tLon - don call - ing.)
lf.-
Gtl. I tacet
!:ll G Em
Gt. 1 ,[
* w/ echo repeats
Love the One You're With
Words and Music by Stephen Stills
Open E5 tuning, down 2 steps:

(low to high) C-C{-C-C+ G'C
Intro
Moderately J = 97
**AIE P#m/P
Rhy. Fig. I End Rhr. Fig. I
**Chord symbols reflect overall hamony (relative to detuned guitars).

*Three gtrs. an. for one.
ff v".r"
A/E E F#m/E
and con - fused. and you don't re - mem - ber - in' to.
who you're talk
gry, don't be sad.
- and don't sit cry - in o - ver good times -
ache
- right in- to Joy. _ She is a girl. and )ou're - a boy.
-
-
n#m7n
:--,
Con--cen - lra - tion slip a - way,- 'cause your ba -

you had. There's a girl right next to you and she's just
Get it to - geth - er, make it - nice. Ain't-gon - na
-
Copyright @ 1970 Gold Hill Music lnc.
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
-by is so far a - way. welr. )
wait - in' for some - thin' to do. _ And ) there's rose _
need - an - ) more ad - rice. Ana )
Pre-Chorus
-
(^t++fm
in the fist glove and the ea -
C{im B
l+ ?
the dove. And if you can't
L.fm B A
.\ -2-
?
with the one love- love the oue you're with,
Chorus ro Coda $
J: I urRhr.Fig. I
-\E Flfm/E E
the one r'ou re rvith the one you're with,
- -
309
G: ; i.:r Fi-.l
\t
one you're with
lz
Bridge
DE C#mE DII. CilmlE DIE Cfim/E Dp C#mft
DIE C#mp DIE C#m/E DIE C#m/E

a^z *|lz =
Do, do, do. do do. do. Do. do. do. do, do, do
-
End Rhy. Fig.1
Organ Solo
cfm B
310
the one- you're with
Chorus
Gtr. l: w/ RhY. Fig. 1
AIE F*m/E
you're with the one you're with,

one
- -
D.S. al Coda
Ff m/E
AIE
one you're with 3. Tum your
0Coda
F#m/E
AIE
one you're with.
Dutro
:: : s,t Ri,v. Fig. 4
DEC)mlE DIE C#mff' DIE Cfrn/E DB c#nF DIE cfrmP DIE c#m/E E
#.t
d
a-
do, do. Do, do,
I lClnE D'E ClmE DIE
#. i L^L =t 7r
I
do. do. do.
311
Magic Carpet Ride
Words and Music by John Kay and Rushton Moreve
lntro
Free Time
\.c.
*176r"" -€ fadein
let open stdngs dng- ----
* Both gfs. for Hit stdng lightly near bridge w/ edge of pick x* Do not attack strings
best results, point pickups i
directly into mp speaka$ at close range at m angled, "chopping" motion, like scrape.
x Do not attack
Verse
) =rtz
Gtr. 1: w/ Rhy. Fig. 1, 8 times
Gtr. 2 tacet
to dream, yes, right be-tween my sound ma chine.

- Ona
2. mght I held A - lad-din's 1amp, and so I wished that Icould stay
Copyright 1968 SONGS OF UNIVERSAL, lNC. and KINGS ROAD MUSIC

@
Copyright Renewed
All Rights Controlled and Administered by SONGS OF UNIVERSAL, lNC.
y - place it
- goes is right Goes far. tlies near
Lrud of sound I drift in the night, an
I round
some-one came and took the lamp a looked
way a
Be-fore the thing could an - swer me, well
ff cttoro.
DC
to the stars a- way from wetl. )

you don't know whal uh, can tind.
:.lous-y can dle was a1l I founcl. Wetl. I --
-h"re. Begin Fade on D.S.
C G
C G D
on amag-1C car pel ride You don't know what

itrn't'cha come with me lit - tle girl, -
Fade Oul
4
I will set you free.
can see. Why don't 'cha tell Your dreams to -
Gtr. I : w/ Rhy. Fill 1. 3 times
(Bb) (c G]
dt
your eyes gir1, girt. the sound take you a way.
Organ Solo
Double Time Feel
Grr. l: $,/ Rhy. Fill 3, 4 trmes Gtr. 1: w/ Rhy. Fill 4,65 times
Gtr. 1: w/ Rhy. Fill 2
854
4 il
'tr
) -,
i{ :, illm]f
etr=
O
-
-
Rhv Filt 4
Gtr.
313
Make Me Bad
Words and Music by Jonathan Davis, James Shaffer, Brian Welch, Reginald Arvizu and David Silveria
All gtrs. are 7-string gtrs.

tuned down I whole step:
@=n @=n
@=o @=n
@=c @=n
@=c
Moderately J = tOO
Intro: ,)
*Elec.
I N.C.
Gtr. /^r
? w/wlummy pedal
Elec. Gtr.2
*Elec. Ctr. 1 sounds one octave higher (8va) as result of whammy pedal
**Music sounds a whole step lorver than written.
4.
Elec. B5 C5 C5
Gtr.3 I
J. 1
) T
^f
Elec.
Gtr.2
Copyright O 1999 by Goathead Music

All Rights in the U.S. Administered by Zomba Enterprises, lnc.
1, I am watch-ing your eyes and fol - low my_ sal-va - tion.
2. All I do is look - for you; I need my you need - it too.
Elec. -
Gtr. I
-----\-
?iano (arr. for gtr.)

Rhy. Fig.l
L'
There's so much lack of com-pas

Just to get at- ten -
end Rhy. Fig. I
315
rv/Rlry.Fig. ltPiano)
Am
would be (It would fun and games.

For
ir mean
(What does mean to
ElF#
stead, the
all the
thing do.
-)me,
-)o.-
I want some- thing to do, need feel

I want some-thing, I need to
doJ -
.o. -o.
To Next Strain
(To Chorus:)
316
X X Cltorus:
.b,5 ^-
t)
ing me, - no, not a-galn.
end Rhy. Fig. 3
âAa L
w/Rhy. Fig.3 (EIec. Gt.2)

To Coda$
E5 F5 E5 C5 B5
It's quite de
end Rhy. Fig.2
317
- ing
Interlude:
C5
Elec. Gtr.3
I
Elec. Gtr. 2 |
D.S. X /5 al Coda
sCoda C5 E5 C5
me bad. I feel the fea son as _ ing me,

- no, not
-
-
w/Rhy. Fig.3 (Elec. Grr.2)
B5 E5 F5 B5
It's quite de the

- flesh, make -
Outro:
WRhy. Fig.2 (Elec. Gtr. 4)
w/Rhy. Fig.3 (Elec. Grr. 2) 2 times
E5 F5 E5 C5
me bad. Does - n't make bad.
Repeat andfade
C5 E5 F5 E5 E5 C5 85
Does-n't make me bad. Does-n't make me
318
Mama Kin
Words and Music by Steven Tyler
B5 E5
CIT 7fr T-TTn 7fr
ffi ffi
l3 13
Intro
ModeratelyFastJ =156
E5 B5 A5 E7 E5 tr6
Gt. I (dist. - Joe Peny)
lisht dist. - Brad Whitford)
Copyright O 1977 Music Of Stage Three and Song & Dance

Copyright Renewed
A'5 4.6 A7 A5 A6 E5
,/^Lt---\
^ b
*Sliie up
@ */ niddie finger *,hile picking specified rhythm.
E6 (E5) E7 (Es) E6 A6 E5 E6 (Es) E7
i?i
^r--\^ )
v_ _ _ _rv_ _ _ _r v_ _ _ _r V_ _ _-] V_
320
A1
t/2
)^=\t^- I
86 85 B1
grad. bend
f'ul1
Gtr. 2 tacet
E5 E6 E5 E7 E,5 E6
F,6 E5 E] 8.5 E6 E5
E6 E7 E6
pitch; C$
322
E5
-:-
gyp - sy. Tell ya, hon - ey, how feel.

- -
in'down - stream and in' touch with a1l that s real

Whole - earth
E5 E6 (Es) E]
a!^:
in touch with ma - ma kin.

Pre-Chorus
E6 E5 E7 E5 E6 E5 E6 E5 E] (Es) A5 A6 (A5) A7 (As) A6 E5
Well, you've al - ways got your tail on the wxg. -

l
End Rhy. Fig. Rhy. Fig.2
Flnd Rhy. Fig.1A Rhy. Fig.2A
E6 E5 E] (E5) E6 A6 (A5r 47 45 46 E5 E6 E5 E] (E5) E6 E5

-^ \
Iiom l our mouth just like a_
Ab (A5) A7 A5 A6
per-pet - u - al drag.-
out,'causesome-day soon you'1lhave ta climbback on the
End Rhy. Fig.2
End Rht. Fig.2\
Verse
Gtrs. 1 & 2: w/ Rhy. Figs. I & 1A, simile
E.5
aln.t eas - v like you wan - na so hard to find peace of mind
E5 E6 E5 E6 E5 E] E5 E6
326
E6 E5 E7 E5 E6 E5
Pre-Chorus
Gtrs. I & 2: w/ Rhy. Figs. 2 & 2A, simile
E6 R5 E7 E5 E6 A5 A6 45 A.7 A5 46 E5 E6 E5 E7 E5 E6 A7 45 ,46 E5
Said,- you're as bald as an egg at eigh - teen, work-in' for your dad is just a-
-
E7 E5 E6 E6 E5 E] E5 E6 Af A1
itutt \ our mouth \\'ith )'our dream. _
E6 E5 E7 E5 E6
You bet - ter check it out. caule s!.n:r - i:i l;r e ta climb back on
B5 R7 86 85 86 85 BI B', Gf-iA5Af585
Gt2
/
tt /
Ctr. 2 tacet
Keep - in touch with ma - ma kin. Tell her where ya gone 'n' been.
Rhy. Fig.3
-
fan - ta - sy.- ' late an
A5 D5
Mm. hmm Keep in touch with ma - ma kin.

- -
Tell her where you

-
\-5
Sleep - in' late an'
C6 C5
85 86
N.C.(As)
Verse
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1,A, simile
B5 E6 E'7
.i
3. I1 ain't eas - y, in' like you wan-na. And it's so hard ta find peace of mind.
-
-
E6 E] E6 E5
The way see it, you got - ta say shit,

- but don't for - get to drop me
Pre-Chorus
Gtr. 1:ur Rhr. Fig. l. lst 7 meas.. simile
Gtr. l: q Rhr. Fig. 1-\. 1rt 1meas.. simiie
E6 E7 E6 E.5 E6 E] F_6 A5 A6 -\5 .\7 "{5 .{6 E5 E6 E5 E7 E5 E6 ,4.6 ,A.5 A7 A5 ,46 E5
Said, you're bald as an egB at eigh-teen. an' work-in' foryourdad-dy'sjust a-

-
Gtr. 2: wi Rhy. Fill 1 Gtr. 2: w/ Rhy. Fig. 2A, last 7 meas. simile
E6 E5 E7 E5 E6 E5 E6 E5 E7 E5 E6 A'5 A6 A'5 A1 A5 4'6 E6 E5 E7 E5 E6
He still stuffs vour mouth with vour dreams-
Rhy. Fill 1
Gtt.2
330
Ff5
'cause climb back
Gtr. 2: w/ Rhy. Fill 2

B6 B7 B6 B5 B6 B5 Afs B5
a/lA'A/I,!
mf wl shrle
.AA,.'|'
Chorus
Gtr. l: w/ Rhy. Fig. 3. lst 6 meas., sinile
E5
Keep in touch with her where ya

-
B5
Liv - in' out your
Gtr. 1 : w/ Rhy. Fig. 3, last 8 meas., simile
Gtr. 1: w/ Rhy. Fill 3 Gtr. 2: w/ Rhy. Fig. 3,4, simile

E5 B
Sleep late an smok - in tea. Mm. hmm Keep touch with

-
Rhy. Fill2
Gtr. 2
331
ma - ma kin. I said, a - tel1 her where ya
in' out your Sleep - in' late an
Slower J. = 72
E9sus4
smok- in' tea
flutter bar
don't pick
Mama, l'tTl Coming Home
Words and Music by Ozzy Osbourne and Zakk Wylde
A5 B5 C5 D5 E5 Asus2 E Esus4 cfi-

,-,J /-.
ffiffiffi
ry oJo
-..Tm
I tal 4fr
tl
f+ii''
134
m^ ilfiil
134 l2
nta-Tl-1
I-nT
+]l+
231
ffi ffi
231 1 3121
Tune down l/2 step:

(low to high) Fb Ab-Db-Gb Bb-Eb
ModeratelYslow r=69
Intro
**GtIs. I & 2
*N.C. E
Gtr. I (acous.)
w/ pick & fingers

,,,a let trnR lhrouqhout
1
xChord symbols reflect implied harmony Gtr. 2: I 2-str. acous;t4f
Verse
E
l. Times have changed,- and times are strange,
Rhy. Fig. 1
Asus2
same. Ma- ma, I'm com-1ng

here I
-
O 1991 MONOWISE LTD.

INC'
41 Riohts for the U.S.A. and Canada Controlled and Adtini"tet"d by EMI VIRGIN MUSIC, lNC. and EMI VIRGIN SONGS,
All Rights Reserved lnternational Copyright Secured Used by Permission 333
could have been - a bet- ter friend to Ma- ma, I'm com-ing
Pre-Chorus
C#m
\J
took me in and you drove me out, yeah had hyp - no yeah.
- -
-
------:--- ---
--/
---/
Lost and found, and-turned a-round bl eyes 2. You
Verse
Gtrs. I & 2: w/ Rhy. Fig. 1 (2 times)
E
Ma- ma, I'm com-ing home. - could be right, I could be wrong, -
:-...--.
hurts so bad it's been so lonc. Ma-ma, I'm com- ing home.
- -
- Gtr. 3
-
Gtr.4 (elec.) wl djst.
divisi f
x "':::l::::.,,""",
2nd time. Gtr. 1 tacet
2nd time. Gtr. 3: w/ Fill 1
c#s
Self - ish both

love, yeah, we're a- lone. The ride be - fore the fall, yeah. But
took me in and you drove me out,
- yeah, you had- me hyp --no - tized, yeah.
- *l5ma r
ryYYVYtt tA,t -
ltto
-
locn
---/ -
--/ P.H, P.H P.H
P,M P,M P,M.
tt/!
Pirch: B cl
*Refers to harmonics only
cfs A5 B5
I'm gon - na take this heart of stone I've just got to have it all.
Lost and found and turned- a - round-- by the fire in \ our e\ es. _
335
Gr. I tacet
Esus4
I've seen your face a hun - dred times

I've seen your face a thou - sand times -
End Rhy. Fill 1 RiffA -
Grr. 3
Gtr.5 (elec.)
Rhv. Fill2 End Rhy. Fill 1
T
P.M. - --l
I st time. Gtrs. 3 & 5 tacet
2nd time. Gtn. 3 & 5: w/ Riff A & A I
Gtr. 1: w/ Rhy. Fill I 2nd time, Gtr. ,1: w/ Rhy. Fill 2

A5 E5
--e f
'-----/
-/
bout the yeah.
-
(cont. in s1ashes.l
B5
E5 BC5 D5 B5
@
fr
!
19
) I . t^t , ___rr\ o (cont. ln notatronJ
I'm com-ing home.
End Rhy. Fig.2

Interlude
Gtr. 4 tacet
*Gt.. 6 lacous.;
-G
*Two gtrs. an. for one.
Ctrs. 1 & 2
Gtr. 6 tacet
R5
-TTT-TT
Guitar Solo
Gtr. 2 tacet Gtr. 1 tacat
*Asus2
E Esus4 E E Esus4 E
Gtrs. 1&4 O Gr.a///// // t/-

Gtr. 3
a-=-\ *t/w!!!tr
**Gtr.,+ plays ,A5
338
c#m
)
B5
)
.Asus2
! mmn, P.M. - r P.M. ] PM _]

D.S. al Coda
P.M. ]
(Gtr.4 cont. in notation)
:r
r!r*$n**!!w!w
Z-:'--\ n<'--\
'--.--..-..-\ li
LIJ
j=!
:'Gtr. 4 plays ,A5
0Coda
A5
yeah. 'Cause Ma - ma,
Outro-Chorus
Gtr. 1: w/ Rhy. Fig. 2 (3 1/2 times) Gr. ,1; w/ Rhy. Fig. 3 (2 1/2 rimes)
C Dadd4 C Dadd4
com - lng
(Home.
Rhr. Fig.3 End Rhy. Fig.3
/.=
t
-'
t
com - lns home.
-
/
--
I
_
I
339
My Hero
Words and Music by David Grohl, Nate Mendel and Pat Smear
E5
o xxxx
cfs
rflT4t
Intro
H+-t#
ffi
I
ffi
13
-
Moderately Fast Rock J = 154
Half-Time Feel
bass enters
(c$5) (E5) (E5) tCf5r
N.C.(Es)
Gtr. 1 (dist.) E' - lcts)
f
let ring throughout
(E5) (Cfl5) cf s/cfl
Grr. 2 (disr.) Rhy. Fig. I
f .:-
let ring throughout
O 1997 M.J. TWELVE MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC (BMl)
All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, lNC.
All Rights for RUTHENSMEAR MUSIC Administered by BUG MUSIC
340 AII Rights Reserved lnternational Copyright Secured Used by Permission
\-erse
Gtr. 2: w/ Rhy. Fig. 1,,+ tines
Gtr. 1 tacet
E5 cd5/cf
1. Too a talk a-bout._

2. Don't the bleed it out _
RiffA
Gtr. 3: W Riff A. 3 times

E-5 cf s/cf cf 5/Gf
Take your plc - tures

while the rest of
cf 5/Gf -
,t_. _Hr
Gtr. 3: w/ Fill l. lsr rime

Cf 5/Gfi cf sicfl
Use that dence. - round.
a Chorus
A5 -
Watch him as he goe\._
Rhy. Fig.2
-
End Rhy. Fig.2
341
End Rhr. Fig. q
Rhy, Fig.3A -r
Rhy. Fig.3 End Rh]. Fig. -1

45 N.C,
ToCoda2 fi
Gtrs.2 & 3 w/ Rhy. Figs. 3 & 3A. 1st & 2nd trmes
Gtrs. 2 & 3 w/ Rhv. Figs. 3 & 3A. lst 2 neas.. 3rd time
E5
(Gr. 2 cont. in slash, 2nd time)
342
Interlude
Gtr. 3 tacet
E.5 cf5
l--_-l,...=-
/ /--
Cf,5
------.,.,.-_-.-.-
/ /-,
n
lL,,e,r:,.,'e,trih
343
D.S. al Coda I
cf 5/c$
You klow - mv he - ro,-
D.S. al Coda 2
w/ misc. fdbk.,
approx. 17 sec.
"{}{}
=- - -=- /
fdbk
344
Nookie
Words and Music by Fred Durst, Wesley Borland, Sam Rivers, John Otto and Leor Dimant
*TLning (all gtrs.):
@=Fl o=E
o=F$ @=omit
@=s O=omit
Moderately slow rock J = 98

Intro:
4 times
N.C.
8vb------------t loco 8vb----------r loco
Play 4 times RitrA ------ :!:!
-------1
8vb ---. 8vb -----------1loco 8vb ---------1 loco 8vb ---1
mf
clean tone dist. tone
*Wes Borland uses a custom 4-string-guitar.

You can use a standard 6- or 7-string, remove the top -strings,
and tune the bottom 4 strings as indicated using heavy gauge strings (the 6th fu"u .Oi Uuss siimgj.
**Music sounds a minor 3rd lower than written.
dRiffA (Gtr.1) 4times
one, onq- two,

X vrrrr,
N.C. rv/RiffB (Gtr.1) 6times
came in - to this world asa ject. Look in - to these eyes, then you'll see the size of the flames.
2.3. See additional lyrics (Size of the.
Grr. 1 RiffB -----

loco 8vb -.rloco
Dwell - in' on the past, it's burn-in' up my brain. ry - one that burns has to learn lrom the pain.
(Past) (Hot.)
Copyright @ 1999 by Zomba Enterprises, lnc., Big Bizkit Music and Lethat Dose Music
All Rights for Big Bizkit Music in the U-S. Administered by Zomba Enterprises, lnc.
Ail R;ghts for Lethal Dose Music in the U.S, Administered by Zomba Songs. a division of Zomba Enterprises, lnc
International Copyright Secured All Rights Reserved 345
Hey,- I think a - bout the day my girl-ie ran a-way with my pay when fel - las came to
(Days.)
dFill l (Gtr.2) Ir.

)
play, Now she's sruck with myhom-ies that she f**ed, and I'm just a suck-er with a lump in my
(Ptay.) (ooh.)
Gtr. 1
ilRiffC (Gtr.3) 3 times
throat Iike a chump, Iike a chump, like a chump,

(Hev. Hey. Hey.
Riff c
8vb 't loco 8vb "'t loco 8vb 't loco 8vb"l loco 8vb -'t loco
Gtr. I
P.M.---l
like a chump, like a chump, like a chump. 2. Should I be

Hey. Hey. Hev.)
346
To Next Strain
w/RiffB (Gtr.1) wiRhy. Fill l (Gtr 1)
won't lie that I can't de-ny. heart in a blend-er and still I sur-ren-dered like a chump, like a
(Hev. Hey.
chump, like a chump, like a chump, like a chump, Iike a chump, like a chump,
Hey. Hey. Hey. Hey. Hev.)
YX choru,
rv/RiffA (Gtr. I) 8 times .
I did all for the nook-ie, come on, come on. So you can take thqtcook-ie and
end Fill2
wlFill2 (Gtr.2) 4 times
stick it up your. . .Yeah! Stick il up your. . .Yeah! Stick it up your...Yeah! Stick
did all for the nook-ie, come on, the nook-ie, come on. So you can take that cook-ie and
To Coda#lr' D.S. x I
srick it up your. . .Yeah! Stick it up your. . .Yeah! Stick it up your. . .Yeah!

Bridge:
N.C.(As)
Srick it up your. , .Yeah! I'm on - ly hu-

8vb---
clean tone
347
dBkgd. vcl ed lib. (next 14 bars)
man.- It's so eas - y for your friends- to give you their ad - vice.-
end Riff D
8vb """--- -----'-""r loco
w/RiffD (Gt l) 3 times

A5
G5
eas - l-er- said than ap - pre - ci-ate-
Bb5
but- just leave mea lone,-
G5
lrave me Just leave
noth gon na change,- 'cause you can go

a lone,- a-
8vb'lloco
f ist. tone
348
al - ways be the same.-
a lone,-
8vb lloco end RiffE
dRiffs E (Gtn 1) 2 times &EL(Gt 2) I 112 times
Ain't noth - ing change, cause vou can go

- a
and I'm gon - na stay- here and al - ways be the same.-

a - lone.-
c5
J
Ain't noth - ing gon - na change,- 'cause you can go a - way_

Al - ways be the same,- al - ways be the same,-
D.S.S. XX al Coda
and I'm just gon - na stay- here and al - ways be the same.-
you'll al - ways be the same.
Grn l
*Hold note into Chorus.
349
s Outro:
Coda
dFill3 (Gtr.l) lst time
Stick it upyour. Stick it Gh.1

8vb t loco 8vb'1 loco 8vb'1 loco 8vb'-t loco 8vb '-1 loco
P.M:''{ P.M..--l PM.
9vb t loco Svbt loco 8vb 't loco
Fiil 3
Gtr.2 out
Verse 2:
Should I be feelin'bad? (No.) Should I be feelin'good? (No.)
h's kinda sad, I'm the laughin' stock of the neighborhood.
Andyouwould think that I'd be movin'on, (Movin'.)
But I'm a sucker like I said, f**-up in the head. (Not.)
Maybe she just made a mistake and I should give her a break.
My heart'Il ache either way.
Hey, what the hell. Whatyouwant me to say?
I wonl lie, that I canl deny.
(To Chorus:)
Verse 3:
Why did it take so long?
Why did I wait so long, huh, to figure it out?
But I didnl.
And I'm the only one underneath the sunwho didn't get it.
I can't believe that I could be deceived (But you were.) by my so-called girl,
But in reality had a hidden agenda.
She put my tender heart in a blender,
And still I surrendered
(Hey.) like a chump, etc.
(To Chorus:)
350
Peace Sells
Words and Music by Dave Mustaine
F#5 F5
gI G-5 D5 Df 5 E5vrI
'4I
rrrrrr rrfin xlxx-xxxxxxxx
ffiffiffi
ot III EfEsrr [TrrT-]b.r T5r---l
Bll#
FIH# ffi
I
H++N
HII+J FT+H
13 13 13 13 13
Tune down I/.1 step:
Intro
ModerateRockJ =f40
N.C.
'' Glr. I
f u. I; w/ Rill A (3 times)
D5
.i
a..\ ,/\ ^ 2----\
,-,2 A---\
C,e.2 a
+=--
ti
:- disr.)
J ?,
3 1986 DAVE MUSTAINE MUSIC and THEORY MUSTC

f :.'E l.'JS-iAi\E l,lUSlC Ccntrolted and Administered by EMI BLACKWOOD MUSIC INC
: e :-:s ::s:-.:: -'.e--a'..^z C:c.,,.9r: Sec_.eC ['Jsed bv permissron 351
Gf5 N.C.(Es) G5 N.C.(Es) cfs N.c.(Es)
1. What do you mean I don't be - lieve in God? Talk to him ev-'ry day.
End Rh_v. Fig. I
ctru. 3 & 4; w/ Rhy. Fig. I (3 times)

Gtr. 2 tacat
N.C.(Es) Gf 5 N.C.G5)
What do you mean sys - tem? court when I

-
N.C.(E5) Bb5 ,A'5 N.C.(E5) c#s N.C.(Es)
What do you mean can't get to work time?
Gf s N.C.(E5) Bb5 ,{5 N.C.(E5)
Got mg bet - ter to What do you
N.C.(E5) Gs N.C.(85) c#s N.C.(Es) Bb5 A.s
my bills? think I'm broke?
Chorus
E5
352
F#s cs Ffs G.5
*e11, I'll be the first, in line. But it bet-ter work this t1me. _
End Rhy, Fig.2
Interlude
:::r. 3 &.1: w/ Rhy. Fig. I
\ C.(Es) cf s N.C.(E5) c-5
Gf 5 \.C.(85)
taa!+lt
i,.rSe
::. : & -l: w/ Rhy. Fig. I (4 times)
r : ::ael
';4.,E5) N.C.(E5)
L What do you mean hurt your feel - ings? _ I did-n't krou rou had an-v feel
-. E5) Bh5 45 N.C.(E5) Gf -5 N.C.(Es )
What do you mean
PH.
353
Bb5 A5 N.c.(E5)
not vour kind. What do you mean I
t A /aa,.lt
Â Â ^
G5 N.c.(Es) Gf s N.c.(Es)
Gils N.c.(Es) Gs N.c.(85)
Tell me some-thing. right?

.'.'t'tA'.AIi'.,E!
-''-=-..---.-- ----
U2
pitch: D
Chorus
Gtrs. 3 & 4: w/ R}ly. Fig. 2 Gtr. 5 tacet
N.C.(85) Bbs A.5 E5 D5 E5 G5 D5 E5
354
Gs Ffs Gs Ff5 G5 Ds Fils
well. I'll be the first

- in line. -
- P.\1. applies to both gtrs., next 4 meas.
Guitar Solo
Ffs
Ff5 G5 Ffl5 N.C.
TL./rAAA^'IA
End Rhy. Fig. -l

Gtr. 3
Ctr
divisi
* P.M
+ P.M. applies to both gtrs., next 2 meas.
Gts. 3 & 4: w/ Rhy. Fig. 3 (2 times)

F$5
c$5 G5 F$s
frlbk - * -
356
t\ /=->.
+J+
-J-
P.M----i
Interlude
Faster J = 158
Gtr. 2 tacet Glrs.3&4tacet
E.5 N.C.
put a price on peace?
357
Gr. 6: u/ tuff B ( l0 limes)
Grs l&-1
Bridge
Gtr. 6 tacet
-
N.C.(E5)
sells,
End Riff C
aâ
* Chord s1'mbols implied b} bus. till Ouro
Gtr. 3: w/ Riff C (4 times)

Gtr. 4: wi Riff C ( l2 times)
(85) (Ff 5)
Peace,
Peace sells, bul who's Peace sells.
RiITD End Riff D

Gtr.3 /ylA aa
/i''
358
(Bs)
but who's buy - ing? Peace sells. but who's buy - ing?
Guitar Solo
Grrs. 3 & ,1: w/ Riff C (8 times)
\.c.(Es) (G5) (Ff 5)
.")rml if** af
t*
a-)'t -,* rt...i't
n a'\
-t I
:t 4
_I
.AA,.I
./lA/lA'
Bridge
Grr. 3: w/ Riff D (8 iimes)
Gtr. 4: s/ Riff C ( li1 times) Gtr. 5 tacet
(Es) (Gs)
sells, but who's buy-ing?
irc---------
/\i- ,,vv! | ,/^\it. A,a
a/VlAaA i'!
^
Peace sells, but who's buy - ing'? Peace se11s, but who's buy - ing?
Gtr. 3: w/ RitT C (6 times)

FS5r (85) (E5) (G5)
Peace sells but who's buy ing? Peace sells but who's buy - ing?
359
but who's
Outro
(Ffs) (Bs) cfs cs Ff5 Fs E5 F5 Ff5 F5 E5 Ff5
Rhy. Fig.5A
////////
P.tu. --
-i -i
sells,
Rhy. Fig.4 End Rhy. Fig.4 Rhy. Fig.5

ti.l 't
Rhy. Fig.4A End Rhy. Fig.4A

{'.lA,t
P.M. - -
(cont. in slashes)
crs. 3 &,1: w/ Rhy. Figs.4 & 44

G5 Ff5 Gs F*s N.C.(Ffs) (B5) G$5 G5
End Rhy. Fig.5A
o,,ofTT) fTT)
flo, no, no, no.
I v' ctr5
---l
End Rhy. Fig.5
360
Ctrs. 3 &,1: w/ Rhy. Figs. 5 & 5,A Gtrs. 3 & 4: w/ RhY. Figs. '1 &'1A
F#5 Fs Es Fs Ff5 Fs E5 F#5 Gs F#5 cs Ff 5 N.C.(F# s)
PH. - - - -l
n/bar- - -l
Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5 \

cfs G5 Ffs Fs Es F-s F+5 F5 Ff5 G5 F*s
a?
-3-
:::s. 3 &,1: w/ Rhy. Figs.4 & 4A

\ c (Ffs)
t/2
"D) rm
Gr. 3: iv/ Rhy. Fig. 5
vtt
Fd5 F5 E5 Ffs Ff5 G5 Ffl5 Ds Df5 E5
Ahl
aA,t.t^^,.{yl|!
.-;---\ tA aAA^
) I
361
Practice What You Preach
Words and Music by Eric Peterson, Luciano Clemente, Alex Skolnick, Gregory Christian and Charles Billy
lTl Introduction
Guitars I and 2
* Ilalf time feel for first 3 measures only
J =180x
* Double time feel throughout
Copyright @ 1989 by Zomba Enterprises, lnc. and Cotlod Music

All Rights Administered by Zomba Enterprises, lnc.
Am Gm E5
;: ;:
c-
U: u--J--
u--..-----
u----- u---.--.--
G5 A5 G5 E5
l\z
U
r -riar 2 enters
F{5 Bb5 A5 G5 45
, -,
I
-t
363
ft @ vu...
G5
You think your lieve- a word- you
'.JV 7 J'J-JJJ ty77'-:-
A5 G-5
leet aren't on the ground - you let your just

- -
\-/ \-/
Cuitarc play Fig.l

G5 A5 G5
Just - so un cer - tain of- your bod and your soul.

-
Cuitars play Fig.l G5 A5 G5 A5 G5
The prom - is - es you make- your mind goes blank - and

-
-
364
p ctrorus
E5
Then you lose- con - trol.-

Pay the burnt- bridgc toll. -
Brn Bb m
To Coda
+
(vocal second time only) Then you lose con - trol.-
-
Verse
:riurs play Fig.l variation
G5 A5 G5
nev- er was the one, the one to the things you say.
- -
- -
A5 G5 F$5 Bbs As G5 45
Nev- er to won
365
Bb5 G5
D.S. algolo S
tl,
G5 Bb -5 Bbs cs Bbs G5F5
Coda
p ctrorus
Guitars play Fig.2
E-5 Bm Bbm
Pay the bumt- bridge toll,-
Cuitars play Fig.2
E5 Bm Bbm
practice what - you preach,-
366
tr Bb5 ,A5
(So) Prac - tice what you preach.-

-
Bb5 A5
what * you preach.-

(Preach.)
Bb5 A5 Bb5 A5
(So) Prac - tice what you preach:-

-
l^!1
Bb5
Prac - tice what you prcach.-

(Preach.) (no vocal on D.S.)
-
367
Preach.
./\.^-r\.r\,rv\.r\n .r\-r\/\.r\,r\,r\.r\,.\nn
* half time
Cuitar 2 continLrcs simile
Cuitar I
A tempo (J = lft0, tlouble time feel)
368
,r\,r\-r\,r\ A-r\-r\,r\ ----+--
D5 Cf5 Fls
)
cf5 A Ds C$s Ds c$s
r-3-
I La
J !
c*s ------t
/\-/\ n ^/\ ,A,A,A,/\,r\,.\,r\n
369
i
Ds c#s Ds c#5
As cfs As Gf5 A5 G*5
45 Gfl5 As Gfs
/r/v\ t, .r\./\n
h ,rrn/t {r rlnnrrrr ,n
# frnfrn b ./\nn
45 C$5 45 Gf;5 Bbs

AlrM
Jr_o- trw /N-----,...........--- ,rv\,r\,rv\nn
--,-\
trw ./\.r\-r\./\./\.r\-r\
370
W
1-L,\a>l\ /}--
G5 85
-l -l
2 l6va
Fecdback
G5 85
" Vl
...-,'l\r/l \r/l .'-.,/l:''',,'
-l w/bar _ 1
371
Guiurs I and 2
8va --------------- -. ----

I
-.---\-
Guitar 2 continues simile
D.S.al Fine
372
Rebel Yell
Words and Music by Billy ldoland Steve Stevens
Intro
Moderately fast .l - 167
Bm7
Gtr. I (slight dist.)
=;---* *---3
++++ 111 i=--* +T=+ =T=* *7= -i--.-,.-2-1
+++++a++- 2^
r
"f
w/ lingers
'Dela\ set fbr quaner note

regeneration $/ 6 repcats.
7
"f
Gtr. I tacer
G5 p#s
^+
zuff A
- -
P.\,1 P.M.---- --- -l
p#s
',r P.M.--- --- ---.1 P,M. I
Copyrighl O 1983 Chrysalis l,4usic, Boneidol Music and WB Music Corp.

All R'ghts for Boneidol Music Administered bv Chrvsalis Music
All Rights Reserved Used by Permissi6n
373
Verse
B5
1. Last night- danc er to m)

2. She don't- slav ry, and
Ilhy. Fig. 1
w/ slap echo
PM- P.M. - - -l P-M. ] P.M. ] P.M. ,.1

P.\1 -l P.M. ] P.M. - -l P.M- J
Last night- a lit - tle an in' on the

But when I'm tired and lone to bed.
P.M.--l P.M. --.1 P-M. I P-M. _ J P.M. --.1

B5
She said, "Uh, come ba by. You got a li - cense lor love
What -set vou free and brought you to me, babe?
374
-
D-i,/A
it ex p1res _ help from a bove."

| Be - cause
you free? need you here by me
I
-
-
P.M. - l P,M, ] P,M, ] P.M. - -1 P,M. 1 P.M, ]
$ Chorus
lrd lime, GtI. 4 tacet
B5
in the nid-night hour, she cned. norc. more.
Rhy. Fig.2
{:a ^
2-1 '--o'- 2 +-
D5 A5
With a reb-el yell, she cried. "More.
End Rhy. Fig.2
Crr. 2: u'/ Rhy. Fig. 2

lnd tine, Gtr. 2: w/ Rhy. Fig. 2 (I st 6 mcas.)
the mid - night hour, more.
lr
roCoda $
D5 A5
:eb - el flore. _
Interlude
B5
more. _
6ra ---------- |
2-2,2-222-2-2
rlrrttttt!!!
Gtr. 3 (dist.)
,_--_,^ VV\/V
LJ <rj
.f
222:2-2-2-2
w
Gtr. 2
lz
Bridge
Gtr. 2; w/ Riff A (1st .1 meas., 2 times)
GmaiT p#s
G5
Uh, he lives
-
pfis
his own heav - en- Col - lects it to go from the Sev - en E - lev
Gtr. 2: w/ Riff A
G5 p#s
i \-,
Wel1, he's out _ all night col - lect
376
long, just so long it don't mess hair.
-
Guitar Solo
Gtr. I tacet
Gtr. 2: W Rhy. Fig. 2 (2 times)
B5
t_ ----.-
grad. release
G5
svltlwww /:--\
^+\
slight P.H
t/4
Interlude Verse
Ctr.3 tacet
N.C. lJ)
(Drums )
*alked the g alk

-
**'p<<mp
'3synth. ar. tbr gtr "'Vol..uell -*'Churd slmhols rellecl implicd harmonl.
you. _
dried your babe,
mil - lion for you.
tbr you,
-
Gtr. 1: iv/ RifT B (2 times)
A5
for mon - eY to burn for you.
- -
and har e
D.S. al Coda
(take lst ending,
D5 -A.5
Just - a, uh, have you here by me. Be - cause

-
8un r
----4
"{2 \
$coau
Outro-Chorus
Gtr. 2: w/ Rhy. Fig.2 (2 times)
B5
yeah,- lit - tle
End RhY' Fig. -r
GmajT
380
Gn. 5: w/ Rhy. Fig. 3
B5
more. _ C)o yeah,- lir - tle gel,
GmajT
She want more.
Gtr. 5 tacet
Bm7 A5 85
more. _
-[-------
don't pick fdbk.
w/bar ------- -----l
I I I I -l I -1
V\/V\/\/
_2 _2 2 -a -a, -2 -2 2 -a_ _a- 2 2 -2 2 _2 2 l-2a_2_222-a- .a-222-22-a

++++++++++++++++ ++e++++- +++++++
381
Refugee
Words and Music by Tom Petty and Mike Campbell
r#. A,5 E, D
Intro
134111 ll
p#tn A5 E pf- A5 E
End Rlty. Fig. 1.\
!
Rhy. Fig. 1A
\
'ctr 2f
/ *r. o,*.
/^ l'
I
/^ / ))^) )^) ) / I
, End Rt r. Fig. 1
(Drums) Gtr. 1(elec.)
* Two gtrs. arr. for one, elec. & acous
Gtr.I Ctr,. l& 2:URhv. figs. l& lA

telec.l FFm A-5
x uf.5?,t
".
n,..3: w/Fill I
Gtrs. I & 2:
F#m w/ Rhy. Figs.2 & 2,A (3 times)
Ctr.2 Rhy. Fig.2A End Rhy. Fig.2A
,!f a
1. We got some- thin'. se both krow it. we don't talk too much a - bout- lt.
2. Some- uhere. some - hog. some-bod - r' must hale kicked vou a - round- some.
3. Some-uhere. some - hog. some-bod r must hare kicked vou a- round- some.
Copyright O 1979 ALMO l\4USlC CORP.

382 Reserved Used by Permission
All Rights
lrJ time, Gtr. 3: w/ Fill 2 Gtr ll tacet
E
Aln't no real big se - cret, al) the same, some- how, we get a-
Tell me why - you wan - na lay there, rev - el in your a - ban -
-
Who knows'l May - be you were kid-napped,_- tied up tak-en a - way- and held for ran -
-
-
lrd time, Gtr. 3: w/ Fill 3

Pre-Chorus
D
F{'rr D
Lis - ten, real ly

Hon - ey, make no
Hon - ey, real ly
* Composite a[angcmenl
mat - tef to me. _ Ba - by. \ou be - lieve what you wan - na be - lieve.- )
dif - f'rence to me. _ Ba - by, e\ - r\ - bod-\ s had to tight to be free.- ) You see )ou
rrat - ter to Ba - by, er'-'ri-bod-i's had to light to be free. I
Chorus
Crrs. I & 2: w/ Rhy. Figs. I & 1A
l/m
, j-\
have Like a ref-u-gee --'

(Don't har e to lir e lik.' : re i u - gee.)
ffi
ffi
N_^
383
t: Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
E r'#m ,{5
7 +I
t\--
Now, ba-by,you don't have ref - u - gee.-
(Don't have to live like a ref -
-
tlllttttlwwvllw vtry\ AAA,!!
Bridge
E .-
Grro.r&i a- O
we ain't the first.

ffi't have to live like a rel - u-gee.)_
ryltltltltltlttltvv\'t rytr/vrrvr^twt^ ft
ww) m -'----.-------=
one of those things you got to feel

Organ/Guitar Solo
Gtrs. I & 2: w/ Rhy. Figs. I & 1A (2 times)
Pf- As P#m
D.S. al Coda
v
Flim A5 E
/\----
ffi
=*
tx
stouuro. Gtrs. I & 2: w/ Rhy. Figs. I & 1A.1i11 fade
P#m .A5
letring ---1 lctriilg- --|'
like
'--/ Ba- by, you
(Don't hale to lir e like u - gee.)
x2..
-
letring---- --'.1 letriilg---1 letting - l
385
A5
-D -t
to live like a ref - u- gee.
(Don't have to live Like a
/,4
Pf- A5
./xt41 I ., t) -/= )4
Oh, oh, oh
- u - gee.)-
Ietring---- ---) letring------------l
A5
----i------^- --l-l
^
Renegade
Words and Music by Tommy Shaw
D5 Gm G5 Bb5
xxx
ffi'" rTFfi rrrln tdfi
ffi
I 3,1
FU#l
FH+#
rl t
t++]+
F&t+
I 3,1
ffi
I 3,1
Intro
Moderatelyslow J =96
N.C. (Gm)
Oh,- ma-ma, I'm in fear lbr mr life tiom the lons arrn Lrl the Iaq.
- -
man has put an end ifrrm m\
Oh, ma - ma can heJ :r, - ins- \ou re so scared and lone.
man ing doun from the gal - lows and don't have
X cho.u.
"Cm7 C/G Gm7 C/G Gm7
The Jlg up, the news is out.- ther're fi - nal-ly- fbund- fle,
(Yeahl)
-
'Chord 5ymbols reflect ba.ic hrrmony
Copyright O 1978 ALMO MUSIC CORP. and STYGIAN SONGS

All Rights Controlled and Administered by ALMO l\/USIC CORP.
All Rights Reserved Used by Permission 387 I
l
( /( r Gm7 Gm7 Gm7 D5
Rny. Fig. 1
ctrs. I
2&*r ol .
to
made re - trieved for a INev-ermore
- lNev-ermore to
(Gtr. 2 cont. in slashes)
* mf : wl dtst.
To CodaS
F5 Gm7 Gm7 C/c Gm7 C/G Dm/G
Rhy. Fig. 1
l)
o/' .
/
in notation)
this will be the end to - day of the want - ed

judge will have re - -
venge - to-day on the want - ed
EndRiffB ctrs l'2&3
l. Oh, ma-ma, I've been years on the lam_ and had a high - price on my
Riff cl
End Riff C
xomit this note when RitT C is recalled.
388
Gtr. I : w/ Riff C (2 3/,1 times)
Gm7 Gm
Law - man said, "Get him dead or a - live.'' _ now it's for sure he'11 see me dead.
-
End Riff Cl
Gtr.2: w/RiflCl
Gm7
\ou re so _
Gm7
scared and all IS com-ing down _

-
the gal long.

-
D.S. al Coda O coaa

(Gm) Gml
F5 CIG GnrT
l_l \t)
<r /' /
lcont. in notatirrn t
Gtrs. 1,2 & 3
389
kctr. 2 tacet for beat -{ I :
390
iAA^îl
f.-^:-\
I ____l L-- r ___r

:
,1
F5 GrnT ,lt'a ----------
L--.j _J
fs 911 . ,,,
F5 Cm7
n+ ? +:t/^^
391
Outro-Guitar Solo
Gtrs. I & 2: s/ RiffD (rili fade)
Gtr. 3 tacel
Gm7
,---*\
/\rl Âa /â ÂAAA^/)

,'/,
_----1'/
tn
2
I
'J'
.IA.I/|A tAAA/ta
r-J
L- J-::r
oh.
t A Aataf
hr--=---->l='l
w/ bar
La^/t/t/yyt^/t/! aAA /t/!
Â
394
.AAAAAA'
w/ Voc. ad lib (nexr 5 meas. )
Begin fade
tia F5 GrnT
^,rt ^^'! At a^4 ,! rA rÂaâ
-â ^'f
^_
It ,:'.1,^r--..,^ a- -."^-t-
(')
----..
F5 Gm7
395
Rock of Ages
Words and Music by Joe Elliott, Richard Savage, Richard Allen, Steve Clark, PeterWillis and Robert Lange
E5 g5vrr 45 C5 Em D5 85
o xxx xxx x xx o oox I XX XXX
FFFFN
hhtttl
H+-+Jt
tl
TfTrn 7 fr
ffiffi
l'rTTTl 5 fr I ft T-Trn I f.
ffi ffi FFEE5fr
tr.. r r
MIII
fEm'n
Lllt_l_l
IIIIII
Steady 4) =96
Vocal ad lib.
N.C.
E5
Rhy. Fig.
Gtr.2 o
I
n
A5
fade 0 - way right!
Copyright O 1983, 1986 by Def{ Lepp Music, Sony/ATV Music Publishing UK Ltd. and Zomba Enterprises, lnc.
All Rights on behall of Deff Lepp Music and Sony/ATV Music Publishing UK Ltd. Administered by
Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
w
B5
br
A5 D5
)'^')
E5vrr E5
D^) end Rhy. Fig. I flRhy. Fig. I (Gtr. 2)
Ow!
Gon-nq start a fire.,_ C'-mon!
t!ttrt!!!t!!t!t!!tt!l!!rt!!r!trtlt t wt !!r! t r!
Verse l:
Gtrs. tacet
N.C. (E5)
\--
Rise up, gath - er 'round. _ rock this place to the groundl _ Burn it upi Let's go for broke!
-
Watch the night _ go up in smokel - Rock on, rock drive me cra - zi - er!
fire bri - gade, _ just a pv
397
Pre-Chorus:
A5 G5 A5 G5 G5 A5 E5
n b
/ 7 t I rt\
What do you want? What do you want?- n' roll, -

Rhy. Fig.2
---- /
'------/
Gtr.2 p6t. Fig.24
(Cont. in slashes)
end Rhy. Figs.2 & 2A
light,- we're gon-na blow like dy - na-mite!-
llz.
I don't cate takes all night, gon-na set this town a - Iight! - C'-monl
X chorus:
Cont. rhy. simile
C5
398
rock of
We got the Pow
To Coda o
Just say you need it. ii ;'ou need

-
399
\r'lRhy.Fig.l (Grr.2)
E5
Verse 2:
I'm burn got the
go with the Gim-me, gim-me, gim-me, gim-me, gim-me one more for the road!-
)- )- )- )- /t
:E h e
)-
400
w/Rhy. Figs.2 (Gtr. I ) & 2A (Gtr. 2)
A5 G5
What do you want? What do you want?_ want rock
Guitar Solo:
Gtrs. l&2tacet
N.C, (Es)
You betcha! Long

Gtr.3
/'-\
--'t
\ *
-\--l
I *
401
D.S. X al Coda
We're gonna burn this damn place down, down to the ground!
Slither
Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner
Drop D luning:
(lowtohigh)DADGBE
Intro
Moderately fast .l = 141
Half-time feel
-*"
D5 c5/D
Gtr. 2 (dist.)
"!f
+*w/ wah-wah & delal
P.S.- --l
**Dcla) sel al qumer-note regeneration u'/ 3 repcals-
'p
-ryf
*Vol. swell 'rxxBass plays D next l2 meas.
Copyright O 2004 Chrysalis l,4usic, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing
All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music
Arr Rishts {or slash And cash Publishing *IliHH?roSJ$ilJftyry.r;f I l\4usic square west, Nashville, rN 37203
SJ'.H;J,:g, 403
Gr. I iiael
"D5
f
wah wah off
w/ flanger
P.M.,- ----------------l P.M.------ l
+Chord symbols reflect implied harmony
P.NL---- l P.M. ----- -- -- -- - -- - -- I
End half-time feel
delay & flanger off
xxDampen strings w/ pick hand
404
ctrs. 2 & 3: wi Rliy. Fig. 1
D5 Ab5 A5 D5 cs D5 Fs p#s Ds Fs r#s D5 Ab5 As Ds c5 D5 Ab5 45 D5 G5 D5 F5 Ffi5

Play 3 times
Ay.
End Rhy. Fig. I RiffA

crr_ 4 (dist.)
'Cmposite mangemenl
Verse
D5 F5 p#s ns Abs A5 D5 c5 D5 Ab5 45 D5 c5 D5 F5 ris Ds F5 p#S os Ab5 45 Ds C5
1. When you see _ right me. rope, I

2. When you you'll de me. mind and
-
l(fi- ---
l& I
RiffB
D5 F5 pfS
to knees. I . I bro
and f..o I
the pies. I lutooa - iedl e' nme. _
C'6.2 & 3
End RiIT B
-r. Gr. .: r\/ Fill I Gtrs. I & i: u/ RifiB
Gtr. -l tacet
Fs p#s Ds ebs A5 D5 cs Ds abs A5 Ds cs D5 Fs p#s D5 Fs F#5 Ds Ab5 A5 D5 C-;
Abs 45 D5 c5 D5 F5 Ffi5 D5 F5 F#5 D5 Ab5 A5 D5 Abs As D5 Fs Ff5
Might
D5 F5 F#5 os ebs as ns c5 os ebs As Ds cs os ps p#s D5 ps pfis os ebs A5 D5 c5 A5 D5 G5 D5 F5
type of pleas in m!' mind.

- -(AtI.)
Grr5. I & l
a.l
+D
il=
=
406
"$ Chorus
Half'-time feel
D5
Yeah, here comes the It comes to
'---].
-----
End half-time feel
a - way- the sins of you and I. tlme _ you will

- -
End llilT C
End Rhy, Fig.2
Interlude
Gtrs. 2 & 3: w/ Rhy. Fig. I (.+ times)
Gtr. 4 tacet
D5 F5 Ffs Ds Abs A5 Ds cs Ds Ab5 A5 D5 cs D5 F5 F#5 D.5 Fs Fds D-s Abs As D5 c5 D5 r?: t-( D-< G-i D-ix F5 Fil5
407
Gtr. 4: w/ Riff A
D5 F5 F#5 D5 Abs As D5 cs Ds Ab5 A5 D5 c5 D5 Fs p#s ns Fs Ff5 Ds Ab5 A5 D5 c5 D5 Ab5 A5 Ds cs D5 F5 Fi5
2nd time, Gtr. 5: w/ Fill 2 I st time, Gtrs. 2 & 3: wi Rhy. Fig. 2

Gtr. 4: w/ Riff C
2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1 st 4 meas.)
D5
time
-=..---
ToCotta
$
408
5--,e-
---/
+-
-- ---- -e
Elnd h.a:j-:ine feel

Gtr.2: w/ misc. pick scrapes & tdbk. (next 6 meas.)
Gtrs.3&.1tacet
C5
o..._ ,. _
409
Guitar Solo
D5 C5
Gr.5 (dist.) tttltltwwtffi
ittttllrvlllttf
1 iA-,'-\- ,/\
.+
Rhy. Fig.3
Gt$.2 & 3
P.M. - I
G/B Cadd9
Y nz') n
I - T--
llll
f------------
,/vvv
t----\ t------\ ,
End Rhy. Fig,3
_+++ +++ + + e
P\t -: P.M. - I
LJJ LJ ]
P.M. I let ring l

GtI. 3: W Riy. Fig. 3
j\_ n ;\: i\ ,^
=aL
L-JJ
GIB Cadd9
{> ;\_
i
^-
I
L_-J-J LJ-.......- + _? ,
-?+
Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (3 times)
D5 F5 p#S OS Abs 45 D5 C5 Ab5 As Ds D5 F5 Ff5 D5 F5 p#s os abs n: D5 c-5
look. through the rope,

-
D5 Ab5 45 Ds G5 D5 Fs F#s D5 Ab5 45 D5

D.S. al Cods
(take 2nd ending)
Abs A5 Fs pfis
End half-time feel
burns you fast fhan vou'll ev - er This time with

-
at
+-l
w/ Rhl'. Fi8. I (3 tioes) Gtr. 5 tacet
F5 p#S Ds Ab5 A5 C5 D5 Ab5 F5

,,
?
Gtr. ,+: w/ Riff D (2 times)
D5 Fs p#s
D5 Ab5 45
Sunshower
Words and Music by Chris Cornell
Dsrs2 Flm FlmT Bm Bmadd4/A E

Drop-D tuning: h
@=D ffi ffi ffiffi
l]2 :]
ffi Wffi
hsusl Am / t) tzb co G7 sbs A7sus4
rtffi
aa a I tatt
L.]i
LLLLU ffiT't M
LILLU
hdd
:1 i
'||
t2l1
t+++t
rrrm ffi Hffil
LLIIU
HiH
Moderately slow Rock J = 80
D Dsus2 G6/B Fmaj l3

Gtr. Il (acous.)
*Gtr. I (acous,)
*TWo acous. gtrs. arr. ic: cn: { till otherwise indicated).
Em7 B6(ilt,
r_-J --r (Gtr. llout)
O 1998 YOU MAKE ME SICK I MAKE MUSIC and T C F MUSIC PUBLISHING. lNC.
All Rights forYOU MAKE ME SICK I MAKE MUSIC Controlled and Administered by EMI APRIL l',iUSIC INC
All Rights Reserved International Copyright Secured Used by Permiss or^ 415
c6/9
l. Dark as ros - cs- as- sand.- I fccl your hcal - ing and your
Gtr. I
Bt6(lr r) D Dsus2
gain.- I hcar you laugh - ing and my soul -
got - tcn
(Gtr. Il oul)
416
2nd, 3rd Vcrscs
D Dsus2 Dsus4 c6t9
2. Crawl vy- uP my
3. Eycs ccans. so far-
Gtr. III
*Play all gtr. parts w/slight variations ad hb

when repealed or recalled (throughout t.
D Dsus4 86(lt l)
through my ncrvcs- to my- cycs.- Cuts likc an - guish

a fcath - cr trail- bet tcr- way.- Wor- ricd morn - ings
417
Fmal l3
------\
/F-r\
lcc tlons of bct - tcr days gonc

ln days thcn ln to- wor
I
nights. J
418
Chorus
D Dsus2 Film
(Gtr. III out)
*Hammer-ons in slasbes are performed bl hammering

on apProPnate stg *hrle Iettrne others stgs. nng.
Esus{ {cnd Rhv. Fig. 1)

Bm Bmadd4/A
:
ttt
.- ^)z)^z / /
it's al right.
w/Rhy. Fig. I
D Flm - FlmTFlm Bm Bmadd4/A
find your- way,- thcn you scc lt dis-ap-pcar,
Dsus2
right. Though your gar dcn's- gray,-
tr.;r.bstab - G6 G7
/-/// ).)))
cI.
your-
-
A7sus4
o (cont. in slashcs)
No,- woh, no,- woh,
419
sus4
-
Dsus2 D*r2 D:Ht D Dsus2 D:H,
swcct- sun show -
*Wah off
Dsus2 o:Hl
(cont. on lower staf|

>>
(cont. on uppcr stafl
420
lz
D D:Hi D Dsus2
":$:i
f'
oh. in a swcct
D:x:
(cont. on lower staff)

? 2.-+ -1 ra
(cont. on uppcr staff)
421
Outro
*D ctl,ll
RiffA(Gtrs.III&lv)
H
4..
I
I
I
Riff Al (Grr. V)
s/.
*Chords are implied till end.

**lnclude when riff rs recalled only; lst time tacet *Gtr. V: slight vib. (next 5 bars)
Rhy. Fig. 2 (**Gtr. I)
**Gtr. I is no longer two gtrs. arr. for one
oh.-
Full
_/-\
422
sun show - cr
(end Rhy. Fig l
423
w/Riffs A (3 timcs) and Al
w/Rhy. Fig. 2 (2 timcs)
D
c^--T>.
*Notes to right
of slashes played by bass only'(-next eZi'iars;.
B5
sun show
r/.
w/Fill I
Bm
All vou'll bc- arc
,J
sl.
*For next 8 bars, Gtr. I doubles Gtr. V

wislight rhythmic variations ad lib.
Play 7 times
425
w/Riff A (lst 7 bars only) and A1
*c($4)/Et
*Notes to right of slashes played

by bass only (next 67r bars)
VB
426
Freely
D
Gtrr.
r&v J
a
A
j-_j
427
Today
Words and Music by Billy Corgan
r:spb ebs abs c5 F5 G5 D5

^ XXX
.m6fr XXX
robri XXX
Eln4rr XXX
EE8rr ffrm ffi'rori
ffiffiffiffi
113 134 134
tt++]l
134
ffi
134
i]xll
ltttt
laa t I
134
I ffi
134
Intro
.Eb
Riff A
*Chord symbol reflects implied hmnony (next,1 meas.).
Gtr. 1: w/ RiffA (l 3/4 times)
rbspb sbs B ebs zbs u.bspb Bb5 E Abs ebs

@@
open open
" I ---:
l/l //t /ltt f,l I I I - ltt t I .. I - lll ttt --t/ft t.t
- -
CopyrightO 1993 Chrysalis Songs and Cinderful Music

All Rights for the U.S. and Canada Administered by Chrysalis Songs
s/BD
EbslP,b Bbs
Rb.5 C5 Ab5
t_
?5 nbs abspb
Bbs Ebs/Bb Bb5
sbs E Abs Bb5
3 3 @
: :
lll/llll - 'o /l /"1/llf.f
- /t/llltf/"
- tl/tttfttt/f -:
- ffi !Yt/Yt/w
-'-*-
r!*rr!!,wtt! !!t!tf/t
'\licrophonic ttni.
not caused br
string vibration.
L.To - day ;] i. :-r- dav I've ev knou'n.
Rhy. Fig. I
Ctr. 5 (slight dist.)
_1
f;rl
*+
ryp
- :-- -- == ====. 7-zT
let ring throughoLn
ebpb Bb Ab I
je-rîl.*e aa
a
!-
--
live fbr to - mor -.i
_.rrr_r_
+'++^++
=:r'rr7t;rtr-==
?
+
+
+ +:
+++
429
Ebsus2/Bb
he - fore
End Rhv. Fig. 1
+
r_._
_
+ ++ +
Bridge
Gh. 5 tacet Gtr. ,1: w/ Rhy. Fig. 2 (2 l/2 times)
F5 E Ab Ab5 EC5 E F5 Ab5

@@ @ @
open 4fr open open
more _
grad. bend
430
Verse
Gtrs.3&4tacet
G5 E DD5 Ebsab Bb
@@ ^b
openl0fr
-T-!
=.f t I .. f I I t I I
2. To - day is rhe great - drJ I've nev - er knoun. _
ittivwttttffi
r.b1eb Ebsus2/Bb
I might not have_ that long._ tear
Ebsus2/Bb
+n +
431
EbsEb
\-:/
to cleanse
- the\e re - grets. u'ere bruised and re - strained. - My bel
Abs
l^\
To - day- i'.- to - day- is,-

Riff B End Riff B
lwwm vvvv\t* r* ,r\:-\
+ !!! m S Wvlf !f,! ,/\-\
nw
xg,/ octaver & wah-wah as fi1ter
r!!t!!tft* fttttt* !!!
T -- -- t-T -- --
++
=[-
Gtr. 3: w/ Riff B (3 times)

p,bstsb nbspb Ab5 c5 Eb5lBb
C5 E Abs Bbs pbsgb Rb5 EC5
@ @
open open
,al1
Oo.- ay,- ah
!rl!t/! rylf u^-:1 S t!! t'!! lvvllllt't it'f /^\--^\
octar ei ofi
Bridge
Gi.. :: \\ R-h). FiS. 2 (3 rimes)
E F-i Ab5 C5 F5 Ab5

@
open
) /..-
I \\ant to tum- \'ou on. I uant to lurn _ )ou un.
wah-q'ah ofT grad. bentJ
C5 F5 Ab5 C5 F_5 E
:
a.'
:--/ / /
t'
/ / / / / /"/
J \\'anl To turn you

-
433
0urro
:: l: ri. RiilA (2 times)
G:. ucel Gtr. -l: s/ Rh). Fig. 1tl l/1 timesr
-i
r,b:pb Bbs E Ab5 vbs abspb Bb5

@
Rhy. Fig.4 open End Rhy. Fig,4
t' lll
I I I t// L
/ f I I I I ' ' I I I I I f--f
(Yeah,, yeah, yeah.)
*w/ dist. -
-
Bbs F,bslBb
Grr- 3 tacet
sbstsb Bbs C5 E Bbs

I
open
434
Unchained
Words and Music by David Lee Roth, Edward Van Halen, Alex Van Halen and Michael Anthony
Gtr. 1: Drop D tuning, down l/2 sLep:

(low to high) D-Ab,Db G Bb-E
l
Gtr. 2: Tune down l/2 srep:

(low to high) E -AFDt-cb-Bb-Eb
Intro
ModerateRock;=138
D Dsus4 N.C.(D5) Bb Bbsus4 Bb C Csus4 C Dsus4 D5
+++++ = e
++
=
P\1 ---- I lerrhs-
-+-
Fsus4 F C D: D Dsus4 D5 Bbsus,l 85 D-5 C Csus4 C D5

bi-->
..r'ing-----
- */ tlanger flanger off
--l p.M P.M.----. ----l letring -1P.M. letrins- -- ---.i p.N.l
D Dsus4 D5 Dsus-l \.C.tD5 r
:shtl
-
w/ flanger llanger ofl w/ flanger

P.M.
Copyright @ 1981 Diamond Dave Music, WB Music Corp. and Van Halen Mus c
All Rights for Diamond Dave Music Administered by Chrysalis Mus c
All Righls for Van Halen Music Administered by WB Music Coe
I
BDsus.l BP C C.-- C D5 Dsus4 D5 Fsus4 F
ha, ha,
w/ flanger flanger off

P.M. --- ------l lelring ----- --'lP.M
Bbsus4 Rb
flanger off w/ flanger tlanger off

lerrittg-- ------- 1p.M. letrin.q -1 p.M P.M. -------l let ring
Verse
*D7(no3rd)
Fsus4 F C D7(nolrd)
[. You say not get there from by

ask for per - mis
*ltt!!t/r!
let rtng - - - - - - -- - lP.M.
*Chord symbols reflect implied hmmony (next 8 meas.).

2nd tine. Grr. 1: w/ Fill i
FC D7(no3rd)
tl.ren don't care where I'm go

Here's to your
this my _- chance to fly. Ma1- - be e
-
2nd time, Gtr. 1; w/ Fill 2

l
D-ino-1rd )
__=-------_ I
thin red line. i

nough ain't e nough
bur .1 .
- I
*tmttffi I
I
F!
ffi r*i!v!!ta*t!
Pre-Chorus
G5 G5
F.5
F5 G5 F.5
... . Thought you'd ner, er miss me till fat crt -y ad - dress
-al ai
Harm. - -l
437
G5 A'5 G_i \-i
talk - er, rock - er mur - der
++
Chorus
Dsus4 D5 Bbsus4 Bb C Csus4 C D5
stays the same. Un - chained,

-
dress.
-
-
w/ flanger flanger off let rhq - - )P.M. letring -1 P.M.
Fsus4 F Dsus4 D5
DSuS4 N.C.(D5)
and va hlt the ground run - nln ain't noth - in'

-
-
w/flanger llanger off

w/ flanger flanger off letring- --- I P.M. ,--
P.M.---- ------ ---l
-l
t1-
Bbsus4 Bb D5 C Csus4 C D5 D Dsus4 D5 Fsus4 F D7(no3rd)
7
stays the same Un yeah, ya hit the ground- run - nin'.

2. I know
-
Ietring --i| P.M. letring - ) P.M w/ flanger letring ---:'P.M

P.M.- ---- ---l
438
Guitar Solo
*G7(no3rd)
the ground_ run-nin'.
8va- ----f
,"-d1
f tt -l
Hm. Hm.
w/ bar wlbr
grad. dive grad. dive
-2 tn
Pitch: G D
b,t--) ttllttr/vr/lt^ffi
letring --1 P.M
f/tlttlffrr\A/|ryti!
xChord symbols reflect overall

hmon)' (rext 7 lru.)-
I
!
.ti) qi?i-> Svn -------------
/Y\n
439
I -'--=....--...=-
w/ flanger w/ flanger
P.M.-------- ---l
C Csus4 C Dsus4 D5
Un chained,
-
q ++++
+++-C
letring
=
---i|P.M letring --) P.M P\I ----l letring ---)P.M P.M. - - -l
Dsus4 D5 Bb Bbsus4 Bb C Csus4 C Dsus4 D5
ain't noth - in' stays the same. Un - chained, yeah, ya hir _

-
P.M. ---- l letring ---].P.M Letring --1P.M P.M.-------------l

,-\ ' t----
/-
-J1
the ground- run - nin Woo, hoo! Spoken: Take a look at this! -
I -l -l
VVV VVV
-
+>nlf
{
I
I
a
I
n
Dsus4
,--::\ /'::- -
{
I
Her.- mar.- that- suit- is_ Woo,

l
l
j
w/bar- ----------l
ltt
VV
441
A i (no-Jrd)
Heh, heh, heh.

Spokerr. Come on. gim - mie a break. -
?-?....--...--...---\r---.--...-.-},
l-J
-J----
-3-
442
heh, break, Change,
- - -
i
I
+++++
.
-f
*Vol. su'ell
Chorus
Gtr. 2 tacet
Dsus4 D5 Br I L .L-] r-{ L D5 Dsus4 D5
aa-t.
I
illil t rlrth in :tr\ ! the same Un - chained. yeah, ya hit l
- -
-
w/ flanger llangcr ofI leriirg -- lP.M letting --)P.M. w/flanger flanger off l
P.M. --- ---t P.M.------ - I I
Fsus4 F C D5 Dsus4 D5 El Ei -: C Csus-l C D5
+-+-
the ground run - nin Change, rint nrrth -in 5ta\ s the same. Un chained
/etrirg - 1 P.M w/ flanger llrnger ol i' letrittq -F\:

P,M. ]
443
Dsus4 D5 Dsus4 D5
ain't noth - in
w/ flanger flanger off ring P.M., -

let I P.M. --l
P.M. - -----l
Bb
Bbsus4 D5 C Csus4 C D5 Dsus4 D5
+ +j+r
in yeah. ya hit- the ground- run - nin'.
. /\î"\
let ring - - 1p \l letrin? --|'p.M flanger o11 letring --1P.M. P.M. - -l
444
D Dsus4 D5 cb Bbsus4 sb D5 C Csus4 C D Dsus4 D5
.f .t f^l
+1
lin't noth in' \lay\ rhe same.
L?J
J-
-?J
T T *r**** P.M., l
J+141+,1€
-,
a,+
++ +
+++
P.M.--- -- - l letring ---- 1 P.M
+++++
letri1lg -- -1P.\l
C
Fsus4 C
ib+
+- f- t
P.M. - I
ws ffi
P.M. ]
Free time
,\
_ -r ----
Decrease 1o 3/4 vol.

''Strum w/ R.H. pink!
445
Unskinny Bop
Words and Music by Bobby Dall, Brett Michaels, Bruce Johannesson and Rikki Rockett
Tune Down 1/2 Step
@=er @= r'
@=ci @n
@=r, @r,
t=92 @
,3,,3,
ffi
Triplet feel (JJJJ -IJJJ\ (l5ma)
(Drums) Drums/Bass Harm. 45 N.C.
3 3 ----t
Harm. + t1l2
-2 V2
*Pull bar up
Yerse
A5 N.C.
Why can't you- sit yeah?

r- -t ---r r__J ___.1
r-3 --r
gas-o- line you want to
Copyright O 1990 by Cyanide Publishing

All Rights in the United States Administered by Zomba Songs, a division of Zomba Enterprises, lnc.
N.C.
and leave- me when you get your

rJ--r
Pre-Chorus
Ev'- ry time touch vou. vou gei hot.

Er r----i--r
I want to make love. )ou ne\' - er stop. Come up for pull me to the floor. Jusl
Chorus
A-5
C
\.C
what's been _go- ln_g on in that head o1 r ours.r

Un skin -ny
447
(l5ma)
mea- Yeah. Un bop, bop,

P.H -
a
sounding
P.H.
tull
D5
night and Un skin- ny bop- bop bop- bop,ruo

15ma
P.H P.H
sounding
6111 pitch F$/E
P.H.-
rocoda$
Un-skirny bop, noth-in' more to say.
Verse 2
Guitar I conl *'ith Figure 1
A5 N.C.
fun-
448
Love bite got you act - ing oh so strange.
got too man-y bees in your hon - er
just an-oth-er word in vour page, Eu-ry
$,G5
coao Bridge
D:
449
Well, hon - ey, I can
ya. _ We'll see who's rid-in' who at the end of the race.
Guitar Solo
A5 G5 D5
a// ) )
P.H.
_ l5ma oco
loco ?-
-------
r-r--::}a R=r
-
*Pull bar up.
450
A5
8va ------- -
Fi- r-3^> :--.'-----r F{---- n r\,.\,/\ ,.\n r\,r\
r-3-r D5
A A A A---\
ztp.tc.? pt t- t2 ,-. ' ii: l-;-
tull tull tuil tulI
))))
)
i,"
+
-
trtrat's left?
451
Chorus
A5 N.C.
night and day yeah.- bop- bop

-
she just loves to play.- Come up for air, pull me to the floor. p.H.
r-J -,----r
'::i. ad lib till end

Harm.
J ---_r x
LrrJ '
|--J-.--,]r-J_--T_-J-
(15ma)
tull
453
T':'\j-r I :1
G5D A5 N.C.
Figure I ,A5 N.C.
r-J-r -r-r r-3-1
=)
N.C.
7-3 ---'r
r-J .'- G5D A5 N.C.

r-3-r
-lF-J -lr-J
454
Walk Away
Words and Music by Joe Walsh
A A5 A,5 'pen G/D Bm/Ff
Gr,,
t**t#
r[]T5fr
t+*+H H
xo xx
ltlttttrtt
,Ll+Jl-l
xxooox
trFtr
$+|H F++l+ H+H-i
13421 I 13,1 lt
Tune Down l/2 Step:
O=ul @=or
@=ur @=ou
@=or @=ut
Intro
ModerateRockJ =104
DA D D A D D A5
Rhy. Fig. I End Rir. Fig. I
*-
lltlat{,i+aa.ttlt
-----:----:..-
+++
t/t+a!}ta/La/t/}/\/l./} ta it ,rl,.A/r,a
ff v""r.
Gtr. 1: w/ Rhy. Fig. 1 , 7 tines
Gtr. 2: w/ Fill 1,2nd tirne Gtr. l: w/ Fill '1, 3rcl time (see next page)
A D A
l. Tak . in' m) time. choos - in' my line. try'n' de cide

to what to do.
2. Plac- es I've known.- - things that I'm grow --in' don't the same-
taste with out-
-
Think in' some words. I can't blarne-
cool m1 - sell down.
- stomp - in' a round.
Gtr. 2 -
-
^------\
Copyright O 1971 SONGS OF UNIVERSAL, lNC. and HON/E MADE r.''lUS C ::

Copyright Renewed
All Rights Controlled and Administered by SONGS OF UNIVERST- ',:
All Rights Reserved Used bv Pe.riss o' 455
Looks like my style, don't wan - na get off.
I got my self in - the worst mess I been
Meet ya half I got -
way. noth - in' to say,
- - -
Chorus
Gtr. 2: w/ Fill 2, 2nd time Gtr. 2 tacet
AA.5 N.C. Ffm
/rl l-l
tt/ I
) )c
(cont. in notation)
got my self hung up on you._ 1., 3. Seems to

find my self start -- in' to doubt you. 2. Seems to
still I don't s'pose I can blame - ya,
-
-
456
F$m7 F#-
wan - na talk a bout _ Seems to turn \oul oret - tv head

mad here come
you Just and *,alk a -
the morn Seems to you just for - get what was said _ and greet the
End Rhr. Fig. -i
let ring - - - __, _____ _-_

__ _ l
oDcn T.. C,.i; Q

A5 ' C/G
Rhy. Fig.4A
G,D
f) r '//
Eni Ri\. J\
Fis.
way. _
dav.
Rhy. Fig. zl
'-'-\
\-/ ---/
Guitar Solo
.pen Gtr. 1: w/ Rhy. Fig. i , 7 rimes
45 D A DA D
/ (conl. in notation. lnd rlme)

Rhy. Fig.5 End Rh1. Fig. 5
Grrs. I & -: dl:r ,-\ f,1,1+1.
t-1 t |*& .^-.s
Letring -------- - ___ ____ _
457
Gr. 1: qr Rhr . Fie. l
A
Chorus
Gtrs.2&3tacet
F{m FfmT Ffm
you don't

Gtrs. 1 & 2: w/ Rhy. Figs.4 & 1A Gtr. 2: w/ Fill 3
A5 A5
turli i.rui f:at - t\ head- and walk a
458
$ Coda
0utro
Gtrs. I & 2: w/ RhY. Figs 4 &'1A
last meas only Gtr-q. I & l: rv/ Rhy. Figs.4 & 4,A.,4 times
Bm/Ff G,D A5
Gtr. i: \i Ri:: \' :

CIG G/D A5
cll. .1 (fuzz)
Riff A
Begin Fa'3t
Bnr'Fi G/D A5
-1/)
-1 . '-
:^^^^\
Fade Out
GD
C ='-\
_,--
I
Wasted Years
Words and Music by Adrian Smith
Inrro
\Indcratefr Frst Roch ) = tSZ
End RiffA
Gtr. l: w/ Riff A (l% rimes)
Gtr 2 (dist.)
T'UO\--/ \--l
,rf
Copyright @ 1986 by lron Maiden Holdings Ltd.

All Rights in the world Administered by Zomba Music Publishers Ltd.
All Rights in the United States and Canada Administered by Zomba Enterprises, lnc.
460 lnternational Copyright Secured AII Rights Reserved
1. From the coast of gold,-
PN,l -----l
PM ---l
and wide.-
PM ----l
*3-::. :
now lt self.
-
461
/+\
and all the thlngs do.-
PM. --.J PM. ----l
D5
An-oth-er
h. \\
t'- }J)l )
night
-
PM ---l PM. ---l
462
Ain't it fun - ny how it Iou ne\' - er
PM ---l
till it's gone a - way,-
PM. ------l PM. ----l
CmajT
and will be my d1 - ing day.-
PM..I PM. ----l
S.nnr,r.
Rhy. Fig.2
463
End Rhy. Fig.2
Gtr 2: w/ Rhy. Fig. 2
G5
make your stand. And
I st time, Gtr. 2: w/ Rhy. Fill 2

To Coda I#
Csus2
To Coda 2 #
-
re-al t7e- tiv - ing ln- the en- vears.
Verse -
Gtr 2: w/ Rhy. Fig. I
D5 E5
tlme- my gol !,ou my
paln,- ly.-
CmajT D
I-3------r
When you find the words say,- it's hard to
464
make through an-oth - er day.
me wan - na cry,
- Gtr 2; w/ Rhy. Fill I

G5 Cmaj7
D.S. al Coda I
and throu' m\ sky.-

0 coda 1
Interlude
Gtr l:w/RiffA(6times)
c,rr ) Em
Ritf Ar
_== .UUT'
--- ---
End RiffA1
Rhy. Fig.3
465
End Rhy. Fig.3
Guitar Solo
3--: I E5
AAAAAAAAAA .1
Al -1
w/ bar
AMAAAA
466
aYar-. /T_-']ry>n1 A---^>- MAM
AAAA A,\\\\,\\\\\\\\\\\\\
!!f
.l
---\..--4
t/yyyyyy! -I
--."-.--\^.
fti'}vt'l! llr
467
Chorus
Cir. l: rr'Rhr.F.. I l -r
G5
So. un-der-stand.-
tttttAtlttt i--i-----r --X- _?_

: ? t .- t:t 2. a AA A AA AAA AA AAAA A A MAAMA
w/ har
rt|+ttt|li AAAAAAAAAMAAAAAAAAA
Gtr. 1 tacet
E5
tlme- al - ways search - ing for- those ed- years
A5
you're
Csus2
D.S. al Coda ]
liv - ing tn- en-
O coau z
Outro
Gtr. l: w/ Riff A (Zlztimes)
Gtr 2: w/ Riff Al
468
Whatever
Words and Music by Sully Erna and Tony Rombola
D5
Drop D tuning, down 1 step:

(1ow to high) c,G-c-F-A-D
Intro
ModerateRockJ =122
Gr. I racet
G5 D5 N.C D5
** Rhy, Fig. 1 End Rlrr. Fig. I
mf
Grr. 2 (dist.)
(sound effects)6
- T=
1=
P\{
PM - -.r
*,' refers to boih gtrs
\-erse l
Gtrs. I & 2: w/ Rhy. Fig. l. 8 tines

D5 N.C. N.C.
1. And day to I- don't- like- I

r'ou
- - I
N.C.
I don't need your shit day.

- l
- I
D5
\-ou re your _
-
Pre-Chorus
D5 Abs
,--=:-
CopyrightO 1998 UNIVERSAL MUSTC CORp., MEEENGYA MUSTC and HAMMEROLAW

All Rights Controlled and Administered by UNTVERSAL tVUStC CORp.
All Rights Reserved Used by permission 469
be - have.
Chorus
D5
do - ing the best do - ing the best that I can.

- -
Rhy. Fig.3
did
End Rhr. Fig. -1
Interlude Verse
Gi:: -il ii. LJ times Gtrs. I& 2: w/ Rhy. Fig. 1, 7 times
D5 N.C.
N.C
vou _ are _ my _ pets _ all _ the time don't mind
470
Gtrs. I & 2: w/ Rhy. Fill I
D5 D5 N.C. D5 N.C G5 F5 E5
ri1.
you _ go blind. You get what you get un - til you're through wilh my_
Pre-Chorus
A Tempo
Gtrs. I & 2: w/ Rhy. Fig. 2, simile
D5 Ab5
lif'e. reei tbr

rBet - :er tuck - in' go a - way.
l::. . il ; Rhr.Fill 2 -
C.: F5
)C -----.
, -!j i:\
_)
Gtrs. I & 2: w/ Rhy. Fig. 2, sinile
D5
B;t - ter luck - in' go way. _
Gtrs. I & l: rv/ Rhy. Fill 2

G5 F5
)c ---/
s ill YOu bet - ter so a - way._
-)
ff crto.o.
Gtrs. I & 2: w/ Rhy. Fig. 3, simile
D5 Ab5 Abs
do - ing the er do - ing the best that

-
Rh\. Fill -l
C::. -! l
471
I
Grrs. I & l: sl Rh1. Fi1l .3
N.C. F5
er did, go_ a - wav.
F.5 D5 G5 F5
do - ing the best CI did. _ T'M do - ing the best that I-

- -
To Coda $
I'M do - ing the best _ er did, go_
Interlude
Gtrs.1 &2tacel
D-)
uot/
':g End Rh.r". Fill 4
/
P.!t. _ _ _.1
Gtr.2
do - ing the best _ that I-
(Go
P.M.- -- -.r
------T
do - ing the best _
-
.E
t
aCJ
PM---.r =
do - ing the
PM. -- P.M.
-.r
-- -.r
$ coaa
Outro
Gtrs. I & l -{_ --:: -:ima\ Gtrs. 1 & 2: w/ Rhy. Fig. l, 3 times
D5 \.C D5 N.C. D5 \C
plal 4 times
I
,1
I'm do-ing the best - I er did.

(Yeah Yeah.) (Go 3 - i:l
-
-
do rng the best that

-
473
)
Woman from Tokyo
Words and Music by Ritchie Blackmore, lan Gillan, Roger Glover, Jon Lord and lan Paice
[ntrl
\|,:-derate Rrr.ck r = 126
\.C. Esus4 E Esus4 N.C
Gtr. 1 (dist.)
mf
w/ pick & fingers Letring_ _ i
Esus4 E Ffs Gs
v|'Yl|$r A ^ rr
flutter bar
(r1A[$AAAAA xT
'$ letring - -.
*t=thurbon@.
N.C. Esus4 E Esus-1 E

Rhy. Fig. I
echo off
_ O 1973 (Renewed 2001) B. FELDMAN & CO. LTD. rrading as HEC MUSTC
All Rights for the United States and Canada Controlled and Administered-by GLENWOOD MUSIC CORP.
474 All Rights Reserved lnternational Copyright Secured Useh Oy permission
Verse
"G Fsus2/G Fsus2/G
1. Fly in - to the sun. _
L.l nng throughout
Chord symbols reflect overall tonality
Yeahi She is a ri hoie rra - cli-tion Owl I iee- it in nt\ hean

-
\ Chorus
Gt. l: w/ Rhy. Fig. 1 . I .l limc
Ctr. I: w/ Rhy. Fig. I . I st 7 nreas.. lru s :i iimi\ Gtr. 2: w/ Fill 3. 3rd tirnc
N.C. F,suszl F- Esus4 E Esrrs4 '
wom - an tiom To She makes see, _
y - lrlrtArtrtr$
rJ
r lirt'ttutrtut'++!+11+i aa/t^,t
a,aa ,ta AA'!

.^ -/\ A-.\^.
'e a- ^ 2 1s-
^. ,a,2 1, . (.)
IA ,.AA'i'.'
475
To Coda I $
To Coda 2 $
Gtr. I : w/ Rhy. Fiil 1. 2nd time
Gtr. l: w/ Rhy. Fil1 2, 3rd time
E.u s{ Esus4 E
;\ ---:-.--
\Il u om-an from To She's so good to me.

-
G7sus4 Gsus4 G Gj -
a- bout her like a queen. danc a east ern dream.

8va . . . . . . . . -. . -. .
.-r_tA AÂ Att$,t
3
-'-- ==\
-\
--.-
pitch: C
N.C, D.S. al Coda 1

a------...-=.--
Yeah. shemakesme feel a riv - er,
i) /> /\^
,/\a-
t-t ?0?h) i. r- 1i. i/t.t/tl/yt/ta ,{> .lf
ian
.laaA^/r
^..!
Rhy. Fill 2
Gtr. I
476
@ coaa t
Gtr. 2 tacet
Gm7
When I'm at home an' I, I just don,t _ be - iong.
r A /ti/l|AA^ ,.,
p
- w/ bar
let ring throughout *TAA A

Âa
den
-
moves _
477
--'-:-;::.
DsurJ C
a- a- O
,_
-- l
Gtr. 1: w/ Rhy. Frg. l. simrie
Gsusr{
7-ffi
I
Yeah. she turns me
$ coaa z
Gtr. 2 tacet
6
c
480
Guitar Solo
C
tÂ ,t aA^ n aA^ A /t/!

G n /^.
I.\ I + 4 2l"
â^
tA I \t2
^/t/! r iAAAA^,l
Chorus
Ctr. l: w/ Rhy. Fig. 1. lst 4 meas.,2 times. 5imi1e
Esus2 E Esus.l Esus.l
My wom - an from To ky - o.- She makes me
E
Esus4 E Esus.l E
>\ ----.--
My wom - an fiom To ky o._ She's so good to_ me._
Outro-Chorus
Gtr. l: w/ Rhy. Fig. i, lst 4 meas.. 4 tirnes. simile
Esus4 E Esus4 E Esus4 E Esus4 E Esus4 E
Voc, Fig. I End Voc. Fig. 1
Ja
(My wom-an from To ky o._

Bkgd. Voc.: w/ Voc. Fig. 1, till fade
Esus4 Esus4 E Esus4 E Esus4
+I
My wom - an from To
Begin Fade
N.C.
w/ bar
P M.- PM -1 -l
--r
- -.r
P.\I
Fade Out
481
/
Wrong Way
Words and Music by Brad Nowell, Eric Wilson and Floyd Gaugh
Verse
N{oderatell r = 116
F.
letring -- ------i letring - - - - - - - - I
* Key signature denotes E Mixolydian ** Chord symbols reflect implied tonality
lerring-- __aletring _-_rletring_
Verse
Faster.] = 1.{8
*, ,A5
ll get paid. It's the wrong way. - 2. I gare her all that T had to glve
Rhr. Fig. I
' Ke1 sipnrturc denote: A Mirllldirn.
Copyright O 1996 SONGS OF UNIVERSAL, lNC., GASOLINE ALLEY MUStC,

LOU DOG PUBLISHING, FLOYD l. cAUGH lll PUBLISHING and ERtC WTLSON pUBLISHtNc
All Rights Controlled and Administered by SONGS OF UNTVERSAL, tNC.
son - na make to live.
- Sog-gy tears run-nin' down to her chin and
ru-ins up her make - up and ne\ -er \\ant A cig - a-rette
End Rhy. Fig. I Rhy. Fig.2
lat nng _I
x Ker signarure denore: F{ \liro1rdian.
star- in' at her tit\, it's the wrong way._ Strong if i am on-lv a man soT
take her to The can she's ev - er had is her

had to give; she
-
End Rhr. Fig. 2
ix+
letring- - - - -;
r Ke)' signature denotes B \1i\o1] dr-
483
I
her drunk ASS He need - ed mon - ey so he
Whoa, Her tuo broun e1es are lea| - ir'
ro Coda$
her on the streel thing was dav she met

a sieve
-
End Rhv. Fig.3
Hap-p1 are you sad? na shoot your dad?
Rh1. Fig. .l
to make it right. Be - liere me. shit \\,as tight. It was the wrong way.-
Fi,nd Rhy. Fig.4
484
Verse
Gtr. 1: w/ Rhy. Fig. l, simile
A5
4. Don't run a-wa\ 'cause I ain't here to make vou oh no
do Spend some ln A-mer-i
T:-:,r.b":ne Solo Verse

: i-:r. Fjg. l. simile
Gtr. l: w/ Rhy. Fig. 3, simile
:! E B5
dub str l: 5. She'Il give you all that she gol to gr\ e. _
-
B5
I'm gon - na make live. Big salt - y tears rol - 1in' down to her chin, and it
- -

E
her mak; So fan a-way and I'm
t..
;-
sor - rv when ..'. -:: :1: to this dar. ii \[ t,]n,- !t 2\'
She took not be - cause she on - ly wants the
-
ficoda
:: ;. f
D.-{ ,,dr:
ru-ins her make nev - er want
485
/
:- //
Ziggy Stardust
Words and Music by David Bowie
G Bm C B CfD Em
fr
J
-F?rl
..]...]..nTfr
t+J+#
F]-HN
m'o
FIH+
ffi'nFti-+N
ffi'-
r-r++H
ffi'n" #
Ft+Hl
F}H+]
tjilll 134111 ll,12ll 13121 I rl.12ll 134211 12
A Am G5 F5 D Dsus2 E
go
ffi ffi ffi ffi

Fr|]ll aII:m
m'n
+t+N
tffiIl5fr
H,l+l-l
t+##
H+H]
FLl+N FII+N H+FH FI++N
13,1211 I341 I 1 134 134 132 13 231
Intro
Moderately J = 84
*G
Rhy. Fig. 18
' Chord s; mbol. rrtlei; -;r:: :r. :r
@ 1972 (Renewed 2000) EMI MUSIC PUBLISHING LTD., TINTORETTO MUSIC and MOTH MUSIC
All Rights for EMI MUSIC PUBLISHING LTD. Controlled and Administered by SCREEN GEIVS-EMl MUSIC lNC.
All Rights for TINTORETTO MUSIC Administered by RZO MUSTC
All Rights for MOTH MUSIC Administered by CHRYSALTS SONGS
End Rhy. Fig. I
End Rhv. Fis. 1A
l(tring- - - -- -- --l letrin,s- -
Fnd Rtr1. FirE- lB
-l
Verse
GBm
Rhy. Fig.2
"r:) ) ) ) / / / / ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
L Now Zis - qr sul - tar. _
ttl
r--
tara{,fl AAAa
487
Tf
I
C$
mmm /
|-:
tllt
.::; rhe Spi - ders from
Gu. i racer
Em
1)))
--:-
))))D) D )--:D) DD, /- D ) D) nD) )- D
---
too far. Be-came - the spec-ial man. _ A. then we were
-
*Gtrs. I & 4
Laaa ,a{'t ,ra ,ta
^ ^
-=- /
Ham.- - - - - - - -l
Verse
Crr. .l: rr/ Rh\. Fig. 2
G Bm7
rTfnffin End Rhr. Fig. 2
---- /
Zig-gy's band 2. Zig-gy real - ly sang, _ scre\\,ed up e)/es - and screwed down hair -
like some cat liom Ja - pan. He could lick 'em he could leave 'em to hans.
-
t^,lr^Âa
489
,/
\ cno*.
\m C5 F5EF5EF5E F5 G5
Rly. Fig.3A
@@@ open
open open End Rlt,r. Fig. -1.\
Gtrs. 1, 2 & 3: w/ Rhy. Figs. 3 & 3A (2 tirnes)

Am G5 EF5G5Am
while the fly tried to break our bal1s'l Just the beer
- light to guide-
Zig - gy sucked up in - to- - his mind. Oh. Like a lep-er mes - si
-
-
F5EF5EF5
mil
Dsus2D'P"' E
) Yl ) ) / / / / ) ll
- -
-j
So we bitched a - bout
- his fans _ and should ri e crush his sweet hands?
When the kids had killed the nran. I had trl break up the band.
-
-
490
Interlude
Gtrs.1.2&3: To Coda
w/Rhy. Figs. l. 1A & 1B $
GD Cadd9 G,ts G/A
\fmm
Verse
Gtr. 3: w/ R}ty. Fig. 2
G C cf
3. Zig-gy played - for ing us that we were voo The kids were just crass.
-
-
w aÂ+ft!ttt+t++t+
w t/lA^,a.t ,fa rr *i<E

Â^,fr.t.+
w
- Grr. I to the left of slash in tab.
let ring lhroughoLlt
he NAZZ * ith God ASS. He
- -
aA/'lA,t i.vta+ w
.AAA,I w
491
/
D.S. aI Coda
S coaa
Gtrs. 1,2 & 3: w/ Riy. Fies. l. 1.\ & 18 (lst 3 meas.)

G D Cadd9 G/B G/A
ri ^? 'f
Ztg - gy played gui

Gtrs. 1,2 & 3
A==:-=-
\--
---z
492

The Humongous Guitar Songbook (Guitar Recorded Versions)

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'\

\\-har else should I be?

@ 1993 EMI VIRGIN SONGS, lNC. and THE END OF MUSTC

I don't have the right. What else should I

----T- (Gtr. 2 cont. in slashes)

2nd time, Gtr. l: w/ Rhy. Fill I

Gt.iAm AmTsus4/G Am7/G DTEI

Am7 AmTsus4/C Am7/G DTIFI

w/Rhy. Fig. I (2 times)

gon - na leave vou.

Am7 AmTsus4/G Am7/G D7lFI

- Dy, vou know

leave _ you when the sum - mer _ comes _

Am7 Dm(add9) Am7 Dm(add9)

by, mm, ba- by I

Am7 AmTsus.liG .{m7lG DTIFT

wan - na leave you._ jok in' _ I've got

AmTsus4/C AmTlG DlIF)

Ba - bv. ba I will leave vou. (I've) real - ly

ram ble. _ I can hear it call - in' me _ the way ir

Dm(add9) Am7 Dm(add9t

Am7 Dm(add9) Am7 Dm(add9)

Rhy. Fig. 3 (Grr. t)

*/Rh1. Figs. 3 & 3A (borh _t times)

Am Am7 Dm(add9) Am7 Dm(add9)

got- ta quit you. _ ieah. _

w/Rhy. Figs, 3 & 3A (both 2 times;

Don't you hear _ it call - in' me? _

Am7(sus4)/G Am7/G DIIFi F F,

8t'a --------- ----N-'

Am7 Dtadd9t/F; FmajT E

w/Rhy, Figs. 3 & 3A (both 2 times)

My' my, m).my, babe, I'm gon - na leave you,

So good, sweet ba b:. _

It was real - ly, real - ly good. _

You made me hap- py ev-'ry _ sin- gle

*3) L3.: -3- 13- L3) -3- L3J

w/Rhy. Figs. 3 & 3,A (both 4 times)

said that's when it's me back

FH+fi ffi'"ffi''' ffi* ffi"' ffi''' ffi'" ffi'*'m'"

Double - timeJ= 208

Eb5 Et5 D5v C5 D5\,

Copyright @ 1987 by NFP Music

you'll know what to dr your face they

you.. . Take it. up their

gres - slon the screws.- Fight! Take your piece and

@onen @ "p.n ,(type 2) @open

hold it. Make your plece and

@open (type 2) @opeu @ op.n (type 2)

G5E C5 E5E G5E F5' C5 85 E5

> P.M.------J >

you know what it Wake

dic - tate and con - trol you. Hold on to your I

de . Down law and no one owns-

and all shit they've thrown- you

bitch. Noth-ing's ev - er eas- y when you do it your-self._

all. Life can real ball. State of mind.- Eu

pho n-a. Be all, and you'll be the end

Think_ your feet and

@own @oP"n @op"n

stay one step a

Take their mind and.. . Change at-tl

Iikc you'd chilngr your sh orts. Right I In your ta cc thc)

!_-i-^>_-!=-J _ __----\ -,.1 :-..